Prática de Shadowing: Rick Rubin on the Creative Act — 60 Minutes - Aprenda a falar inglês com vídeo
Escolha um modo de prática
Cada modo abre uma sala de prática em tela cheia.
71 frases
Se as frases estiverem muito curtas ou longas, clique em Edit para ajustá-las.
1
Should we spend two minutes eyes closed meditating before we start just to like really get here?
2
Sure, okay.
3
Let's do that.
4
That's a first.
5
Nice.
6
Does meditation help you creatively?
7
It clears the distractions.
8
So the distractions can get in the way with a direct connection to the creative force. Do you play instruments?
9
Barely.
10
Do you know how to work a soundboard?
11
No. I have no technical ability.
12
And I know nothing about music.
13
You must know something.
14
Well, I know what I like and what I don't like.
15
And I'm decisive about what I like and what I don't like.
16
So what are you being paid for?
17
The confidence that I have in my taste and my ability to express what I feel has proven helpful for artists.
18
Artists are eager to make the pilgrimage to Shangri-La Studios in Malibu to work with Rubin.
19
How many studios do you have here?
20
There's the main control room here with the live room.
21
The place is minimalist to say the least.
22
There's no mirrors, no TVs, no signs of Rick Rubin's extraordinary success.
23
I've never been in a recording studio where there's not gold records and Grammys.
24
Do you have like a tiny ego room somewhere?
25
I don't.
26
I used to send them all to my parents and I don't know where they are now.
27
It's a distraction.
28
If you start thinking about doing something to achieve that, then you're not focused on making this beautiful thing.
29
It undermines the purity of the project.
30
I like the idea of getting the point across with the least amount of information possible.
31
And that's what you're doing in a recording studio.
32
You're listening to music, to sound, and trying to strip it.
33
Just to see what is actually necessary.
34
Getting it down to that essence to start with is really helpful in understanding what it is.
35
On our first day, he brought us in on a jam session with saxophone great Kamasi Washington.
36
What are you listening for?
37
Like right now, there's chimes, piano.
38
Yeah, I'm not listening to any of those things.
39
What are you listening to?
40
I'm listening to the feeling.
41
How do you listen to a feeling?
42
Well, my body's moving.
43
I feel that melody awaken something in me.
44
There's something familiar about it, but I don't think I've heard it before.
45
The feeling of familiarity is a good feeling.
46
If you haven't noticed by now, Rick Rubin talks a lot about feelings.
47
My aim is not to have my presence felt.
48
Unless it's necessary, unless it's helpful.
49
His presence is laid back, literally.
50
He usually listens lying down.
51
And barefoot, with his eyes shut.
52
You might think he was napping.
53
I try to listen as closely as I possibly can.
54
And when my eyes are closed, I feel like I'm there with the music.
55
It may not seem like work, but Ruben hears things and senses things other producers don't.
56
Back in 1993, a few stray guitar chords on a Tom Petty demo tape caught his attention.
57
Tom sent me demos of about five new songs, and none of them really struck me, honestly.
58
None of them spoke to me, but that guitar riff that opens a song was something that was played between two of the songs, just like a warmup.
59
I drove to Tom's house and I played it for him.
60
I said, listen to this piece.
61
I feel like this is the best thing on the tape.
62
Write this one.
63
And that turned into Last Dance with Mary Jane.
64
Last Dance with Mary Jane, one more time to kill the fame.
65
That's going to be hard, though, when you come back saying, I like the thing that happened accidentally in between two of these songs.
66
That's a tough sell sometimes, isn't it?
67
I'm not trying to sell it.
68
I'm just sharing what I'm feeling.
69
You know, like if they don't want to do it, it's fine.
70
Rubin has shared what he's learned in a book, The Creative Act, A Way of Being.
71
It was published in January and is his guide to harnessing creativity, something he figured out how to do his sophomore year at New York University in 1982.
Baixar aplicativo
Tudo o que você precisa para falar fluentemente
Pronúncia com IANota em cada frase
Prática de IPADomine cada som
VocabulárioMonte seu banco de palavras
Jogo de vocabulárioAprenda brincando
FOR YOU
Vídeo recomendado
B21
785 frases
Kendrick Lamar & Rick Rubin Have an Epic Conversation | GQ
Business EnglishDaily ConversationUniversity Students
B21
20 frases
The incredible Ian Astbury of The Cult on meeting Rick Rubin and recording of the Electric Album
Business EnglishUniversity StudentsWorking Adults
B22
57 frases
How to be a creative motherf***er
Business EnglishUniversity StudentsWorking Adults
B23
28 frases
Rick Rubin on the power of creating something truly for yourself
Business EnglishUniversity StudentsWorking Adults
B2699 frases
The 3-Step System for Simplifying Your Work and Life
Business EnglishDaily ConversationUniversity Students
B21
448 frases
The State Of The Entertainment Business With Producer Jeff Ross | Conan O'Brien Needs A Friend
Business EnglishUniversity StudentsWorking Adults
B22
195 frases
I’ve Meditated 27 Years, These 5 Lessons Change Everything
Business EnglishDaily ConversationUniversity Students
C12
223 frases
How to Get Smooth, Bright Vocals
Business EnglishUniversity StudentsWorking Adults
B26
53 frases
Henry Rollins is Absolutely Done with Music - @OpieRadio @JimNorton
Business EnglishDaily ConversationUniversity Students
B21
720 frases
Paris Jackson: "the breeze," "just me and you," and Family | Zane Lowe Interview
Business EnglishDaily ConversationUniversity Students
B22
95 frases
Joe Rogan on Avoiding the Loser Mentality
Business EnglishUniversity StudentsWorking Adults
B23
314 frases
Simon Sinek and Trevor Noah on the Quality More Leaders Need To Talk About | Full Conversation
Business EnglishUniversity StudentsWorking Adults
Vocabulário e dicas de fala para esta lição
Esta aula de conversação de nível B2 usa o vídeo “Rick Rubin on the Creative Act — 60 Minutes”. As palavras que mais se repetem: feeling, listening, studio, listen, song. Este vídeo tem 71 frases e 705 palavras para praticar shadowing. A fala dura 4:38. O falante fala em ritmo natural, cerca de 152 palavras por minuto, próximo de uma conversa do dia a dia. 82% das palavras estão entre as 3.000 mais comuns do inglês; vale a pena estudar o restante antes de começar. 11 das 71 frases são perguntas, por isso é um bom treino para a entonação de perguntas e respostas curtas.
Vocabulário principal deste vídeo
As 15 palavras mais avançadas do vídeo, com pronúncia e significado:
| Palavra | Pronúncia | Significado |
|---|---|---|
| distraction substantivo | /dɪsˈtɹæk.ʃən/ | distracção, distração |
| demo substantivo | /ˈdɛm.oʊ/ | demonstração |
| awaken verbo | /əˈweɪkən/ | acordar, despertar |
| barefoot adjetivo | /ˈbɛɹfʊt/ | descalço, descalça |
| creatively advérbio | /kɹiˈeɪtɪvli/ | criativamente |
| familiarity substantivo | /fəmɪliˈæɹɪti/ | familiaridade |
| meditate verbo | /ˈmɛ.dɪˌteɪt/ | meditar |
| minimalist adjetivo | /ˈmɪn.ə.məl.ɪst/ | minimalista |
| pilgrimage substantivo | /ˈpɪlɡɹɪmɪd͡ʒ/ | peregrinação, peregrinagem |
| saxophone substantivo | /ˈsæksəˌfoʊ̯n/ | saxofone |
| undermine verbo | /ˌʌn.dɚˈmaɪn/ | solapar, minar |
| chord substantivo | /kɔɹd/ | acorde |
| harness verbo | /ˈhɑɹ.nəs/ | arrear, atrelar |
| purity substantivo | /ˈpjʊɹɪti/ | pureza |
| stray verbo | /stɹeɪ/ | afastar-se, desviar-se |
Phrasal verbs que você vai ouvir
| Palavra | Significado |
|---|---|
| come back verbo | voltar |
| figure out verbo | descobrir, deduzir |
Frases que vale a pena repetir
Frases curtas e completas do vídeo que você pode usar na conversa do dia a dia:
- Does meditation help you creatively?
- Do you know how to work a soundboard?
- How many studios do you have here?
- Do you have like a tiny ego room somewhere?
- What are you listening for?
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | has proven · I've never been · I've heard |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | being paid · is laid · are closed |
Pronúncia para ficar de olho
O falante usa 21 contrações e formas reduzidas, como don't, I'm, you're. Diga-as na forma curta, do jeito que você ouve.
- Os sons de “sh” e “zh”: distraction /dɪsˈtɹæk.ʃən/, meditation /mɛdɪˈteɪʃn̩/
- Palavras longas — acerte a sílaba tônica: creatively /kɹiˈeɪtɪvli/, familiarity /fəmɪliˈæɹɪti/, minimalist /ˈmɪn.ə.məl.ɪst/, creativity /kri.eɪˈtɪv.ᵻ.ti/
Sons difíceis para falantes de português:
- Consoante final — sem acrescentar um “i” depois: barefoot /ˈbɛɹfʊt/, meditate /ˈmɛ.dɪˌteɪt/, minimalist /ˈmɪn.ə.məl.ɪst/, chord /kɔɹd/, nap /næp/
Como praticar com este vídeo
- Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
- Comece na velocidade 0,75×, faça shadowing frase por frase e volte à velocidade normal quando ficar fácil.
- Grave a sua voz e compare com o original, prestando atenção a palavras como distraction, demo, awaken.
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.