Pratique du Shadowing: Dead Poets Society - "Rip it out" scene - Apprendre l'anglais à l'oral avec la vidéo
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92 phrases
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1
Gentlemen, open your text to page 21 of the introduction.
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Mr. Perry, will you read the opening paragraph of the preface entitled Understanding Poetry?
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Understanding Poetry by Dr. J.
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Evans Pritchard, PhD.
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To fully understand poetry, we must first be fluent with its meter, rhyme, and figures of speech.
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Then ask two questions.
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One, how artfully has the objective of the poem been rendered?
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And two, how important is that objective?
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Question one rates the poem's perfection, question two rates its importance.
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And once these questions have been answered, determining the poem's greatness becomes a relatively simple matter.
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If the poem's score for perfection is plotted on the horizontal of a graph, and its importance is plotted on the vertical,
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then calculating the total area of the poem yields the measure of its greatness.
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A sonnet by Byron might score high on the vertical, but only average on the horizontal.
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A Shakespearean sonnet, on the other hand, would score high both horizontally and vertically, yielding a massive total area,
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thereby revealing the poem to be truly great.
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As you proceed through the poetry in this book, practice this rating method.
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As your ability to evaluate poems in this manner grows, so will your enjoyment and understanding of poetry.
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Excrement.
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That's what I think of Mr. J.
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Evans Pritchard.
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We're not laying pipe.
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We're talking about poetry.
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How can you describe poetry like American bandstand?
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I like Byron.
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I give him a 42, but I can't dance to it.
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Now, I want you to rip out that page.
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Go on.
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Rip out the entire page.
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You heard me.
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Rip it out.
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Rip it out!
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Go on.
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Rip it out!
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Thank you, Mr. Dalton.
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Gentlemen, tell you what, don't just tear out that page.
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Tear out the entire introduction.
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I want it gone.
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History.
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Leave nothing of it.
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Rip it out.
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Be gone, J.
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Evans, Pritchard, PhD.
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Rip, shred, tear, rip it out.
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I want to hear nothing but ripping of Mr. Pritchard.
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We'll perforate it.
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Put it on a roll.
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Is that the Bible?
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You're not gonna go to hell for this.
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Make a clean tear.
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I want nothing left of it.
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Rip it out, rip!
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What the hell is going on here?
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I don't hear enough rip!
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Miss Keating.
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Mr. McAllister.
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I'm sorry, I didn't know you were here.
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I am.
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Ah.
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So you are.
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Excuse me.
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Keep ripping, gentlemen!
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This is a battle, a war, and the casualties could be your hearts and souls.
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Thank you, Mr. Dalton.
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Armies of academics going forward, measuring poetry.
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No!
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We will not have that here.
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No more of Mr. J.
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Evans Pritchard.
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Now, my class, you will learn to think for yourselves again.
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You will learn to savor words and language.
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No matter what anybody tells you, words and ideas can change the world.
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Now, see that look at Mr. Pitt's eye?
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Like 19th-century literature has nothing to do with going to business school or medical school.
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Right?
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Maybe.
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Mr. Hopkins, you may agree with them thinking, yes, we should simply study our Mr. Pritchard and learn our rhyme
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and meter and go quietly about the business of achieving other ambitions.
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I've got a little secret for you.
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Huddle up.
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Huddle up!
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We don't read and write poetry because it's cute.
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We read and write poetry because we are members of the human race, and the human race is filled with passion.
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Medicine, law, medicine, law, business, engineering, these are noble pursuits and necessary to sustain life.
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But poetry, beauty, romance, love, these are what we stay alive for.
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To quote from Whitman, O me, O life, of the questions of these recurring, of the endless trains of the faithless,
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of cities filled with the foolish, what good amid these, O me, O life?
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Answer, that you are here.
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That life exists and identity.
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That the powerful play goes on and you may contribute a verse.
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That the powerful play goes on and you may contribute a verse.
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What will your verse be?
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Thank you.
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale de niveau B2 s’appuie sur la vidéo « Dead Poets Society - "Rip it out" scene ». Les mots qui reviennent le plus souvent : rip, poetry, Pritchard, evans, poem. Cette vidéo contient 92 phrases et 672 mots à répéter en shadowing. La partie parlée dure 5:30. Le locuteur parle à un rythme régulier d’environ 122 mots par minute, confortable pour le shadowing. Seuls 75 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
Les 15 mots les plus avancés de la vidéo, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| gentleman nom | /ˈd͡ʒɛn.təl.mən/ | monsieur |
| verse nom | /ˈvɝs/ | vers |
| huddle verbe | /ˈhʌdəl/ | se blottir, s'amasser |
| sonnet nom | /ˈsɒnɪt/ | sonnet |
| rhyme nom | /ɹaɪm/ | rime |
| greatness nom | /ˈɡɹeɪtnəs/ | grandeur |
| metre nom | /ˈmiːtəɹ/ | mètre |
| horizontal adjectif | /ˌhoɹəˈzɑn.təl/ | horizontal |
| perfection nom | /pɚˈfɛk.ʃən/ | perfection |
| vertical adjectif | /ˈvɝ.tɪ.kəl/ | vertical |
| yield verbe | /jiːld/ | rapporter, retourner |
| artfully adverbe | habilement | |
| bandstand nom | /ˈbænd.stænd/ | kiosque, kiosque à musique |
| horizontally adverbe | horizontalement | |
| preface nom | /ˈpɹɛfəs/ | préface |
Les verbes à particule que vous entendrez
| Mot | Sens |
|---|---|
| rip out verbe | arracher |
Des phrases à répéter
Des phrases courtes et complètes de la vidéo, à réutiliser dans la conversation de tous les jours :
- I don't hear enough rip!
- I'm sorry, I didn't know you were here.
- I've got a little secret for you.
- We don't read and write poetry because it's cute.
- What will your verse be?
Prononciation à surveiller
Le locuteur utilise 12 contractions et formes réduites, comme don't, we're, can't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « sh » et « zh »: perfection /pɚˈfɛk.ʃən/, casualty /ˈkæʒu.əlti/, foolish /ˈfuː.lɪʃ/, ambition /æmˈbɪʃ.ən/
- Mots longs — placez bien l’accent: horizontal /ˌhoɹəˈzɑn.təl/, vertically /ˈvɝ.tɪ.kəli/, casualty /ˈkæʒu.əlti/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: huddle /ˈhʌdəl/, horizontal /ˌhoɹəˈzɑn.təl/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: gentleman /ˈd͡ʒɛn.təl.mən/, enjoyment /ɪnˈd͡ʒɔɪ.mənt/
- /r/ anglais — langue recourbée, sans frotter la gorge: rhyme /ɹaɪm/, greatness /ˈɡɹeɪtnəs/, metre /ˈmiːtəɹ/, horizontal /ˌhoɹəˈzɑn.təl/, preface /ˈpɹɛfəs/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Répétez phrase par phrase à vitesse normale, en reprenant chacune jusqu’à ce que votre rythme corresponde à celui du locuteur.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme gentleman, verse, huddle.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.