Shadowing Practice: Harry Potter Bloopers That Made Filming Impossible ๐Ÿ˜‚ - Learn English Speaking with Video

ื‘ื—ืจ ืžืฆื‘ ืชืจื’ื•ืœ

ื›ืœ ืžืฆื‘ ืคื•ืชื— ื—ื“ืจ ืชืจื’ื•ืœ ื‘ืžืกืš ืžืœื.

124 ืžืฉืคื˜ื™ื
ืื ื”ืžืฉืคื˜ื™ื ืงืฆืจื™ื ืื• ืืจื•ื›ื™ื ืžื“ื™, ืœื—ืฅ ืขืœ ืขืจื•ืš ื›ื“ื™ ืœื”ืชืื™ื ืื•ืชื.
1
We enter completely our own world.
2
You know, it's completely our own world.
3
And we like to swim in the deepest waters.
4
They had put a fart machine into my sleeping bag.
5
This whole echo.
6
And Michael Gambon had actually been pressing it during the take I found out.
7
10 years, 8 movies, thousands of hours on set with the same people.
8
You don't come out of that without losing it completely at the worst possible moments.
9
This is what happens when the cameras keep rolling.
10
Rupert Grint was a lot of things on set.
11
Professional was not always one of them.
12
The man had a gift, not for acting, for ruining perfectly good takes at the exact wrong moment.
13
The thing is, it was never even about anything.
14
No joke, no prank, just Rupert being Rupert.
15
And once he started, everyone went down with him.
16
Emma Watson had her own version of the problem.
17
She was word perfect, every single line, even the ones that weren't hers.
18
Flamel must have known someone was after the stone.
19
So he gave it to a friend he could trust.
20
Dumbledore.
21
A stone that may skull stops you from dying.
22
A stone that may skull stops you from dying.
23
If all Snape wants is the sorcerer's stone.
24
Maybe he really wants that house cup.
25
Hermione Granger knows all the answers.
26
Completely in character.
27
Absolutely not the point.
28
Speaking of Emma, there's a moment off camera that you've probably never seen.
29
They're mid-conversation, no script, no director watching, and then something happens that Daniel simply cannot recover from.
30
Even the boy who lived has his kryptonite.
31
Now, the Harry Potter set had its share of rivalries, on screen at least.
32
Daniel Radcliffe and Tom Felton, Harry and Draco, were never meant to be friends.
33
Off camera, though?
34
You made no other way.
35
I didn't know I was going to get a shot.
36
I love this one.
37
You missed it totally.
38
Then you sort of walked into it.
39
It didn't work.
40
Whoops.
41
Did you call me a bus?
42
No, I said...
43
This is not the energy of two people who hate each other.
44
That is two guys who spend way too long sitting on broomsticks together.
45
Not everyone on this set was a young actor finding their feet.
46
Jason Isaacs, Lucius Malfoy, is one of the most menacing presences in the entire franchise.
47
Cold, calculating, completely terrifying.
48
And then, the director yells cut.
49
Get back, get back, do your stuff.
50
This is the real Harry, you see.
51
Turns out the man holding the cane is not the man behind the cane.
52
Here's something most people don't know.
53
Jason Isaacs ad-libbed one of Lucius Malfoy's most memorable lines.
54
In The Chamber of Secrets, his sneer at Harry, enjoy it while you can, was never in the script.
55
Isaacs improvised it on the spot, and the director kept it in without hesitation.
56
The coldest line of the film came from the actor, not the writer.
57
Daniel's silly energy was definitely infectious on set.
58
The cast of one of the biggest film franchises in history, following instructions from the kid in the Hogwarts robe?
59
No notes.
60
Emma, meanwhile, had developed her own solution to the constant laughter problem, a formal one.
61
A red card system for laughing on a Harry Potter set,
62
which is somehow both completely reasonable and completely absurd.
63
I'm sorry for turning up.
64
I've made your life's hell.
65
The apology landing exactly as well as you'd expect.
66
And then this one boy on the Gryffindor table comes around and goes, He's a psycho kid, sonny.
67
Daniel Radcliffe has the distinct energy of someone who has never once actually been in trouble his entire childhood.
68
Then there's the question of what Daniel was like before any of this,
69
before the fame, before the franchise, before he had an entire crew to drag down with him.
70
His very first audition for the role.
71
Isn't he beautiful?
72
Isn't he gorgeous, isn't he?
73
Yeah.
74
The part was already in his spirit, that much is clear.
75
Despite all the chaos, Daniel Radcliffe earned over $50 million from the Harry Potter franchise before he turned 18.
76
You're a wizard, Harry.
77
I'm a what?
78
A wizard.
79
He's gone on record saying he barely spent any of it.
80
Most of it sat in a bank account he simply wasn't thinking about he had other priorities.
81
Apparently, making the entire crew lose their minds was free.
82
Now, there is one scene in this entire franchise the cast openly dreaded.
83
Not the big battle, not the grief scenes, not the ones that required months of preparation.
84
This one.
85
So have a look at it, because we'll be doing the kiss this week between Ron and Hermione.
86
What?
87
Doing the kiss between Ron and Hermione in the Chamber of Secrets.
88
I was dreading it, to be honest.
89
You are not allowed to do that.
90
Everyone was there for my kiss.
91
7 books,
92
8 movies, years of audience anticipation, and absolutely nobody on set was ready for it.
93
Emma Watson and Rupert Grant had known each other since they were 9 years old.
94
By the time that scene had to be filmed, they had spent over a decade as on-screen siblings.
95
Director David Yates later described the shoot as genuinely difficult, not for technical reasons, but because neither of them could get their head around it.
96
The audience waited years for that kiss.
97
The cast spent days dreading it.
98
Not all the awkward moments were that loaded.
99
Some are just two people trying to get through a scene and completely losing it in the process.
100
David Bradley, Mr. Filch, and Tom Felton had one of those days.
101
Filch and Draco finding common ground, nobody saw that coming.
102
And then there's the moments that had nothing to do with the individual scene.
103
Just the whole cast in a room together, one person with too much energy and zero self-control.
104
That is what the great hall actually sounded like, probably.
105
This is unbelievable.
106
Emma Watson, on the phone, on set.
107
On the bed.
108
On the bed.
109
Yeah.
110
Yeah.
111
Ouch.
112
Camera.
113
Jay.
114
Okay.
115
Ding dong.
116
One thousand take one.
117
Was that a thousand?
118
Wahey!
119
I just think it's an end of an year.
120
It's ten years of my life and my children are growing up during it, of course.
121
That is Robbie Coltrane, finest gamekeeper in Hogwarts,
122
last day on Harry Potter. Which clip
123
genuinely surprised you?
124
Let us know in the comments and subscribe if you want more of these.

ื”ื•ืจื“ ืืคืœื™ืงืฆื™ื”

ื›ืœ ืžื” ืฉืืชื” ืฆืจื™ืš ื›ื“ื™ ืœื“ื‘ืจ ื‘ืฉื˜ืฃ

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ืื•ืฆืจ ืžื™ืœื™ื ื•ื”ืขืจื•ืช ื”ื’ื™ื™ื” ืœืฉื™ืขื•ืจ ื”ื–ื”

ืฉื™ืขื•ืจ ื”ื“ื™ื‘ื•ืจ ื”ื–ื” ื‘ืจืžื” B2 ืžื‘ื•ืกืก ืขืœ ื”ืกืจื˜ื•ืŸ โ€œHarry Potter Bloopers That Made Filming Impossible ๐Ÿ˜‚โ€. ื”ืžื™ืœื™ื ืฉื—ื•ื–ืจื•ืช ื”ื›ื™ ื”ืจื‘ื”: Harry, completely, Emma, franchise, Daniel. ื‘ืกืจื˜ื•ืŸ ื”ื–ื” ื™ืฉ 124 ืžืฉืคื˜ื™ื ื•-1088 ืžื™ืœื™ื ืœืชืจื’ื•ืœ Shadowing. ื”ื“ื™ื‘ื•ืจ ื ืžืฉืš 9:08. ื”ื“ื•ื‘ืจ ืฉื•ืžืจ ืขืœ ืงืฆื‘ ื™ืฆื™ื‘ ืฉืœ ื›-119 ืžื™ืœื™ื ื‘ื“ืงื”, ืงืฆื‘ ื ื•ื— ืœืชืจื’ื•ืœ Shadowing. 83% ืžื”ืžื™ืœื™ื ื ืžืฆืื•ืช ื‘ื™ืŸ 3,000 ื”ืžื™ืœื™ื ื”ื ืคื•ืฆื•ืช ื‘ื™ื•ืชืจ ื‘ืื ื’ืœื™ืช; ื›ื“ืื™ ืœืœืžื•ื“ ืืช ื”ืฉืืจ ืœืคื ื™ ืฉืžืชื—ื™ืœื™ื.

ืื•ืฆืจ ืžื™ืœื™ื ืžืจื›ื–ื™ ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

15 ื”ืžื™ืœื™ื ื”ืžืชืงื“ืžื•ืช ื‘ื™ื•ืชืจ ื‘ืกืจื˜ื•ืŸ, ืขื ื”ื”ื’ื™ื™ื” ื•ื”ืžืฉืžืขื•ืช ืฉืœื”ืŸ:

ืžื™ืœื”ื”ื’ื™ื™ื”ืžืฉืžืขื•ืช
dread ืฉื ืขืฆื/dษนษ›d/ื—ืจื“ื”, ืคื—ื“
cane ืฉื ืขืฆื/keษชn/ืงึธื ึถื”
wizard ืฉื ืขืฆื/หˆwษชzษšd/ืงื•ึนืกึตื, ืžึฐื›ึทืฉึตึผืืฃ
improvise ืคื•ืขืœ/หˆษชm.pษนษ™.vaษชz/ืึทืœึฐืชึตึผืจ
robe ืฉื ืขืฆื/ษนoสŠb/ื—ืœื•ืง
ouch/หˆaสŠtอกสƒ/ืื—, ืื•ื™
sibling ืฉื ืขืฆื/หˆsษชb.lษชล‹/ืึทื—ึทืื™
prank ืฉื ืขืฆื/pษนรฆล‹k/ืžึฐืชึดื™ื—ึธื”
audition ืฉื ืขืฆื/ษ‘หˆdษชสƒษ™n/ืื•ึนื“ึดื™ืฉึถืืŸ, ืžึดื‘ึฐื—ึทืŸ ื‘ึทึผื“
yell ืคื•ืขืœ/jษ›l/ืฆึธืจึทื—
calculate ืคื•ืขืœ/หˆkรฆlkjสŠleษชt/ื—ื™ืฉื‘ \ ื—ึดืฉึตึผืื‘
absurd ืฉื ืชื•ืืจ/ษ™bหˆsษœหd/ืื‘ืกื•ืจื“
subscribe ืคื•ืขืœ/sษ™bหˆskษนaษชb/ื ึดืžึฐื ึธื”
echo ืฉื ืขืฆื/หˆษ›k.oสŠ/ื”ึตื“, ื‘ึทึผืชึพืงื•ึนืœ
apology ืฉื ืขืฆื/ษ™หˆpษ‘.lษ™.dอกส’i/ื”ึดืชึฐื ึทืฆึฐึผืœื•ึผืช

Phrasal verbs ืฉืชืฉืžืขื•

ืžื™ืœื”ืžืฉืžืขื•ืช
grow up ืคื•ืขืœื’ึธึผื“ึทืœ

ืžืฉืคื˜ื™ื ืฉื›ื“ืื™ ืœื—ื–ื•ืจ ืขืœื™ื”ื

ืžืฉืคื˜ื™ื ืงืฆืจื™ื ื•ืฉืœืžื™ื ืžื”ืกืจื˜ื•ืŸ ืฉืืคืฉืจ ืœื”ืฉืชืžืฉ ื‘ื”ื ื‘ืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช:

  • You know, it's completely our own world.
  • Did you call me a bus?
  • I'm sorry for turning up.
  • The apology landing exactly as well as you'd expect.
  • Isn't he gorgeous, isn't he?

ื“ืงื“ื•ืง ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

ื”ืžื‘ื ื™ื ืฉื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘ื”ื ื”ื›ื™ ื”ืจื‘ื”, ืขื ื”ืžื™ืœื™ื ื”ืžื“ื•ื™ืงื•ืช ืžื”ืกืจื˜ื•ืŸ:

ืžื‘ื ื”ื‘ืกืจื˜ื•ืŸ
ืกื‘ื™ืœ (Passive voice) be + past participle โ€” ื”ื“ื’ืฉ ื”ื•ื ืขืœ ืžื” ืฉืงื•ืจื”, ืœื ืขืœ ืžื™ ืฉืขื•ืฉื” ืืช ื”ืคืขื•ืœื”were never meant ยท are not allowed ยท be filmed
ืžืฉืคื˜ื™ ื–ื™ืงื” (Relative clauses) who / which + clause โ€” ืžื™ื“ืข ื ื•ืกืฃ ืขืœ ืื“ื ืื• ื“ื‘ืจpeople who hate ยท guys who spend ยท someone who has
ื”ื•ื•ื” ืžื•ืฉืœื (Present perfect) have/has + past participle โ€” ืคืขื•ืœื” ืฉืงืจืชื” ื‘ืขื‘ืจ ื•ืขื“ื™ื™ืŸ ื™ืฉ ืœื” ื—ืฉื™ื‘ื•ืช ืื• ื”ืฉืคืขื” ืขื›ืฉื™ื•you've probably never seen ยท I've made

ื”ื’ื™ื™ื” ืฉืฉื•ื•ื” ืœืฉื™ื ืœื‘ ืืœื™ื”

ื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘-17 ืงื™ืฆื•ืจื™ื ื•ืฆื•ืจื•ืช ืžืงื•ืฆืจื•ืช, ื›ืžื• isn't, didn't, don't. ืืžืจื• ืื•ืชื ื‘ืฆื•ืจื” ื”ืงืฆืจื”, ื›ืคื™ ืฉืืชื ืฉื•ืžืขื™ื ืื•ืชื.

  • ื”ืฆืœื™ืœื™ื ืฉืœ โ€œshโ€ ื•-โ€œzhโ€: hesitation /หŒhษ›zษชหˆteษชสƒษ™n/, anticipation /รฆnหŒtษชs.ษ™หˆpeษช.สƒษ™n/, audition /ษ‘หˆdษชสƒษ™n/, infectious /ษชnหˆfษ›k.สƒษ™s/, instruction /ษชnหˆstษนสŒkสƒษ™n/
  • ืžื™ืœื™ื ืืจื•ื›ื•ืช โ€” ืฉื™ืžื• ืœื‘ ืœื”ื˜ืขืžื”: genuinely /หˆdอกส’ษ›n.ju.ษชn.li/, hesitation /หŒhษ›zษชหˆteษชสƒษ™n/, anticipation /รฆnหŒtษชs.ษ™หˆpeษช.สƒษ™n/, apology /ษ™หˆpษ‘.lษ™.dอกส’i/, unbelievable /หŒสŒnbษชหˆliหvษ™blฬฉ/

ืฆืœื™ืœื™ื ืฉื“ื•ื‘ืจื™ ืขื‘ืจื™ืช ืžืชืงืฉื™ื ื‘ื”ื:

  • /รฆ/ โ€” ืคืชื•ื— ื™ื•ืชืจ ืžื”-โ€œืึถโ€ ื”ืขื‘ืจื™ืช, ืœื ื›ืžื• โ€œaโ€ ื‘-โ€œcupโ€: prank /pษนรฆล‹k/, anticipation /รฆnหŒtษชs.ษ™หˆpeษช.สƒษ™n/, calculate /หˆkรฆlkjสŠleษชt/, laughter /หˆlรฆftษš/
  • /r/ โ€” ื”ืœืฉื•ืŸ ืœื ื ื•ื’ืขืช ื‘ืฉื•ื ืžืงื•ื, ืœื ื”-โ€œืจโ€ ื”ื’ืจื•ื ื™ืช: dread /dษนษ›d/, broomstick /หˆbษนum.stษชk/, improvise /หˆษชm.pษนษ™.vaษชz/, kryptonite /หˆkษนษชptษ™naษชt/, terrify /หˆtษ›ษนษชfaษช/
  • /ล‹/ ื‘ืกื•ืฃ ืžื™ืœื” โ€” ืฆืœื™ืœ ืืคื™ ื‘ืœื™ โ€œื’โ€ ื‘ืกื•ืฃ: sibling /หˆsษชb.lษชล‹/, dong /dษ”ล‹/

ืื™ืš ืœืชืจื’ืœ ืขื ื”ืกืจื˜ื•ืŸ ื”ื–ื”

  1. ื”ืงืฉื™ื‘ื• ืœื›ืœ ื”ืกืจื˜ื•ืŸ ืคืขื ืื—ืช ื‘ืœื™ ืœื“ื‘ืจ, ื•ืจืฉืžื• ืืช ื”ืžื™ืœื™ื ืฉืืชื ืœื ืžื›ื™ืจื™ื.
  2. ืชืจื’ืœื• Shadowing ืžืฉืคื˜ ืื—ืจ ืžืฉืคื˜ ื‘ืžื”ื™ืจื•ืช ืจื’ื™ืœื”, ื•ื—ื–ืจื• ืขืœ ื›ืœ ืžืฉืคื˜ ืขื“ ืฉื”ืงืฆื‘ ืฉืœื›ื ืชื•ืื ืืช ื”ื“ื•ื‘ืจ.
  3. ื”ืงืœื™ื˜ื• ืืช ืขืฆืžื›ื ื•ื”ืฉื•ื• ืœืžืงื•ืจ, ืชื•ืš ืชืฉื•ืžืช ืœื‘ ืœืžื™ืœื™ื ื›ืžื• dread, cane, wizard.

ืžื”ื™ ื˜ื›ื ื™ืงืช ื”ืฉืื“ื•ืื™ื ื’?

ืฉืื“ื•ืื™ื ื’ ื”ื™ื ื˜ื›ื ื™ืงืช ืœืžื™ื“ืช ืฉืคื” ืžื‘ื•ืกืกืช ืžื“ืข ืฉืคื•ืชื—ื” ื‘ืžืงื•ืจ ืœื”ื›ืฉืจืช ืžืชื•ืจื’ืžื ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืคื•ืคื•ืœืจื™ืช ืขืœ ื™ื“ื™ ื”ืคื•ืœื™ื’ืœื•ื˜ ื“"ืจ ืืœื›ืกื ื“ืจ ืืจื’ื•ืืœืก. ื”ืฉื™ื˜ื” ืคืฉื•ื˜ื” ืืš ืขื•ืฆืžืชื™ืช: ืืชื” ืžืงืฉื™ื‘ ืœืื•ื“ื™ื• ื‘ืื ื’ืœื™ืช ื™ืœื™ื“ื™ืช ื•ื—ื•ื–ืจ ืขืœื™ื• ื‘ืงื•ืœ ืจื ืžื™ื“ โ€” ื›ืžื• ืฆืœ ื”ืขื•ืงื‘ ืื—ืจื™ ื”ื“ื•ื‘ืจ ืขื ืขื™ื›ื•ื‘ ืฉืœ 1โ€“2 ืฉื ื™ื•ืช ื‘ืœื‘ื“. ื‘ื ื™ื’ื•ื“ ืœื”ืื–ื ื” ืคืกื™ื‘ื™ืช ืื• ืชืจื’ื™ืœื™ ื“ืงื“ื•ืง, ืฉืื“ื•ืื™ื ื’ ืžื›ืจื™ื— ืืช ื”ืžื•ื— ื•ื”ืฉืจื™ืจื™ื ื‘ืคื” ืœืขื‘ื“ ื•ืœืฉื—ื–ืจ ื“ืคื•ืกื™ ื“ื™ื‘ื•ืจ ืืžื™ืชื™ื™ื ื‘ื• ื–ืžื ื™ืช. ืžื—ืงืจื™ื ืžืจืื™ื ืฉื–ื” ืžืฉืคืจ ืžืฉืžืขื•ืชื™ืช ืืช ื“ื™ื•ืง ื”ื”ื’ื™ื™ื”, ื”ืื™ื ื˜ื•ื ืฆื™ื”, ื”ืงืฆื‘, ื”ื“ื™ื‘ื•ืจ ื”ืžื—ื•ื‘ืจ, ื”ื‘ื ืช ื”ืฉืžื™ืขื” ื•ืฉื˜ืฃ ื”ื“ื™ื‘ื•ืจ โ€” ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ืช ื”ืฉื™ื˜ื•ืช ื”ื™ืขื™ืœื•ืช ื‘ื™ื•ืชืจ ืœื”ื›ื ื” ืœIELTS Speaking ื•ืœืชืงืฉื•ืจืช ื‘ืื ื’ืœื™ืช ื‘ืขื•ืœื ื”ืืžื™ืชื™.

ื˜ื›ื ื™ืงืช Shadowing: ืงืจื ืืช ื”ืžื“ืจื™ืš ื”ืžืœื ืฉืœื‘ ืื—ืจ ืฉืœื‘ โ†’