跟讀練習: He Beat A Super Grandmaster In 9 Moves!! - 通過影片學習英語口語
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The game you're about to see ended in nine moves, featured two brilliant moves, but what makes it so interesting is that it was played between two Super Grand Masters,
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and most of those games do not end in nine moves.
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Let's take a look at exactly how this happened.
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So, White is Fabiano Caruana.
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He's playing against Aliriza Ferruja in the Crunch Lab Masters Tournament.
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This is a 10-minute game with two-second increment.
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He plays C4, which is the English opening, and after c6, knight to f3, d5, we're off to a normal game, and it's not looking like anything special is going to happen.
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He plays the move g3, and then bishop to g4 happens.
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Now, this is a book move.
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You can see that, but it's kind of a weird move, right?
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You're not really following the opening principle of develop the knights before the bishops, and you're kind of immediately putting some pressure on white, and if you do nothing,
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then maybe you take this and you mess up the pawn structure, but of course, white could just play bishop to g2 if they want, and the game goes on.
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I don't really know the theory here, but white plays knight to e5, which looks like a pretty natural move because you get away from the attack, and you attack the bishop.
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Now, bishop to f5, and queen to b3.
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So one of the drawbacks of bringing out the bishop early before the knight is
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that you leave this pawn on b7 undefended, and so Fabiano says, okay, let me play queen to b3 and attack it.
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And at the same time, he's putting some pressure on the center.
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Notice the knight is hitting the F7 pawn.
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And so maybe in some cases, if these pawns somehow disappear, you could even get checkmate on F7.
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Obviously the Super Grand Masters are not just going to let you get checkmate, but I'm just pointing it out.
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It does exist as a threat in the position.
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So Faruja plays the move queen to B6.
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Good move, countering the threat on B7 and offering a queen trade.
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And you could take here and then black takes, but it opens up the rook, which maybe isn't what you want.
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The same thing could happen if black takes you.
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It opens up your rook.
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Okay, things to keep in mind.
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So what does Faruja do?
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I'm sorry, what does Fabiano do?
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He plays D takes here, or C takes D5.
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Now, this just looks like, all right, we're just trading some pawns.
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We're going to trade some queens.
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It's looking like a super boring game at this point.
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Like, what could possibly happen?
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Watch this.
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Queen takes, which messes up the pawn structure, and then Verugia plays a move which, at first glance, looks pretty good.
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Bishop to e4, because you're forking these pieces.
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And white obviously has to do something with the rook, and then you're going to take the pawn.
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And these are double isolated.
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I mean, it looks like white's position is falling apart, honestly.
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However, white played a very surprising move in this position.
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What do you think Fabiano played here?
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Well, if you have chance to look at that, the move is D takes C6.
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And you can see there, it is the first brilliant move.
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By the way, this is move eight.
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And if you remember what I said, the game ended on move nine, which means the game is about to be over.
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Now, you might be wondering how in the world is the game about to be over when we just started, and White's losing a rook?
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What's going on?
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Well, if you want to pause again before I give you the solution, how do you think White is finishing off the game after this move, which, by the way, was played in the game?
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Well, if you had a chance to look at that, there's one thing that you should notice about this position.
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There is a pawn on the sixth rank, which is only two squares away from becoming a queen.
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Okay, cool.
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And obviously, of course, let me just point out, you can't take here trying to get the rook because the bishop is still sitting there and would simply capture the pawn.
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But you could push forward.
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However, there's a big problem with that.
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The knight's just going to move, and guess what?
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The rook is guarding the square, and you can't get a queen.
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And now black's winning, okay?
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But what you can do instead, and what was played in the game is the second brilliant move.
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Rook takes a7.
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And what I just showed you, the rook was the piece that stopped the pawn.
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So by sacrificing here, if black takes you, guess what?
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c7.
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And there is no way for black to stop this queen.
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You can't use the rook.
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You can't get there in time.
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You can't use your king because this knight, which moved earlier to e5, is stopping you.
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you can't go there, this knight can't do it, the bishop is out of place, and white simply gets a queen, next move, and on top of that, your king is in a bad situation, you're going to get checkmate,
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okay, you have to play like e6, try to run and hide, but it's a winning position for white, there's maiden 14, it looks like from here,
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okay, and if you don't take the rook, and you do something else, like take the pawn well then you're losing your rook
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and you're still in a losing position watch this after knight
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to d8 what do you think white can play here well according to stockfish the best move uh
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and i'm not sure i totally understand why e4 i guess
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it has something to do with bishop to b5 is the best way to play this
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but i was thinking you could probably even just take here and then get a fork and you're coming out up material.
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Okay, so this is one way to do it, but if you really want to be precise and follow the stockfish route, you would play e4, threatening to go here, and it looks like after this,
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bishop b5 check, king goes here, d3 letting the other bishop in, and basically white's pieces are all over the place.
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So game is over, and black actually resigned in this position after the second brilliant move because they realized what was happening.
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It's a fascinating trap.
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I've never seen this before.
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And when I saw that, you know, Ferruja lost in nine moves, I thought, no, there's no way.
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How did that happen, right?
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He's 2,800, almost 2,900.
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And it's a nice reminder, right, that everybody makes mistakes.
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And they're even at the top level.
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There are particular traps and tactics that they're unfamiliar with, right?
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Now, I'm sure he'll never fall for this again.
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But it was interesting, and I wanted to share that with you guys.
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So congratulations to Fabiano for this amazing win.
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I don't usually cover games like this, but this one was really special and I felt like you guys would appreciate
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that little pawn sneaking by to become a queen.
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So, see you next time.
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Thanks for watching.
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Stay sharp.
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Play smart.
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Take care.
FOR YOU
推薦影片
本課的詞彙與口語要點
這節 B1 級別的口語課以影片“He Beat A Super Grandmaster In 9 Moves!!”為素材。 影片中反覆出現的詞有:pawn, bishop, rook, queen, knight。 這段影片共有 96 個句子、1229 個單詞可供跟讀。 講話部分時長為 6:11。 說話人語速較快,每分鐘約 199 個詞,會出現較多連讀和弱讀。 85% 的單詞屬於英語最常用的 3,000 詞,其餘的詞建議在練習前先學一下。
影片中的重點詞彙
影片中最難的 15 個單詞,附發音和釋義:
| 單詞 | 發音 | 釋義 |
|---|---|---|
| pawn 名詞 | /ˈpɔːn/ | 兵 |
| knight 名詞 | /ˈnaɪ̯t/ | 騎士 /騎士, 大俠 /大俠 |
| checkmate | /ˈt͡ʃɛkmeɪt/ | 將軍 /將軍 |
| fork 名詞 | /fɔɹk/ | цацазы, цацар |
| trap 名詞 | /tɹæp/ | 陷阱, 圈套 |
| drawback 名詞 | /ˈdɹɔˌbæk/ | 缺點 /缺點 |
| fascinate 動詞 | /ˈfæsɪneɪt/ | 誘惑 /誘惑, 迷住 |
| isolate 動詞 | /ˈaɪ.sə.leɪt/ | 孤立 |
| unfamiliar 形容詞 | /ˌʌnfəˈmɪli.ə(ɹ)/ | 陌生 |
| maiden 名詞 | /ˈmeɪdən/ | 少女, 處女 /處女 |
| glance 動詞 | /ɡlæns/ | 看一看, 看一下 |
| bore 動詞 | /boɹ/ | 煩擾 /煩擾 |
| threaten 動詞 | /ˈθɹɛt.n̩/ | 威脅 /威脅, 恐嚇 /恐嚇 |
| resign 動詞 | /ɹɪˈzaɪn/ | 認輸 |
| sneak 動詞 | /sniːk/ | 爬, 潛行 /潛行 |
影片中出現的短語動詞
| 單詞 | 釋義 |
|---|---|
| point out 動詞 | 指, 指出 |
值得反覆跟讀的句子
影片中簡短而完整的句子,可以直接用在日常對話裡:
- Let's take a look at exactly how this happened.
- I'm sorry, what does Fabiano do?
- We're going to trade some queens.
- The knight's just going to move, and guess what?
- You can't use the rook.
影片中的語法
說話人最常用的結構,並附上影片中的原話:
| 結構 | 影片中的用法 |
|---|---|
| 被動語態 be + 過去分詞 — 強調發生了什麼,而不是誰做的 | was played |
| 定語從句 who / which + 從句 — 補充說明人或事物 | nine, which means · rank, which is |
需要注意的發音
說話人用了 31 次縮略和弱讀形式,例如 you're, can't, I'm。請按聽到的簡短形式來說。
如何用這段影片練習
- 先完整聽一遍影片,不要開口,記下不認識的單詞。
- 先用 0.75 倍速逐句跟讀,熟練之後再回到正常速度。
- 錄下自己的聲音並與原聲對比,特別注意 pawn, knight, checkmate 這類單詞。
什麼是跟讀法?
跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧,最初開發用於專業口譯員的培訓,並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大:您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同,跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性,語調,節奏,連讀,聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。












