跟讀練習: B2 FIRST | LISTENING | F4T1P4 - 通過影片學習英語口語
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Part 4.
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You will hear an interview with a man called Guy Reardon who works as a stuntman performing dangerous scenes in movies.
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When you see a fight or a car chase in a movie,
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it's often a stuntman or woman taking the risks, not a real actor.
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Guy Reardon's a top stuntman.
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Guy, do you usually work individually or in a team?
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It depends.
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In my first job I was part of a team of other stuntmen.
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Several of us had to jump off a fourth floor rooftop together and get caught by the group on the ground.
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That involved relying on everyone else to do things properly,
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which wasn't something I enjoyed.
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Despite that uncertainty, I hoped my strength and sense of timing would get me through.
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Audiences rarely appreciate the lengths we go to to provide their entertainment.
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Obviously it's dangerous, but what's the most challenging thing for you about the work?
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It's a wonderful job, but like any career,
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you have to have tools.
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For a stuntman it's his or her body,
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and if a stunt goes wrong you can end up badly hurt.
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If I thought about that though,
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I'd never do the job.
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But it's the never-ending process to up your game,
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to expand and extend what you're good at, that's the toughest bit.
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Of course there's a lot of competition in the stunt world,
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that makes it exciting.
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What was it like working on the movie Raw Stuff?
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It's based on a true story about soldiers in action,
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so it was extremely important that the stunts didn't look like standard movie action sequences.
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The mountains we were filming in were stunning,
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which made up for having to hike up with 25 kilos of equipment on our backs.
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You just didn't notice the weight.
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The view from the top was sensational.
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The tricky part was tumbling onto rocky mountain ledges so
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that the camera could be as close as possible and the audiences would see and feel what those soldiers went through.
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You've often acted as a stunt double for the actor Marty Walker.
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Yeah, Marty and I get on.
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He varies his size drastically from one movie to the next.
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He can go from athletic action hero to skinny professor in some major body transformations.
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His dedication to doing that's amazing.
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It affects me as well.
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I had to put on weight for his last movie.
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Marty wanted to do the motorbike stunts himself,
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but we persuaded him not to.
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It involved jumping off at high speed.
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Pretty silly for an untrained person to try and do,
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or even a stuntman.
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Which movie do you remember filming most?
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Light at Dawn.
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They wanted me to say some lines, real acting.
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After a few attempts, I gave up and asked for someone else to do it.
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The director, Peter Levine, was very ambitious.
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Some things he asked for hadn't been tried before.
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It was truly a pleasure when we got things right.
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We filmed all over the world.
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Everyone on what was a huge film crew was completely exhausted flying from one place to the next.
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How long have you been in the movie industry?
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Twenty years.
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I've seen some changes.
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There's more technology these days,
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but there's just as great a need for stunt actors.
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Some things can only be performed by a real human.
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I've worked with some great people in some great locations and had a lot of laughs,
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something that's increasingly missing these days because there's so much at stake.
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But that does mean the financial rewards for those who get into the big movies are generally worth it.
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I can't say I've been unlucky in that respect.
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What would you advise someone wanting to do your job?
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Stunt work's become highly specialised over the years.
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There's high falls, fight scenes,
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horse stunts, car chases, the list goes on.
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There's no easy answer to the question of whether it's better to become skilled at one thing or be diverse.
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I don't try and discourage people from getting into stunts,
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but I do try to convince them to have another source of income to fall back on.
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Most stuntmen I know also do things like construction,
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security, web design, and though everyone has an agent to find them work,
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it's so often about your own contact rather than anything else.
同頻道
FOR YOU
推薦影片
為什麼要通過這個影片練習口語?
通過觀看 看YouTube學英語 的影片,學習者能夠在真實的對話環境中練習口語,尤其是像本次與特技演員Guy Reardon的訪談。Guy在訪談中分享了他的工作經驗和挑戰,這為學習者提供了豐富的語言語境。學習者可以模仿他的發音與表達方式,通過shadow speak的技巧,來提升他們的口語流利度和自信心。
語法與表達的語境分析
在此次訪談中,Guy Reardon運用了多種關鍵語言結構,學習者可以從中受益,以下是幾個重點:
- 一般現在時和過去時的運用: Guy在描述自己的工作經歷時,頻繁使用一般過去時("我曾經是一個團隊的一部分")和現在時("這是一份美好的工作"),這有助於學習者理解時間表達的不同用法。
- 條件句的使用: 他提到“如果我想到這些,我就永遠不會做這份工作”,這個表達幫助學習者形成條件結構的思維模式,用於討論假設和結果。
- 從句的使用: Guy提到“這很重要,因為特技的表現不能看起來像標準的電影動作”,瞭解如何使用從句可以幫助學習者增強他們的句子複雜度。
常見發音陷阱
在這一訪談中,英語學習者可能會遇到一些發音挑戰,尤其是對特定單詞和短語的發音。例如:
- stuntman(特技演員):音節較長,初學者可能會在發音上出現困難,需注意母音的清晰度。
- equipment(裝置):這個詞的重音在第二音節,初學者若重音錯誤,可能導致無法被理解。
- tumbling(翻滾):此詞中的“tum”發音容易被混淆,準確的發音對情境理解至關重要。
通過反覆練習這些發音並結合 提高英語發音 的訓練,學習者能有效克服這些發音陷阱,進一步提升他們的口語能力。
影片中的語法
說話人最常用的結構,並附上影片中的原話:
| 結構 | 影片中的用法 |
|---|---|
| 現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事 | You've often acted · have you been · I've seen |
| 被動語態 be + 過去分詞 — 強調發生了什麼,而不是誰做的 | been tried · be performed |
什麼是跟讀法?
跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧,最初開發用於專業口譯員的培訓,並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大:您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同,跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性,語調,節奏,連讀,聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。

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