Shadowing Practice: "We're All Gonna Die" ๐Ÿ˜ฑ Hey Arnold! The Haunted Train | NickRewind - Learn English Speaking with Video

ื‘ื—ืจ ืžืฆื‘ ืชืจื’ื•ืœ

ื›ืœ ืžืฆื‘ ืคื•ืชื— ื—ื“ืจ ืชืจื’ื•ืœ ื‘ืžืกืš ืžืœื.

66 ืžืฉืคื˜ื™ื
ืื ื”ืžืฉืคื˜ื™ื ืงืฆืจื™ื ืื• ืืจื•ื›ื™ื ืžื“ื™, ืœื—ืฅ ืขืœ ืขืจื•ืš ื›ื“ื™ ืœื”ืชืื™ื ืื•ืชื.
1
They say he lost his mind Went crazy on that day Ran his train right off the tracks And drove it straight to-- Hey!
2
Where's the engineer? Been waiting all night long Better show up soon Or I'ma have to say so long!
3
Been waiting on the haunted train That's it, I'm outta here!
4
This is ridiculous!
5
There is no haunted train, there is no mad engineer!
6
And you two chuckleheads are driving me nuts!
7
And stop playing that harmonica!
8
I'm not playing that harmonica.
9
- Engine 25! - Engine 25!
10
White light!
11
It pulled us on!
12
We're the victims of forces we can't possible comprehend!
13
Eww, what's that smell?
14
She who smelt, it dealt it, It's not that smell, stupid!
15
Helga's right, it's more like...
16
Rotten eggs!
17
It smells like rotten eggs, it's one of the signs!
18
Do you hear what I hear?
19
You mean that horrible, ear-splitting, impossibly inhuman music?
20
We're all gonna die!
21
We're all gonna die!
22
I do believe in mad engineers!
23
I do believe in haunted trains!
24
I do, I do!
25
Oh, why must I be cursed with such an inquisitive nature?
26
Hey, the lights!
27
The zone of darkness.
28
Next stop is...
29
- You know... - Er... are you pointing down?
30
This is it!
31
I can feel the flames of the dark underworld blowing down the back of my neck!
32
Huh?
33
Brainy! What are you doing here?
34
Er... I dunno.
35
I see it!
36
I see the fire!
37
Wait, I've got an idea!
38
Ready, aim...
39
Fire! Hey! Woah, hey, hey!
40
Hey!
41
What did you do that for?
42
What are you kids doing here?
43
Nobody's allowed on this train except the steel mill workers!
44
Steel mill? We're at the steel mill?
45
- Sure, where'd you think you were? - This train isn't haunted?
46
Haunted? Oh, no, not that story again, this train is for relief workers!
47
What about the smell?
48
Girly, have you ever smelled a steel mill?
49
It's the sulfur!
50
Smells like rotten eggs, don't it?
51
And the lights?
52
Lights? The lights in this car are always going on and off!
53
But the music?
54
- I've never heard anything so horrible! - It was like torture!
55
I thought my ear drums were going to explode!
56
Er, well, I suppose some people don't appreciate the polka!
57
OK, does that explain everything?
58
- Yes... - Yes...
59
Good, now let's get you kids on the right train home!
60
Yeesh! A fire extinguisher against the fires of the underworld, ay?
61
Pretty good plan, short man.
62
I think you set us up, Grandpa.
63
Well, least you weren't bored, were you?
64
There is no haunted train.
65
Well, now I didn't say that.
66
Sometimes late at night You can hear the whistle blow With a spooky, screechy sound Like a wheel gone off the rail And up in the spooky clouds You can almost recognize The ghost of a crimson engineer With fires in his eyes

ื”ื•ืจื“ ืืคืœื™ืงืฆื™ื”

ื›ืœ ืžื” ืฉืืชื” ืฆืจื™ืš ื›ื“ื™ ืœื“ื‘ืจ ื‘ืฉื˜ืฃ

ื”ื’ื™ื™ืช AIืฆื™ื•ืŸ ืœื›ืœ ืžืฉืคื˜
ืชืจื’ื•ืœ IPAืฉืœื•ื˜ ื‘ื›ืœ ืฆืœื™ืœ
ืื•ืฆืจ ืžื™ืœื™ืื‘ื ื” ืืช ืžืื’ืจ ื”ืžื™ืœื™ื ืฉืœืš
ืžืฉื—ืง ืื•ืฆืจ ืžื™ืœื™ืืœืžื“ ืชื•ืš ื›ื“ื™ ืžืฉื—ืง
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ืื•ืฆืจ ืžื™ืœื™ื ื•ื”ืขืจื•ืช ื”ื’ื™ื™ื” ืœืฉื™ืขื•ืจ ื”ื–ื”

ืฉื™ืขื•ืจ ื”ื“ื™ื‘ื•ืจ ื”ื–ื” ื‘ืจืžื” A2 ืžื‘ื•ืกืก ืขืœ ื”ืกืจื˜ื•ืŸ โ€œ"We're All Gonna Die" ๐Ÿ˜ฑ Hey Arnold! The Haunted Trainโ€. ื”ืžื™ืœื™ื ืฉื—ื•ื–ืจื•ืช ื”ื›ื™ ื”ืจื‘ื”: train, haunted, smell, mill, engineer. ื‘ืกืจื˜ื•ืŸ ื”ื–ื” ื™ืฉ 66 ืžืฉืคื˜ื™ื ื•-496 ืžื™ืœื™ื ืœืชืจื’ื•ืœ Shadowing. ื”ื“ื™ื‘ื•ืจ ื ืžืฉืš 5:45. ื”ื“ื•ื‘ืจ ืžื“ื‘ืจ ืœืื˜, ื›-86 ืžื™ืœื™ื ื‘ื“ืงื”, ื›ืš ืฉื™ืฉ ื–ืžืŸ ืœื—ืงื•ืช ื›ืœ ืฆืœื™ืœ. 77% ืžื”ืžื™ืœื™ื ื ืžืฆืื•ืช ื‘ื™ืŸ 3,000 ื”ืžื™ืœื™ื ื”ื ืคื•ืฆื•ืช ื‘ื™ื•ืชืจ ื‘ืื ื’ืœื™ืช; ื›ื“ืื™ ืœืœืžื•ื“ ืืช ื”ืฉืืจ ืœืคื ื™ ืฉืžืชื—ื™ืœื™ื. 24 ืžืชื•ืš 66 ื”ืžืฉืคื˜ื™ื ืฉืœื• ื”ื ืฉืืœื•ืช, ื›ืš ืฉื–ื” ืชืจื’ื•ืœ ื˜ื•ื‘ ืœืื™ื ื˜ื•ื ืฆื™ื” ืฉืœ ืฉืืœื•ืช ื•ืœืชืฉื•ื‘ื•ืช ืงืฆืจื•ืช.

ืื•ืฆืจ ืžื™ืœื™ื ืžืจื›ื–ื™ ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

15 ืžื™ืœื™ื ืžื”ืกืจื˜ื•ืŸ ืฉื›ื“ืื™ ืœืœืžื•ื“, ืขื ื”ื”ื’ื™ื™ื” ื•ื”ืžืฉืžืขื•ืช ืฉืœื”ืŸ:

ืžื™ืœื”ื”ื’ื™ื™ื”ืžืฉืžืขื•ืช
haunt ืคื•ืขืœ/hษ”nt/ืจึธื“ึทืฃ
mill ืฉื ืขืฆื/mษชl/ื˜ึทื—ึฒื ึธื”
egg ืฉื ืขืฆื/ษ›ษก/ื‘ึตึผื™ืฆึธื”
worker ืฉื ืขืฆื/หˆwษ.kษš/ืขื•ึนื‘ึตื“, ืขื•ื‘ื“ืช
scream ืคื•ืขืœ/skษนiหm/ืฆืจื—
cloud ืฉื ืขืฆื/หˆklaสŠฬฏd/ืขึธื ึธืŸ, ืขึธื‘
ridiculous ืฉื ืชื•ืืจ/ษนษชหˆdษชk.jษ™.lษ™s/ืžึฐื’ึปื—ึธืšึฐ
ghost ืฉื ืขืฆื/ษกoสŠst/ืจื•ึผื—ึท ืจึฐืคึธืึดื™ื
darkness ืฉื ืขืฆื/หˆdษ‘ษนk.nษชs/ืึฒืคึตืœึธื”, ื—ึนืฉึถืืšึฐ
torture ืฉื ืขืฆื/หˆtoษนtอกสƒษš/ืขื™ื ื•ื™ื™ื
horn ืฉื ืขืฆื/hษ”ษนn/ืงึถืจึถืŸ
drum ืฉื ืขืฆื/หˆdษนสŒm/ืชื•ืฃ \ ืชึนึผืฃ
curse ืฉื ืขืฆื/kษs/ืงึฐืœึธืœึธื”
flame ืฉื ืขืฆื/fleษชm/ืœึถื”ึธื‘ึธื”, ืึตืฉื
bore ืคื•ืขืœ/boษน/ืฉึดืืขึฒืžึตื

ืžืฉืคื˜ื™ื ืฉื›ื“ืื™ ืœื—ื–ื•ืจ ืขืœื™ื”ื

ืžืฉืคื˜ื™ื ืงืฆืจื™ื ื•ืฉืœืžื™ื ืžื”ืกืจื˜ื•ืŸ ืฉืืคืฉืจ ืœื”ืฉืชืžืฉ ื‘ื”ื ื‘ืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช:

  • Do you hear what I hear?
  • You mean that horrible, ear-splitting, impossibly inhuman music?
  • What are you doing here?
  • What did you do that for?
  • We're at the steel mill?

ื“ืงื“ื•ืง ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

ื”ืžื‘ื ื™ื ืฉื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘ื”ื ื”ื›ื™ ื”ืจื‘ื”, ืขื ื”ืžื™ืœื™ื ื”ืžื“ื•ื™ืงื•ืช ืžื”ืกืจื˜ื•ืŸ:

ืžื‘ื ื”ื‘ืกืจื˜ื•ืŸ
ืกื‘ื™ืœ (Passive voice) be + past participle โ€” ื”ื“ื’ืฉ ื”ื•ื ืขืœ ืžื” ืฉืงื•ืจื”, ืœื ืขืœ ืžื™ ืฉืขื•ืฉื” ืืช ื”ืคืขื•ืœื”be cursed ยท isn't haunted
ื”ื•ื•ื” ืžืžื•ืฉืš (Present continuous) am/is/are + -ing โ€” ืžืฉื”ื• ืฉืžืชืจื—ืฉ ื›ืจื’ืข ืื• ื‘ืกื‘ื™ื‘ื” ื”ืงืจื•ื‘ื” ืœื–ืžืŸ ื”ื–ื”are driving ยท I'm not playing ยท are you doing
ืขืชื™ื“ ืขื โ€œgoing toโ€ be going to + verb โ€” ืชื›ื ื•ืŸ ืœืขืชื™ื“ ืื• ืžืฉื”ื• ืฉื ืจืื” ืฉืขื•ืžื“ ืœืงืจื•ืชgonna die
ื—ื•ื‘ื”: must / have to / need to ืœื”ื‘ื™ืข ืฉื“ื‘ืจ ืžื” ื”ื•ื ื”ื›ืจื—ื™ ืื• ื—ื•ื‘ื”have to say ยท must I

ื”ื’ื™ื™ื” ืฉืฉื•ื•ื” ืœืฉื™ื ืœื‘ ืืœื™ื”

ื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘-19 ืงื™ืฆื•ืจื™ื ื•ืฆื•ืจื•ืช ืžืงื•ืฆืจื•ืช, ื›ืžื• we're, don't, gonna. ืืžืจื• ืื•ืชื ื‘ืฆื•ืจื” ื”ืงืฆืจื”, ื›ืคื™ ืฉืืชื ืฉื•ืžืขื™ื ืื•ืชื.

  • ื”ืฆืœื™ืœื™ื ืฉืœ โ€œshโ€ ื•-โ€œzhโ€: splash /splรฆสƒ/, extinguisher /ษชkหˆstษชล‹ษกwษชสƒษ™(ษน)/
  • ืžื™ืœื™ื ืืจื•ื›ื•ืช โ€” ืฉื™ืžื• ืœื‘ ืœื”ื˜ืขืžื”: ridiculous /ษนษชหˆdษชk.jษ™.lษ™s/, harmonica /หŒhษ‘ษนหˆmษ‘.nษช.kษ™/, extinguisher /ษชkหˆstษชล‹ษกwษชสƒษ™(ษน)/, impossibly /ษชmหˆpษ’.sษชb.li/, inquisitive /ษชล‹หˆkwษชzษ™tษชv/

ืฆืœื™ืœื™ื ืฉื“ื•ื‘ืจื™ ืขื‘ืจื™ืช ืžืชืงืฉื™ื ื‘ื”ื:

  • /w/ โ€” ืฉืคืชื™ื™ื ืžืขื•ื’ืœื•ืช, ืœื /v/: worker /หˆwษ.kษš/, whistle /หˆwษชs(ษ™)l/, underworld /หˆสŒndษšหŒwษšld/, extinguisher /ษชkหˆstษชล‹ษกwษชสƒษ™(ษน)/, inquisitive /ษชล‹หˆkwษชzษ™tษชv/
  • /รฆ/ โ€” ืคืชื•ื— ื™ื•ืชืจ ืžื”-โ€œืึถโ€ ื”ืขื‘ืจื™ืช, ืœื ื›ืžื• โ€œaโ€ ื‘-โ€œcupโ€: splash /splรฆสƒ/, crackle /หˆkษนรฆkษ™l/
  • /r/ โ€” ื”ืœืฉื•ืŸ ืœื ื ื•ื’ืขืช ื‘ืฉื•ื ืžืงื•ื, ืœื ื”-โ€œืจโ€ ื”ื’ืจื•ื ื™ืช: rotten /หˆษนษ‘tnฬฉ/, horrible /หˆhษ”ษน.ษช.bษ™l/, scream /skษนiหm/, ridiculous /ษนษชหˆdษชk.jษ™.lษ™s/, rail /ษนeษช(ษ™)l/

ืื™ืš ืœืชืจื’ืœ ืขื ื”ืกืจื˜ื•ืŸ ื”ื–ื”

  1. ื”ืงืฉื™ื‘ื• ืœื›ืœ ื”ืกืจื˜ื•ืŸ ืคืขื ืื—ืช ื‘ืœื™ ืœื“ื‘ืจ, ื•ืจืฉืžื• ืืช ื”ืžื™ืœื™ื ืฉืืชื ืœื ืžื›ื™ืจื™ื.
  2. ืชืจื’ืœื• Shadowing ืžืฉืคื˜ ืื—ืจ ืžืฉืคื˜ ื‘ืžื”ื™ืจื•ืช ืจื’ื™ืœื”, ื•ื—ื–ืจื• ืขืœ ื›ืœ ืžืฉืคื˜ ืขื“ ืฉื”ืงืฆื‘ ืฉืœื›ื ืชื•ืื ืืช ื”ื“ื•ื‘ืจ.
  3. ื”ืงืœื™ื˜ื• ืืช ืขืฆืžื›ื ื•ื”ืฉื•ื• ืœืžืงื•ืจ, ืชื•ืš ืชืฉื•ืžืช ืœื‘ ืœืžื™ืœื™ื ื›ืžื• haunt, mill, egg.

ืžื”ื™ ื˜ื›ื ื™ืงืช ื”ืฉืื“ื•ืื™ื ื’?

ืฉืื“ื•ืื™ื ื’ ื”ื™ื ื˜ื›ื ื™ืงืช ืœืžื™ื“ืช ืฉืคื” ืžื‘ื•ืกืกืช ืžื“ืข ืฉืคื•ืชื—ื” ื‘ืžืงื•ืจ ืœื”ื›ืฉืจืช ืžืชื•ืจื’ืžื ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืคื•ืคื•ืœืจื™ืช ืขืœ ื™ื“ื™ ื”ืคื•ืœื™ื’ืœื•ื˜ ื“"ืจ ืืœื›ืกื ื“ืจ ืืจื’ื•ืืœืก. ื”ืฉื™ื˜ื” ืคืฉื•ื˜ื” ืืš ืขื•ืฆืžืชื™ืช: ืืชื” ืžืงืฉื™ื‘ ืœืื•ื“ื™ื• ื‘ืื ื’ืœื™ืช ื™ืœื™ื“ื™ืช ื•ื—ื•ื–ืจ ืขืœื™ื• ื‘ืงื•ืœ ืจื ืžื™ื“ โ€” ื›ืžื• ืฆืœ ื”ืขื•ืงื‘ ืื—ืจื™ ื”ื“ื•ื‘ืจ ืขื ืขื™ื›ื•ื‘ ืฉืœ 1โ€“2 ืฉื ื™ื•ืช ื‘ืœื‘ื“. ื‘ื ื™ื’ื•ื“ ืœื”ืื–ื ื” ืคืกื™ื‘ื™ืช ืื• ืชืจื’ื™ืœื™ ื“ืงื“ื•ืง, ืฉืื“ื•ืื™ื ื’ ืžื›ืจื™ื— ืืช ื”ืžื•ื— ื•ื”ืฉืจื™ืจื™ื ื‘ืคื” ืœืขื‘ื“ ื•ืœืฉื—ื–ืจ ื“ืคื•ืกื™ ื“ื™ื‘ื•ืจ ืืžื™ืชื™ื™ื ื‘ื• ื–ืžื ื™ืช. ืžื—ืงืจื™ื ืžืจืื™ื ืฉื–ื” ืžืฉืคืจ ืžืฉืžืขื•ืชื™ืช ืืช ื“ื™ื•ืง ื”ื”ื’ื™ื™ื”, ื”ืื™ื ื˜ื•ื ืฆื™ื”, ื”ืงืฆื‘, ื”ื“ื™ื‘ื•ืจ ื”ืžื—ื•ื‘ืจ, ื”ื‘ื ืช ื”ืฉืžื™ืขื” ื•ืฉื˜ืฃ ื”ื“ื™ื‘ื•ืจ โ€” ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ืช ื”ืฉื™ื˜ื•ืช ื”ื™ืขื™ืœื•ืช ื‘ื™ื•ืชืจ ืœื”ื›ื ื” ืœIELTS Speaking ื•ืœืชืงืฉื•ืจืช ื‘ืื ื’ืœื™ืช ื‘ืขื•ืœื ื”ืืžื™ืชื™.

ื˜ื›ื ื™ืงืช Shadowing: ืงืจื ืืช ื”ืžื“ืจื™ืš ื”ืžืœื ืฉืœื‘ ืื—ืจ ืฉืœื‘ โ†’