Shadowing Practice: Rowan Atkinson Breaks Down His Most Iconic Characters - Learn English Speaking with Video
בחר מצב תרגול
כל מצב פותח חדר תרגול במסך מלא.
228 משפטים
אם המשפטים קצרים או ארוכים מדי, לחץ על ערוך כדי להתאים אותם.
1
This series is called Iconic Characters.
2
Oh, I see.
3
No, I don't do idents or introductions.
4
Man vs. Bee.
5
Trevor Bingley, who's our hero in Man vs. Bee,
6
is just a very, very nice man, actually.
7
Kind of nicer than most of the characters that I play,
8
who tend to be very selfish or self-centered or self-obsessed in some way, particularly Mr. Bean.
9
So actually we decided to create a character who is in many ways more real, more three-dimensional.
10
He's a decent sort of family man who's just gone through a divorce.
11
He's very short of money,
12
but he gets this job house-sitting for this very,
13
very wealthy couple who are going on holiday for a week.
14
And he has a lot of trouble with a bee.
15
On all 14 counts of dangerous driving,
16
the destruction of priceless artwork, arson.
17
That's basically the story.
18
One vs. Me was very difficult to shoot actually
19
because we couldn't find a real house to shoot in
20
because it was during Covid and no one who owned an extremely nice house wanted a film crew in it.
21
So we had to create a house of our own in the studio,
22
which of course means you don't have a garden and we need a garden.
23
And so we had four different locations for the garden,
24
two or three different locations for the interior and one big interior set.
25
Get out!
26
Get out!
27
Die!
28
And to be honest, I preferred the simplicity and the cheapness,
29
if you like, of some of the early Mr. Bean stuff,
30
which, as you say, we start wide.
31
You know, there's a lot of wide shooting,
32
and I like wide shooting.
33
I'm a great believer in what Charlie Chaplin said,
34
is that a life is a tragedy in close-up and a comedy in long shot.
35
If you sit back visually on a situation, it automatically becomes funnier.
36
I mention which is a French comedian called Jack Tatti who said that comedy begins in the legs.
37
Making a character more real and more sympathetic and more identifiable doesn't necessarily make him funny.
38
Because in many ways what's funny about Mr. Bean for example is his complete sort of selfishness.
39
And he's a natural born anarchist.
40
So he's a child trapped in a man's body.
41
Whereas Trevor is an adult.
42
So it's not necessarily funny to make him more three-dimensional but he becomes very obsessed and very self-centered.
43
So in other words, he leaves his niceness behind.
44
And that is when he becomes funny.
45
In reality, we didn't have a bee,
46
you'll be unsurprised to hear.
47
We had a plastic bee on the end of a rod.
48
If we wanted a bee to crawl across a worktop,
49
then we had some professional puppeteers.
50
And quite a lot of it,
51
when I was just acting like that in a room,
52
we didn't have anything at all.
53
It was just down to me to imagine a bee and to be able to mime the situation,
54
if you like, well enough,
55
to make it look convincing.
56
It was nice to look at a bee because your eyes,
57
of course, always look different.
58
If a bee's close, you look like that,
59
and if the bee's further away, you look like that.
60
And I think the bee,
61
I mean the CGI of the bee is amazing.
62
I think it's one of the finest CGI animals ever to be seen on screen.
63
Mr. Bean.
64
I probably enjoyed playing Mr. Bean the most because he's a character who's furthest away from my own character.
65
As a person, I don't like him at all.
66
I think he's very odd and pretty weird and not very nice.
67
What's fun about it is it's an escape.
68
You know, when you play the character,
69
you don't care what you do.
70
It's a weird kind of release.
71
The first time we did the character,
72
I'm fairly certain, was 1979 on stage.
73
And that was when we had developed, I think, two sketches.
74
One was the beach sketch in
75
which he's trying to change into his swimming trunks on the beach
76
and then there's the one in the church in
77
which he's sitting in the church and he misbehaves while someone's spouting a sermon.
78
The character didn't have a name.
79
He didn't have to have a name because there were no words spoken in the sketches in which he featured.
80
They were silent sketches.
81
But then when we thought,
82
actually, these sketches are quite funny,
83
it's quite an interesting idea to develop a comedy character who doesn't use words.
84
comedy had developed from radio comedy,
85
which was a very wordy, you know, tradition.
86
And we had to give him a name in order to give the television show a name.
87
So we came up with the name of Mr. Bean.
88
We were thinking Mr. White for a while.
89
That was an idea, but that sounded a bit dull.
90
We thought of, you know,
91
vegetables and Mr. Bean seemed to be short,
92
sharp and to the point.
93
Bane.
94
Bane.
95
The one I remember shattering me the most,
96
making me the most tired
97
and exhausted I have ever been was a movie we did called Mr. Bean's Holiday in
98
which he travels down through France to the south of France to the Cannes Film Festival.
99
We did a sequence in Provence
100
which was where he gets caught up with a peloton of cyclists and he overtakes them with great ease.
101
I didn't overtake them with great ease.
102
I had to put in a tremendous amount of effort
103
and once we'd done a couple of takes of that I was absolutely dead because I'm not a cyclist.
104
I'm not fit.
105
I'm not an athlete.
106
They cycled very slowly to make sure that I overtook them very very hard.
107
I remember thinking that I'd nearly killed myself with the exhaustion.
108
In those days we tended to do things for real
109
because it was cheaper and CGI didn't really exist with the sophistication that it now has.
110
I mean certainly the wider shots If you can see the wheels of the car on the road,
111
then we were doing it for real.
112
If it's a tighter shot,
113
then we may have been on a trailer being pulled along.
114
Just to make it easy,
115
I tended to just, you know, do it.
116
I remember, you know, we wanted this shot of the car coming straight towards camera.
117
You know, the cameraman was here and I just drove straight at him, you know.
118
And you would never do that in this day and age.
119
I mean, I stopped, you know,
120
before I hit him, but I might not have done.
121
Or the brakes might have failed because of that.
122
You're not allowed to do that kind of thing anymore.
123
But in those days we did.
124
The Blackadder.
125
The Blackadder is a recurring character in history.
126
We wrote a sitcom in which,
127
before series, you see him in four different eras of British history.
128
The essence of the Blackadder, it's about hierarchy either it's the royal court or it's the army,
129
which has a very definable levels of status.
130
Effectively, in every subsequent series,
131
I play the ancestor, the descendant of the person in the previous series.
132
In the first series, he's a prince.
133
Precisely.
134
In the second series, he's a lord.
135
That barrow bloke you executed today, you sure he's dead?
136
Well, chopped his head off,
137
that usually does the trick.
138
Third series, he's a butler.
139
Lead on, MacDurl.
140
I shall.
141
And in the fourth series,
142
he's a captain in the British Army in the First World War.
143
I must be pretty impressed having Squadron Commander,
144
the Lord Flashheart, drop in on your squally bit of line.
145
Actually, no. I was more impressed by the contents of my handkerchief the last time I blew my nose.
146
In the first series, he was a bit more of an idiot of an idiot.
147
In the second, third and fourth series,
148
he's a cleverer man, sort of stuck in the middle of a hierarchy.
149
He'd love to move up,
150
but he finds it very,
151
very difficult to do so,
152
and he certainly doesn't want to move down towards his sidekick, Baldrick.
153
Yes, and your definition of dog is?
154
Not a cat.
155
Excellent.
156
And he's always the middle guy,
157
he's the sort of middle management guy who resents those above him and he resents those below him.
158
But he had a wonderful sort of weary
159
cynicism about the world and that I think is what made him surprisingly identifiable and also made him funny.
160
The big change between the first series
161
and the second series was we went from a very extravagant location-based semi-film-like texture to something,
162
well, we just had to make something much more effective and much more funny and much more cheaply.
163
So we ended up with a sort of three-set sitcom.
164
So there were only three sets and the action just moves between the three sets.
165
And then the third series,
166
yeah, we were in the Regency period with George III on the throne and the Prince Regent in charge,
167
is that right?
168
Sorry, history was never my strong point.
169
You know, Richard and Ben Elton,
170
Richard Curtis and Ben Elton,
171
who really made the Blackadder what it was.
172
It was just whatever they thought was going to work best.
173
Whenever I've been invited to do one of his films,
174
I think I've always said yes,
175
so if I'm not in one of his films,
176
then he hasn't invited me,
177
which he's perfectly entitled not to do.
178
Well, Like Love Actually, you know,
179
is a case in point,
180
which was when he asked me to do the small part of the salesman in the shop.
181
Could we be quite quick?
182
Prontissimo It was just a sweet funny little part it took one all-night shoot in Selfridges on Oxford Street and
183
And it was a very nice thing to have done Johnny English
184
Johnny English is a British spy who's not as good as he thinks he is.
185
He always overreaches himself.
186
His ambition is always greater than his skill.
187
The joke is in that discrepancy between reality and ambition.
188
The master criminal sees not a room but a series of opportunities.
189
Should I come in through the window?
190
Possibly.
191
Should I drop down from the ceiling?
192
Perhaps.
193
Actually, sir...
194
There's one thing I think we can be fairly confident about.
195
That is that they didn't come up through the...
196
Whoa, whoa, whoa!
197
I've got you, sir!
198
He's a curious thing, actually.
199
A relatively rare character, because he used to be called Richard Latham,
200
and he was a character in some commercials that we made for Barclaycar in the 90s.
201
No ordinary biro.
202
Two clicks of a cap,
203
and it will render any assailant immobile.
204
Very dangerous in the wrong hands.
205
Take over for a boff, would you a moment?
206
We made the commercials to look like feature films.
207
We'll never make that prank, sir.
208
Nonsense.
209
Our carriage awaits.
210
It was a bit of a no-brainer to say,
211
well, actually, why don't we just make a feature film?
212
When we try and think of a name for the movies,
213
I like sort of, you know,
214
the name of the character in there, like Mr. Bean.
215
And so in trying to think of a name,
216
we thought Richard Latham was a bit dull,
217
bit dull but Johnny English had a certain...
218
Johnny English, I'm here to see Pegasus.
219
Still, no sense rushing things.
220
I did most of the driving stuff I did.
221
I did what I was allowed to do.
222
They are very, very reluctant to allow the star actors to do them.
223
But I remember doing those things here in the first Johnny English
224
when I fly down on the rope and grab the crown from John Malkovich's head.
225
I hated every single one of them.
226
I must have done it 25 times,
227
swinging on a big rope.
228
So I did some and I didn't do others.
הורד אפליקציה
כל מה שאתה צריך כדי לדבר בשטף
הגיית AIציון לכל משפט
תרגול IPAשלוט בכל צליל
אוצר מיליםבנה את מאגר המילים שלך
משחק אוצר מיליםלמד תוך כדי משחק
אותו ערוץ
B11
10 Things England Captain Harry Kane Can't Live Without | GQ Sports
Daily ConversationWorking Adults
B21
Megan Fox & Machine Gun Kelly Take a Couples Quiz | GQ
Daily ConversationWorking Adults
B11
Central Cee Breaks Down His Favourite Music Videos | Action Replay
Daily ConversationWorking Adults
B210 Things Joji Can't Live Without | GQ
Daily ConversationWorking Adults
B21
Casino Boss Breaks Down Gambling Scenes from Movies | GQ
Daily ConversationWorking Adults
B22
Martin Scorsese Breaks Down His Most Iconic Films | GQ
Daily ConversationWorking Adults
B2Mads Mikkelsen Breaks Down His Most Iconic Characters | GQ
Daily ConversationWorking Adults
B21
Daniel Radcliffe Breaks Down His Most Iconic Characters | GQ
Daily ConversationWorking Adults
B23
Simu Liu Replies to Fans on the Internet | Actually Me | GQ
Business EnglishDaily ConversationUniversity Students
B22
10 Things Jensen Ackles Can’t Live Without | 10 Essentials
Travel EnglishDaily ConversationUniversity Students
B110 Things Formula 1 Driver George Russell Can’t Live Without
Daily ConversationWorking Adults
B21
Kendrick Lamar & Rick Rubin Have an Epic Conversation | GQ
Business EnglishDaily ConversationUniversity Students
B21
Becoming Michael with Jaafar Jackson
Business EnglishUniversity StudentsWorking Adults
B11
The Odyssey's Zendaya & Robert Pattinson Take a Friendship Quiz
TeensDaily ConversationHigh School Students
B19
10 Things Fredo Can't Live Without
Daily ConversationWorking Adults
B21
Seth MacFarlane Breaks Down His Most Iconic Characters | GQ
Business EnglishDaily ConversationUniversity Students
B22
Jason Segel's Favorite 'How I Met Your Mother' Scene
Daily ConversationWorking Adults
B23
Bob Odenkirk Replies To Fans Online | Actually Me
Daily ConversationWorking Adults
B22
Sal Vulcano Replies to Fans Online | Actually Me
Daily ConversationUniversity StudentsWorking Adults
B21
Ed Sheeran answers all the questions fans really want to know | Vs The Universe | British GQ
Daily ConversationWorking Adults
FOR YOU
המלץ על סרטון
B2150 משפטים
No Celebrity Could Stay Serious Around Rowan Atkinson...
Daily ConversationUniversity StudentsWorking Adults
C12
92 משפטים
Buster Keaton - The Art of the Gag
Daily ConversationUniversity StudentsWorking Adults
B22
328 משפטים
Gary’s Economics Has Quit…or Has He?
Business EnglishDaily ConversationUniversity Students
B2372 משפטים
Callum Turner Keeps It Simple While Eating Spicy Wings | Hot Ones
Business EnglishDaily ConversationUniversity Students
B24
76 משפטים
6 Minutes of Truth You Need to Hear | Peter Dinklage
Business EnglishDaily ConversationUniversity Students
B24
103 משפטים
Sherlock and John's First Meeting | A Study In Pink | Sherlock | BBC
Daily ConversationUniversity StudentsWorking Adults
![The Beatles - Roundup Interview (1964) [REUPLOAD]](https://img.youtube.com/vi/pp3PiLuXU74/mqdefault.jpg)
B22
154 משפטים
The Beatles - Roundup Interview (1964) [REUPLOAD]
Daily ConversationUniversity StudentsWorking Adults
B243 משפטים
這吐槽太好笑了！ 直擊吐槽現場！英國著名女演員Heyley Atwell和肥倫因為「茄子」在現場吵的不可開交！太爆笑了！原來英國人和美國人之間也這麼互相無法理解！ #英語 #英語口語 #英語
Daily ConversationUniversity StudentsWorking Adults
B23
111 משפטים
Rolling a Reliant Robin | Top Gear | BBC
British AccentDaily ConversationUniversity StudentsWorking Adults
B22
125 משפטים
Joker | What It's Like To Be The Other Guy | ClipZone: Heroes & Villains
Daily ConversationUniversity StudentsWorking Adults
אוצר מילים והערות הגייה לשיעור הזה
שיעור הדיבור הזה ברמה B2 מבוסס על הסרטון “Rowan Atkinson Breaks Down His Most Iconic Characters”. המילים שחוזרות הכי הרבה: character, bee, Bean, funny. בסרטון הזה יש 228 משפטים ו-2024 מילים לתרגול Shadowing. הדיבור נמשך 12:06. הדובר מדבר בקצב טבעי של כ-167 מילים בדקה, קרוב לשיחה יומיומית. רק 81% מהמילים נמצאות בין 3,000 המילים הנפוצות ביותר באנגלית, כך שאוצר המילים מאתגר.
אוצר מילים מרכזי בסרטון הזה
15 המילים המתקדמות ביותר בסרטון, עם ההגייה והמשמעות שלהן:
| מילה | הגייה | משמעות |
|---|---|---|
| sketch שם עצם | /ˈskɛt͡ʃ/ | סְקִיצָה |
| dull שם תואר | /dʌl/ | קֵהֶה |
| cyclist שם עצם | /ˈsaɪ.klɪst/ | רוכב אופניים, רוכבת אופניים |
| hierarchy שם עצם | /ˈhaɪ.ə.ɹɑː(ɹ).ki/ | הִיֵרַרכִיָה \ הייררכיה |
| rope שם עצם | /ɹoʊp/ | חֶבֶל |
| anarchist שם עצם | /ˈæn.ɑɹ.kɪst/ | אָנַרְכִיסְט |
| descendant שם עצם | /dɪˈsɛndənt/ | צֶאֱצָא |
| handkerchief שם עצם | /ˈhæŋkəːt͡ʃɪf/ | מִמחָטָה |
| peloton שם עצם | /ˌpɛləˈtɑn/ | דבוקה |
| selfishness שם עצם | /ˈsɛl.fɪʃ.nəs/ | אנוכיות |
| sermon שם עצם | /ˈsɝ.mən/ | דְּרָשָׁה, הַטָּפָה |
| weary שם תואר | /ˈwɪɚi/ | יָגֵעַ |
| await פועל | /əˈweɪt/ | חִכָּה, הִמְתִּין |
| salesman שם עצם | מוֹכֵר, מוֹכֶרֶת | |
| believer שם עצם | /bɪˈlivɚ/ | מַאֲמִין |
משפטים שכדאי לחזור עליהם
משפטים קצרים ושלמים מהסרטון שאפשר להשתמש בהם בשיחה יומיומית:
- Yes, and your definition of dog is?
- Could we be quite quick?
- Should I come in through the window?
- Should I drop down from the ceiling?
- Take over for a boff, would you a moment?
דקדוק בסרטון הזה
המבנים שהדובר משתמש בהם הכי הרבה, עם המילים המדויקות מהסרטון:
| מבנה | בסרטון |
|---|---|
| סביל (Passive voice) be + past participle — הדגש הוא על מה שקורה, לא על מי שעושה את הפעולה | is called · be unsurprised · be seen |
| הווה מושלם (Present perfect) have/has + past participle — פעולה שקרתה בעבר ועדיין יש לה חשיבות או השפעה עכשיו | have ever been · I've been invited · I've always said |
| משפטי זיקה (Relative clauses) who / which + clause — מידע נוסף על אדם או דבר | one who owned · mention which is · guy who resents |
הגייה ששווה לשים לב אליה
הדובר משתמש ב-34 קיצורים וצורות מקוצרות, כמו didn't, I'm, don't. אמרו אותם בצורה הקצרה, כפי שאתם שומעים אותם.
- הצלילים של “th”: furthest /ˈfɜː(ɹ)ðɪst/, sympathetic /ˌsɪm.pəˈθɛt.ɪk/, throne /θɹəʊ̯n/, athlete /ˈæθ.liːt/
- הצלילים של “sh” ו-“zh”: ambition /æmˈbɪʃ.ən/, dimensional /daɪˈmɛn.ʃə.nəl/, selfishness /ˈsɛl.fɪʃ.nəs/, shatter /ˈʃætɚ/, sophistication /səˌfɪs.tɪˈkeɪ.ʃən/
- מילים ארוכות — שימו לב להטעמה: hierarchy /ˈhaɪ.ə.ɹɑː(ɹ).ki/, dimensional /daɪˈmɛn.ʃə.nəl/, cameraman /ˈkæm(ə)ɹəˌmæn/, cynicism /ˈsɪn.ɪˌsɪzəm/, definable [dɪˈfaɪnəbəɫ]
צלילים שדוברי עברית מתקשים בהם:
- /w/ — שפתיים מעוגלות, לא /v/: whoa /woʊ/, squally /ˈskwɔːli/, weary /ˈwɪɚi/, await /əˈweɪt/, artwork /ˈɑɹtˌwɝk/
- /æ/ — פתוח יותר מה-“אֶ” העברית, לא כמו “a” ב-“cup”: ambition /æmˈbɪʃ.ən/, anarchist /ˈæn.ɑɹ.kɪst/, ancestor /ˈæn.sɛs.tɚ/, barrow /ˈbæɹoʊ/, cameraman /ˈkæm(ə)ɹəˌmæn/
- /r/ — הלשון לא נוגעת בשום מקום, לא ה-“ר” הגרונית: resent /ɹiˈzɛnt/, hierarchy /ˈhaɪ.ə.ɹɑː(ɹ).ki/, impress /ɪmˈpɹɛs/, rope /ɹoʊp/, anarchist /ˈæn.ɑɹ.kɪst/
איך לתרגל עם הסרטון הזה
- הקשיבו לכל הסרטון פעם אחת בלי לדבר, ורשמו את המילים שאתם לא מכירים.
- התחילו במהירות 0.75×, תרגלו Shadowing משפט אחר משפט, וחזרו למהירות רגילה כשזה מרגיש קל.
- הקליטו את עצמכם והשוו למקור, תוך תשומת לב למילים כמו sketch, dull, cyclist.
מהי טכניקת השאדואינג?
שאדואינג היא טכניקת למידת שפה מבוססת מדע שפותחה במקור להכשרת מתורגמנים מקצועיים ופופולרית על ידי הפוליגלוט ד"ר אלכסנדר ארגואלס. השיטה פשוטה אך עוצמתית: אתה מקשיב לאודיו באנגלית ילידית וחוזר עליו בקול רם מיד — כמו צל העוקב אחרי הדובר עם עיכוב של 1–2 שניות בלבד. בניגוד להאזנה פסיבית או תרגילי דקדוק, שאדואינג מכריח את המוח והשרירים בפה לעבד ולשחזר דפוסי דיבור אמיתיים בו זמנית. מחקרים מראים שזה משפר משמעותית את דיוק ההגייה, האינטונציה, הקצב, הדיבור המחובר, הבנת השמיעה ושטף הדיבור — מה שהופך אותו לאחת השיטות היעילות ביותר להכנה לIELTS Speaking ולתקשורת באנגלית בעולם האמיתי.