Shadowing Practice: Jimbros FOREVER! ๐ŸŒฏ | Classic Regular Show - Learn English Speaking with Video

ื‘ื—ืจ ืžืฆื‘ ืชืจื’ื•ืœ

ื›ืœ ืžืฆื‘ ืคื•ืชื— ื—ื“ืจ ืชืจื’ื•ืœ ื‘ืžืกืš ืžืœื.

107 ืžืฉืคื˜ื™ื
ืื ื”ืžืฉืคื˜ื™ื ืงืฆืจื™ื ืื• ืืจื•ื›ื™ื ืžื“ื™, ืœื—ืฅ ืขืœ ืขืจื•ืš ื›ื“ื™ ืœื”ืชืื™ื ืื•ืชื.
1
Jim Bros Burritos Jim Bros Burritos
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Jim Bros Burritos Jim Bros Burritos Jim Bros Burritos Jim Bros Burrito We'd like four every meat burritos, por favor.
3
Whoa, bro, can't you see the sign?
4
We're in a car.
5
A car, huh?
6
Then where are the doors?
7
But that car doesn't have any doors.
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That's a jungle car.
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Yours is meant for a golf course.
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Or a park.
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Don't come back here without a real car. For every meat burrito...
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Guess we'll have to take the muscle machine.
13
Wait a minute, I thought your car was busted.
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I just said that so you freeloaders would stop borrowing it all the time.
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There's nothing wrong with my sweet ride.
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She'll purr like a kitten when I start her up.
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Just get in the car!
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Try pumping the gas pedal.
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Pop the clutch!
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There is no clutch!
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It's automatic!
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Ugh, I just gotta finesse it! Is the tank empty?
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Maybe you need a jump.
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I said I gotta finesse it!
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And I can't do that with all this negative energy!
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Come on, baby.
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Come to papa.
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Come on.
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Come on.
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Wow, sweet.
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I told you, she runs like a dream.
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Now, let's go get some burritos.
33
Jim Bruce burritos.
34
Jim Bruce burritos.
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Know anyone else with a car?
36
No way.
37
The last time I let you borrow my car, you totaled it.
38
Do you think I'm crazy?
39
You just had to take Margaret to the airport, didn't you?
40
Ohhhh...
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Somebody's gotta have a car.
42
Wait, the impound lot!
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Fives, doesn't your brother still work there as a cop?
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Yeah, I think so.
45
Do you think he could get us in?
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I don't know.
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We haven't talked since he brought his girlfriend to Aunt Air 5's wedding.
48
Come on, bro.
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Settle up and call him.
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We need this car.
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This is every meat burritos we're talking about.
52
Okay, but those inbound cars have some bad history.
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Sure, I can help you out.
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It's the perfect car.
55
Lots of character.
56
Cool.
57
Which one is it?
58
Oh.
59
Whoa.
60
Here she is.
61
Oh.
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This car isn't gonna run.
63
It looks like an old dirty brick.
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Oh, it'll run.
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Back in the 70s, it was used as a getaway car.
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There was a crazy bank robbery.
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The police began hot pursuit.
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Two and a half hours later, they blocked him in an alley.
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With nowhere to run, they lawfully approached the vehicle.
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Only to find he had vanished.
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We lost him.
72
What?
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I hate it when people get away from us!
74
Whoa!
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Robber car!
76
This is gonna be awesome!
77
What's this stuff on the seat?
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It's from the 70s.
79
Everything's made of shag carpeting.
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You sure we can borrow it?
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Totally.
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We mostly use it for target practice and garbage.
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As long as you bring it back, no one's gonna notice.
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We'll take it!
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Best part about 70s cars?
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We all get to ride shotka.
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So you finally got a car.
88
Or at least what's left of one.
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Come on, Jimbo.
90
Less toot more food.
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Four Every Meat Burritos.
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Extra every.
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Are they really Every Meat?
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We're out of llama, but we substituted smoked alpaca.
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You won't know the difference.
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Gentlemen, I present the Every Meat Burritos.
97
You can really smell the giraffe.
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Let's do this!
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Hey!
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What's going on?
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There's a guy back there!
102
After him!
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Aw man, it keeps going!
104
Aw, sick!
105
Which way did he go? That way!
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We're coming for you, you burrito -stealing loser!
107
Muscle Man, five!

ื”ื•ืจื“ ืืคืœื™ืงืฆื™ื”

ื›ืœ ืžื” ืฉืืชื” ืฆืจื™ืš ื›ื“ื™ ืœื“ื‘ืจ ื‘ืฉื˜ืฃ

ื”ื’ื™ื™ืช AIืฆื™ื•ืŸ ืœื›ืœ ืžืฉืคื˜
ืชืจื’ื•ืœ IPAืฉืœื•ื˜ ื‘ื›ืœ ืฆืœื™ืœ
ืื•ืฆืจ ืžื™ืœื™ืื‘ื ื” ืืช ืžืื’ืจ ื”ืžื™ืœื™ื ืฉืœืš
ืžืฉื—ืง ืื•ืฆืจ ืžื™ืœื™ืืœืžื“ ืชื•ืš ื›ื“ื™ ืžืฉื—ืง
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ืื•ืฆืจ ืžื™ืœื™ื ื•ื”ืขืจื•ืช ื”ื’ื™ื™ื” ืœืฉื™ืขื•ืจ ื”ื–ื”

ืฉื™ืขื•ืจ ื”ื“ื™ื‘ื•ืจ ื”ื–ื” ื‘ืจืžื” A2 ืžื‘ื•ืกืก ืขืœ ื”ืกืจื˜ื•ืŸ โ€œJimbros FOREVER! ๐ŸŒฏโ€. ื”ืžื™ืœื™ื ืฉื—ื•ื–ืจื•ืช ื”ื›ื™ ื”ืจื‘ื”: burrito, bro, Jim, meat. ื‘ืกืจื˜ื•ืŸ ื”ื–ื” ื™ืฉ 107 ืžืฉืคื˜ื™ื ื•-583 ืžื™ืœื™ื ืœืชืจื’ื•ืœ Shadowing. ื”ื“ื™ื‘ื•ืจ ื ืžืฉืš 4:53. ื”ื“ื•ื‘ืจ ืฉื•ืžืจ ืขืœ ืงืฆื‘ ื™ืฆื™ื‘ ืฉืœ ื›-120 ืžื™ืœื™ื ื‘ื“ืงื”, ืงืฆื‘ ื ื•ื— ืœืชืจื’ื•ืœ Shadowing. 78% ืžื”ืžื™ืœื™ื ื ืžืฆืื•ืช ื‘ื™ืŸ 3,000 ื”ืžื™ืœื™ื ื”ื ืคื•ืฆื•ืช ื‘ื™ื•ืชืจ ื‘ืื ื’ืœื™ืช; ื›ื“ืื™ ืœืœืžื•ื“ ืืช ื”ืฉืืจ ืœืคื ื™ ืฉืžืชื—ื™ืœื™ื. 17 ืžืชื•ืš 107 ื”ืžืฉืคื˜ื™ื ืฉืœื• ื”ื ืฉืืœื•ืช, ื›ืš ืฉื–ื” ืชืจื’ื•ืœ ื˜ื•ื‘ ืœืื™ื ื˜ื•ื ืฆื™ื” ืฉืœ ืฉืืœื•ืช ื•ืœืชืฉื•ื‘ื•ืช ืงืฆืจื•ืช.

ืื•ืฆืจ ืžื™ืœื™ื ืžืจื›ื–ื™ ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

15 ืžื™ืœื™ื ืžื”ืกืจื˜ื•ืŸ ืฉื›ื“ืื™ ืœืœืžื•ื“, ืขื ื”ื”ื’ื™ื™ื” ื•ื”ืžืฉืžืขื•ืช ืฉืœื”ืŸ:

ืžื™ืœื”ื”ื’ื™ื™ื”ืžืฉืžืขื•ืช
muscle ืฉื ืขืฆื/หˆmสŒs.ษ™l/ืฉึฐืืจึดื™ืจ
borrow ืคื•ืขืœ/หˆbษ‘ษน.oสŠ/ืฉึธืืึทืœ
clutch ืฉื ืขืฆื/หˆklสŒtอกสƒ/ืžึทืฆึฐืžึตื“, ืงึฐืœึธืืฅืณ
steal ืคื•ืขืœ/stiหl/ื’ึธึผื ึทื‘, ื’ึธึผื–ึทืœ
automatic ืฉื ืชื•ืืจ/หŒษ”ห.tษ™หˆmรฆt.ษชk/ืื•ึนื˜ื•ึนืžึธื˜ึดื™
pump ืฉื ืขืฆื/pสŒmp/ืžึทืฉึฐืืึตื‘ึธื”
brick ืฉื ืขืฆื/หˆbษนษชk/ืœึฐื‘ึตื ึธื”
carpet ืฉื ืขืฆื/หˆkษ‘ษน.pษ™t/ืฉึธืื˜ึดื™ื—ึท, ืžึทืจึฐื‘ึธื“
garbage ืฉื ืขืฆื/หˆษกษ‘ษน.bษชdอกส’/ื–ึถื‘ึถืœ, ืึทืฉึฐืืคึธึผื”
gentleman ืฉื ืขืฆื/หˆdอกส’ษ›n.tษ™l.mษ™n/ื’ึฐึผื‘ึดื™ืจ
jungle ืฉื ืขืฆื/หˆdอกส’สŒล‹.ษก(ษ™)l/ื’ืณื•ึผื ื’ึถืœ
pursuit ืฉื ืขืฆื/pษหˆsut/ืžึดืจึฐื“ึธึผืฃ, ืจึฐื“ึดื™ืคึธื”
loser ืฉื ืขืฆื/luzษš/ืžึทืคึฐืกึดื™ื“ึธืŸ, ืœื•ื•ึผื–ึถืจ
alley ืฉื ืขืฆื/หˆรฆl.i/ืกึดืžึฐื˜ึธื”
kitten ืฉื ืขืฆื/หˆkษชtษ™nฬฉ/ื—ึฒืชึทืœึฐืชึผื•ึผืœ

Phrasal verbs ืฉืชืฉืžืขื•

ืžื™ืœื”ืžืฉืžืขื•ืช
come back ืคื•ืขืœืฉึธืื‘

ืžืฉืคื˜ื™ื ืฉื›ื“ืื™ ืœื—ื–ื•ืจ ืขืœื™ื”ื

ืžืฉืคื˜ื™ื ืงืฆืจื™ื ื•ืฉืœืžื™ื ืžื”ืกืจื˜ื•ืŸ ืฉืืคืฉืจ ืœื”ืฉืชืžืฉ ื‘ื”ื ื‘ืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช:

  • Whoa, bro, can't you see the sign?
  • Do you think I'm crazy?
  • Fives, doesn't your brother still work there as a cop?
  • Do you think he could get us in?
  • You sure we can borrow it?

ื“ืงื“ื•ืง ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

ื”ืžื‘ื ื™ื ืฉื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘ื”ื ื”ื›ื™ ื”ืจื‘ื”, ืขื ื”ืžื™ืœื™ื ื”ืžื“ื•ื™ืงื•ืช ืžื”ืกืจื˜ื•ืŸ:

ืžื‘ื ื”ื‘ืกืจื˜ื•ืŸ
ืกื‘ื™ืœ (Passive voice) be + past participle โ€” ื”ื“ื’ืฉ ื”ื•ื ืขืœ ืžื” ืฉืงื•ืจื”, ืœื ืขืœ ืžื™ ืฉืขื•ืฉื” ืืช ื”ืคืขื•ืœื”is meant ยท was busted
ืขืชื™ื“ ืขื โ€œwillโ€ will + verb โ€” ื”ื—ืœื˜ื”, ื”ื‘ื˜ื—ื” ืื• ื ื™ื‘ื•ื™ ืœื’ื‘ื™ ื”ืขืชื™ื“we'll have ยท She'll purr ยท it'll run
ืขืชื™ื“ ืขื โ€œgoing toโ€ be going to + verb โ€” ืชื›ื ื•ืŸ ืœืขืชื™ื“ ืื• ืžืฉื”ื• ืฉื ืจืื” ืฉืขื•ืžื“ ืœืงืจื•ืชgonna run ยท gonna be ยท gonna notice
ื”ื•ื•ื” ืžืžื•ืฉืš (Present continuous) am/is/are + -ing โ€” ืžืฉื”ื• ืฉืžืชืจื—ืฉ ื›ืจื’ืข ืื• ื‘ืกื‘ื™ื‘ื” ื”ืงืจื•ื‘ื” ืœื–ืžืŸ ื”ื–ื”we're talking ยท We're coming

ื”ื’ื™ื™ื” ืฉืฉื•ื•ื” ืœืฉื™ื ืœื‘ ืืœื™ื”

ื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘-26 ืงื™ืฆื•ืจื™ื ื•ืฆื•ืจื•ืช ืžืงื•ืฆืจื•ืช, ื›ืžื• we're, gonna, gotta. ืืžืจื• ืื•ืชื ื‘ืฆื•ืจื” ื”ืงืฆืจื”, ื›ืคื™ ืฉืืชื ืฉื•ืžืขื™ื ืื•ืชื.

ืฆืœื™ืœื™ื ืฉื“ื•ื‘ืจื™ ืขื‘ืจื™ืช ืžืชืงืฉื™ื ื‘ื”ื:

  • /w/ โ€” ืฉืคืชื™ื™ื ืžืขื•ื’ืœื•ืช, ืœื /v/: whoa /woสŠ/, nowhere /หˆnoสŠ.(h)wษ›ษน/, borrowing /หˆbษ”rษ™wษชล‹/
  • /รฆ/ โ€” ืคืชื•ื— ื™ื•ืชืจ ืžื”-โ€œืึถโ€ ื”ืขื‘ืจื™ืช, ืœื ื›ืžื• โ€œaโ€ ื‘-โ€œcupโ€: automatic /หŒษ”ห.tษ™หˆmรฆt.ษชk/, alley /หˆรฆl.i/, alpaca /รฆlหˆpรฆkษ™/, giraffe /dอกส’ษ™หˆษนรฆf/, vanish /หˆvรฆnษชสƒ/
  • /r/ โ€” ื”ืœืฉื•ืŸ ืœื ื ื•ื’ืขืช ื‘ืฉื•ื ืžืงื•ื, ืœื ื”-โ€œืจโ€ ื”ื’ืจื•ื ื™ืช: borrow /หˆbษ‘ษน.oสŠ/, nowhere /หˆnoสŠ.(h)wษ›ษน/, brick /หˆbษนษชk/, carpet /หˆkษ‘ษน.pษ™t/, garbage /หˆษกษ‘ษน.bษชdอกส’/

ืื™ืš ืœืชืจื’ืœ ืขื ื”ืกืจื˜ื•ืŸ ื”ื–ื”

  1. ื”ืงืฉื™ื‘ื• ืœื›ืœ ื”ืกืจื˜ื•ืŸ ืคืขื ืื—ืช ื‘ืœื™ ืœื“ื‘ืจ, ื•ืจืฉืžื• ืืช ื”ืžื™ืœื™ื ืฉืืชื ืœื ืžื›ื™ืจื™ื.
  2. ืชืจื’ืœื• Shadowing ืžืฉืคื˜ ืื—ืจ ืžืฉืคื˜ ื‘ืžื”ื™ืจื•ืช ืจื’ื™ืœื”, ื•ื—ื–ืจื• ืขืœ ื›ืœ ืžืฉืคื˜ ืขื“ ืฉื”ืงืฆื‘ ืฉืœื›ื ืชื•ืื ืืช ื”ื“ื•ื‘ืจ.
  3. ื”ืงืœื™ื˜ื• ืืช ืขืฆืžื›ื ื•ื”ืฉื•ื• ืœืžืงื•ืจ, ืชื•ืš ืชืฉื•ืžืช ืœื‘ ืœืžื™ืœื™ื ื›ืžื• muscle, borrow, clutch.

ืžื”ื™ ื˜ื›ื ื™ืงืช ื”ืฉืื“ื•ืื™ื ื’?

ืฉืื“ื•ืื™ื ื’ ื”ื™ื ื˜ื›ื ื™ืงืช ืœืžื™ื“ืช ืฉืคื” ืžื‘ื•ืกืกืช ืžื“ืข ืฉืคื•ืชื—ื” ื‘ืžืงื•ืจ ืœื”ื›ืฉืจืช ืžืชื•ืจื’ืžื ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืคื•ืคื•ืœืจื™ืช ืขืœ ื™ื“ื™ ื”ืคื•ืœื™ื’ืœื•ื˜ ื“"ืจ ืืœื›ืกื ื“ืจ ืืจื’ื•ืืœืก. ื”ืฉื™ื˜ื” ืคืฉื•ื˜ื” ืืš ืขื•ืฆืžืชื™ืช: ืืชื” ืžืงืฉื™ื‘ ืœืื•ื“ื™ื• ื‘ืื ื’ืœื™ืช ื™ืœื™ื“ื™ืช ื•ื—ื•ื–ืจ ืขืœื™ื• ื‘ืงื•ืœ ืจื ืžื™ื“ โ€” ื›ืžื• ืฆืœ ื”ืขื•ืงื‘ ืื—ืจื™ ื”ื“ื•ื‘ืจ ืขื ืขื™ื›ื•ื‘ ืฉืœ 1โ€“2 ืฉื ื™ื•ืช ื‘ืœื‘ื“. ื‘ื ื™ื’ื•ื“ ืœื”ืื–ื ื” ืคืกื™ื‘ื™ืช ืื• ืชืจื’ื™ืœื™ ื“ืงื“ื•ืง, ืฉืื“ื•ืื™ื ื’ ืžื›ืจื™ื— ืืช ื”ืžื•ื— ื•ื”ืฉืจื™ืจื™ื ื‘ืคื” ืœืขื‘ื“ ื•ืœืฉื—ื–ืจ ื“ืคื•ืกื™ ื“ื™ื‘ื•ืจ ืืžื™ืชื™ื™ื ื‘ื• ื–ืžื ื™ืช. ืžื—ืงืจื™ื ืžืจืื™ื ืฉื–ื” ืžืฉืคืจ ืžืฉืžืขื•ืชื™ืช ืืช ื“ื™ื•ืง ื”ื”ื’ื™ื™ื”, ื”ืื™ื ื˜ื•ื ืฆื™ื”, ื”ืงืฆื‘, ื”ื“ื™ื‘ื•ืจ ื”ืžื—ื•ื‘ืจ, ื”ื‘ื ืช ื”ืฉืžื™ืขื” ื•ืฉื˜ืฃ ื”ื“ื™ื‘ื•ืจ โ€” ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ืช ื”ืฉื™ื˜ื•ืช ื”ื™ืขื™ืœื•ืช ื‘ื™ื•ืชืจ ืœื”ื›ื ื” ืœIELTS Speaking ื•ืœืชืงืฉื•ืจืช ื‘ืื ื’ืœื™ืช ื‘ืขื•ืœื ื”ืืžื™ืชื™.

ื˜ื›ื ื™ืงืช Shadowing: ืงืจื ืืช ื”ืžื“ืจื™ืš ื”ืžืœื ืฉืœื‘ ืื—ืจ ืฉืœื‘ โ†’