Shadowing Practice: Dead Poets Society - "Rip it out" scene - Learn English Speaking with Video
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Gentlemen, open your text to page 21 of the introduction.
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Mr. Perry, will you read the opening paragraph of the preface entitled Understanding Poetry?
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Understanding Poetry by Dr. J.
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Evans Pritchard, PhD.
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To fully understand poetry, we must first be fluent with its meter, rhyme, and figures of speech.
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Then ask two questions.
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One, how artfully has the objective of the poem been rendered?
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And two, how important is that objective?
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Question one rates the poem's perfection, question two rates its importance.
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And once these questions have been answered, determining the poem's greatness becomes a relatively simple matter.
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If the poem's score for perfection is plotted on the horizontal of a graph, and its importance is plotted on the vertical,
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then calculating the total area of the poem yields the measure of its greatness.
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A sonnet by Byron might score high on the vertical, but only average on the horizontal.
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A Shakespearean sonnet, on the other hand, would score high both horizontally and vertically, yielding a massive total area,
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thereby revealing the poem to be truly great.
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As you proceed through the poetry in this book, practice this rating method.
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As your ability to evaluate poems in this manner grows, so will your enjoyment and understanding of poetry.
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Excrement.
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That's what I think of Mr. J.
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Evans Pritchard.
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We're not laying pipe.
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We're talking about poetry.
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How can you describe poetry like American bandstand?
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I like Byron.
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I give him a 42, but I can't dance to it.
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Now, I want you to rip out that page.
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Go on.
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Rip out the entire page.
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You heard me.
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Rip it out.
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Rip it out!
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Go on.
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Rip it out!
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Thank you, Mr. Dalton.
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Gentlemen, tell you what, don't just tear out that page.
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Tear out the entire introduction.
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I want it gone.
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History.
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Leave nothing of it.
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Rip it out.
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Be gone, J.
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Evans, Pritchard, PhD.
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Rip, shred, tear, rip it out.
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I want to hear nothing but ripping of Mr. Pritchard.
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We'll perforate it.
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Put it on a roll.
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Is that the Bible?
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You're not gonna go to hell for this.
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Make a clean tear.
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I want nothing left of it.
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Rip it out, rip!
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What the hell is going on here?
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I don't hear enough rip!
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Miss Keating.
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Mr. McAllister.
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I'm sorry, I didn't know you were here.
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I am.
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Ah.
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So you are.
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Excuse me.
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Keep ripping, gentlemen!
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This is a battle, a war, and the casualties could be your hearts and souls.
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Thank you, Mr. Dalton.
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Armies of academics going forward, measuring poetry.
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No!
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We will not have that here.
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No more of Mr. J.
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Evans Pritchard.
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Now, my class, you will learn to think for yourselves again.
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You will learn to savor words and language.
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No matter what anybody tells you, words and ideas can change the world.
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Now, see that look at Mr. Pitt's eye?
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Like 19th-century literature has nothing to do with going to business school or medical school.
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Right?
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Maybe.
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Mr. Hopkins, you may agree with them thinking, yes, we should simply study our Mr. Pritchard and learn our rhyme
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and meter and go quietly about the business of achieving other ambitions.
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I've got a little secret for you.
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Huddle up.
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Huddle up!
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We don't read and write poetry because it's cute.
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We read and write poetry because we are members of the human race, and the human race is filled with passion.
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Medicine, law, medicine, law, business, engineering, these are noble pursuits and necessary to sustain life.
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But poetry, beauty, romance, love, these are what we stay alive for.
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To quote from Whitman, O me, O life, of the questions of these recurring, of the endless trains of the faithless,
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of cities filled with the foolish, what good amid these, O me, O life?
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Answer, that you are here.
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That life exists and identity.
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That the powerful play goes on and you may contribute a verse.
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That the powerful play goes on and you may contribute a verse.
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What will your verse be?
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Thank you.
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Vocabulario y notas de pronunciación para esta lección
Esta lección de conversación de nivel B2 se basa en el vídeo “Dead Poets Society - "Rip it out" scene”. Las palabras que más se repiten: rip, poetry, Pritchard, evans, poem. Este vídeo tiene 92 frases y 672 palabras para practicar shadowing. La parte hablada dura 5:30. El hablante mantiene un ritmo constante de unas 122 palabras por minuto, cómodo para el shadowing. Solo el 75 % de las palabras está entre las 3.000 más comunes del inglés, por lo que el vocabulario es exigente.
Vocabulario clave de este vídeo
Las 15 palabras más avanzadas del vídeo, con su pronunciación y significado:
| Palabra | Pronunciación | Significado |
|---|---|---|
| gentleman sustantivo | /ˈd͡ʒɛn.təl.mən/ | caballero, gentilhombre |
| verse sustantivo | /ˈvɝs/ | versículo, verso |
| huddle verbo | /ˈhʌdəl/ | amontonarse, arracimarse |
| sonnet sustantivo | /ˈsɒnɪt/ | soneto |
| rhyme sustantivo | /ɹaɪm/ | rima |
| greatness sustantivo | /ˈɡɹeɪtnəs/ | grandeza |
| metre sustantivo | /ˈmiːtəɹ/ | metro |
| horizontal adjetivo | /ˌhoɹəˈzɑn.təl/ | horizontal |
| perfection sustantivo | /pɚˈfɛk.ʃən/ | perfección |
| vertical adjetivo | /ˈvɝ.tɪ.kəl/ | vertical |
| yield verbo | /jiːld/ | producir, dar |
| artfully adverbio | con arte | |
| bandstand sustantivo | /ˈbænd.stænd/ | templete |
| horizontally adverbio | horizontalmente | |
| perforate verbo | perforar |
Phrasal verbs que vas a escuchar
| Palabra | Significado |
|---|---|
| rip out verbo | arrancar, desgajar |
Frases que vale la pena repetir
Frases cortas y completas del vídeo que puedes reutilizar en la conversación diaria:
- I don't hear enough rip!
- I'm sorry, I didn't know you were here.
- I've got a little secret for you.
- We don't read and write poetry because it's cute.
- What will your verse be?
Pronunciación a tener en cuenta
El hablante usa 12 contracciones y formas reducidas, como don't, we're, can't. Dilas en su forma corta, tal como las oyes.
- Los sonidos de “sh” y “zh”: perfection /pɚˈfɛk.ʃən/, casualty /ˈkæʒu.əlti/, foolish /ˈfuː.lɪʃ/, ambition /æmˈbɪʃ.ən/
- Palabras largas — cuida el acento: horizontal /ˌhoɹəˈzɑn.təl/, vertically /ˈvɝ.tɪ.kəli/, casualty /ˈkæʒu.əlti/
Sonidos difíciles para hispanohablantes:
- /v/ — no es /b/: los dientes tocan el labio inferior: verse /ˈvɝs/, vertical /ˈvɝ.tɪ.kəl/, savour /ˈseɪvəɹ/, vertically /ˈvɝ.tɪ.kəli/, yourselves /jəˈsɛlvz/
- /z/ — sonora, no /s/: horizontal /ˌhoɹəˈzɑn.təl/, yourselves /jəˈsɛlvz/
- /dʒ/ — no es la “y” ni la “ch”: gentleman /ˈd͡ʒɛn.təl.mən/, enjoyment /ɪnˈd͡ʒɔɪ.mənt/
Cómo practicar con este vídeo
- Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
- Haz shadowing frase por frase a velocidad normal, repitiendo cada una hasta que tu ritmo coincida con el del hablante.
- Grábate y compara con el original, prestando atención a palabras como gentleman, verse, huddle.
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.