Pratique du Shadowing: Fear Factory interview - Dino Cazares and Burton C Bell (part 3) - Apprendre l'anglais à l'oral avec la vidéo
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Before we started out, we had to make sure that the friendship was solid again.
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Can you maybe tell what each person of you brings in, these ingredients that...
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Well obviously I bring in the heaviness, and I'm not talking about my weight. But he also mentioned...
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I mean the brutality and the guitars and stuff like that.
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Aggression.
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The aggression, yeah, yeah.
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But also melancholy was mentioned by Burton.
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Yeah, I have a lot of that.
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I mean, I think that probably was inspired from him.
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It's really...
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He has a voice with his guitar that strikes a chord within me that I can find melody with it.
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And the melodies that I find are dark and melancholic, yet hopeful, and it works.
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We find that chord between us, and I think that's the thing that really strikes us.
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There's a certain sadness about it, a certain melancholy.
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Yeah, and sometimes I try to create the melody of what he's singing on the guitar.
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You know what I mean?
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I'll write to it.
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What's the usually way that you jam to write songs I read?
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But in what sort of way do you start writing?
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We kind of all write together.
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On this record we all sat in a room together and we pretty much just, whatever came out naturally, that's what it came out.
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I mean we discussed topics, what we're going to sing about, maybe there was a couple things that might have been written before,
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but for the most part a good 90% of the music was just written all together.
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But what I wanted to ask you, when not being playing in Fear Factory, your guitar playing is very bonded with Fear Factory.
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When not playing in Fear Factory in the head, is your writing changed a little bit?
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I think it's definitely changed.
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I play more notes.
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He's evolved, definitely.
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Yeah.
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He's grown as a guitar player, he's learned his craft.
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He's been playing guitarist 20 plus years, so the more you play the better you get.
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They believe that we have all evolved and grown as craftsmen.
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What was for you an important skill that you've learned?
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Maybe you can answer it.
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I think, what's the right word?
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It's patience and knowing when not to sing.
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And listening is something that, and listening to others and communicating, I think, with the band.
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Yeah.
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When we're writing, there's no such thing as a bad idea.
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Right.
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You know what I mean?
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It may not work for that song, but you save it for something else.
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You know what I mean?
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So we have a motto as we try to try everything.
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But as far as Bert, how he's involved, I believe that he's become definitely a much more intelligent writer.
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Not just lyrically, but vocally.
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And on this record, I think it's the most passionate I've ever heard him sing. So.
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Yeah.
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You mentioned the word patience.
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I assume it goes as well for non-musical issues?
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Well, Dino and I, having the time apart,
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was good for us because we were able to learn to communicate from this absence from each other.
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And when we got back together, it was communication that brought us back together.
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And we learned to talk before we even started talking about music.
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Do you recall who called who or how was the first time you I think he called me.
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Yeah, you called.
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Well, I just walked up to him at the ministry show.
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Yeah, well, we saw each other first.
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Then we exchanged numbers.
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And then I called him.
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Yeah.
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Was it spontaneous?
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Or did you for a moment think you were doing this right now?
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I just did it.
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I was just like, why not?
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It was reconnecting with an old friend.
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And so, yeah, it was spontaneous.
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Do you live in the same area?
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No. We live opposite ends of the country, actually.
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But he does stay at my house when he's in LA.
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Yeah, when I go to LA to rehearse and write, I stay with Dino.
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Yeah, because a long time ago, we first met, because we used to be roommates in an eight bedroom house.
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And we had a mutual friend who told me about a room that they were renting for really cheap.
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And when I moved in there, he was one of the guys living there.
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That's how we met.
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And so we're still living together.
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But you could say that maybe your friendship is the most important foundation to...
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Absolutely.
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Exactly.
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Before we started up, we had to make sure that the friendship was solid again.
À propos de cette leçon
Vous vous entraînez en anglais avec "Fear Factory interview - Dino Cazares and Burton C Bell (part 3)" en utilisant la technique du Shadowing.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.