쉐도잉 연습: (2006/10/21) BBC 2, The Culture Show, Thom - 영상으로 영어 말하기 배우기

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94 문장

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I asked loads of my friends

if you had to ask one question of Tommy York Why are you such a miserable bastard?

I think actually to be honest I think half the problem is that I have a certain sort of voice that

can make things sound worse than they are

It wasn't about you being miserable they wanted to ask you

if you thought the best thing you ever did was I was like a computer.

That's funny, because people used to say the bends.

What do you think about that?

So maybe give them another five years, maybe they'll say, kid A, maybe not.

What made you feel you wanted to do something on your own?

Mostly it was to do with the fact

that there was a sort of growing pile of things

that I wanted to finish that would have been extremely dull if it had been a band thing, because they were done on computers.

You know, it was all programming and, um...

It wouldn't have really made sense to sit around with all five of us gazing at a screen.

The lyrics on the eraser, they're very provocative, some of them, aren't they? Are they?

Well, I found them so and...

Oh, okay.

Good.

I think.

There's the song about David Kelly.

What made you want to write a song about that?

The whole Hutton whitewash and the...

the mewing and crying of Alistair Campbell and then the...

All the lies about going to war in the first place and la la la, and going to these protests of people lining the streets eating school kids,

and all this sort of madness going on.

And then in the middle of it, this one poor guy, who just seemed to end up being like the focus of a certain terrible energy.

Do you hope or deliberately set out to try and provoke people

and provoke people to think about some of these things through your lyrics?

I don't have a problem with with writing about things

that may be seen as political

but I don't really think it's it's not political music it's just part of what's in front of me.

Do you write all this as a kind of catharsis?

Desperately trying to write songs that fantastical, life-affirming in all the right ways, but I personally think that's what the music's supposed to do.

And if you write the words correctly, you could be absorbing all this stuff.

But really, the whole point is the music flows over you.

Music basically is like mathematics, you know, and you're trying to form patterns,

patterns that make you understand what is around you and patterns that help you get through the next day.

Like, when I listen to the radio and stuff, when I hear a new piece of music, that I've just got to get a hold of it,

because I know it's going to help me through a particular thing until the next one, or it's life-affirming.

The whole point of music is life-affirming.

The sickness of it for me, the bit I couldn't deal with, was that somehow this is a reason to exist.

and somehow you get to a certain level and...

..or whatever, of exposure or fame or whatever, and then suddenly you can communicate with other famous people on a higher level.

And, like, waft around going, hi.

And that was a bit...

I just kind of thought that was a bit peculiar.

Do you think there's a sort of upside to being, you know, well-known in that you can have huge influence?

I don't think you do.

I think all you do is you turn on the media

that week for 20 seconds to something and then they turn on to the next thing.

I don't think you have influence as such.

All you do is that and then that might get someone to sort of vaguely rethink about one little thing but there's,

you know, I don't think...

I think people are perfectly capable of making their own decisions and God help them if they listen to me.

If you could pick one song that you'd like to be remembered by, what would it be?

How to Disappear, After a Day.

Why?

Because it's the most beautiful thing we ever did, I think.

We have this really amazing situation.

I'm not quite sure whether it happens with other bands, but we have all these unofficial sites that are really on top of what we're doing, more on top of what we're doing than we are.

And our site itself is just like this mad sort of collage thing of our thoughts

and also a really good way of getting directly to people when we want to.

So it's always been, I mean, from about Kid A onwards, it's been a source of directly

trying to circumnavigate the media and the media having to follow what's happening on the internet rather than the other way round.

It sort of works to varying degrees,

but I I personally think that for Radiohead, what we do on the internet is much,

much more important than, except for live performances on TV, it's by far the most important thing for us and it has been for ages.

Because it's not very messy and it's not very coherent and whatever,

but it's us, you know, and it's what we choose to put across other than making music all the time.

Do you feel that relationship has deepened over the years with your fan base?

I think so.

I mean, the most fun we have is when we do these things, the webcast things we used to do and we still do sometimes,

which is just, it's this mad situation where you you know thousands of people are watching

and they're talking about what you're doing

and you can see it on one screen and you're seeing what you're doing on the other.

Like a pirate TV thing, that's really, you get massive buzz out of that.

And also you have that other thing where we play all these new songs and they're immediately up on YouTube,

recorded on people's phones and things and there's an entire sort of energy to

that whole thing which is completely outside of your Sunday supplement music critics or whatever, which I think is, I find really exciting.

It's really amazing, especially when we travel, when we go to America and stuff, how important it's been for us and

how there's sort of like an honesty about our relationship we have with the fans when minutes through that, which I think is great.

I don't like having mediators with their own agendas, obviously no one would give them the choice.

And do the fans send you nutty things, in which case what's the nuttiest?

Oh, er, no. No, not really.

That's because you're not famous enough, obviously, in that anymore.

No, we used to get the nutty thing.

Now you have people saying, that was great the way you changed the chord in the end of it.

And you're like, okay.

Is that worse? Or better?

That's alright.

You know, sometimes they're right.

Sometimes you really should put that verse back in.

Okay?

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이 레슨의 어휘와 말하기 포인트

이 영상에는 섀도잉할 문장 94개와 단어 1219개가 있습니다. 말하는 구간의 길이는 7:21입니다. 화자는 분당 약 166단어로, 일상 대화에 가까운 자연스러운 속도로 말합니다. 단어의 88%가 영어에서 가장 많이 쓰이는 3,000단어에 속해 어휘가 쉬운 편입니다.

이 영상의 핵심 어휘

영상에 나오는 덜 흔한 단어 15개를 발음, 뜻과 함께 정리했습니다.

lyrics /ˈlɪɹ.ɪks/ (명사) — 가사. The words to a song (or other vocal music).
miserable /ˈmɪz(ə)ɹəbəl/ (형용사) — 불행한 상황. In a state of misery: very sad, ill, or poor.
protest /ˈpɹoʊ.tɛst/ (명사) — 항의. A formal objection, especially one by a group.
exposure /ɪkˈspəʊ.ʒə(ɹ)/ (명사) — 노출, 로출. The condition of being exposed, uncovered, or unprotected.
fame /feɪm/ (명사) — 유명, 명성. One's reputation.
agenda /əˈd͡ʒɛn.də/ (명사) — 의제, 의사일정. A temporally organized plan for matters to be attended to.
correctly /kəˈɹɛk(t).li/ (부사) — 정확(正確)히. In a correct manner.
mathematics /mæθ(.ə)ˈmæt.ɪks/ (명사) — 수학. An abstract representational system studying numbers, shapes, structures, quantitative change and relationships between them.
pile /paɪl/ (명사) — 무더기. A mass of things heaped together; a heap.
bend /bɛnd/ (동사) — 구부리다. To cause (something) to change its shape into a curve, by physical force, chemical action, or any other means.
honesty /ˈɑ.nɪ.sti/ (명사) — 정직. The act, quality, or condition of being honest.
madness /ˈmæd.nəs/ (명사) — 광기. The state of being mad; insanity; mental disease.
pirate /ˈpaɪɹət/ (명사) — 해적. A criminal who plunders at sea; commonly attacking merchant vessels, though often pillaging port towns.
dull /dʌl/ (형용사) — 무디다. Lacking the ability to cut easily; not sharp.
sickness /ˈsɪknɪs/ (명사) — 질병. The quality or state of being sick or diseased; illness; an illness.

영상에 나오는 구동사

turn on (동사) — 켜다, 턴온하다. To set a flow of fluid or gas running by rotating a tap or valve.

주의할 발음

화자는 don't, you're, they're 같은 축약형과 약화된 형태를 26번 사용합니다. 들리는 대로 짧게 발음하세요.

“th” 소리: mathematics /mæθ(.ə)ˈmæt.ɪks/, catharsis /kəˈθɑɹˌsɪs/, rethink /ɹiːˈθɪŋk/
“sh”와 “zh” 소리: exposure /ɪkˈspəʊ.ʒə(ɹ)/, unofficial /ʌn.əˈfɪʃ.əl/, collage /kəˈlɑʒ/
긴 단어 — 강세 위치에 주의: miserable /ˈmɪz(ə)ɹəbəl/, communicate /kəˈmjuːnɪkeɪt/, mathematics /mæθ(.ə)ˈmæt.ɪks/, deliberately /dɪˈlɪb.(ə.)ɹət.li/, desperately /ˈdɛs.p(ə.)ɹət.li/

이 영상으로 연습하는 방법

먼저 말하지 않고 영상을 끝까지 듣고 모르는 단어를 적어 둡니다.
0.75배속으로 한 문장씩 섀도잉을 시작하고, 익숙해지면 보통 속도로 돌아갑니다.
자신의 목소리를 녹음해 원본과 비교하고, lyrics, miserable, protest 같은 단어에 특히 주의합니다.

이 영상의 문법

화자가 가장 많이 쓰는 문형을 영상 속 실제 표현과 함께 정리했습니다.

문형	영상 속 표현
“used to” used to + 동사 — 지금은 아닌 과거의 습관이나 상태	used to say · used to do · used to get
현재완료 have/has + 과거분사 — 과거의 일이 지금도 관련이 있을 때	it's always been · has been · has deepened
수동태 be + 과거분사 — 누가 하는지보다 무슨 일이 일어나는지에 초점	may be seen · be remembered

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

섀도잉 방법: 단계별 전체 가이드 읽기 →

쉐도잉 연습: (2006/10/21) BBC 2, The Culture Show, Thom - 영상으로 영어 말하기 배우기

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