Shadowing Practice: Dead Poets Society - "Rip it out" scene - Learn English Speaking with Video
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Gentlemen, open your text to page 21 of the introduction.
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Mr. Perry, will you read the opening paragraph of the preface entitled Understanding Poetry?
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Understanding Poetry by Dr. J.
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Evans Pritchard, PhD.
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To fully understand poetry, we must first be fluent with its meter, rhyme, and figures of speech.
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Then ask two questions.
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One, how artfully has the objective of the poem been rendered?
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And two, how important is that objective?
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Question one rates the poem's perfection, question two rates its importance.
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And once these questions have been answered, determining the poem's greatness becomes a relatively simple matter.
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If the poem's score for perfection is plotted on the horizontal of a graph, and its importance is plotted on the vertical,
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then calculating the total area of the poem yields the measure of its greatness.
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A sonnet by Byron might score high on the vertical, but only average on the horizontal.
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A Shakespearean sonnet, on the other hand, would score high both horizontally and vertically, yielding a massive total area,
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thereby revealing the poem to be truly great.
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As you proceed through the poetry in this book, practice this rating method.
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As your ability to evaluate poems in this manner grows, so will your enjoyment and understanding of poetry.
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Excrement.
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That's what I think of Mr. J.
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Evans Pritchard.
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We're not laying pipe.
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We're talking about poetry.
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How can you describe poetry like American bandstand?
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I like Byron.
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I give him a 42, but I can't dance to it.
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Now, I want you to rip out that page.
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Go on.
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Rip out the entire page.
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You heard me.
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Rip it out.
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Rip it out!
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Go on.
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Rip it out!
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Thank you, Mr. Dalton.
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Gentlemen, tell you what, don't just tear out that page.
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Tear out the entire introduction.
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I want it gone.
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History.
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Leave nothing of it.
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Rip it out.
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Be gone, J.
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Evans, Pritchard, PhD.
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Rip, shred, tear, rip it out.
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I want to hear nothing but ripping of Mr. Pritchard.
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We'll perforate it.
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Put it on a roll.
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Is that the Bible?
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You're not gonna go to hell for this.
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Make a clean tear.
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I want nothing left of it.
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Rip it out, rip!
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What the hell is going on here?
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I don't hear enough rip!
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Miss Keating.
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Mr. McAllister.
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I'm sorry, I didn't know you were here.
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I am.
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Ah.
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So you are.
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Excuse me.
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Keep ripping, gentlemen!
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This is a battle, a war, and the casualties could be your hearts and souls.
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Thank you, Mr. Dalton.
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Armies of academics going forward, measuring poetry.
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No!
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We will not have that here.
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No more of Mr. J.
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Evans Pritchard.
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Now, my class, you will learn to think for yourselves again.
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You will learn to savor words and language.
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No matter what anybody tells you, words and ideas can change the world.
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Now, see that look at Mr. Pitt's eye?
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Like 19th-century literature has nothing to do with going to business school or medical school.
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Right?
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Maybe.
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Mr. Hopkins, you may agree with them thinking, yes, we should simply study our Mr. Pritchard and learn our rhyme
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and meter and go quietly about the business of achieving other ambitions.
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I've got a little secret for you.
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Huddle up.
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Huddle up!
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We don't read and write poetry because it's cute.
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We read and write poetry because we are members of the human race, and the human race is filled with passion.
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Medicine, law, medicine, law, business, engineering, these are noble pursuits and necessary to sustain life.
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But poetry, beauty, romance, love, these are what we stay alive for.
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To quote from Whitman, O me, O life, of the questions of these recurring, of the endless trains of the faithless,
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of cities filled with the foolish, what good amid these, O me, O life?
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Answer, that you are here.
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That life exists and identity.
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That the powerful play goes on and you may contribute a verse.
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That the powerful play goes on and you may contribute a verse.
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What will your verse be?
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Thank you.
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Woordenschat en spreektips bij deze les
Deze spreekles op niveau B2 is gebaseerd op de video “Dead Poets Society - "Rip it out" scene”. Deze woorden komen het vaakst terug: rip, poetry, Pritchard, evans, poem. Deze video bevat 92 zinnen en 672 woorden om na te spreken. Het gesproken deel duurt 5:30. De spreker praat in een gelijkmatig tempo van ongeveer 122 woorden per minuut, prettig om te shadowen. Slechts 75% van de woorden hoort bij de 3.000 meest gebruikte Engelse woorden, dus de woordenschat is pittig.
Belangrijke woorden in deze video
De 15 moeilijkste woorden uit de video, met uitspraak en betekenis:
| Woord | Uitspraak | Betekenis |
|---|---|---|
| gentleman zelfstandig naamwoord | /ˈd͡ʒɛn.təl.mən/ | meneer |
| verse zelfstandig naamwoord | /ˈvɝs/ | vers |
| huddle werkwoord | /ˈhʌdəl/ | samendrommen |
| sonnet zelfstandig naamwoord | /ˈsɒnɪt/ | sonnet, klinkdicht |
| rhyme zelfstandig naamwoord | /ɹaɪm/ | rijmwoord, rijm |
| greatness zelfstandig naamwoord | /ˈɡɹeɪtnəs/ | grootheid, grootte |
| metre zelfstandig naamwoord | /ˈmiːtəɹ/ | meter |
| horizontal bijvoeglijk naamwoord | /ˌhoɹəˈzɑn.təl/ | horizontaal |
| perfection zelfstandig naamwoord | /pɚˈfɛk.ʃən/ | perfectie |
| vertical bijvoeglijk naamwoord | /ˈvɝ.tɪ.kəl/ | verticaal |
| yield werkwoord | /jiːld/ | voortbrengen |
| bandstand zelfstandig naamwoord | /ˈbænd.stænd/ | bandstand, muziekkoepel |
| horizontally bijwoord | horizontaal | |
| preface zelfstandig naamwoord | /ˈpɹɛfəs/ | voorwoord, voorrede |
| savour werkwoord | /ˈseɪvəɹ/ | genieten, smaken |
Zinnen om te herhalen
Korte, volledige zinnen uit de video die je in alledaagse gesprekken kunt gebruiken:
- I don't hear enough rip!
- I'm sorry, I didn't know you were here.
- I've got a little secret for you.
- We don't read and write poetry because it's cute.
- What will your verse be?
Uitspraak om op te letten
De spreker gebruikt 12 samentrekkingen en verkorte vormen, zoals don't, we're, can't. Spreek ze kort uit, zoals je ze hoort.
- De klanken “sh” en “zh”: perfection /pɚˈfɛk.ʃən/, casualty /ˈkæʒu.əlti/, foolish /ˈfuː.lɪʃ/, ambition /æmˈbɪʃ.ən/
- Lange woorden — let op de klemtoon: horizontal /ˌhoɹəˈzɑn.təl/, vertically /ˈvɝ.tɪ.kəli/, casualty /ˈkæʒu.əlti/
Klanken die Nederlandstaligen lastig vinden:
- Stemhebbende eindmedeklinker — /b/, /d/, /g/, /z/, /v/ niet verscherpen: yield /jiːld/, bandstand /ˈbænd.stænd/, yourselves /jəˈsɛlvz/, amid /əˈmɪd/, proceed /pɹəˈsid/
- /æ/ — opener dan de Nederlandse “e”: bandstand /ˈbænd.stænd/, casualty /ˈkæʒu.əlti/, calculate /ˈkælkjʊleɪt/, ambition /æmˈbɪʃ.ən/, paragraph /ˈpæɹəɡɹæf/
- /g/ — een harde plofklank, geen Nederlandse “g”: greatness /ˈɡɹeɪtnəs/, paragraph /ˈpæɹəɡɹæf/, graph /ɡɹæf/
Zo oefen je met deze video
- Luister de hele video één keer zonder te spreken en noteer de woorden die je niet kent.
- Spreek zin voor zin na op normale snelheid en herhaal elke zin tot je ritme gelijk is aan dat van de spreker.
- Neem jezelf op en vergelijk met het origineel; let daarbij op woorden als gentleman, verse, huddle.
Wat is de Shadowing-techniek?
Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.