Shadowing Practice: B2 FIRST | LISTENING | F4T1P4 - Learn English Speaking with Video
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74 cümleler
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Part 4.
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You will hear an interview with a man called Guy Reardon who works as a stuntman performing dangerous scenes in movies.
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When you see a fight or a car chase in a movie,
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it's often a stuntman or woman taking the risks, not a real actor.
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Guy Reardon's a top stuntman.
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Guy, do you usually work individually or in a team?
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It depends.
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In my first job I was part of a team of other stuntmen.
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Several of us had to jump off a fourth floor rooftop together and get caught by the group on the ground.
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That involved relying on everyone else to do things properly,
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which wasn't something I enjoyed.
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Despite that uncertainty, I hoped my strength and sense of timing would get me through.
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Audiences rarely appreciate the lengths we go to to provide their entertainment.
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Obviously it's dangerous, but what's the most challenging thing for you about the work?
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It's a wonderful job, but like any career,
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you have to have tools.
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For a stuntman it's his or her body,
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and if a stunt goes wrong you can end up badly hurt.
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If I thought about that though,
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I'd never do the job.
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But it's the never-ending process to up your game,
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to expand and extend what you're good at, that's the toughest bit.
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Of course there's a lot of competition in the stunt world,
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that makes it exciting.
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What was it like working on the movie Raw Stuff?
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It's based on a true story about soldiers in action,
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so it was extremely important that the stunts didn't look like standard movie action sequences.
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The mountains we were filming in were stunning,
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which made up for having to hike up with 25 kilos of equipment on our backs.
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You just didn't notice the weight.
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The view from the top was sensational.
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The tricky part was tumbling onto rocky mountain ledges so
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that the camera could be as close as possible and the audiences would see and feel what those soldiers went through.
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You've often acted as a stunt double for the actor Marty Walker.
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Yeah, Marty and I get on.
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He varies his size drastically from one movie to the next.
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He can go from athletic action hero to skinny professor in some major body transformations.
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His dedication to doing that's amazing.
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It affects me as well.
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I had to put on weight for his last movie.
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Marty wanted to do the motorbike stunts himself,
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but we persuaded him not to.
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It involved jumping off at high speed.
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Pretty silly for an untrained person to try and do,
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or even a stuntman.
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Which movie do you remember filming most?
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Light at Dawn.
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They wanted me to say some lines, real acting.
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After a few attempts, I gave up and asked for someone else to do it.
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The director, Peter Levine, was very ambitious.
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Some things he asked for hadn't been tried before.
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It was truly a pleasure when we got things right.
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We filmed all over the world.
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Everyone on what was a huge film crew was completely exhausted flying from one place to the next.
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How long have you been in the movie industry?
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Twenty years.
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I've seen some changes.
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There's more technology these days,
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but there's just as great a need for stunt actors.
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Some things can only be performed by a real human.
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I've worked with some great people in some great locations and had a lot of laughs,
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something that's increasingly missing these days because there's so much at stake.
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But that does mean the financial rewards for those who get into the big movies are generally worth it.
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I can't say I've been unlucky in that respect.
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What would you advise someone wanting to do your job?
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Stunt work's become highly specialised over the years.
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There's high falls, fight scenes,
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horse stunts, car chases, the list goes on.
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There's no easy answer to the question of whether it's better to become skilled at one thing or be diverse.
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I don't try and discourage people from getting into stunts,
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but I do try to convince them to have another source of income to fall back on.
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Most stuntmen I know also do things like construction,
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security, web design, and though everyone has an agent to find them work,
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it's so often about your own contact rather than anything else.
Uygulamayı İndir
Akıcı konuşmak için ihtiyacınız olan her şey
AI TelaffuzHer cümleyi puanla
IPA AlıştırmasıHer sesi ustalaştır
Kelime BilgisiKelime bankanızı oluşturun
Kelime OyunuOynarken öğrenin
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Bu dersin kelimeleri ve konuşma notları
En çok tekrarlanan kelimeler: stunt, movie, stuntman, Marty, actor. Bu videoda gölgeleme çalışması için 74 cümle ve 728 kelime var. Konuşma bölümü 4:22 sürüyor. Konuşmacı dakikada yaklaşık 167 kelimeyle, günlük konuşmaya yakın doğal bir hızda konuşuyor. Kelimelerin %83’i İngilizcede en sık kullanılan 3.000 kelime arasında; geri kalanına başlamadan önce bakmakta fayda var.
Bu videodaki önemli kelimeler
Videodaki en ileri düzey 13 kelime, telaffuzu ve anlamıyla:
| Kelime | Telaffuz | Anlam |
|---|---|---|
| stunt isim | /stʌnt/ | marifet, numara |
| stuntman isim | /ˈstʌnt.mæn/ | dublör |
| excite fiil | /ɪkˈsaɪt/ | heyecanlandırmak |
| untrained sıfat | eğitimsiz | |
| discourage fiil | /dɪsˈkɝɪd͡ʒ/ | şevkini kırmak |
| unlucky sıfat | /ʌnˈlʌki/ | uğursuz |
| exhaust fiil | /ɪɡˈzɔst/ | salmak, eritmek |
| persuade fiil | /pə(ɹ)ˈsweɪd/ | ikna etmek, razı etmek |
| ambitious sıfat | /æmˈbɪʃ.əs/ | hırslı, hevesli |
| tricky sıfat | /ˈtɹɪk.i/ | güç, zor |
| uncertainty isim | /ʌnˈsɜːtənti/ | belirsizlik, muğlaklık |
| stake isim | /steɪk/ | kazık |
| rocky sıfat | /ˈɹɑki/ | dimdik |
Tekrar etmeye değer cümleler
Videodan, günlük konuşmada yeniden kullanabileceğiniz kısa ve tam cümleler:
- Guy, do you usually work individually or in a team?
- I'd never do the job.
- You just didn't notice the weight.
- Which movie do you remember filming most?
- How long have you been in the movie industry?
Bu videodaki dil bilgisi
Konuşmacının en çok kullandığı yapılar, videodaki sözcüklerin aynısıyla:
| Yapı | Videoda |
|---|---|
| Present perfect have/has + fiilin üçüncü hâli — geçmişte olan ama şimdi de önemli olan bir eylem | You've often acted · have you been · I've seen |
| Edilgen yapı be + fiilin üçüncü hâli — kimin yaptığı değil, ne olduğu önemli | been tried · be performed |
Dikkat edilecek telaffuzlar
Konuşmacı I've, didn't, can't gibi kısaltılmış biçimleri 12 kez kullanıyor. Bunları duyduğunuz gibi kısa söyleyin.
- “sh” ve “zh” sesleri: sensational /sɛnˈseɪʃənəl/, ambitious /æmˈbɪʃ.əs/, dedication /ˌdɛdɪˈkeɪʃən/
- Uzun kelimeler — vurguyu doğru yere koyun: sensational /sɛnˈseɪʃənəl/, individually /ˌɪndɪˈvɪd͡ʒ(u)əli/, dedication /ˌdɛdɪˈkeɪʃən/, uncertainty /ʌnˈsɜːtənti/
Türkçe konuşanların zorlandığı sesler:
- Kelime başındaki ünsüz kümesi — araya ünlü eklemeyin: stunt /stʌnt/, stuntman /ˈstʌnt.mæn/, tricky /ˈtɹɪk.i/, skinny /ˈskɪni/, stake /steɪk/
- /æ/ — “e”den daha açık: stuntman /ˈstʌnt.mæn/, ambitious /æmˈbɪʃ.əs/, athletic /æθˈlɛt.ɪk/
Bu videoyla nasıl çalışılır
- Videonun tamamını konuşmadan bir kez dinleyin ve bilmediğiniz kelimeleri not edin.
- 0,75× hızla başlayın, cümle cümle tekrar edin ve kolaylaşınca normal hıza dönün.
- Kendinizi kaydedin ve orijinaliyle karşılaştırın; stunt, stuntman, excite gibi kelimelere özellikle dikkat edin.
Gölgeleme Tekniği Nedir?
Gölgeleme, başlangıçta profesyonel tercüman eğitimi için geliştirilen ve çok dilli Dr. Alexander Arguelles tarafından popüler hale getirilen, bilim destekli bir dil öğrenme tekniğidir. Yöntem basit ama güçlüdür: ana dili İngilizce olan bir sesi dinler ve hemen yüksek sesle tekrar edersiniz — konuşmacıyı 1-2 saniye gecikmeyle takip eden bir gölge gibi. Pasif dinleme veya dilbilgisi alıştırmalarının aksine, gölgeleme beyninizi ve ağız kaslarınızı gerçek konuşma kalıplarını eşzamanlı olarak işlemeye ve yeniden üretmeye zorlar. Araştırmalar, telaffuz doğruluğu, tonlama, ritim, bağlı konuşma, dinleme anlama ve konuşma akıcılığını önemli ölçüde geliştirdiğini göstermektedir — bu da onu IELTS Konuşma hazırlığı ve gerçek dünya İngilizce iletişimi için en etkili yöntemlerden biri yapar.