Pratica di Shadowing: Shadowing English with Sabrina Carpenter | American Accent | Shadowing exercise - Impara a parlare inglese con YouTube

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When I started writing songs,
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When I started writing songs,
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I was ten years old.
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When I started writing songs,
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I was ten years old.
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When I started writing songs,
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I was ten years old.
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And when you're ten, you don't really think about reception or perception.
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And when you're 10, you don't really think about reception or perception.
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And when you're 10, you don't really think about reception or perception.
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You're just like, this sounds good.
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I like this.
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I'm brilliant.
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You're just like, this sounds good.
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I like this.
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I'm brilliant because I'm 10.
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You're just like, this sounds good.
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I like this.
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I'm brilliant because I'm 10.
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And I think when I went down the rabbit hole of forgetting
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that essence and I think when I went down the rabbit hole of forgetting that essence.
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And I think when I went down the rabbit hole of forgetting that essence.
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It's, test Alguns of my Perfectities is probably where I went wrong for a few years of my life.
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It's probably where I went wrong for a few years of my life.
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It's probably where I went wrong for a few years of my life.
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I signed with a record label when I was 12,
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which was not weird at all.
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I signed with a record label when I was 12,
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which was not weird at all.
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I signed with a record label when I was 12,
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which was not weird at all.
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And if anyone will try to tell you what a hit is
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And if anyone will try to tell you what a hit is
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And if anyone will try to tell you what a hit is Love you,
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its a record label Love you,
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its a record label Love you,
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its a record label I was always sort of told,
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you just need a hit song and then you're set for life.
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I was always sort of told,
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you just need a hit song and then you're set for life.
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I was always sort of told,
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you just need a hit song and then you're set for life.
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It's like a thing they put in your brain.
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It's like a thing they put in your brain.
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It's like a thing they put in your brain.
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But that's like no way to approach creativity,
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and it was kind of something that...
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But that's like no way to approach creativity,
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and it was kind of something that...
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But that's like no way to approach creativity and it was kind of something that
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I guess caused me some issues for a little bit.
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I guess caused me some issues for a little bit.
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I guess caused me some issues for a little bit.
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Just in making something that felt authentic to me.
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in making something that felt authentic to me.
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Just in making something that felt authentic to me.
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And it's the easiest way to write a bad song is to try to write a hit.
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So.
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And it's the easiest way to write a bad song is to try to write a hit.
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So.
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And it's the easiest way to write a bad song is to try to write a hit.
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So.
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As time went on, I learned the way to make music I loved.
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As time went on, I learned the way to make music I loved.
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As time went on, I learned the way to make music I loved.
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Copyright D Snap this article is about 90% Commitivity forared ALEC
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ad If you write what speaks to you,
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you write what only you can write.
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You write what speaks to you,
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you write what only you can write.
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You write what speaks to you,
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you write what only you can write.
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Something that if someone else tried to recreate it.
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Something that if someone else tried to recreate it.
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Something that if someone else tried to recreate it.
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It would just, it would feel forced or inauthentic.
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it would just it would feel forced or inauthentic it would just it would feel forced or inauthentic
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and you write the music that you want to listen to yourself
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and you write the music that you want to listen to yourself
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And you write the music that you want to listen to yourself.
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When I started writing songs,
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I was 10 years old.
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And when you're 10, you don't really think about reception or perception.
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You're just like, this sounds good.
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I like this.
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I'm brilliant because I'm 10.
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And I think when I went down the rabbit hole of forgetting
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that essence is probably where I went wrong for a few years of my life.
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I signed with a record label when I was 12,
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which was not weird at all.
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And if anyone will try to tell you what a hit is,
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love you, it's a record label.
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I was always sort of told you just need a hit song and then you're set for life.
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It's like a thing they put in your brain.
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But that's like no way to approach creativity and it was kind of something that,
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I guess, caused me some issues for a little bit,
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just in making something that felt authentic to me.
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And it's the easiest way to write a bad song is to try to write a hit.
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So as time went on,
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I learned the way to make music I loved is to write the opposite of whatever you think a hit is.
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You write what speaks to you,
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you write what only you can write,
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something that if someone else tried to recreate it,
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it would just, it would feel forced or inauthentic.
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And you write the music that you want to listen to yourself.

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Informazioni su questa lezione

In questa lezione, imparerai a migliorare le tue capacità di parlato in inglese attraverso una pratica di shadowing con l'artista Sabrina Carpenter. L'esercizio di shadowing ti aiuterà a migliorare la tua pronuncia, il ritmo e la fluidità. Concentrandoti sulle ripetizioni delle frasi e sull'intonazione, potrai assimilare nuovi vocaboli e concetti. Inoltre, esplorerai come gestire l'auto-percezione mentre sviluppi le tue abilità linguistiche, proprio come Sabrina ha fatto durante il suo percorso artistico.

Vocabolario chiave e frasi

  • Hit song - canzone di successo.
  • Record label - etichetta discografica.
  • Creativity - creatività.
  • Essence - essenza.
  • To sign - firmare, in riferimento a un contratto.
  • Reception - ricezione, percezione.
  • Brilliant - brillante.
  • Rabbit hole - una situazione complicata.

Consigli per la pratica

Per sfruttare al meglio l'esercizio di shadowing con il video di Sabrina Carpenter, segui questi consigli pratici:

  • Ascolta attentamente. Prima di tentare di ripetere, ascolta il video più volte per familiarizzare con il tono e il ritmo della parlata. Prova a cogliere le emozioni e l'accento di Sabrina, che sono fondamentali per emulare il suo stile.
  • Ripeti a bassa voce. Inizia a ripetere le frasi in modo silenzioso, poi prova a dirle ad alta voce seguendo il ritmo. Questo approccio ti permetterà di migliorare la tua fluidità senza sentirti sopraffatto dal testo.
  • Pausa e ripeti. Utilizza le pause del video per fermarti e ripetere le frasi. Questo ti aiuterà a costruire la tua curva di apprendimento e ad accrescere la fiducia mentre pratichi nel tuo shadowing site.
  • Registra la tua voce. Registrati mentre pratichi e ascolta la tua pronuncia comparandola con quella di Sabrina. Questo ti aiuterà a identificare le aree in cui puoi migliorare.
  • Sperimenta con nuove frasi. Dopo aver padroneggiato alcuni estratti del video, sfida te stesso a utilizzare il vocabolario appreso in altre frasi o contesti. Utilizza piattaforme come shadowspeak o shadowspeaks per confrontarti con altri studenti e ampliare ulteriormente le tue capacità.

Pratica regolarmente questi esercizi di shadow speech e osserva il tuo progresso nel parlato in inglese. Buona pratica!

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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