Shadowing-Übung: Molly Ringwald and Bob Odenkirk Talk Off-Broadway Show - Englisch Sprechen Lernen mit Video
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We are back now with two acting greats.
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Molly Ringwald and Bob Odenkirk have starred for years on the screen and now they are teaming up on the stage.
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They are starring in the off -Broadway show Are You Now or Have You Ever Been?
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So the play follows the work of the infamous 1940s House Un -American Activities Committee which investigated
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anyone suspected of having communist ties including some powerful members of
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hollywood as well molly bob good morning to both of you
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love the concept for folks who may not be familiar with
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this particular part of american history the play we should point out based on actual transcripts from those committee meetings.
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Yeah.
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How do your characters fit into the story?
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YOU WANT TO GO?
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Well, I play Lillian Hellman,
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who was blacklisted, and MY PART IS A LETTER THAT SHE WROTE.
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I DON'T WANT TO GIVE TOO MUCH AWAY, BUT SHE'S A PRETTY FORMIDABLE PRESENCE.
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I PLAY LIONEL STANDER, WHO PEOPLE MIGHT REMEMBER FROM HEART TO HEART.
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Uh, THAT'S THE BEST.
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YOU KNOW, THE BEST.
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THE TV SHOW?
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YEAH.
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HE WAS THE BUTLER, MAX.
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OH, YEAH.
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YEAH.
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BUT HE WAS AN ACTOR HIS WHOLE ENTIRE LIFE.
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AND HE APPEARED BEFORE THE HOUSE THE FAMILY IS NOT A LITTLE WHOLE THING MEANT HE WAS BLACKLISTED.
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HE ENDED UP NOT, YOU KNOW, STRUGGLING FOR WORK, DOING NIGHT CLUBS, GOING TO EUROPE FOR A COUPLE YEARS.
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IT'S ONE OF THE REASONS HE'S IN ONCE UPON A TIME IN AMERICA.
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HE'S IN THAT MOVIE BECAUSE THAT WAS SHOT IN ITALY.
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BUT HE STRUGGLED FOR WORK FOR ABOUT 15 YEARS AND THEN WAS SLOWLY FOUND HIS WAY BACK TO ANOTHER CAREER IN SHOWBIZ.
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and certainly for people in the arts, because for some reason, everybody got very scared
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and excited about who might have been a communist or even just attended a meeting or been friends with somebody who was.
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And it became...
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YOU KNOW, THIS BLACKLIST AND PEOPLE DIDN'T WORK AND WERE FORCED TO TESTIFY.
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AND SO THE PLAY IS, AS YOU POINT OUT, TRANSCRIPTS FROM THE ACTUAL HEARINGS THAT A GREAT PLAYWRIGHT, ERIC BENTLEY, CUT TOGETHER.
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AND YOU SEE EVERY SIDE OF IT.
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YOU SEE PEOPLE WHO NAME NAMES, Ilya Kazan, AND OTHER PEOPLE LIKE THAT.
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YOU SEE PEOPLE WHO FIGHT AND PUSH BACK.
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YOU SEE EVERY SIDE OF IT.
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Gave him the finger.
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Sorry, can I say that?
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You can leave it at that.
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And Molly, this really does sort of have a revolving door of talent, if you will.
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And you two are now stepping in for the next few weeks.
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How do you find your groove so quickly?
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How do you get your tempo going?
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Well, it's a story that's always really been interesting to me from the time I started in Hollywood.
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I DIDN'T LEARN ABOUT THE McCARTHY ERA IN SCHOOL.
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I ACTUALLY LEARNED ABOUT IT ON SET BECAUSE SOMEBODY THAT I WORKED WITH
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was friends with Kazan and I really wanted to work with Kazan
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and I went out to a dinner meeting with someone a director
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and she said oh who do you want to work with
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and I said I really love to work with Ilya Kazan
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and she said oh what would you call it naming names I WAS GOING TO BE ABLE TO DO.
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I WAS GOING TO BE ABLE TO DO.
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I WAS GOING TO DO.
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I WENT BACK TO WORK THE NEXT But they already had every name.
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They already have it, you know, and you know, and so and I thought, oh, this is interesting.
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So I started to do a lot of research about it, and it really was.
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THIS TIME IN AMERICAN HISTORY THEIR OWNERS, THEIR OWNERS, THE in that sort of environment now.
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Bob, we love when you come visit us today.
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And there's been so many great things over your career to talk about.
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I mean, from comedy to drama, from screen to stage.
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You also even told us about an album.
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Oh, my God.
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You want to know how it's going.
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Is there going to be a tour?
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Well, if I survive, are you now or have you ever been off Broadway
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and the audience doesn't hate me and kick me out of the door?
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I will try to come back with a tour of me singing.
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I'M GOING TO BE ABLE TO DO.
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I'M GOING TO BE ABLE TO DO.
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LOOK OUT.
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THEY ARE ALL COMEDY SONGS.
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WRITTEN BY A FRIEND OF MINE, A GREAT WRITER FROM CHICAGO WHO I 'VE KNOWN MY WHOLE LIFE.
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SO WE'RE PUTTING THEM TOGETHER.
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WE MAY DO A LITTLE TOUR.
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THANK YOU.
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COME BACK WHEN THE ROM COM STARTS.
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ONE NIGHT ONLY IN AUGUST.
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WITH CALM TURNER, MONICA BARBERO.
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on Are You Now or Have You Ever Been, July 14th through August 2nd over at the New York City Center.
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Wortschatz und Sprechhinweise zu dieser Lektion
Diese Sprechübung auf Niveau B2 basiert auf dem Video „Molly Ringwald and Bob Odenkirk Talk Off-Broadway Show“. Diese Wörter kommen am häufigsten vor: Kazan, molly, bob, tour, meeting. Dieses Video enthält 80 Sätze und 814 Wörter zum Nachsprechen. Der gesprochene Teil dauert 5:21. Der Sprecher spricht in natürlichem Tempo, etwa 152 Wörter pro Minute, ähnlich wie im Alltagsgespräch. 87 % der Wörter gehören zu den 3.000 häufigsten im Englischen, der Wortschatz ist also leicht zu verfolgen.
Wichtiger Wortschatz in diesem Video
Die 13 anspruchsvollsten Wörter aus dem Video, mit Aussprache und Bedeutung:
| Wort | Aussprache | Bedeutung |
|---|---|---|
| blacklist Substantiv | /ˈblæklɪst/ | schwarze Liste, Negativliste |
| transcript Substantiv | /ˈtɹæn.skɹɪpt/ | Abschrift, Transkript |
| playwright Substantiv | /ˈpleɪˌɹaɪt/ | Bühnenautor, Bühnenautorin |
| revolve Verb | /ɹɪˈvɑlv/ | sich drehen |
| showbusiness Substantiv | /ˈʃoʊˌbɪznɪs/ | Showbusiness |
| formidable Adjektiv | /ˈfɔɹmɪdəbəl/ | respekteinflößend, furchteinflößend |
| tempo Substantiv | /ˈtɛm.poʊ/ | Tempo |
| groove Substantiv | /ɡɹuv/ | Rille, Nut |
| infamous Adjektiv | /ˈɪn.fə.məs/ | anrüchig, berüchtigt |
| testify Verb | /ˈtɛstɪfaɪ/ | bezeugen |
| scare Verb | /skɛɚ/ | erschrecken, beängstigen |
| butler Substantiv | /ˈbʌt.lɚ/ | Butler |
| turner Substantiv | /ˈtɝ.nɚ/ | Drechsler, Drechslerin |
Phrasal Verbs, die du hören wirst
| Wort | Bedeutung |
|---|---|
| point out Verb | hinweisen |
| come back Verb | zurückkommen, zurückkehren |
| end up Verb | sich herausstellen, am Ende irgendwo / etwas sein |
| look out Verb | aufpassen |
Sätze zum Wiederholen
Kurze, vollständige Sätze aus dem Video, die du im Alltag wiederverwenden kannst:
- How do your characters fit into the story?
- Sorry, can I say that?
- How do you find your groove so quickly?
- How do you get your tempo going?
- You want to know how it's going.
Grammatik in diesem Video
Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:
| Struktur | Im Video |
|---|---|
| Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig ist | have starred · Have You Ever Been · there's been |
| Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tut | was blacklisted · was shot · were forced |
| Relativsätze who / which + Satz – eine Zusatzinformation über eine Person oder Sache | somebody who was · PEOPLE WHO NAME · people who fight |
Aussprache, auf die du achten solltest
Der Sprecher verwendet 7 Kurzformen und abgeschwächte Formen, zum Beispiel didn't, I'm, doesn't. Sprich sie in der kurzen Form, so wie du sie hörst.
Laute, die Deutschsprachigen schwerfallen:
- Stimmhafter Auslaut — /b/, /d/, /g/, /z/, /v/ am Wortende nicht verhärten: revolve /ɹɪˈvɑlv/, groove /ɡɹuv/
- /æ/ — offener als „ä“: blacklist /ˈblæklɪst/, transcript /ˈtɹæn.skɹɪpt/, stander /ˈstændɚ/
So übst du mit diesem Video
- Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
- Beginne mit 0,75-facher Geschwindigkeit, sprich Satz für Satz nach und wechsle zur normalen Geschwindigkeit, sobald es leichtfällt.
- Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie blacklist, transcript, playwright.
Was ist die Shadowing-Technik?
Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.