Pratica di Shadowing: Lady Gaga - Interview for MSN Canada (11/19/2013) [Full] - Impara a parlare inglese con i video
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192 frasi
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1
So how did you decide this?
2
Oh, I don't know.
3
I like wearing white sometimes.
4
It feels very pure.
5
Is this for me?
6
Do you have like 20 outfits that you go through and say, I feel like this right now?
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Or do you pick them up the night before and say, this is for tomorrow?
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Oh, well, you know, I've just been changing for each interview to, uh, you know,
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um, I guess my way of saying thank you to all my fans here in Canada that I really miss them and, um, besides the one way I can say thank you, which is just thank you,
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uh, I just wanted to wear something different for each interview and I don't know, I was, I was feeling like a white pantsuit might be nice for this occasion.
11
I appreciate it.
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Especially with your, your Abbey Road shirt.
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It's got a little bit of a blank there.
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Bleeding keys, it's really nice.
15
So Old Gaga, we were just talking about that a little bit.
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You tweeted the other day that you've had that on your head for a while.
17
Yes.
18
So did you have all the ideas?
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Were these all your skits?
20
No, no. They have amazing writers there at SNL, and they do like 50 skits a week of brand new writing every week.
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And it was just sort of the one idea that I brought to the table, and I had had it in my mind for a while.
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And the writers helped me bring it to life.
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They wrote a script from the ideas, and we just worked together, and I got to do it with Kenan, and I loved doing it.
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We were laughing and having a great time.
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It looked like it was fun.
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Even the performance looked like it was fun.
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It looked like, too, like Art Kelly was really trying to perform for you.
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You could see it in his eyes.
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He was really trying to please me.
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Yes.
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He's awesome.
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He's just an amazing performer, and it's been such a pure, real collaboration.
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We both really love the song and feel such a,
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I think, connection with one another over feeling like people write a lot of untrue things about us.
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And the song Do What You Want is all about being yourself
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and knowing truly who you are and knowing
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that your body's just the vehicle for your work and that your heart and your mind will always be protected by you.
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You just shot a video for it too?
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Yeah.
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Can you say anything?
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Do you want to keep it?
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Um, it's a fantastic video and it's a little longer than usual.
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We did a little storytelling, me and R.
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Kelly together.
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And it's a powerful video.
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I really love it.
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It shows me in a very, very raw side as well as him and then it shows us completely beaming
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and smiling into the camera as two very passionate performers.
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And I think it's sort of the juxtaposition of all these worlds and all the different Lady Gagas and R.
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Kelly's that you think you know coming together through the eyes of Terry Richardson.
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Is it going to debut on this Gaga TV on the app?
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Because I downloaded the Art Pop app yesterday, and there's two sections that are still locked.
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So what is Trackstar and Gaga TV?
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Well, the app in general, the ArtPop app, this is a creative process app.
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This is an app where we're inviting you to come inside our minds
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while we're in the middle of building and changing something over the next five years.
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So the app begins with an experience with Petka as she introduces you to the world of ArtPop
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and you generate your aura, which scans you and the light in the room.
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It also scans your interests as you choose them on the application, and then you can give them your location if you like,
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and then you get this aura that's a light source that changes over time, depending on how you interact with the app.
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And then there's Art House, which is a GIF -making program, which is going to continue to get upgrades every couple of
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weeks as we start to see how the fans engage with it, how they're learning how to use it.
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And then TrackStar is something that will be out in a few months
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that is a musical engineering system where you can actually use the stems from the album to make music.
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And then Gaga TV will be a more interactive way for me to share things with the fans directly through the app,
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for example, performances or debuting songs, all sorts of things.
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So the app is really a way for you to just engage in my creative process as me
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and the House of Gaga go on this app journey together.
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Talking about the stems of the songs, I want to know, I'm a bit of a sound geek.
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Cracks in the speakers on this record that you've created?
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You've created like some sort of crack?
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You can crack my speakers or you crack speakers to make sounds?
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I can crack your speakers.
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Sounds dirty.
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But how does one crack speakers?
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Well, it's really just about playing with frequencies when you're in the studio, when you're listening to how the instruments bang against the speakers in different ways.
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You know, with electronic music, you can really ride and gain things in like tons of different ways.
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And I spent a lot of time, like when I was working on Venus, on making this like really, really gooey bass line that is kind of wrong.
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But when it sits there in the right spot, it's just the way it smacks against the speakers and the way that it creates this, you know, boom, boom, boom,
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boom, boom, these sounds, it's just so futuristic and so otherworldly.
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And so I spent a lot of time experimenting with Sonics during, you know, it's a very psychedelic pop record.
82
You said the live show is going to feel like the album cover looks.
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Yes.
84
How so?
85
It's going to be explosive and fun and everything that you love about where I began and where I am now.
86
It's going to be a total rollercoaster through my life, and then it's going to be a moment, an experience.
87
It'll be a nice thing I'll never forget.
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My shows always are.
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I work year -round to make sure that we put on the best show we can, and I go out there every night and give it everything I have.
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So the show will be what it always is, which is my heart, my heart and my hands bleeding for you to take.
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Knowing that, do you write with the show in mind, knowing there's going to be theatrical elements to the song?
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Sure, always.
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But I'm a theatrical performer as well, so this is something that has always been a part of my music, and it's been, you know,
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I think what the definition of art pop really is and putting art in the front, and this has been something that I've been doing since the beginning of my career,
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letting my references really be on my sleeves and showing my adoration for the history of art and the history of music.
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I like to think of art prop in all of my albums as like little suitcases
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so that if something were to explode and we were going to excavate artifacts back in time,
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if they only went as far back as 2013, I'd want in my album for there to be something from the past that was carried on.
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Things that I think are cool, like Mark Bolan and, you know, Richard Prince.
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You wrote the record, you composed it as a piece, you've said.
101
Does that need to happen in the live show?
102
Are you going to play it front to back?
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I don't know.
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I really want to, but I'm not sure yet.
105
I mean, we're still putting the live show together, but I love the album start to finish.
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But there's always a story component to the live show, so once I start to get the story together, I'll figure out if I'm going to keep it in order or not.
107
And by then, as well, I might have act two out from the album, and it might be nice to play both acts on the tour.
108
See, I've heard act two is a lot more avant -garde, is this true?
109
No, not necessarily, because actually in the beginning, I was thinking of sort of splitting the album up into two parts based on,
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you know, what I thought was more pop and what I thought was more art, but this was during actually the inception of the record and I wasn't even quite sure what art pop meant yet.
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I was like, what does this mean, what does this mean?
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Well, art pop for me means a lot of things, but one of the things that it means is I discovered
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that we were putting this pop art back onto the commercial mountains.
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We were taking this, you know, the soup can art, right, and putting it on the soup can.
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So we're taking the art of Jeff Koontz and we're putting it on the CD.
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You know, it's like, it's the reverse of Warhol.
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And so I was looking at all of this, and then I was listening to the music, and we were working, work, working, and then I realized it all had to be a hybrid.
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And I wrote the lyrics, a hybrid can withstand these things.
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My heart can beat with bricks and strings.
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My art pop could mean anything.
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And what I mean by that is that instead of feeling that I needed to compartmentalize things, I just completely freed up my mind, my image, my spirit, and I said, just make what you want to hear.
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And it will be a blend of those two things.
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It will be truly art pop but will really be a collaboration of those two things as opposed to keeping them separate.
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It felt wrong to keep them separate.
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It felt an injustice to the title.
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I've got to let you go.
127
So we do something called five questions.
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Five quick questions.
129
Sure.
130
One more answer.
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Although I have a sixth because I have a special one for you.
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Okay.
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Road or studio?
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Road or studio?
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Well, sometimes the studio's on the road.
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What do I do?
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I like them both.
138
Next question.
139
Lennon or McCartney?
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Oh.
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Everyone gets these same five questions.
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That's mean.
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I mean, I love Paul, but I actually am a huge Lennon fan.
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I was a Lennon girl.
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When you hear a song, what usually hits you first?
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Lyrics, melody, or rhythm?
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All three at the same time.
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This is a special one for you.
149
If someone's dining at Joanne in NYC, what dish do they order?
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Depends what you like.
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I always get just Joanne's spaghetti and meatballs.
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But I love the eggplant meatballs.
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They're brand new that my dad just started making.
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They're delicious.
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Nice.
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I don't know if they're completely veggie.
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I think it's chicken with eggplant, but it's so delicious.
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But there are delicious veggie dishes there.
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My father has a great restaurant.
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I'm so proud of him.
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Everybody was trying to tear it down, you know?
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Because I come from like a famous family now.
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I mean, not my whole life, my family was not famous at all.
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But now that my career's taken off, they really try to target your family.
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And I'm just so proud of my dad to see his restaurant doing well now.
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I was like, you can do it.
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Don't listen to what they say, Dad.
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You know your food's good.
169
If someone's never heard Lady Gaga before, what song do they start with?
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an art pop it could be oh well i would i'm gonna choose an art pop song
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if you've never heard me before i would tell them to listen to do what you want right now yeah
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because it that's why it's out really i think it shows
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such a different side of my songwriting a different side of
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my voice a different type of love song a different sort of compassion
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and dual meaning you know uh I often have these quite like you know sort of catchy metaphors
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and this one is is a catchy metaphor
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but it's it doesn't rely as much on like a concept as it does on a really passionate statement
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but you know that in my career deciding
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that I'm gonna do what I want to do and
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and not ever let anyone make me feel like I shouldn't
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be doing what I want to do that's why I'm the artist
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and and They are the label or they are the public.
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That's why you are the artist and they are the public.
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I want my fans to, through art pop, feel a tremendous sense of joy and creativity, like they can do anything, not just because they love themselves,
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but now that they know that through loving themselves, they were able to withstand the challenges and now they can celebrate.
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In one word, Lady Gaga.
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Fearless.
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Nice.
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Thank you.
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Appreciate it.
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Thank you so much.
192
Thank you.
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Vocabolario e note di pronuncia per questa lezione
Questo video contiene 192 frasi e 2256 parole da ripetere con lo shadowing. Il parlato dura 11:11. Chi parla va veloce, circa 202 parole al minuto: aspettati suoni legati e ridotti. Il 85% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
15 parole meno comuni del video, con pronuncia e significato:
- crack /kɹæk/ (sostantivo) — crepa, fessura. A thin and usually jagged space opened in a previously solid material.
- delicious /dɪˈlɪ.ʃəs/ (aggettivo) — squisito, delizioso. Pleasing to the sense of taste; tasty.
- performer /pɚˈfɔɹmɚ/ (sostantivo) — esecutore, esecutrice. One who performs for, or entertains, an audience.
- engage /ɪnˈɡeɪd͡ʒ/ (verbo) — attirare, convergere. To engross or hold the attention of; to keep busy or occupied.
- lyrics /ˈlɪɹ.ɪks/ (sostantivo) — testo, parole. The words to a song (or other vocal music).
- stem /stɛm/ (sostantivo) — ceppo, ramo. The stock of a family; a race or generation of progenitors.
- collaboration /kəˌlæbəˈɹeɪʃən/ (sostantivo) — collaborazione. The act of collaborating.
- dish /dɪʃ/ (sostantivo) — piatto, scodella. A vessel such as a plate for holding or serving food, often flat with a depressed region in the middle.
- depend /dɪˈpɛnd/ (verbo) — dipendere. To be contingent or conditioned; to have something as a necessary condition
- soup /sup/ (sostantivo) — minestra, brodo. Any of various dishes commonly made by combining liquids, such as water or stock, with other ingredients, such as meat and vegetables, that contribute the food…
- hybrid /ˈhaɪ.bɹɪd/ (sostantivo) — ibrido, incrocio. Offspring resulting from cross-breeding different entities, e.g. two different species or two purebred parent strains.
- passionate /ˈpæʃənɪt/ (aggettivo) — appassionato. Given to strong feeling, sometimes romantic, sexual, or both.
- scan /skæn/ (verbo) — scrutare. To examine sequentially, carefully, or critically; to scrutinize; to behold closely.
- metaphor /ˈmɛt.ə.fɚ/ (sostantivo) — metafora. The use of a word, phrase, concept, or set of concepts to refer to something other than its literal meaning, invoking an implicit similarity between the thing…
- bleed /ˈbliːd/ (verbo) — sanguinare. To shed blood through an injured blood vessel.
I phrasal verb che sentirai
- carry on /ˈkæɹi ˈɑn/ (verbo) — andare avanti, continuare. To take baggage or luggage onto an airplane, rather than check it.
- figure out (verbo) — scoprire, rendersi conto. To come to understand; to discover or find a solution; to deduce.
- go on /ˈɡoʊˌɒn/ (verbo) — continuare. To continue in extent.
- go out (verbo) — uscire, andare fuori. To leave, especially a building.
- go through (verbo) — attraversare. To travel from one end of something to the other.
- look at (verbo) — guardare. To observe or watch.
- put on /ˌpʊt ˈɒn/ (verbo) — vestire, indossare. To don (clothing, equipment, or the like).
- take off (verbo) — togliere. To remove.
Pronuncia a cui fare attenzione
Chi parla usa 43 contrazioni e forme ridotte, come I'm, don't, we're. Pronunciale nella forma breve, così come le senti.
- I suoni “th”: theatrical /θiˈætɹɪkəl/, withstand /wɪðˈstænd/, sixth /sɪksθ/, rhythm /ˈɹɪð.əm/, otherworldly /ˌʌðəɹˈwɜɹl(d)li/
- I suoni “sh” e “zh”: delicious /dɪˈlɪ.ʃəs/, collaboration /kəˌlæbəˈɹeɪʃən/, dish /dɪʃ/, passionate /ˈpæʃənɪt/, occasion /əˈkeɪ̯ʒən/
- Parole lunghe — attenzione all’accento: collaboration /kəˌlæbəˈɹeɪʃən/, theatrical /θiˈætɹɪkəl/, necessarily /ˌnɛs.əˈsɛɹ.ə.li/, experiment /ɪkˈspɛɹ.ə.mənt/, interactive /ˌɪn.tɚˈæk.tɪv/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come crack, delicious, performer.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | I've just been changing · I've been doing |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | you've had · it's been · you've created |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | be protected · are still locked · was carried |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.