Shadowing Practice: Rick Rubin on the Creative Act — 60 Minutes - Learn English Speaking with Video
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71 cümleler
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1
Should we spend two minutes eyes closed meditating before we start just to like really get here?
2
Sure, okay.
3
Let's do that.
4
That's a first.
5
Nice.
6
Does meditation help you creatively?
7
It clears the distractions.
8
So the distractions can get in the way with a direct connection to the creative force. Do you play instruments?
9
Barely.
10
Do you know how to work a soundboard?
11
No. I have no technical ability.
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And I know nothing about music.
13
You must know something.
14
Well, I know what I like and what I don't like.
15
And I'm decisive about what I like and what I don't like.
16
So what are you being paid for?
17
The confidence that I have in my taste and my ability to express what I feel has proven helpful for artists.
18
Artists are eager to make the pilgrimage to Shangri-La Studios in Malibu to work with Rubin.
19
How many studios do you have here?
20
There's the main control room here with the live room.
21
The place is minimalist to say the least.
22
There's no mirrors, no TVs, no signs of Rick Rubin's extraordinary success.
23
I've never been in a recording studio where there's not gold records and Grammys.
24
Do you have like a tiny ego room somewhere?
25
I don't.
26
I used to send them all to my parents and I don't know where they are now.
27
It's a distraction.
28
If you start thinking about doing something to achieve that, then you're not focused on making this beautiful thing.
29
It undermines the purity of the project.
30
I like the idea of getting the point across with the least amount of information possible.
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And that's what you're doing in a recording studio.
32
You're listening to music, to sound, and trying to strip it.
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Just to see what is actually necessary.
34
Getting it down to that essence to start with is really helpful in understanding what it is.
35
On our first day, he brought us in on a jam session with saxophone great Kamasi Washington.
36
What are you listening for?
37
Like right now, there's chimes, piano.
38
Yeah, I'm not listening to any of those things.
39
What are you listening to?
40
I'm listening to the feeling.
41
How do you listen to a feeling?
42
Well, my body's moving.
43
I feel that melody awaken something in me.
44
There's something familiar about it, but I don't think I've heard it before.
45
The feeling of familiarity is a good feeling.
46
If you haven't noticed by now, Rick Rubin talks a lot about feelings.
47
My aim is not to have my presence felt.
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Unless it's necessary, unless it's helpful.
49
His presence is laid back, literally.
50
He usually listens lying down.
51
And barefoot, with his eyes shut.
52
You might think he was napping.
53
I try to listen as closely as I possibly can.
54
And when my eyes are closed, I feel like I'm there with the music.
55
It may not seem like work, but Ruben hears things and senses things other producers don't.
56
Back in 1993, a few stray guitar chords on a Tom Petty demo tape caught his attention.
57
Tom sent me demos of about five new songs, and none of them really struck me, honestly.
58
None of them spoke to me, but that guitar riff that opens a song was something that was played between two of the songs, just like a warmup.
59
I drove to Tom's house and I played it for him.
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I said, listen to this piece.
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I feel like this is the best thing on the tape.
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Write this one.
63
And that turned into Last Dance with Mary Jane.
64
Last Dance with Mary Jane, one more time to kill the fame.
65
That's going to be hard, though, when you come back saying, I like the thing that happened accidentally in between two of these songs.
66
That's a tough sell sometimes, isn't it?
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I'm not trying to sell it.
68
I'm just sharing what I'm feeling.
69
You know, like if they don't want to do it, it's fine.
70
Rubin has shared what he's learned in a book, The Creative Act, A Way of Being.
71
It was published in January and is his guide to harnessing creativity, something he figured out how to do his sophomore year at New York University in 1982.
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Akıcı konuşmak için ihtiyacınız olan her şey
AI TelaffuzHer cümleyi puanla
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Kelime OyunuOynarken öğrenin
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Bu dersin kelimeleri ve konuşma notları
Bu B2 seviyesindeki konuşma dersi “Rick Rubin on the Creative Act — 60 Minutes” videosuna dayanıyor. En çok tekrarlanan kelimeler: feeling, listening, studio, listen, song. Bu videoda gölgeleme çalışması için 71 cümle ve 705 kelime var. Konuşma bölümü 4:38 sürüyor. Konuşmacı dakikada yaklaşık 152 kelimeyle, günlük konuşmaya yakın doğal bir hızda konuşuyor. Kelimelerin %82’i İngilizcede en sık kullanılan 3.000 kelime arasında; geri kalanına başlamadan önce bakmakta fayda var. 71 cümlenin 11 tanesi soru; soru tonlaması ve kısa cevaplar için iyi bir alıştırma.
Bu videodaki önemli kelimeler
Videodaki en ileri düzey 15 kelime, telaffuzu ve anlamıyla:
| Kelime | Telaffuz | Anlam |
|---|---|---|
| awaken fiil | /əˈweɪkən/ | uyandırmak |
| barefoot sıfat | /ˈbɛɹfʊt/ | yalın ayak |
| meditate fiil | /ˈmɛ.dɪˌteɪt/ | meditasyon yapmak |
| minimalist sıfat | /ˈmɪn.ə.məl.ɪst/ | minimalistik |
| pilgrimage isim | /ˈpɪlɡɹɪmɪd͡ʒ/ | hac, ziyaret |
| saxophone isim | /ˈsæksəˌfoʊ̯n/ | saksafon |
| undermine fiil | /ˌʌn.dɚˈmaɪn/ | baltalamak |
| chord isim | /kɔɹd/ | akor |
| harness fiil | /ˈhɑɹ.nəs/ | koşmak, koşum takmak |
| purity isim | /ˈpjʊɹɪti/ | arılık |
| stray fiil | /stɹeɪ/ | başıboş dolaşmak, yoldan sapmak |
| melody isim | /ˈmɛl.ə.di/ | melodi, ezgi |
| creativity isim | /kri.eɪˈtɪv.ᵻ.ti/ | yaratıcılık |
| essence isim | /ˈɛsəns/ | cevher, mahiyet |
| eager sıfat | /ˈiɡɚ/ | arzulu |
Duyacağınız deyimsel fiiller
| Kelime | Anlam |
|---|---|
| figure out fiil | açığa çıkarmak |
Tekrar etmeye değer cümleler
Videodan, günlük konuşmada yeniden kullanabileceğiniz kısa ve tam cümleler:
- Does meditation help you creatively?
- Do you know how to work a soundboard?
- How many studios do you have here?
- Do you have like a tiny ego room somewhere?
- What are you listening for?
Bu videodaki dil bilgisi
Konuşmacının en çok kullandığı yapılar, videodaki sözcüklerin aynısıyla:
| Yapı | Videoda |
|---|---|
| Present perfect have/has + fiilin üçüncü hâli — geçmişte olan ama şimdi de önemli olan bir eylem | has proven · I've never been · I've heard |
| Edilgen yapı be + fiilin üçüncü hâli — kimin yaptığı değil, ne olduğu önemli | being paid · is laid · are closed |
Dikkat edilecek telaffuzlar
Konuşmacı don't, I'm, you're gibi kısaltılmış biçimleri 21 kez kullanıyor. Bunları duyduğunuz gibi kısa söyleyin.
- “sh” ve “zh” sesleri: distraction /dɪsˈtɹæk.ʃən/, meditation /mɛdɪˈteɪʃn̩/
- Uzun kelimeler — vurguyu doğru yere koyun: creatively /kɹiˈeɪtɪvli/, familiarity /fəmɪliˈæɹɪti/, minimalist /ˈmɪn.ə.məl.ɪst/, creativity /kri.eɪˈtɪv.ᵻ.ti/
Türkçe konuşanların zorlandığı sesler:
- Kelime başındaki ünsüz kümesi — araya ünlü eklemeyin: creatively /kɹiˈeɪtɪvli/, purity /ˈpjʊɹɪti/, stray /stɹeɪ/, creativity /kri.eɪˈtɪv.ᵻ.ti/
- /æ/ — “e”den daha açık: distraction /dɪsˈtɹæk.ʃən/, familiarity /fəmɪliˈæɹɪti/, saxophone /ˈsæksəˌfoʊ̯n/, nap /næp/
Bu videoyla nasıl çalışılır
- Videonun tamamını konuşmadan bir kez dinleyin ve bilmediğiniz kelimeleri not edin.
- 0,75× hızla başlayın, cümle cümle tekrar edin ve kolaylaşınca normal hıza dönün.
- Kendinizi kaydedin ve orijinaliyle karşılaştırın; awaken, barefoot, meditate gibi kelimelere özellikle dikkat edin.
Gölgeleme Tekniği Nedir?
Gölgeleme, başlangıçta profesyonel tercüman eğitimi için geliştirilen ve çok dilli Dr. Alexander Arguelles tarafından popüler hale getirilen, bilim destekli bir dil öğrenme tekniğidir. Yöntem basit ama güçlüdür: ana dili İngilizce olan bir sesi dinler ve hemen yüksek sesle tekrar edersiniz — konuşmacıyı 1-2 saniye gecikmeyle takip eden bir gölge gibi. Pasif dinleme veya dilbilgisi alıştırmalarının aksine, gölgeleme beyninizi ve ağız kaslarınızı gerçek konuşma kalıplarını eşzamanlı olarak işlemeye ve yeniden üretmeye zorlar. Araştırmalar, telaffuz doğruluğu, tonlama, ritim, bağlı konuşma, dinleme anlama ve konuşma akıcılığını önemli ölçüde geliştirdiğini göstermektedir — bu da onu IELTS Konuşma hazırlığı ve gerçek dünya İngilizce iletişimi için en etkili yöntemlerden biri yapar.