Shadowing-Übung: Lecter Taunts Will Graham (Full Scene) (Anthony Hopkins) | Red Dragon - Englisch Sprechen Lernen mit Video

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1
Tell me.
2
When you saw Lecter's murders, Eric Stile, so to speak, were you able perhaps to reconstruct his fantasies?
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And it soaps.
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Did you jot down any impressions?
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No. Thank you.
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Let me be frank, Mr. Graham.
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The first definitive analysis of Lecter will be the publisher's wet dream.
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I'd give you full credit, of course.
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Damn it, man.
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You must have some advice.
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You caught him.
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What was your trick?
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I let him kill me.
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Thank you.
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Thank you.
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Thank you.
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- - Thank you.
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you Amen.
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That's the same atrocious aftershave you wore in court.
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I keep getting it for Christmas.
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Christmas.
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Yeah.
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Did you get my card?
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I got it, thank you.
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So nice of the Bureau's crime lab to forward there.
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They wouldn't give me a home address.
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Dr. Bloom sent me your article on surgical addiction in the Journal of Forensic Psychiatry. And Very interesting.
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Even to a layman.
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Okay.
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You say you're a layman.
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But it was you who caught me.
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Wasn't it well?
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Do you know how you did it?
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I got lucky.
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I don't think you believe that.
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If it's in the transcript, what does it matter now?
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Doesn't matter to me, well...
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I need your advice, Dr. Lecter.
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Thank you.
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Denningham. And Atlanta.
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You want to know how he's choosing them, don't you?
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I thought you'd have some ideas I'm asking you to tell me what they are.
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Why should I?
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There are things you don't have.
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research materials, maybe even computer access.
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I'd speak to the chief of staff.
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Ah, yes, Dr. Chilton.
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-Groosome, isn't they?
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He fumbles at your head like a freshman pulling at a panty girdle.
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If you recall well, our last collaboration ended rather messily.
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You get to see the file on this case. And there's another reason.
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I'm all he is.
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I thought you might enjoy the challenge.
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Find out if you're smarter than the person I'm looking for.
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- Then by implication you think you're smarter than I am.
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since it was you who caught me.
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No, I know I'm not smarter than you.
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Then how did you catch me?
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You had...
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Disadvantages.
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What disadvantages?
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You're insane.
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You're very tanned, Will.
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Your hands are so rough, not like a cop's hands anymore.
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And that shaving lotion is something a child would select.
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has a little ship on the bottle, does it not?
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And how is young Josh and the lovely Molly?
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They're always in my thoughts, you know.
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You will not persuade me with appeals to my intellectual vanity.
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I don't think I'll persuade you at all.
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You'll either do it or you won't.
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Is that the case, Fahm?
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- Yes.
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With photos, let me keep them and I might consider it.
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No. Do you dream much, Will?
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Goodbye, Dr. Lecter.
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Thank you.
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You haven't threatened to take away my books yet.
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Give me the file then.
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And I'll tell you what I think.
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you I need one hour and privacy.
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Just like old times, eh?
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- - Okay.
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Thank you.
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- Thank you.
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Amen.
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Thank you.
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This is a very shy boy, Will.
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I'd love to meet him.
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Have you considered the possibility that he is disfigured, or that he may believe he is disfigured?
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And the mirrors.
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Yes.
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You notice he smashes all the mirrors in the houses, not just enough to get the pieces he wants.
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Of course, those shards in their eyes, so he can see himself there.
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That's interesting.
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That's not interesting.
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You thought of that before.
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I had considered it.
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What about the women?
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Dead?
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More puppets.
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You need to see them living the way they caught his eye.
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That's impossible.
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Almost not quite.
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What were the yards like?
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Big backyards.
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fenced Some hedges.
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Why?
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Because if this pilgrim feels a special relationship with the moon, he might like to go outside and look at it.
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You ever seen blood in the moonlight well?
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It appears quite black.
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If one were nude, say, it would be better to have outdoor privacy for that sort of thing.
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You think the yards might be a factor when he selects victims?
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Oh, yes.
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And there will be more of them, of course.
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Victims.
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So you'll be wanting lots of these little chinwags, I take it?
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I might not have time.
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I do.
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I have oodles.
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I need your opinion now.
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Then here's one.
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You stink of fear under that cheap lotion.
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You stink of fear, well, but you're not a coward.
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You fear me, but still you came here.
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You fear this shy boy.
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Yet still you seek him out.
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Don't you understand, Will?
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You caught me because we are very much alike.
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Without our imaginations, we'd be like all those other poor.
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Dullins.
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Fear.
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is the price of our instrument.
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But I can help you bear it.
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Okay.
136
you - You get in his face?
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- Yeah.
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- Okay, you got it?
139
All right, let's get the fuck out of here.
140
You sure you're OK?
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Yeah, yeah, I'm okay.
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What do you think he meant by see them living?
143
I don't know.
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I don't know, maybe nothing.
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It's hard to separate his bullshit.
146
But I'm gonna make another pass at the Leeds house.
147
Thank you.

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Was du lernst

Dieser Clip hilft dir, Englisch sprechen üben und zwei zentrale Fähigkeiten zu trainieren: Zum einen die Fähigkeit, komplexe Sätze mit emotionaler Ladung klar auszusprechen, wie in Lecters spöttischen Remarques. Zum anderen lernst du, nonverbale Signale wie Pausen und Tonfall zu interpretieren, um die Intention hinter den Worten zu verstehen. Beides ist essenziell für natürliche Kommunikation.

Höre auf diese Klänge

Aufmerksame Hörer werden in der Konversation verbundene Sprache und Reduktionen erkennen. Zum Beispiel: "I'd give you" wird zu "I'd give ya" (Linking von "you" zu "ya"), und "don't think you believe that" klingt oft wie "don't think ya believe that". Solche Reduktionen machen die Sprache flüssiger – und sind ein Schlüssel, um Englische Aussprache verbessern. Achte auch auf die Pausen nach "I let him kill me" – sie verstärken die Wirkung des Satzes.

Sprich wie ein Native

Um den Rhythmus und die Betonung der Sprecher zu kopieren, nutze die Technik des Englisch Shadowing: Höre einen Satz kurz an, dann wiederhole ihn sofort, so nah wie möglich an Tonfall und Tempo. Achte auf Lecters langsame, betonte Sätze ("Thank you. Thank you. Thank you.") – jede Wiederholung erhält eine leichte Betonung, um Druck aufzubauen. Für Will Grahams schnellere, nervöse Antworten ("I got lucky") konzentriere dich auf kurze, scharfe Silben. Ein shadowing site kann dir hierbei helfen, die Übung strukturiert zu gestalten. Übe regelmäßig, und du wirst merken, wie deine Sprache natürlicher und überzeugender klingt.

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →