Pratica di Shadowing: Leonardo DiCaprio Got A Shocking Look At Lassie | Letterman - Impara a parlare inglese con i video

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1
Hey, Doug.
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I'm all right.
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How are you?
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Have you filed your income tax returns yet?
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No, I don't do my taxes.
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Uh -oh.
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My mom does them for me.
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Is mom reliable?
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My mom's very reliable.
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Yeah.
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That's right.
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Good.
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Now, would you like a steak dinner?
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Can we get you a nice big thick steak?
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No thanks, Dave.
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- Yeah.
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- Tell me a little bit about your name, if you don't mind.
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Leonardo DiCaprio.
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It is a very rhythmic, very poetic sort of sounding name.
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Very nice, lovely name.
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- Thank you.
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Thank you very much.
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- Is there a story about that?
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Your parents have something-- - Actually, I do have a story about mine.
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- Let me hear it.
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Well, the first time I got an agent, they thought my name-- How old were you?
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That was about, Six years old, seven years old.
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You get an agent at six years old.
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Well, I tried to get an agent, but I didn't succeed because they wanted to change my name to Lenny Williams.
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They thought my name was a little too ethnic, so they sort of dissected it and said, "Hey, Leonardo, Lenny." My middle name's Wilhelm, so they changed that to Williams.
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Well, no, wait a minute.
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Let's get back to your given name again.
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Leonardo Wilhelm DiCaprio?
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Yeah, that's my name.
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Wow, that's a good one.
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That's great.
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Thanks.
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And why is it that your folks selected an Italian -sounding name and then a German -sounding name?
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Well, my mother's German and my dad's Italian.
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There you go.
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There's an answer for every story in this life.
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All part of God's great plan, isn't it?
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So, when you were six years old, how did you get into show business?
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What were you...
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You were just, like, going to school, to be in show business?
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Well, the first time was actually on TV.
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I was on TV at about three years old.
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Have you ever seen Romper Room?
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Are you kidding?
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Try and keep me away from Romper Room.
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Well, it was my favorite show at the time
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and I just absolutely love the show and I used to sing the songs at home and everything.
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Let's hear one.
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And oh God.
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Come on.
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It's too far away.
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I can't remember.
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Come on, let's go, buddy.
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So I went on Romper Room, right?
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And I was completely excited.
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They had a little circle, and they were all singing, dancing, and stuff like that.
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But I was too excited to be on camera.
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So I was running up and slapping the cameras and stuff like that, and screaming and looking inside the camera.
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Tried to pull my mom on stage, and finally I was too much to handle, so they Completely kicked me off the shelf.
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You were 86, you were tossed, you were adiosed.
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I was adiosed.
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And were you crestfallen?
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You must have been crushed when you got bounced off Rumpa Rumpa Rumpa.
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No, no, no. I SAW MYSELF ON TELEVISION.
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I WAS JUST LIKE...
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You went crazy.
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Yeah, neurotic.
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It was beautiful.
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That happens to me almost every night right here.
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Are you really that excited?
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Yeah, I see.
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Oh my God!
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Um, I saw the film you did with Robert De Niro and Ellen Bark in This Boy's Life.
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Mm -hmm.
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That, you know, that was a great, I, and I guess, I, and forgive me if this is the wrong term, but it was a small sort of film.
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It wasn't a huge budget with chase scenes and space, uh, uh...
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Well, no. Made about eight million dollars, I think.
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It was, uh...
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But it was a very nice piece of work, is what I was trying to say.
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Oh, well, thank you.
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Based on a book.
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And I thought that the interaction between you and De Niro was especially entertaining.
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I mean, that was very interesting to watch.
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Was it a good-- did you have a good relationship with him, with the film?
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I did.
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Bobby De Niro was great.
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Ah, you called him Bobby.
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There you go.
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You're in show business now, pal.
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Robert De Niro was great.
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I remember a scene we were doing, actually, where he had his-- did you see the Zippo scene, where he's trying to, like, impress my mom, played by Ellen Barkin?
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And Ellen found this so hilarious every time.
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He's got something he does with the lighters.
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Yeah, he pops it open and does his whole thing.
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And Ellen, as soon as she saw Robert De Niro do this, she'd start cracking up immediately.
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and the whole set was in hysterics.
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And towards like the 25th take I got a little agitated, because I was usually one that was like, getting the laughs or on set.
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So I stand up and I go, "You know, guys, can we be a little more professional here?
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You're laughing all the time.
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I've got things to do." I was a bit of a smart ass.
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I was 16 years old.
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I learned my lesson.
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And Bob takes me aside and he goes, you know, - Thank you.
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a certain line, you know, with jokes.
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He goes, "You know, you shouldn't cross that line, 'cause sometimes you can't get back." You know?
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That's right.
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That's right.
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So I sit there, and I come back in my chair, and my heart is, like, down.. down to my butt and I'm just sitting there.
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Yeah.
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Did I mess up?
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And uh, 2K-- That's the reason you'll never be back on Romper Room.
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It goes on your permanent record.
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So two takes later, they nail the scene, and I never actually figured out if he was really angry with me or if he wanted to just change the tempo.
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I have a feeling it was a little of both.
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But he forgave me for it, actually, at the end.
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-Good.
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-He took me out, and, uh, we had a bunch of pies and stuff.
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You talked about Romper Room and how you were tossed off and nearly arrested.
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-Mm -hmm.
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-Uh, and then...
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-What was, like, your first legitimate acting role as a kid?
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Did you want to be an actor, or did you folks just say, "Here?" I knew I wanted to be an actor for a long time, definitely.
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My first dramatic, real drama was on the new Lassie.
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-Uh -huh.
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-And I think we have a clip of that.
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But, uh, I remember that...
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I'm supposed to be the one that tells the people -that we have the clips.
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-Okay.
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How would you know anything about our clip inventory?
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-You take your time, absolutely.
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-That's my responsibility.
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-I don't appreciate anything.
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-When we have a clip, I turn to the camera and I say, We got a clip, don't we?
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Well, anyway, the funny thing about Lassie was-- -That, uh...
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-We have a clip!
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Lassie was actually a female dog.
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Lassie is supposed to be a female dog.
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Supposed to be a female, yeah, Lassie.
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Yeah, Lassie, Laddie.
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Laddie would be the male, Lassie's the female.
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-Right.
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-Yeah.
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So they had five different dogs that were all guys to do the tricks, I guess, to...
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We have five different polls.
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Male dogs are smarter or something like that, right?
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What did you say?
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I don't know.
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I don't know what they're doing.
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What are you doing?
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The male dogs are smarter?
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Is that what you said?
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I don't know.
158
That's supposedly one was for the tricks, one was for the expressions and this and that, right?
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Right.
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True.
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So, uh, they had a big pregnancy scene where Lassie was giving puppies, and, uh, I first realized how fake the business-- That's hard for the guys.
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We first realized how fake-- I first realized how fake the whole business was when they had to do the pregnancy scene, because they had to-- tape over Lassie's you know.
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- It's some...
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- You know, I know you're just a kid, but you possess a wisdom and a maturity, indescribable here.
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That to tape over Lassie's...
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special fur.
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And I was sitting there.
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Hey, hey, hey, this ain't romper room, okay?
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I was a little shocked.
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Yeah, I was a little disappointed, so...
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Disappointed, were you?
172
Yeah.
173
Gosh, what aspect of that did you find disappointing?

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Parla come un nativo

Per imitare il ritmo e l'accento dei parlanti, fai attenzione allo stress sulle parole chiave. In "My mom does them for me", il focus è su "mom" e "me" – queste parole vengono pronunciate più forte e lunghe. Inoltre, la intonazione sale nelle domande: "Is mom reliable?" finisce con un tono più alto, mentre le risposte come "Yeah, that's right" hanno un tono decrescente. Prova a fare il shadow speak: metti in pausa il video dopo ogni frase e ripettala immediatamente, cercando di copiare non solo le parole ma anche il modo di esprimerle. È un esercizio divertente e efficace per avvicinarti all' inglese nativo!

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La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

StrutturaNel video
Forma passiva be + participio passato — conta ciò che accade, non chi lo fawere tossed · was adiosed · have been crushed
Present perfect have/has + participio passato — un’azione passata che conta ancora adessoHave you filed · Have you ever seen
Past continuous was/were + -ing — un’azione in corso in un momento del passatowas running · was trying · were doing
Present continuous am/is/are + -ing — qualcosa che succede adesso o in questo periodoAre you kidding · You're laughing · I'm just sitting

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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