跟讀練習: The 4 moments that will change your life - 通過影片學習英語口語
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76 句
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1
He was telling me that he nearly died.
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I was sitting on the sofa talking to my mate's dad.
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It's always a little bit strange talking to your childhood friend's parents
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when you're older because on the one hand it's nice to see them and their world with older and wiser eyes.
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It's nice to see them as people.
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But on the other hand, childhood is not an easy thing to shake off.
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Hi Johnny, come on in, he said.
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Hi Mr Hammond, thanks for having me stay.
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Hey, can Alex come and play please?
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I reply suddenly in a squeaky prepubescent voice wearing shorts and carrying my primary school bag.
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But as I sat there in the nostalgic liminal space between adulthood and childhood, Mr Hammond told me about how he had nearly died.
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It wasn't one of those I got a diagnosis and then I pulled through kinds of stories.
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This was a hit by lightning, hungry shark attack, act of God kind of thing.
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one minute he was fine
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and the next he was in the back of an ambulance
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careening down the road to the hospital without oversharing another person's story i would just say
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that it involved a lot of blood hours on an operating table
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and a few weeks in the ward do you know what johnny he said to me all of
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that you need to make the most of it stuff is all just abstract
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and remote until it happens of course you think it
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and you say it but until something like this happens you don't feel it
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I told Mr Hammond to write down his story for me, especially his post-encounter philosophies, but until that time you have me.
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And so this week we're going to look at life-changing moments along with Anton Chekhov.
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In Chekhov's play The Seagull, we are asked to imagine a seagull flying over a lake.
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The gull is swooping and diving, fishing and cawing.
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It's entirely consumed by the busyness of being a seagull.
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And then, in the squeeze of a trigger, it's gone.
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A man on the shore holding a rifle is bored, and with no game and no fun to be had, he decides to pull up his gun and shoot the bird for no other reason than idleness.
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Of course, as with any great literature, the metaphors are wrapped in allegories.
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In the play, we meet a cast of characters who are obsessed with their own plans.
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They have these unfulfilled longings.
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They want fame, they want riches, they want love, they want pure art.
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Like a seagull flapping back to land, they have their eyes only for the shore, and so blinkered and distracted,
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they are vulnerable to the misfortune of life's mercurial rifle.
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So much of our lives is spent planning and preparing for things, and yet often the most significant moments come out of the blue.
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These are what the psychiatrist Carl Jaspers called boundary situations.
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A boundary situation is a rupture.
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It's a transformative experience that we cannot initiate, plan or even avoid.
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We can only encounter it.
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The mundane, every part of our life, putting on socks, ordering a pizza, planning a holiday, that kind of thing, are what Jaspers calls a situation being.
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But a boundary situation is one that thunders down to shake the foundations of your very existence.
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It changes who you are and it happens
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when you wake up in a hospital bed having only just beaten the reaper's odds.
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Although these boundary situations change a bit in Jasper's works, he broadly sorted them into four categories.
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First, you have death.
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We fear our loved ones dying and we fear the very fact of our own death.
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When you know grief, when you reflect on mortality, you often find some kind of revelation.
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As my friend's dad told me, we always know about death, but when it's a boundary situation.
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It comes crashing into our lives like some grim and unforeseen curtain call.
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Second, suffering.
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As the Buddha pointed out long before Jaspers, it is impossible to entirely avoid suffering.
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Our paths will hit old age, sickness and a great deal of pain.
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Some of this we can see coming, a tooth filling, a long run, a 14-hour flight to Australia.
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But the rest comes along unexpectedly.
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It hits us with such a shocking intensity that we're almost glad that we didn't see it coming.
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We come home from the hospital with a new life to live.
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Then there is guilt.
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There will come a time in life, often in adulthood, when we feel responsible for things.
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And this is a sudden awareness that our actions will impact those around us.
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That we are the reason for those tears, that laughter, that pain, that joy.
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The profound pull of the heart changes how we live and it often comes on unexpectedly.
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Finally you have chance.
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No matter how ordered we might want our lives to be, there will always be an unpredictable exception.
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We can hope for the best and make all of the plans
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that we want but we will never fully control all of the facts that affect our existence.
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We want order, we want regularity but we get the capricious throws of chance.
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What Chekhov's Seagull, Jaspers and Mr Hammond all get right is
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that we are each more vulnerable than we might want to allow.
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A wedding, three years and the fortune in the planning is ruined by a single stomach bug.
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An hour-long journey home for Christmas winds up getting you stuck in the traffic of a freak snowstorm.
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A lifetime achievement is overshadowed by a national disaster.
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A long and gentle retirement is blown off course by a near-death detour to the operating table.
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Our lives are defined by the unforeseen and unplannable.
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We have our dreams and hopes and we are flying to some distant horizon, yet life doesn't care.
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Around every corner, at every flap of our wings,
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everything can change and that's all the more reason to enjoy the view from where we are as long as it lasts.
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推薦影片
本課的詞彙與口語要點
這節 B2 級別的口語課以影片“The 4 moments that will change your life”為素材。 影片中反覆出現的詞有:situation, seagull, boundary, Jaspers, Hammond。 這段影片共有 76 個句子、1029 個單詞可供跟讀。 講話部分時長為 5:39。 說話人語速較快,每分鐘約 182 個詞,會出現較多連讀和弱讀。 只有 81% 的單詞屬於英語最常用的 3,000 詞,詞彙難度較高。
影片中的重點詞彙
影片中最難的 15 個單詞,附發音和釋義:
| 單詞 | 發音 | 釋義 |
|---|---|---|
| boundary 名詞 | /ˈbaʊndɹi/ | 邊界 /邊界 |
| adulthood 名詞 | 成年 | |
| unexpectedly 副詞 | /ʌnɪkˈspɛktɪdli/ | 竟然, 出乎意料地 |
| rifle 名詞 | /ˈɹaɪfəl/ | 步槍 /步槍, 來福槍 /來福槍 |
| allegory 名詞 | /ˈæləˌɡɔɹi/ | 諷喻 /諷喻, 託寓 /托寓 |
| capricious 形容詞 | /kəˈpɹɪʃəs/ | 反覆無常的, 善變的 |
| detour 名詞 | /ˈdi.toɹ/ | 繞行 /繞行, 彎路 /彎路 |
| misfortune 名詞 | /mɪsˈfɔɹt͡ʃən/ | 不幸, 禍 /禍 |
| obsess 動詞 | /əbˈsɛs/ | 迷住, 著魔 |
| overshadow 動詞 | /ˌoʊ.vɚˈʃæd.oʊ/ | 使黯然失色, 使相形見絀 /使相形見絀 |
| regularity 名詞 | /ˌɹɛɡjuˈlæɹəti/ | 正則性 /正則性, 規則性 /規則性 |
| rupture 名詞 | /ˈɹʌpt͡ʃɚ/ | 破裂 |
| snowstorm 名詞 | /ˈsnəʊstɔːm/ | 暴風雪 /暴風雪, 大風雪 /大風雪 |
| longing 名詞 | /ˈlɔːŋɪŋ/ | 渴望 |
| sock 名詞 | /sɑk/ | 襪子 /襪子 |
影片中出現的短語動詞
| 單詞 | 釋義 |
|---|---|
| come along 動詞 | 陪伴, 陪同 |
| point out 動詞 | 指, 指出 |
| write down 動詞 | 寫下來 /寫下來, 寫下 /寫下 |
需要注意的發音
說話人用了 7 次縮略和弱讀形式,例如 we're, didn't, doesn't。請按聽到的簡短形式來說。
- “th” 音: tooth /tuθ/, thunder /ˈθʌndɚ/
- “sh” 和 “zh” 音: capricious /kəˈpɹɪʃəs/, overshadow /ˌoʊ.vɚˈʃæd.oʊ/, initiate /ɪˈnɪʃ.i.eɪt/, revelation /ˌɹɛv.əˈleɪ.ʃən/
- 長單詞——注意重音位置: unexpectedly /ʌnɪkˈspɛktɪdli/, allegory /ˈæləˌɡɔɹi/, mercurial /mɝˈkjʊ.ɹi.əl/, overshadow /ˌoʊ.vɚˈʃæd.oʊ/, regularity /ˌɹɛɡjuˈlæɹəti/
中文母語者容易讀錯的音:
- /v/ — 不要讀成 /w/,上齒輕觸下唇: overshadow /ˌoʊ.vɚˈʃæd.oʊ/, transformative /tɹænsˈfɔɹmətɪv/, revelation /ˌɹɛv.əˈleɪ.ʃən/, dive /daɪv/
- 詞尾子音 — 要讀清楚,後面不要加母音: flap /flæp/, busyness /ˈbɪz.i.nəs/, capricious /kəˈpɹɪʃəs/, idleness /ˈaɪdəlnəs/, obsess /əbˈsɛs/
- /r/ 和 /l/ 的區別: rifle /ˈɹaɪfəl/, allegory /ˈæləˌɡɔɹi/, blinker /ˈblɪŋkəɹ/, mercurial /mɝˈkjʊ.ɹi.əl/, regularity /ˌɹɛɡjuˈlæɹəti/
如何用這段影片練習
- 先完整聽一遍影片,不要開口,記下不認識的單詞。
- 先用 0.75 倍速逐句跟讀,熟練之後再回到正常速度。
- 錄下自己的聲音並與原聲對比,特別注意 boundary, adulthood, unexpectedly 這類單詞。
什麼是跟讀法?
跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧,最初開發用於專業口譯員的培訓,並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大:您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同,跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性,語調,節奏,連讀,聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。



















