Shadowing Practice: The Beatles - Roundup Interview (1964) [REUPLOAD] - Learn English Speaking with Video
בחר מצב תרגול
כל מצב פותח חדר תרגול במסך מלא.
154 משפטים
אם המשפטים קצרים או ארוכים מדי, לחץ על ערוך כדי להתאים אותם.
1
Let's meet the Beatles.
2
I've got Paul and John.
3
John.
4
And Paul's talking to George and Ringo.
5
Well, I said in my intro, and you were listening to it, that there have been a lot of changes since this time last year.
6
Well, we've seen them, you know, we've seen you making films and doing all sorts of marvellous things, but what have the changes meant to you?
7
Nothing, really.
8
I think the main changes are in people's attitudes to you.
9
How?
10
I don't know.
11
But it's people who change rather than you.
12
You know, we feel exactly the same, really.
13
Got a new suit, though.
14
But you've made a film since then.
15
Mm-hmm.
16
And you've just finished it.
17
Yeah.
18
Why did you make a film?
19
Well, it's the logical step, isn't it?
20
And I believe it's quite lucrative.
21
Anyway, someone asked us.
22
Yeah, we're asked to do it.
23
And we said, yeah.
24
And Alan Owen wrote it and we changed it and we're all...
25
It's called A Hard Day's Night.
26
At your local cinema now.
27
Not now.
28
Not now.
29
Soon.
30
Did you prefer this time last year or do you really like the big time?
31
I like whatever's happening at the moment.
32
Yeah, there's good in both of the stages.
33
You know, it was great then.
34
It's lovely now.
35
Despite whether people are rude or not.
36
Oh, I think that.
37
What do you think about people who maybe, you know, didn't like you then or said something nice to you or just didn't bother about you then, but are terribly nice to you now?
38
We didn't bother about them then.
39
We don't bother about them now.
40
Do you know something?
41
What?
42
I believe it.
43
Yeah, it's true.
44
What difference is there since last June up to now?
45
What sort of things have happened to you since then?
46
The main difference is that we've got more money and less time to ourselves.
47
You know, everything's speeded up and we're just running around like mad.
48
And which of the two would you prefer to have?
49
More money and less time?
50
Well...
51
More money and less time.
52
I think.
53
If you ever manage to get away from the crowds, what sort of things do you like to do?
54
Sleep, see films, go to nightclubs, drive my car and that's it.
55
Play records, watch TV, just ordinary things.
56
What sort of records do you like listening to?
57
Listening to all my records are sort of American ones.
58
People who you probably haven't heard of.
59
Arthur Askey, Bert Whedon.
60
Do you find any difficulty in keeping up your public image?
61
No.
62
What image?
63
It's our image is just us.
64
You know, as we were.
65
We didn't try and make an image.
66
It just happened, and so we don't have to keep it up.
67
We just remain ourselves.
68
Don't we, Ringo?
69
Well, we do.
70
The other two are worried about it.
71
You write very good songs.
72
Don't you?
73
Thank you.
74
do you write songs?
75
Well, you know, we just depend, sometimes we write them on old pianos and anything that's lying around, you know, old tramps.
76
It doesn't do the piano any good, does it?
77
No, it's murder getting them to the recording studio.
78
I've got a song, George, on a great big piano.
79
But guitars and things, you know, normally we sit down and try and bash one out or anything.
80
But then again, there's no formula,
81
because he can come up with one one day completely finished we still say we both wrote it though
82
when did you start writing songs i was about two i think i wrote past me the bread mother
83
no no it's more like when you're about about 13 or 14 when i got a guitar writing them seriously what's the one you wrote down that's me boom
84
Well funny songs then.
85
Mine was I lost my little girl.
86
Did you know each other when you were 13?
87
Yeah, that's when we met.
88
Really?
89
Yeah.
90
Tell us about the meeting.
91
I was playing at a garden fight in the village where I lived on.
92
Playing for what?
93
Playing with a group, you know, a skipper group.
94
And he came along and we met.
95
I knew one of his mates, you know, Ivan, who was a mutual mate.
96
Hey!
97
mutual mate of ours and he introduced us and things.
98
In those days has your...
99
Go on.
100
In those days has your attitude to fans changed since then?
101
No, no, there's just more of them to watch.
102
But they all scream when they're listening to you.
103
Yeah, but we love that.
104
Do you really?
105
Yeah, really.
106
Because in Edinburgh, you know, I mean, you know, Glasgow tonight.
107
Yesterday, last week.
108
and I said that, you know, I don't know, I've lost track of time.
109
Anyway, the atmosphere in the theatre, it's really, it's marvellous, you know, it must come.
110
I will do, I'll try to come.
111
Good.
112
John, about your book, how did you go about writing this book?
113
Well, sort of pen and paper and that.
114
In words, too.
115
I just sort of wrote it, you know, the hobby.
116
Is this a stage that you went through, writing in this sort of gorbled language that you've got out of now, have you?
117
No, because a lot of people can't go.
118
I was rather more polite or more rude, you know, one extreme to the other.
119
To the other, where's he gone?
120
Clapses.
121
What's the most interesting person that you've ever met?
122
I should say, who's the most interesting person you've ever met?
123
John Lennon.
124
George?
125
Um, Harry Seacombe, I think.
126
I like him.
127
Is that the kind of person that you like?
128
Yeah.
129
Have you ever been frightened of your fans?
130
A time when they've really frightened you?
131
Paul's frightened me a few times.
132
Only times when getting in and out of places, when there's thousands of them all together, but when you usually only meet about the most six or seven, you know, if you were sort of running along the road,
133
and then there's not enough of them then is it to sort of make you fly?
134
You don't mind that too much?
135
Do you never feel lonely sitting at the back?
136
No, no, no, that's where I am, you see.
137
The drummer should always be at the back.
138
The drummer should be heard and not seen.
139
Ringo, how do you feel about sitting playing on stage and being showered with things like jelly babies, boots, girls, things like that?
140
Well, I'm lucky being at the back, you know, the other three have it worse than I do.
141
Sometimes it's a bit of a drag.
142
It's not much fun, actually.
143
You know, off your stove.
144
Yeah, because if...
145
Actually, we've had things hit us in the eye.
146
And if you're listening, don't throw them in your eye.
147
It's dangerous, you know.
148
Bad!
149
Hello, boys.
150
How are you doing?
151
Hello, chaps.
152
How are you doing?
153
You can get up now.
154
I pronounce you man and wait.
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אוצר מילים והערות הגייה לשיעור הזה
שיעור הדיבור הזה ברמה B2 מבוסס על הסרטון “The Beatles - Roundup Interview (1964)”. המילים שחוזרות הכי הרבה: listening, wrote, song. בסרטון הזה יש 154 משפטים ו-1176 מילים לתרגול Shadowing. הדיבור נמשך 6:54. הדובר מדבר בקצב טבעי של כ-170 מילים בדקה, קרוב לשיחה יומיומית. 89% מהמילים נמצאות בין 3,000 המילים הנפוצות ביותר באנגלית, כך שקל לעקוב אחרי אוצר המילים. 40 מתוך 154 המשפטים שלו הם שאלות, כך שזה תרגול טוב לאינטונציה של שאלות ולתשובות קצרות.
אוצר מילים מרכזי בסרטון הזה
10 המילים המתקדמות ביותר בסרטון, עם ההגייה והמשמעות שלהן:
| מילה | הגייה | משמעות |
|---|---|---|
| skipper שם עצם | /ˈskɪp.ɚ/ | סְקִיפֶּר, רַב סַפָּן |
| lucrative שם תואר | /ˈluː.kɹə.tɪv/ | רווחי |
| nightclub שם עצם | /ˈnʌɪtklʌb/ | מוֹעֲדוֹן לַיְלָה |
| stove שם עצם | /stoʊv/ | תַּנּוּר, כִּירָה |
| polite שם תואר | /pəˈlaɪt/ | מְנוּמָס |
| hobby שם עצם | /ˈhɑ.bi/ | תַּחְבִּיב |
| scream פועל | /skɹiːm/ | צרח |
| cinema שם עצם | /ˈsɪn.ə.mə/ | בֵּית קוֹלנוֹעַ, קוֹלְנוֹעַ |
| boot שם עצם | /but/ | מַגָּף |
| depend פועל | /dɪˈpɛnd/ | היה תלוי |
Phrasal verbs שתשמעו
| מילה | משמעות |
|---|---|
| get up פועל | קָם |
| sit down פועל | התיישב \ הִתְיַשֵּׁב |
| write down פועל | רָשַׁם |
משפטים שכדאי לחזור עליהם
משפטים קצרים ושלמים מהסרטון שאפשר להשתמש בהם בשיחה יומיומית:
- Why did you make a film?
- What sort of records do you like listening to?
- What's the most interesting person that you've ever met?
- A time when they've really frightened you?
- You don't mind that too much?
דקדוק בסרטון הזה
המבנים שהדובר משתמש בהם הכי הרבה, עם המילים המדויקות מהסרטון:
| מבנה | בסרטון |
|---|---|
| הווה מושלם (Present perfect) have/has + past participle — פעולה שקרתה בעבר ועדיין יש לה חשיבות או השפעה עכשיו | have been · we've seen · you've made |
| משפטי זיקה (Relative clauses) who / which + clause — מידע נוסף על אדם או דבר | people who change · people who maybe · People who you |
| סביל (Passive voice) be + past participle — הדגש הוא על מה שקורה, לא על מי שעושה את הפעולה | should be heard · being showered |
הגייה ששווה לשים לב אליה
הדובר משתמש ב-37 קיצורים וצורות מקוצרות, כמו don't, you've, didn't. אמרו אותם בצורה הקצרה, כפי שאתם שומעים אותם.
צלילים שדוברי עברית מתקשים בהם:
- /æ/ — פתוח יותר מה-“אֶ” העברית, לא כמו “a” ב-“cup”: chap /t͡ʃæp/, bash /bæʃ/
- /r/ — הלשון לא נוגעת בשום מקום, לא ה-“ר” הגרונית: frighten /ˈfɹaɪ.tən/, marvellous /ˈmɑɹvələs/, drummer /ˈdɹʌmɚ/, lucrative /ˈluː.kɹə.tɪv/, pronounce /pɹəˈnaʊns/
- עיצור קולי בסוף מילה — /b/, /d/, /g/, /z/, /v/ בלי להפוך אותם לאטומים: lucrative /ˈluː.kɹə.tɪv/, nightclub /ˈnʌɪtklʌb/, stove /stoʊv/, depend /dɪˈpɛnd/
איך לתרגל עם הסרטון הזה
- הקשיבו לכל הסרטון פעם אחת בלי לדבר, ורשמו את המילים שאתם לא מכירים.
- התחילו במהירות 0.75×, תרגלו Shadowing משפט אחר משפט, וחזרו למהירות רגילה כשזה מרגיש קל.
- הקליטו את עצמכם והשוו למקור, תוך תשומת לב למילים כמו skipper, lucrative, nightclub.
מהי טכניקת השאדואינג?
שאדואינג היא טכניקת למידת שפה מבוססת מדע שפותחה במקור להכשרת מתורגמנים מקצועיים ופופולרית על ידי הפוליגלוט ד"ר אלכסנדר ארגואלס. השיטה פשוטה אך עוצמתית: אתה מקשיב לאודיו באנגלית ילידית וחוזר עליו בקול רם מיד — כמו צל העוקב אחרי הדובר עם עיכוב של 1–2 שניות בלבד. בניגוד להאזנה פסיבית או תרגילי דקדוק, שאדואינג מכריח את המוח והשרירים בפה לעבד ולשחזר דפוסי דיבור אמיתיים בו זמנית. מחקרים מראים שזה משפר משמעותית את דיוק ההגייה, האינטונציה, הקצב, הדיבור המחובר, הבנת השמיעה ושטף הדיבור — מה שהופך אותו לאחת השיטות היעילות ביותר להכנה לIELTS Speaking ולתקשורת באנגלית בעולם האמיתי.