シャドーイング練習: Listening B2, FCE 1 (2015), Test 2, Part 4 - 動画で英語スピーキングを学ぶ

レッスンを作成中...
1
Now turn to part four.
2
You will hear an interview with a musician called Gerald Harding, who's talking about his career.
3
For questions 24 to 30, choose the best answer, A, B or C.
4
You now have one minute to look at part four.
5
Thank you.
6
Thank you.
7
who has come to tell us about how he began his career as a musician.
8
Hello.
9
Well, first of all, Gerald, how did your interest in music begin?
10
My father was a violinist in an orchestra, and from an early age, I would go with him when they were rehearsing for concerts.
11
I would sit with the violinists and listen.
12
I learned a lot, and everyone was very kind to me.
13
I actually composed my first piece of music for the violin when I was six years old.
14
My father treasured it.
15
And when did you start playing in public?
16
When I was around eight years old, my father started playing in a small orchestra at a holiday resort in the summer.
17
All the family went with him.
18
It was on the coast, and that way we had a break we couldn't have afforded otherwise.
19
I sometimes went along to performances, and I played in my first concert there at the age of 11, just for fun.
20
My mother also played the piano in a hotel in the evenings.
21
So your mother was a musician too.
22
Tell us about her.
23
Sure.
24
She was an amazing pianist.
25
She knew all the music she played by heart, everything, and that was after playing it through just a couple of times to get it right.
26
I learned that from her and that's what I do on the violin too.
27
Because I don't have to read the notes, I can concentrate on my playing and avoid errors.
28
And what made you interested in conducting?
29
From the very start, conductors fascinated me a great deal.
30
I dreamt of becoming one from the first time I saw an orchestra.
31
When I listened to recordings at home, I would conduct them, but my father insisted that I become a violinist, and he also taught me.
32
So that's what I did, but I never gave up my old dream.
33
You studied music at one of the best colleges.
34
Did you enjoy it?
35
I could do the violin playing anyway, of course, which my father had taught me, but then so could everyone else.
36
And naturally, I perfected my technique at college and broadened the range of music I played.
37
But some of the others found the discipline and commitment required of us too demanding.
38
But because of my upbringing, I was used to that.
39
So what happened when you left college?
40
Well, just when I was about to start a career as a violinist, I started learning to be a conductor, too.
41
Even after college, I needed to carry on improving, so I was having private lessons with a professional violinist.
42
And his wife, although not a professional musician, taught me conducting technique.
43
She insisted that I took lessons from a teacher she knew who had many well-known conductors as students.
44
He himself wasn't a well-known conductor, but as an instructor, he was the best and very enthusiastic.
45
Since then, you've become well-known as both a violinist and a conductor.
46
Has it been difficult to have both these careers?
47
On the contrary, I've learned so much from the conductors I've played with as a violin soloist.
48
Even when one plays the same violin piece often, it's still always different every time.
49
One can therefore learn a great deal, especially as I have had the good fortune to practically always play under the best conductors in the world.
50
And I haven't only learned from seeing and hearing them, but I've always taken the time to consult them, to discuss the smallest details with them,
51
and to continuously improve myself.
52
Well, unfortunately we've run out of time, but thank you very much.
53
It's been a great pleasure speaking to you, and the very best of luck in the future.
54
Thank you.
55
Now you'll hear part four again.
56
We are very pleased to welcome the violinist and conductor, Gerald Harding, who has come to tell us about how he began his career as a musician.
57
Hello.
58
Well, first of all, Gerald, how did your interest in music begin?
59
My father was a violinist in an orchestra, and from an early age I would go with him when they were rehearsing for concerts.
60
I would sit with the violinists and listen.
61
I learned a lot and everyone was very kind to me.
62
I actually composed my first piece of music for the violin when I was six years old.
63
My father treasured it.
64
And when did you start playing in public?
65
When I was around eight years old, my father started playing in a small orchestra at a holiday resort in the summer.
66
All the family went with him.
67
It was on the coast and that way we had a break we couldn't have afforded otherwise.
68
I sometimes went along to performances, and I played in my first concert there at the age of 11, just for fun.
69
My mother also played the piano in a hotel in the evenings.
70
So your mother was a musician too.
71
Tell us about her.
72
Sure.
73
She was an amazing pianist.
74
She knew all the music she played by heart, everything.
75
And that was after playing it through just a couple of times to get it right.
76
I learned that from her, and that's what I do on the violin, too.
77
Because I don't have to read the notes, I can concentrate on my playing and avoid errors.
78
And what made you interested in conducting?
79
From the very start, conductors fascinated me a great deal.
80
I dreamt of becoming one from the first time I saw an orchestra.
81
When I listened to recordings at home, I would conduct them.
82
But my father insisted that I become a violinist, and he also taught me.
83
so that's what I did, but I never gave up my old dream.
84
You studied music at one of the best colleges.
85
Did you enjoy it?
86
I could do the violin playing anyway, of course, which my father had taught me, but then so could everyone else.
87
And naturally, I perfected my technique at college and broadened the range of music I played.
88
But some of the others found the discipline and commitment required of us too demanding.
89
But because of my upbringing, I was used to that.
90
So, what happened when you left college?
91
Well, just when I was about to start a career as a violinist, I started learning to be a conductor too.
92
Even after college, I needed to carry on improving, so I was having private lessons with a professional violinist.
93
And his wife, although not a professional musician, taught me conducting technique.
94
She insisted that I took lessons from a teacher she knew who had many well-known conductors as students.
95
He himself wasn't a well-known conductor, but as an instructor, he was the best and very enthusiastic.
96
Since then, you've become well-known as both a violinist and a conductor.
97
Has it been difficult to have both these careers?
98
On the contrary, I've learned so much from the conductors I've played with as a violin soloist.
99
Even when one plays the same violin piece often, it's still always different every time.
100
One can therefore learn a great deal, especially as I have had the good fortune to practically always play under the best conductors in the world.
101
And I haven't only learned from seeing and hearing them, but I've always taken the time to consult them, to discuss the smallest details with them,
102
and to continuously improve myself.
103
Well, unfortunately we've run out of time, but thank you very much.
104
It's been a great pleasure speaking to you.
105
And the very best of luck in the future.
106
Thank you.
107
That's the end of part four.
108
There will now be a pause of five minutes for you to copy your answers onto the separate answer sheet.
109
Be sure to follow the numbering of all the questions.
110
I shall remind you when there is one minute left so that you're sure to finish in time.
111
It is the end of the test.
112
Please stop now.
113
Your supervisor will now collect all the question papers and answer sheets.

この動画で鍛えるスピーキングの目標

YouTubeで英語学習をするなら、この動画はB2レベルのリスニングとともに、自然な会話のリズムやイントネーションを身につけるのに最適です。インタビュー形式の対話は、日常的な質問に対する答え方や、キャリアに関する話し方を練習できる機会です。特に、shadowing(シャドーイング)の練習に向いていて、話者の発音やペースを追うことで、流暢性のマイルストーンを達成できます。

フレーズバンク:使い回せる表現

  • from an early age(幼い頃から)- 自分の経験を話す時に便利です。
  • treasured it(大切にした)- 思い出深いものについて話す際に使えます。
  • on the contrary(それどころか)- 相手の予想と反対の意見を述べる時に効果的です。
  • broaden the range of(...の範囲を広げる)- スキルや知識の拡張について話す時に使います。
  • take the time to consult(相談する時間を作る)- 人からアドバイスを得ることを表現します。

弱点を直そう:発音とリズムのポイント

この動画の対話は、特に連結音と弱音の練習に最適です。例えば、"I would go with him"の"would go"は/wʊd ɡəʊ/ではなく/wʊdɡəʊ/と連結され、"a lot of"は/ə lɒt əv/ではなく/ə lɒtəv/となります。shadowing siteを使って何度も繰り返し練習することで、これらのリズムを自然に身につけることができます。また、"fascinated me a great deal"のような強調表現のイントネーションも、shadow speakの練習でマスターできます。少しずつ繰り返すだけで、発音が自然になり、聞き手とのコミュニケーションがスムーズになりますよ!

シャドーイングとは?英語上達に効果的な理由

シャドーイング(Shadowing)は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的:ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影(shadow)」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

シャドーイングのやり方: ステップ別の完全ガイドを読む →