Pratica di Shadowing: Molly Ringwald and Bob Odenkirk Talk Off-Broadway Show - Impara a parlare inglese con i video
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We are back now with two acting greats.
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Molly Ringwald and Bob Odenkirk have starred for years on the screen and now they are teaming up on the stage.
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They are starring in the off -Broadway show Are You Now or Have You Ever Been?
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So the play follows the work of the infamous 1940s House Un -American Activities Committee which investigated
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anyone suspected of having communist ties including some powerful members of
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hollywood as well molly bob good morning to both of you
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love the concept for folks who may not be familiar with
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this particular part of american history the play we should point out based on actual transcripts from those committee meetings.
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Yeah.
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How do your characters fit into the story?
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YOU WANT TO GO?
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Well, I play Lillian Hellman,
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who was blacklisted, and MY PART IS A LETTER THAT SHE WROTE.
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I DON'T WANT TO GIVE TOO MUCH AWAY, BUT SHE'S A PRETTY FORMIDABLE PRESENCE.
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I PLAY LIONEL STANDER, WHO PEOPLE MIGHT REMEMBER FROM HEART TO HEART.
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Uh, THAT'S THE BEST.
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YOU KNOW, THE BEST.
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THE TV SHOW?
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YEAH.
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HE WAS THE BUTLER, MAX.
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OH, YEAH.
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YEAH.
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BUT HE WAS AN ACTOR HIS WHOLE ENTIRE LIFE.
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AND HE APPEARED BEFORE THE HOUSE THE FAMILY IS NOT A LITTLE WHOLE THING MEANT HE WAS BLACKLISTED.
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HE ENDED UP NOT, YOU KNOW, STRUGGLING FOR WORK, DOING NIGHT CLUBS, GOING TO EUROPE FOR A COUPLE YEARS.
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IT'S ONE OF THE REASONS HE'S IN ONCE UPON A TIME IN AMERICA.
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HE'S IN THAT MOVIE BECAUSE THAT WAS SHOT IN ITALY.
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BUT HE STRUGGLED FOR WORK FOR ABOUT 15 YEARS AND THEN WAS SLOWLY FOUND HIS WAY BACK TO ANOTHER CAREER IN SHOWBIZ.
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and certainly for people in the arts, because for some reason, everybody got very scared
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and excited about who might have been a communist or even just attended a meeting or been friends with somebody who was.
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And it became...
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YOU KNOW, THIS BLACKLIST AND PEOPLE DIDN'T WORK AND WERE FORCED TO TESTIFY.
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AND SO THE PLAY IS, AS YOU POINT OUT, TRANSCRIPTS FROM THE ACTUAL HEARINGS THAT A GREAT PLAYWRIGHT, ERIC BENTLEY, CUT TOGETHER.
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AND YOU SEE EVERY SIDE OF IT.
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YOU SEE PEOPLE WHO NAME NAMES, Ilya Kazan, AND OTHER PEOPLE LIKE THAT.
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YOU SEE PEOPLE WHO FIGHT AND PUSH BACK.
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YOU SEE EVERY SIDE OF IT.
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Gave him the finger.
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Sorry, can I say that?
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You can leave it at that.
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And Molly, this really does sort of have a revolving door of talent, if you will.
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And you two are now stepping in for the next few weeks.
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How do you find your groove so quickly?
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How do you get your tempo going?
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Well, it's a story that's always really been interesting to me from the time I started in Hollywood.
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I DIDN'T LEARN ABOUT THE McCARTHY ERA IN SCHOOL.
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I ACTUALLY LEARNED ABOUT IT ON SET BECAUSE SOMEBODY THAT I WORKED WITH
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was friends with Kazan and I really wanted to work with Kazan
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and I went out to a dinner meeting with someone a director
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and she said oh who do you want to work with
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and I said I really love to work with Ilya Kazan
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and she said oh what would you call it naming names I WAS GOING TO BE ABLE TO DO.
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I WAS GOING TO BE ABLE TO DO.
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I WAS GOING TO DO.
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I WENT BACK TO WORK THE NEXT But they already had every name.
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They already have it, you know, and you know, and so and I thought, oh, this is interesting.
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So I started to do a lot of research about it, and it really was.
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THIS TIME IN AMERICAN HISTORY THEIR OWNERS, THEIR OWNERS, THE in that sort of environment now.
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Bob, we love when you come visit us today.
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And there's been so many great things over your career to talk about.
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I mean, from comedy to drama, from screen to stage.
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You also even told us about an album.
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Oh, my God.
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You want to know how it's going.
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Is there going to be a tour?
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Well, if I survive, are you now or have you ever been off Broadway
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and the audience doesn't hate me and kick me out of the door?
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I will try to come back with a tour of me singing.
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I'M GOING TO BE ABLE TO DO.
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I'M GOING TO BE ABLE TO DO.
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LOOK OUT.
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THEY ARE ALL COMEDY SONGS.
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WRITTEN BY A FRIEND OF MINE, A GREAT WRITER FROM CHICAGO WHO I 'VE KNOWN MY WHOLE LIFE.
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SO WE'RE PUTTING THEM TOGETHER.
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WE MAY DO A LITTLE TOUR.
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THANK YOU.
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COME BACK WHEN THE ROM COM STARTS.
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ONE NIGHT ONLY IN AUGUST.
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WITH CALM TURNER, MONICA BARBERO.
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on Are You Now or Have You Ever Been, July 14th through August 2nd over at the New York City Center.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione di livello B2 si basa sul video “Molly Ringwald and Bob Odenkirk Talk Off-Broadway Show”. Le parole che ritornano più spesso: Kazan, molly, bob, tour, meeting. Questo video contiene 80 frasi e 814 parole da ripetere con lo shadowing. Il parlato dura 5:21. Chi parla ha un ritmo naturale di circa 152 parole al minuto, vicino a una conversazione quotidiana. Il 87% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è facile da seguire.
Vocaboli chiave di questo video
Le 11 parole più avanzate del video, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| transcript sostantivo | /ˈtɹæn.skɹɪpt/ | testo |
| playwright sostantivo | /ˈpleɪˌɹaɪt/ | drammaturgo, drammaturga |
| revolve verbo | /ɹɪˈvɑlv/ | orbitare |
| showbusiness sostantivo | /ˈʃoʊˌbɪznɪs/ | industria dell'intrattenimento, industria dello spettacolo |
| tempo sostantivo | /ˈtɛm.poʊ/ | ritmo |
| groove sostantivo | /ɡɹuv/ | solco, scanalatura |
| infamous aggettivo | /ˈɪn.fə.məs/ | famigerato |
| testify verbo | /ˈtɛstɪfaɪ/ | deporre, testimoniare |
| scare verbo | /skɛɚ/ | spaventare, impaurire |
| butler sostantivo | /ˈbʌt.lɚ/ | costituente |
| turner sostantivo | /ˈtɝ.nɚ/ | tornitore |
I phrasal verb che sentirai
| Parola | Significato |
|---|---|
| point out verbo | additare |
| come back verbo | tornare |
| end up verbo | andare a finire, finire |
| look out verbo | fare attenzione, stare attento |
Frasi da ripetere
Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:
- How do your characters fit into the story?
- Sorry, can I say that?
- How do you find your groove so quickly?
- How do you get your tempo going?
- You want to know how it's going.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | have starred · Have You Ever Been · there's been |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | was blacklisted · was shot · were forced |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | somebody who was · PEOPLE WHO NAME · people who fight |
Pronuncia a cui fare attenzione
Chi parla usa 7 contrazioni e forme ridotte, come didn't, I'm, doesn't. Pronunciale nella forma breve, così come le senti.
I suoni difficili per chi parla italiano:
- Consonante finale — senza aggiungere una vocale dopo: blacklist /ˈblæklɪst/, transcript /ˈtɹæn.skɹɪpt/, playwright /ˈpleɪˌɹaɪt/, revolve /ɹɪˈvɑlv/, showbusiness /ˈʃoʊˌbɪznɪs/
- /æ/ — più aperta della “e”: blacklist /ˈblæklɪst/, transcript /ˈtɹæn.skɹɪpt/, stander /ˈstændɚ/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come transcript, playwright, revolve.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.