Pratica di Shadowing: Corona 16 New Features | Inside Corona with Tom Grimes - Impara a parlare inglese con i video

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Want your project in a realistic setting without having to model the environment?

Do you want to give the appearance of fully furnished rooms behind the window without having to model them in 3D?

To stop the background image being adjusted by tone mapping without using that fiddly tone map control?

Well then, Corona 16 has good news for you.

Let's begin with Gaussian Splats.

These a very popular technology chaos was at uh

so graph this year and uh autodesk university where a lot of the presenters

and attendees were talking about gaussian splats it's a new technology it's ai is not the only thing that's new

and progressing fast

and people are very excited about it current 15 already introduced the ability to render gaussian splats and also to bounce

Use global illumination of them onto the 3D objects in your scene, helping things blend together much better.

But Corona 16 goes further.

Now scene lighting can illuminate the Gaussian splat.

This also includes the option for self shadowing.

The end result is that your Gaussian splat

and your 3D objects all look like part of the same world and they all blend together beautifully.

For that final little touch, you can always do a quick pass through Verus,

and then you can end up with a wonderful image of your 3D objects placed in a Gaussian splat environment, or indeed, the other way around,

your Gaussian splat object placed in a 3D environment.

Of course, with the addition of Max having its own Gaussian splats, Corona 16 can also render those, no problem.

You'll also find that Corona 16 can now load SPZ format, which is a particularly highly compressed form of Gaussian splats it's a format

that makes them smaller than ever a repeated request from you

all was to make the sky volume effect better occasionally the

old effect would have color banding strange colors in it

that were unwanted and we fixed that for corona 16 a small thing

but one you've been asking for displacement looks fantastic

but it can be very memory hungry when you're actually displacing geometry

so another request that we've had from you all is to use Pavellax displacement.

This doesn't move any geometry and it saves a remarkable amount of memory.

In this example, it saved about 20 % of the memory compared to geometric displacement.

If you're building a street view or a city view,

you don't want the windows of your buildings to look like they lead into a blank empty space.

This is not the back rooms you're trying to render here.

Instead, you want it to look like those actual rooms behind there.

Thing is, you don't want to spend time 3d modeling the interiors lighting them etc well

there's a solution for you now with parallax interiors

you simply add a flat plane use one of the parallax interiors from cosmos

and it looks like your room has a full 3d scene

in it including parallax effects as the viewer moves from left to right

when you're using a background image quite often you do not want it to be affected by the vfb

or the CIE tone mapping.

This was possible using the tone map control.

It was a bit fiddly to use and it couldn't undo all the tone mapping changes, things like ASUS OT,

and it also meant you had to do IR restarts

if you did adjust the tone mapping to bring the background back to its unedited state.

This problem's a thing of the past now because both the VFP

and the CIE have a new background option

that lets you place a background image into them

and it remains completely untouched by any tone mapping and you don't need to restart anything ever.

This lets you use the tone mapping to match the look of your background image,

editing the lighting and appearance of the 3D parts of the scene so that they blend well with your background.

Or indeed, you can use it more creatively.

We're continuing our quest to bring you a better connection between Corona and Vantage with many improvements to the Live Link.

They'll scroll past on the screen here.

I'm looking to read them all, and you can find them all in the changelog.

You don't need to try and read them as they zip by.

We've heard your concerns with the very large file sizes of CXR files.

So first of all, in Corona for Cinema 4D and coming to Corona for Max later, we are offering the option to save to 16 -bit,

which greatly reduces the CXR file size.

The clever part is anything that needs to be 32 -bit, such as a cryptomat or an object ID, remains 32 -bit.

And anything that can be reduced to 16 -bit without impacting the output is reduced to 16 -bit.

This can result in up to 45 % file savings in some examples, possibly more, possibly less depending on just how much

you've packed into your cxr continuing with c4d we've improved the viewport preview of materials probably the biggest is

that glass and similar are now actually transparent in the viewport we've also made it

so that the front back map shows in the viewport and

that mapped glossiness shows in the viewport and also

that triplanar works properly in the viewport

and some other things too again full list in the change log over in cosmos

you can now generate 3d assets using ai

if you give it an example image like this one here it will go ahead

and create the 3d objects based on

that image you just need a single image and then you can bring

that into your scene and render corona 16 also introduces the ai assistant it has a set of skills

First, we'll have a look at the sky match.

Start IR so that the AI assistant can see your render, give it a reference image,

and it will update the HDRI to give you a matching result.

Plus, it will add a look to do some color grading for you.

And then the assistant can help you create scatters.

For example, here's a nice empty scene, and I asked it for rocks and plants that you would find in a Utah desert.

I have no idea what rocks and plants you'd find in the utah desert

but it goes and uses cosmos semantic search to find suitable plants based on your description

and then creates scatters for you bringing those plants into the scene

you can then manually adjust those to get just the result you want

and then of course the most basic function the help function

you can ask it a question um about say how to use the corona ao map

and it will give you an answer

but most importantly for me it will give you all the references

that point to tutorials documentation help desk documents and similar

so you can go and read up on it for yourself

if you're new to 3d

or just starting out with corona we have the render critique in the assistant

this will give you a guide on what the ai thinks to your image it'll give it some scores

and it will give you some helpful advice on how you could improve the scene

and this can be anything from camera angles to adjustments to the render settings

now as i say this is a training tool we don't expect anyone who's intermediate

or experienced to be making use of this

because it'll just be telling you things you already know

but for those of you starting out it should be a good way to get some guides

and advice on what to do next to bring your renders

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to the next level over in veras the new node editor has been introduced

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this lets you create a series of nodes in order to

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carry out your ai tasks rather than just have to do a single prompt

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and to make that easier to get to we've added links to veras

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and the ai enhancer and upscaler into the corona image editor

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and then a small thing we've added the chaos notification center

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this is something you entirely control the only thing you can't turn off is critical advisories

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and these are things that you really want to be notified about

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if there's going to be some sort of planned license outage hasn't happened

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but it can happen and that's something you definitely need to know

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so it doesn't interrupt your work everything else is up to you it's optional

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you can turn it on you can turn it off now you never need to miss a corona update again

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Again, if you choose to leave notification about updates enabled, but again, we've left the control to you.

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And with that, there is actually one notification to give you just now, which is, that's the end of this video.

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I'd like to thank you for watching, enjoy Karina 16, and hey, we'll see you next time.

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Vocabolario e note di pronuncia per questa lezione

Questa lezione di conversazione si basa sul video “Corona 16 New Features”. Le parole che ritornano più spesso: corona, image, gaussian, splat, render. Questo video contiene 114 frasi e 1513 parole da ripetere con lo shadowing. Il parlato dura 8:49. Chi parla ha un ritmo naturale di circa 172 parole al minuto, vicino a una conversazione quotidiana. Solo il 81% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.

Vocaboli chiave di questo video

15 parole del video che vale la pena imparare, con pronuncia e significato:

Parola	Pronuncia	Significato
tone sostantivo	/ˈtəʊn/	tono
render verbo	/ˈɹɛn.dɚ/	rendere
introduce verbo	/ˌɪntɹəˈdus/	presentare
adjust verbo	/əˈd͡ʒʌst/	adattare, adeguare
blend verbo	/blɛnd/	mescolare, amalgamare
notification sostantivo	/ˌnoʊtɪfɪˈkeɪʃn̩/	notificazione
cosmos sostantivo	/ˈkɑzməs/	cosmo
format sostantivo	/ˈfɔːɹ.mæt/	formato
desert sostantivo	/ˈdɛz.ɚt/	deserto
chaos sostantivo	/ˈkeɪˌɑs/	caos
geometry sostantivo	/d͡ʒiˈɑ.mə.tɹi/	geometria
restart verbo	/ˈɹiːˌstɑɹt/	ricominciare
compare verbo	/kəmˈpɛɚ/	paragonare
hungry aggettivo	/ˈhʌŋ.ɡɹi/	affamato, avere fame
shadow sostantivo	/ˈʃædəʊ̯/	ombra

I phrasal verb che sentirai

Parola	Pronuncia	Significato
carry out verbo	/ˈkæ.ɹi aʊt/	compiere, realizzare
go ahead verbo	/ˌɡoʊ əˈhɛd/	procedere, andare avanti
pass through verbo		trapassare
turn off verbo		spegnere

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

Struttura	Nel video
Present perfect have/has + participio passato — un’azione passata che conta ancora adesso	we've had · We've heard · you've packed
Forma passiva be + participio passato — conta ciò che accade, non chi lo fa	being adjusted · were unwanted · be affected
Frasi relative who / which + frase — un’informazione in più su una persona o una cosa	format, which is · now, which is

Pronuncia a cui fare attenzione

Chi parla usa 34 contrazioni e forme ridotte, come we've, don't, you're. Pronunciale nella forma breve, così come le senti.

I suoni “sh” e “zh”: notification /ˌnoʊtɪfɪˈkeɪʃn̩/, shadow /ˈʃædəʊ̯/, occasionally /əˈkeɪʒənəli/, documentation /ˌdɑkjəmɛnˈteɪʃən/, optional /ˈɑp.ʃə.nəl/
Parole lunghe — attenzione all’accento: notification /ˌnoʊtɪfɪˈkeɪʃn̩/, geometry /d͡ʒiˈɑ.mə.tɹi/, occasionally /əˈkeɪʒənəli/, advisory /ædˈvaɪz(ə)ɹi/, importantly /ɪmˈpɔɹ.tənt.li/

I suoni difficili per chi parla italiano:

/h/ — va soffiata, non è muta: hungry /ˈhʌŋ.ɡɹi/, helpful /ˈhɛlp.fl̩/, enhancer /ɪnˈhænsɚ/
Consonante finale — senza aggiungere una vocale dopo: introduce /ˌɪntɹəˈdus/, adjust /əˈd͡ʒʌst/, blend /blɛnd/, displacement /dɪsˈpleɪsmɪnt/, cosmos /ˈkɑzməs/
/æ/ — più aperta della “e”: format /ˈfɔːɹ.mæt/, shadow /ˈʃædəʊ̯/, angle /ˈæŋ.ɡəl/, asset /ˈæsɛt/, advisory /ædˈvaɪz(ə)ɹi/

Come esercitarsi con questo video

Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
Registrati e confronta con l’originale, facendo attenzione a parole come tone, render, introduce.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →

Pratica di Shadowing: Corona 16 New Features | Inside Corona with Tom Grimes - Impara a parlare inglese con i video

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