शैडोइंग अभ्यास: Stephen Fry Kinetic Typography - Language - YouTube के साथ अंग्रेजी बोलना सीखें
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For me, it's a cause of some upset that more anglophones don't enjoy language.
94 वाक्य
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For me, it's a cause of some upset that more anglophones don't enjoy language.
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Music is enjoyable, it seems,
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so are dance and other athletic forms of movement.
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People seem to be able to find sensual and sensuous pleasure in almost anything but words these days.
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Words, it seems, belong to other people.
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Anyone who expresses themselves with originality,
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delight and verbal freshness is more likely to be mocked,
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distrusted or disliked than welcomed.
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The free and happy use of words appears to be considered elitist or pretentious.
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Sadly, desperately sadly,
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the only people who seem to bother with language in public today bother with it in quite the wrong way.
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They write letters to broadcasters and newspapers in which they are rude and haughty about other people's usage,
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and in which they show off their own superior knowledge of how language should be.
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I hate that, and I particularly hate the fact that so many of these pedants assume that I'm on their side.
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When asked to join in a let's persuade this supermarket chain to get rid of their five items or less sign,
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I never join in.
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Yes, I am aware of the technical distinction between less
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and fewer and between uninterested and disinterested and infer and imply
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and all the rest of them but none of these are of importance to me.
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None of these are of importance, I said there.
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You'll notice the old pedantic me would have insisted on none of them is of importance.
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Well, I'm glad to say I've outgrown that silly approach to language.
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Oscar Wilde, and there have been few greater and more complete lords of language in the past thousand years,
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once included with a manuscript he was delivering to his publishers a compliment slip,
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in which he had scribbled the injunction,
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I'll leave you to tidy up the woulds and shoulds,
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wills and shalls, that's and which's,
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etc. Which gives us all encouragement to feel less guilty, don't you think?
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There are all kinds of pedants around,
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with more time to read and imitate Lynn Truss and John Humphreys than to write poems,
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love letters, novels and stories, it seems.
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They whip out their sharpies and take away and add apostrophes from public signs,
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shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings,
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But do they bubble and froth and slobber and cream with joy at language?
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Do they ever let the tripping of the tips of their
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tongues against the tops of their teeth transport them to giddy, euphoric bliss?
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Do they ever yoke impossible words together for the sound sex of it?
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Do they use language to seduce,
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charm, excite, please, affirm, and tickle those they talk to?
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Do they?
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I doubt it.
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Their two farting busy sneering at a greengrocer's less than perfect use of the apostrophe.
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Well, sod them to Hades.
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They think they're guardians of language.
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They're no more guardians of language than the kennel club is the guardian of dog kind.
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And the worst of this sorry bunch of semi-educated losers are
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those who seem to glory in being irritated by nouns becoming verbs.
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How dense and deft a language development do you have to be?
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If you don't like nouns becoming verbs,
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then for heaven's sake avoid Shakespeare,
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who made a doing word out of a thing word every chance he got.
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He tabled the motion and chaired the meeting in which nouns were made verbs.
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I suppose new examples from our time might take some getting used to.
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He actioned it that day,
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for instance, strike some as a verbing too far,
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but we've been sanctioning, envisioning,
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propositioning, and stationing for a long time, so why not actioning?
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Because it's ugly, whinge the pedants.
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Well, it's only ugly because it's new and you don't like it.
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Ugly in the way Picasso,
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Stravinsky, and Eliot were once thought ugly,
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and before them Monet, Mahler, and Baudelaire.
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Pedants will also claim, with what I'm sure is eye-popping insincerity and shameless disingenuousness,
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that their fight is only for clarity.
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Well, this is all very well,
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but there's no doubt what,
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for example, five items or less means.
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Just as only adult can't tell from the context
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and from the age
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and education of the speaker whether disinterested is used in the proper sense of non-partisan or in the improper sense of uninterested.
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No, the claim to be defending language for the sake of
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clarity almost never ever holds water nor does the idea
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that following grammatical rules in language demonstrates clarity of thought and intelligence of mind.
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Having said this, I admit that if you want to communicate well for the sake of passing an exam or job interview,
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then it's obvious that wildly original and excessively heterodox language could land you in the soup.
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I think what offends examiners and employers when confronted with extremely informal,
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unpunctuated and haywire language is the implication of not caring that underlies it.
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You slip into a suit for an interview and you dress your language up too.
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You can wear what you like linguistically or sartorily when you're at home or with friends,
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but most people accept the need to smarten up under some circumstances.
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It's only considerate.
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But that's an issue of fitness, of suitability.
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It has nothing to do with correctness.
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There's no right language or wrong language any more than there are right or wrong clothes.
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Context, convention and circumstance are all.
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I can't deny that a small part of me still clings to a ghastly Radio 4 newspaper letter-writer pedantry,
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but I fight against it.
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In much the same way,
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I try to fight against my gluttony,
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anger, selfishness, and other vices.
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I must confess, for example,
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that I find it hard not to wince when someone aspirates the word,
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and it is a word, H-A-I-T-C-H.
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Thank you.
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स्टीफन फ्राय एक प्रसिद्ध लेखक और वक्ता हैं, जिन्होंने भाषा के प्रति हमारी सोच पर गहरा विचार किया है। उनके विचारों के अनुसार, आज के लोग शब्दों को उतना महत्व नहीं देते जितना कि संगीत या नृत्य को। उनका मानना है कि भाषा का प्रयोग करना एक कला है, जो कि कई लोगों द्वारा उपेक्षित की जा रही है। यूट्यूब पर उनके संवाद में यह देखा जा सकता है कि कैसे वे शब्दों के प्रति अपनी उत्साही भावना को साझा करते हैं और उन लोगों की आलोचना करते हैं जो भाषा के प्रति कठोर और नकारात्मक दृष्टिकोण रखते हैं। यह हमें यह समझाता है कि भाषा का आनंद लेना और उसे अपनी भावनाओं का अभिव्यक्त करने के लिए इस्तेमाल करना कितना महत्वपूर्ण है।
रोज़मर्रा की बातचीत के लिए शीर्ष 5 वाक्यांश
- “शब्दों का आनंद लें।” - शब्दों का सही प्रयोग और उनके प्रति उत्साह दिखाने के लिए।
- “आपकी शब्दावली अनोखी होनी चाहिए।” - अपने विचारों को व्यक्त करने के लिए एक खास शब्दावली का विकास करें।
- “भाषा एक कला है।” - भाषा के उपयोग को एक रचनात्मक गतिविधि के रूप में देखने के लिए।
- “हमेशा नए शब्दों का प्रयोग करें।” - भाषा की सीमाओं को न तोड़ें, बल्कि उन्हें विस्तार दें।
- “भाषा का उपयोग करने में घबराएं नहीं।” - बिना डर के अपनी बात साझा करने का प्रोत्साहन।
कदम दर कदम शैडोइंग गाइड
इस वीडियो की कठिनाइयों को समझने और उन्हें पार करने के लिए, आप निम्नलिखित चरणों का पालन कर सकते हैं:
- सुनें: पहले पूरे वीडियो को ध्यान से सुनें। शब्दों और उनके उच्चारण पर ध्यान दें।
- दुबारा सुनें: अब वीडियो को छोटे-छोटे हिस्सों में बांटकर सुनें। जब आप किसी वाक्य को सुनें, तो उसे तुरंत दोहराने की कोशिश करें। यह shadowspeak प्रक्रिया का हिस्सा है।
- अपना उच्चारण ठीक करें: अपने उच्चारण में सुधार करें और देखें कि किस प्रकार से आप इन शब्दों को बेहतर तरीके से बोल सकते हैं।
- रिवाइस करें: वीडियो में दिए गए वाक्यांशों का उपयोग करते हुए छोटे वाक्यों का निर्माण करें। अंग्रेजी बोलने का अभ्यास करें।
- समीक्षा करें: अपनी प्रगति का मंथन करें। अपने दोस्तों या भाषा अभ्यास समूहों के साथ अभ्यास करें।
याद रखें, भाषा का प्रयोग मात्र नियमों का पालन करने के लिए नहीं है, बल्कि इसे एक कला की तरह समझना और महसूस करना है। यूट्यूब से अंग्रेजी सीखें और अपने अंग्रेजी उच्चारण में सुधार करने का प्रयास करें, ताकि आप अपने संवाद कौशल में वृद्धि कर सकें।
शैडोइंग तकनीक क्या है?
शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।
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