Shadowing Practice: Chapter 2 - Learn English Speaking with Video
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Chapter 2 The Directors of the Opera House The Opera House was famous,
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and the directors of the Opera House were very important men.
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It was the first week of work for the two new directors, Monsieur Armand Monchamant and Monsieur Fumain Richard.
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In the director's office the next day, the two men talked about Joseph Bouquet.
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It was an accident, Monsieur Armand said angrily, or Bouquet killed himself.
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An accident?
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Killed himself, Monsieur Fermat said.
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Which story do you want, my friend?
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Or do you want the story of the ghost?
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Don't talk to me about ghosts, Monsieur Armand said.
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We have one thousand five hundred people working for us in this opera house, and everybody is talking about the ghost.
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They are all mad.
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I don't want to hear about the ghost, OK?
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Mr Furman looked at a letter on the table next to him.
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And what are we going to do about this letter, Armand? Do, cried Monsieur Armand.
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Why, do nothing, of course.
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What can we do?
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The two men read the letter again.
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It wasn't very long. To the new directors.
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Because you are new in the opera house, I am writing to tell you some important things.
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Never sell tickets for box five.
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That is my box for every opera night.
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Madam Giry, the doorkeeper, knows all about it.
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Also, I need money for my work in the opera house.
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I am not expensive, and I am happy to take only 20,000 francs a month. That is all.
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But please remember, I can be a good friend, but a bad enemy.
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Oh, gee.
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Don't sell tickets for box five.
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Twenty thousand francs a month.
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Monsieur Armand was very angry again.
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That's the best box in the opera house, and we need the money for mine.
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And who is this OG, eh?
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Tell me that.' "'Opera Ghost, of course,' Monsieur Fermat said.
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"'But you're right, Armand.
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We can do nothing about this letter.
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It's a joke, a bad joke.
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Somebody thinks we are fools because we are new here.
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There are no ghosts in the Opera House.' The two men then talked about the opera for that night.
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It was Faust, and usually La Carlotta sang Margarita.
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La Carlotta was Spanish and the best singer in Paris, but today La Carlotta was ill.
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Everybody in Paris is going to be at the opera tonight, said Monsieur Armand, and our best singer is ill, suddenly.
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She writes a letter to us just this morning.
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She is ill.
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She cannot sing tonight.
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Don't get angry again, Armand, Monsieur Fermat said quickly.
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We have Christine Daet, that young singer from Norway.
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She can sing Margarita tonight.
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She has a good voice.
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But she's so young and nobody knows her.
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Nobody wants to listen to a new singer.
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Wait and see.
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Perhaps Diag can sing better than La Carlotta. Who knows?
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Thank you.
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Thank you.
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Sobre esta lección
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.