Pratica di Shadowing: Fear Factory interview - Dino Cazares and Burton C Bell (part 3) - Impara a parlare inglese con i video

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80 frasi
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1
Before we started out, we had to make sure that the friendship was solid again.
2
Can you maybe tell what each person of you brings in, these ingredients that...
3
Well obviously I bring in the heaviness, and I'm not talking about my weight. But he also mentioned...
4
I mean the brutality and the guitars and stuff like that.
5
Aggression.
6
The aggression, yeah, yeah.
7
But also melancholy was mentioned by Burton.
8
Yeah, I have a lot of that.
9
I mean, I think that probably was inspired from him.
10
It's really...
11
He has a voice with his guitar that strikes a chord within me that I can find melody with it.
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And the melodies that I find are dark and melancholic, yet hopeful, and it works.
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We find that chord between us, and I think that's the thing that really strikes us.
14
There's a certain sadness about it, a certain melancholy.
15
Yeah, and sometimes I try to create the melody of what he's singing on the guitar.
16
You know what I mean?
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I'll write to it.
18
What's the usually way that you jam to write songs I read?
19
But in what sort of way do you start writing?
20
We kind of all write together.
21
On this record we all sat in a room together and we pretty much just, whatever came out naturally, that's what it came out.
22
I mean we discussed topics, what we're going to sing about, maybe there was a couple things that might have been written before,
23
but for the most part a good 90% of the music was just written all together.
24
But what I wanted to ask you, when not being playing in Fear Factory, your guitar playing is very bonded with Fear Factory.
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When not playing in Fear Factory in the head, is your writing changed a little bit?
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I think it's definitely changed.
27
I play more notes.
28
He's evolved, definitely.
29
Yeah.
30
He's grown as a guitar player, he's learned his craft.
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He's been playing guitarist 20 plus years, so the more you play the better you get.
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They believe that we have all evolved and grown as craftsmen.
33
What was for you an important skill that you've learned?
34
Maybe you can answer it.
35
I think, what's the right word?
36
It's patience and knowing when not to sing.
37
And listening is something that, and listening to others and communicating, I think, with the band.
38
Yeah.
39
When we're writing, there's no such thing as a bad idea.
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Right.
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You know what I mean?
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It may not work for that song, but you save it for something else.
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You know what I mean?
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So we have a motto as we try to try everything.
45
But as far as Bert, how he's involved, I believe that he's become definitely a much more intelligent writer.
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Not just lyrically, but vocally.
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And on this record, I think it's the most passionate I've ever heard him sing. So.
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Yeah.
49
You mentioned the word patience.
50
I assume it goes as well for non-musical issues?
51
Well, Dino and I, having the time apart,
52
was good for us because we were able to learn to communicate from this absence from each other.
53
And when we got back together, it was communication that brought us back together.
54
And we learned to talk before we even started talking about music.
55
Do you recall who called who or how was the first time you I think he called me.
56
Yeah, you called.
57
Well, I just walked up to him at the ministry show.
58
Yeah, well, we saw each other first.
59
Then we exchanged numbers.
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And then I called him.
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Yeah.
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Was it spontaneous?
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Or did you for a moment think you were doing this right now?
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I just did it.
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I was just like, why not?
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It was reconnecting with an old friend.
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And so, yeah, it was spontaneous.
68
Do you live in the same area?
69
No. We live opposite ends of the country, actually.
70
But he does stay at my house when he's in LA.
71
Yeah, when I go to LA to rehearse and write, I stay with Dino.
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Yeah, because a long time ago, we first met, because we used to be roommates in an eight bedroom house.
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And we had a mutual friend who told me about a room that they were renting for really cheap.
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And when I moved in there, he was one of the guys living there.
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That's how we met.
76
And so we're still living together.
77
But you could say that maybe your friendship is the most important foundation to...
78
Absolutely.
79
Exactly.
80
Before we started up, we had to make sure that the friendship was solid again.

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Vocabolario e note di pronuncia per questa lezione

Questa lezione di conversazione di livello B2 si basa sul video “Fear Factory interview - Dino Cazares and Burton C Bell”. Le parole che ritornano più spesso: guitar, write, friendship, sing, Factory. Questo video contiene 80 frasi e 776 parole da ripetere con lo shadowing. Il parlato dura 4:57. Chi parla ha un ritmo naturale di circa 157 parole al minuto, vicino a una conversazione quotidiana. Il 86% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare. 13 delle sue 80 frasi sono domande: un buon esercizio per l’intonazione interrogativa e le risposte brevi.

Vocaboli chiave di questo video

Le 15 parole più avanzate del video, con pronuncia e significato:

ParolaPronunciaSignificato
melody sostantivo/ˈmɛl.ə.di/melodia
melancholy sostantivo/ˈmɛl.ənˌkɑ.li/malinconia
chord sostantivo/kɔɹd/accordo
spontaneous aggettivo/spɑnˈteɪ.ni.əs/spontaneo
aggression sostantivo/əˈɡɹɛʃən/aggressione
patience sostantivo/ˈpeɪ̯.ʃəns/pazienza
craftsman sostantivo/ˈkɹæftsmən/artefice, artigiano
melancholic aggettivomalinconico, melancolico
reconnect verbo/ˌɹiː.kəˈnɛkt/ricollegare, riconnettere
rehearse verbo/ɹɪˈhɝs/ripetere
brutality sostantivo/ˌbɹuːˈtælɪti/brutalità
guitarist sostantivo/ɡɪˈtɑɹɪst/chitarrista
motto sostantivo/ˈmɑ.toʊ/motto
ingredient sostantivo/ɪnˈɡɹiːdi.ənt/ingrediente
hopeful aggettivo/ˈhoʊpfl̩/speranzoso

Frasi da ripetere

Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:

  • You know what I mean?
  • What's the usually way that you jam to write songs I read?
  • What was for you an important skill that you've learned?
  • I think, what's the right word?
  • I was just like, why not?

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

StrutturaNel video
Forma passiva be + participio passato — conta ciò che accade, non chi lo fawas mentioned · was inspired · have been written
Present perfect have/has + participio passato — un’azione passata che conta ancora adessoyou've learned · I've ever heard

Pronuncia a cui fare attenzione

Chi parla usa 7 contrazioni e forme ridotte, come we're, I'll, I'm. Pronunciale nella forma breve, così come le senti.

  • I suoni “sh” e “zh”: aggression /əˈɡɹɛʃən/, patience /ˈpeɪ̯.ʃəns/, passionate /ˈpæʃənɪt/
  • Parole lunghe — attenzione all’accento: melancholy /ˈmɛl.ənˌkɑ.li/, spontaneous /spɑnˈteɪ.ni.əs/, brutality /ˌbɹuːˈtælɪti/, ingredient /ɪnˈɡɹiːdi.ənt/

I suoni difficili per chi parla italiano:

  • /h/ — va soffiata, non è muta: heaviness /ˈhɛvɪnəs/, rehearse /ɹɪˈhɝs/, hopeful /ˈhoʊpfl̩/
  • Consonante finale — senza aggiungere una vocale dopo: chord /kɔɹd/, spontaneous /spɑnˈteɪ.ni.əs/, evolve /ɪˈvɑlv/, patience /ˈpeɪ̯.ʃəns/, heaviness /ˈhɛvɪnəs/
  • /æ/ — più aperta della “e”: craftsman /ˈkɹæftsmən/, brutality /ˌbɹuːˈtælɪti/, sadness /ˈsædnəs/, passionate /ˈpæʃənɪt/

Come esercitarsi con questo video

  1. Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
  2. Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
  3. Registrati e confronta con l’originale, facendo attenzione a parole come melody, melancholy, chord.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →