Практика Shadowing: (2006/10/21) BBC 2, The Culture Show, Thom - Изучайте разговорный английский по видео

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94 предложений

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I asked loads of my friends

if you had to ask one question of Tommy York Why are you such a miserable bastard?

I think actually to be honest I think half the problem is that I have a certain sort of voice that

can make things sound worse than they are

It wasn't about you being miserable they wanted to ask you

if you thought the best thing you ever did was I was like a computer.

That's funny, because people used to say the bends.

What do you think about that?

So maybe give them another five years, maybe they'll say, kid A, maybe not.

What made you feel you wanted to do something on your own?

Mostly it was to do with the fact

that there was a sort of growing pile of things

that I wanted to finish that would have been extremely dull if it had been a band thing, because they were done on computers.

You know, it was all programming and, um...

It wouldn't have really made sense to sit around with all five of us gazing at a screen.

The lyrics on the eraser, they're very provocative, some of them, aren't they? Are they?

Well, I found them so and...

Oh, okay.

Good.

I think.

There's the song about David Kelly.

What made you want to write a song about that?

The whole Hutton whitewash and the...

the mewing and crying of Alistair Campbell and then the...

All the lies about going to war in the first place and la la la, and going to these protests of people lining the streets eating school kids,

and all this sort of madness going on.

And then in the middle of it, this one poor guy, who just seemed to end up being like the focus of a certain terrible energy.

Do you hope or deliberately set out to try and provoke people

and provoke people to think about some of these things through your lyrics?

I don't have a problem with with writing about things

that may be seen as political

but I don't really think it's it's not political music it's just part of what's in front of me.

Do you write all this as a kind of catharsis?

Desperately trying to write songs that fantastical, life-affirming in all the right ways, but I personally think that's what the music's supposed to do.

And if you write the words correctly, you could be absorbing all this stuff.

But really, the whole point is the music flows over you.

Music basically is like mathematics, you know, and you're trying to form patterns,

patterns that make you understand what is around you and patterns that help you get through the next day.

Like, when I listen to the radio and stuff, when I hear a new piece of music, that I've just got to get a hold of it,

because I know it's going to help me through a particular thing until the next one, or it's life-affirming.

The whole point of music is life-affirming.

The sickness of it for me, the bit I couldn't deal with, was that somehow this is a reason to exist.

and somehow you get to a certain level and...

..or whatever, of exposure or fame or whatever, and then suddenly you can communicate with other famous people on a higher level.

And, like, waft around going, hi.

And that was a bit...

I just kind of thought that was a bit peculiar.

Do you think there's a sort of upside to being, you know, well-known in that you can have huge influence?

I don't think you do.

I think all you do is you turn on the media

that week for 20 seconds to something and then they turn on to the next thing.

I don't think you have influence as such.

All you do is that and then that might get someone to sort of vaguely rethink about one little thing but there's,

you know, I don't think...

I think people are perfectly capable of making their own decisions and God help them if they listen to me.

If you could pick one song that you'd like to be remembered by, what would it be?

How to Disappear, After a Day.

Why?

Because it's the most beautiful thing we ever did, I think.

We have this really amazing situation.

I'm not quite sure whether it happens with other bands, but we have all these unofficial sites that are really on top of what we're doing, more on top of what we're doing than we are.

And our site itself is just like this mad sort of collage thing of our thoughts

and also a really good way of getting directly to people when we want to.

So it's always been, I mean, from about Kid A onwards, it's been a source of directly

trying to circumnavigate the media and the media having to follow what's happening on the internet rather than the other way round.

It sort of works to varying degrees,

but I I personally think that for Radiohead, what we do on the internet is much,

much more important than, except for live performances on TV, it's by far the most important thing for us and it has been for ages.

Because it's not very messy and it's not very coherent and whatever,

but it's us, you know, and it's what we choose to put across other than making music all the time.

Do you feel that relationship has deepened over the years with your fan base?

I think so.

I mean, the most fun we have is when we do these things, the webcast things we used to do and we still do sometimes,

which is just, it's this mad situation where you you know thousands of people are watching

and they're talking about what you're doing

and you can see it on one screen and you're seeing what you're doing on the other.

Like a pirate TV thing, that's really, you get massive buzz out of that.

And also you have that other thing where we play all these new songs and they're immediately up on YouTube,

recorded on people's phones and things and there's an entire sort of energy to

that whole thing which is completely outside of your Sunday supplement music critics or whatever, which I think is, I find really exciting.

It's really amazing, especially when we travel, when we go to America and stuff, how important it's been for us and

how there's sort of like an honesty about our relationship we have with the fans when minutes through that, which I think is great.

I don't like having mediators with their own agendas, obviously no one would give them the choice.

And do the fans send you nutty things, in which case what's the nuttiest?

Oh, er, no. No, not really.

That's because you're not famous enough, obviously, in that anymore.

No, we used to get the nutty thing.

Now you have people saying, that was great the way you changed the chord in the end of it.

And you're like, okay.

Is that worse? Or better?

That's alright.

You know, sometimes they're right.

Sometimes you really should put that verse back in.

Okay?

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FOR YOU

Лексика и советы по произношению к этому уроку

В этом видео 94 предложений и 1219 слов для шедоуинга. Речь длится 7:21. Говорящий говорит в естественном темпе, около 166 слов в минуту, близком к повседневной речи. 88% слов входят в 3000 самых частых слов английского языка, поэтому лексика простая.

Ключевая лексика этого видео

15 менее частых слов из видео с произношением и значением:

lyrics /ˈlɪɹ.ɪks/ (существительное) — слова́, текст. The words to a song (or other vocal music).
miserable /ˈmɪz(ə)ɹəbəl/ (прилагательное) — несча́стный, бе́дный. In a state of misery: very sad, ill, or poor.
protest /ˈpɹoʊ.tɛst/ (существительное) — проте́ст. A formal objection, especially one by a group.
exposure /ɪkˈspəʊ.ʒə(ɹ)/ (существительное) — подверга́ние. The condition of being exposed, uncovered, or unprotected.
fame /feɪm/ (существительное) — сла́ва, изве́стность. One's reputation.
agenda /əˈd͡ʒɛn.də/ (существительное) — пове́стка, програ́мма. A temporally organized plan for matters to be attended to.
correctly /kəˈɹɛk(t).li/ (наречие) — пра́вильно. In a correct manner.
communicate /kəˈmjuːnɪkeɪt/ (глагол) — сообща́ть, сообщи́ть. To impart or transmit (information or knowledge) to someone; to make known, to tell.
verse /ˈvɝs/ (существительное) — стих. A poetic form with regular meter and a fixed rhyme scheme.
mathematics /mæθ(.ə)ˈmæt.ɪks/ (существительное) — матема́тика. An abstract representational system studying numbers, shapes, structures, quantitative change and relationships between them.
pile /paɪl/ (существительное) — ку́ча, гру́да. A mass of things heaped together; a heap.
bend /bɛnd/ (глагол) — сгиба́ть, изгиба́ть. To cause (something) to change its shape into a curve, by physical force, chemical action, or any other means.
buzz /bʌz/ (существительное) — жужжа́ние, гул. A continuous humming noise, as of bees; a confused murmur, as of general conversation in low tones.
supplement /ˈsʌp.lɪ.mənt/ (существительное) — приложе́ние. Something added; especially, such an addition added to make up for a deficiency.
deliberately /dɪˈlɪb.(ə.)ɹət.li/ (наречие) — наме́ренно, созна́тельно. Intentionally, or after deliberation; not accidentally.

Фразовые глаголы, которые вы услышите

think about /ˈθɪŋk əˌbaʊt/ (глагол) — обду́мывать, обду́мать. To ponder.
deal with (глагол) — справляться с. To handle verbally or in some form of artistic expression; to address or discuss as a subject.
end up (глагол) — зака́нчиваться, зако́нчиться. To bring to a conclusion.
go on /ˈɡoʊˌɒn/ (глагол) — продолжа́ть, продо́лжить. To continue in extent.
talk about (глагол) — ну и, вот э́то. Used to draw attention to the speaker's characterization of someone or something.
turn on (глагол) — открыва́ть, откры́ть. To set a flow of fluid or gas running by rotating a tap or valve.

Произношение, на которое стоит обратить внимание

Говорящий использует 26 сокращённых и редуцированных форм, например don't, you're, they're. Произносите их коротко, так, как слышите.

Звуки «th»: mathematics /mæθ(.ə)ˈmæt.ɪks/, catharsis /kəˈθɑɹˌsɪs/, rethink /ɹiːˈθɪŋk/
Звуки «sh» и «zh»: exposure /ɪkˈspəʊ.ʒə(ɹ)/, unofficial /ʌn.əˈfɪʃ.əl/, collage /kəˈlɑʒ/
Длинные слова — следите за ударением: miserable /ˈmɪz(ə)ɹəbəl/, communicate /kəˈmjuːnɪkeɪt/, mathematics /mæθ(.ə)ˈmæt.ɪks/, deliberately /dɪˈlɪb.(ə.)ɹət.li/, desperately /ˈdɛs.p(ə.)ɹət.li/

Как заниматься с этим видео

Прослушайте всё видео один раз молча и выпишите незнакомые слова.
Начните со скорости 0,75×, повторяйте предложение за предложением и вернитесь к обычной скорости, когда станет легко.
Запишите себя и сравните с оригиналом, обращая внимание на такие слова, как lyrics, miserable, protest.

Грамматика в этом видео

Конструкции, которые говорящий использует чаще всего, с точными словами из видео:

Конструкция	В видео
«Used to» used to + глагол — прошлая привычка или состояние, которых больше нет	used to say · used to do · used to get
Present Perfect have/has + причастие прошедшего времени — прошлое действие, важное сейчас	it's always been · has been · has deepened
Пассивный залог be + причастие прошедшего времени — важно, что происходит, а не кто это делает	may be seen · be remembered

Что такое техника Shadowing?

Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.

Техника шедоуинга: читать полное пошаговое руководство →

Практика Shadowing: (2006/10/21) BBC 2, The Culture Show, Thom - Изучайте разговорный английский по видео

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