Практика Shadowing: Does Tate McRae Know Her Lyrics? - Изучайте разговорный английский по видео
Создание урока...
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Oh my god, I'm literally scared of all these.
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I'm hiding behind these cards.
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People are gonna think I'm a freak.
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Hey cute jeans, take mine off me.
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This is the first line in Sports Car.
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This honestly was such a fun song to write.
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We wrote it so quickly it was like i remember writing sports car
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and revolving door in the same day
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and we were just on a roll we were having
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so much fun we were just being stupid musically it was
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taking a lot of risks for me i mean doing a
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whisper chorus as a pop girl in a pop song where i usually love a
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super melodic chorus was a bit of a risk for me
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and i didn't know what people were going to think of
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it there was no ulterior meaning it was just a song
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about exactly what it says i now like love performing it's
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one of my favorites i got to work with bardia who's an unbelievable music video director
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that feels like so long ago now
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that i filmed this i think we had 15 different looks
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which is insane in one music video day to pull off
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that many we wanted to have all these different versions of myself
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and the whole twist of the video was that i was watching it
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and i was taking control of the narrative of my career
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and all these different characters i could put on i I honestly don't know that many sports cars.
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I think like a Ferrari or like a Lamborghini or something.
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I don't know, I don't drive a sports car.
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Oh my God.
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Fix your fucking self, because I'm scared of myself.
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Okay, this was in my song, Tip for Chat.
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I love this song.
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I remember coming out of the studio, we wrote in this little closet in Nashville, like the weirdest little spot.
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I was exhausted.
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I just finished a show and we had like four hours to write a song and this was so euphoric feeling.
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I think when you 100 % get exactly how you're feeling out on paper
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and there's no weird emotions attached to it or it comes across exactly how you want it, it's such a satisfying feeling.
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I remember playing it for my best friend Finley right after being like, I think I like this song, but I can't tell yet.
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I might not release it.
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And it was Finn's favorite song.
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He was obsessed with it.
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And so I dropped it and it was really fun.
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Oh my God.
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All of these are like the most insane lyrics.
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Like, holy shit.
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I'm hiding behind these cards.
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This song is anything but love off my So Close to What Deluxe.
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This was my most unhinged song I've ever written in my life, I think.
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Again, I wrote this with Julia Michaels who I wrote Sports Car with.
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This was one of those songs where I was like, I want a really classical chorus.
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I want trap beats.
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And this again came so fast.
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We wrote this in 20, 30 minutes.
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She's a Sagittarius, so she's very spicy and fiery, and I'm a Cancer, so I'm very reserved and whatever.
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And she always pushes me over the edge when it comes to lyrics.
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Whenever I think of them, I'm like, I can't say that, and she's like, you have to say that.
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So it was really fun.
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It was a cool process.
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The biggest difference between Tatiana and Tate, honestly, I think it's just the persona that I put on when I go on stage.
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Or maybe it's just like a placebo that I've created in my head where
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as soon as I lock into this other person, I could get on any stage and not feel a single nerve.
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It feels like Tatiana is like every single coach I've ever had, my mom, my dancers.
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It feels like I have like a gang up there with me like spiritually and in my like aura.
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I feel so powerful.
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I feel like I could do anything.
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Thank you.
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Okay.
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I see you eyeing me down but you'll never know much past my name.
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This is from Greedy.
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I love the song.
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I remember this time of my life so clearly.
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It was 2023 and I felt like I was just transforming so much and I think I was 19, and I was like, I need to make big shifts in my life.
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Like, I feel like a new grown woman.
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I've been living in LA since I was 17.
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And I just knew that I wanted to make pop music.
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And I knew I had to get in with really great pop songwriters and learn as much as I could about it.
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Gritty was one of our first swings in this album.
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And for the longest time, I hated the song.
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And then Tether convinced me to release it, which thank God.
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I'm a big tweaker so I write the songs and I could go in like 20 times, 60 times and rewrite a million lyrics.
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And for this one it initially started as obvious
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that you want me but I said I keep to myself and I was like this is lame, like why?
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Don't keep to yourself, you're 20, you're like having fun.
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So then when we cracked like obvious that you want me
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but I said I would want myself I think I was like this feels like it's radiating the feeling I wanted.
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I have a very specific memory of me
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and Jason Momoa on SNL doing like a little tick -tock to it
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and I remember the song had just come out
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and just just feel like I had like a viral song
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and Jason Momoa was singing to it I was like this is crazy
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and I was on SNL it was the coolest day of my life okay doesn't mess you up
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that you had it and you lost it this is from nobody's girl this is It's such a fun song to me.
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I wrote this coming off of my European tour.
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I just had been spending so many weeks in the grass, in Munich, and in Vienna,
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and all these places, and I was just very spiritually in tune.
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And I felt like writing this song described exactly how I felt at the time, when I was just like, I feel like I should be so sad right now, but I feel very free are you still
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nobody's girl I am that's private okay baby
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I ain't saying you don't know me well it's just not the shit I need baby baby I just not the
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This song was just kind of talking about how relationships feel the most impactful through actions
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and I think really vulnerable moments and sometimes all the extra shit is like so
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unnecessary and that's what was the premise of the song.
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All right, this is, I can't tell if you want to kill me or if you want to kiss me.
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This is for my song, Like I Do.
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This was one of the last additions to my album.
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My whole album had gotten leaked at this point, and I was like, let's just go make music by myself.
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I don't want to meet anyone in here, and we started writing this song.
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This was like a freestyled chorus on the mic, and then this little bit was so fun to write.
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Just talking about that obsession feeling when you feel like someone's staring at you and you're like,
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I literally can't tell if you want to murder me right now or if you want to be in my skin.
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And so I think that was the idea of it.
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about things I never met.
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X's, this is X's.
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All of these songs are such Hail Mary songs that happened in moments of lightning strikes of inspiration.
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We had to finish up the album so fast after Greedy came out.
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And I went to the studio with Tedder and I was like, I wanna write the most pop song we've ever written.
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and we just started writing this and again it happened in like an hour
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and a half two hours then we filmed the music video like three weeks later
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and I remember the music video is this was
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so fun I just felt like I was fully getting to tap into this like pop character
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that I dreamed of in my head and pictured in my head for so long
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god I'm literally scared of all these okay
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if you say she's nothing to worry about then why'd you close your eyes
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when you said it out loud um this is such a throwback this is she's all i want to be
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i wrote this as a ballad
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when i was 17 with greg kirsten then i remember being
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like hey can you just like try putting electric guitars on this
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and he did and it turned into this like big pop song It's
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so funny to see my perspective on everything when I was 17, 18, because I was just so insecure and in my head all the time.
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And this was a perfect depiction of how I felt at the time living in L .A.
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I just think as you get older, you obviously get a lot more self -assured.
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And at the time, I was just so sad.
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I mean, I still feel like I am sad sometimes, but I was constantly, like, manifesting.
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I felt like really.
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negative things i try to avoid that sometimes in songwriting because i think
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the power of your tongue is so true and what you write is so real it all comes out
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all right now suddenly you're asking for it back could you tell me where'd you get the nerve
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this is from my song you broke me first which i wrote when i was 16.
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This was kind of my first big hit, which was a fever dream because I was still finishing high school.
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I remember doing hundreds of radio interviews, like mid -math class.
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It was just such a grind.
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I remember I was stuck in Calgary, like being like, get me to LA.
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This is insane.
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And I was in my basement the whole time just doing Zoom writing sessions.
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It was brutal.
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I knew I just wanted to pursue this as a career and that I couldn't really do it from my home.
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I wanted to be in with all the songwriters and the producers.
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It wasn't necessarily L .A in particular, it was just like wanting to be in the mix and just like start my career.
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I was so sick of high school at that point.
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This was about, I think it was a mix between a crush I had
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and a friend I had and it was two of them together
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and I remember just feeling so betrayed
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and let down by my probably ex -best friend at age 16
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and my crush being like rejected I wrote one song in
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LA on a writing trip came back got this song back like four months later
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and then just dropped it like it was the simpler times
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and I would just like write and drop just upload on Spotify immediately
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oh see now we're finishing on a wholesome note thank god people are gonna think I'm a freak
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okay I think about a hundred thoughts
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and you are 99 this was the first song I ever wrote not ever like
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but I ever wrote and published on YouTube and I was 13
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and I titled it I wrote a song dot dot dot
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and wrote it in 20 minutes put it online
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and within like a week this thing had like 30 million views
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and my parents were like what the hell is going on and it was what started this all
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now I look back I'm like okay you were a fetus I was like I'm
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so broken and so tortured i think it's so beautiful
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that i literally had no fears at all about putting all
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my feelings online for like two years during high school i think that's pretty ballsy
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and i give props to myself for that at 13 to just be like okay let's do it
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О данном уроке
В этом уроке ты попрактикуешься в разговорном английском, используя диалог из видео с Тейт МакРэй. Ты узнаешь, как артисты говорят о создании песен, их эмоциях и процессах, а также улучшишь навыки shadowing — повторения речи за носителем. Это отличная возможность научиться понимать естественную речь и копировать её интонацию.
Ключевой вокабуляр и фразы
- On a roll — "в тонусе", "на подъёме" (например: "We were on a roll" — "Мы были в отличной форме").
- Take risks — "рисковать" (в контексте: "taking risks musically" — "рисковать в музыке").
- Unhinged — "безумный", "неудержимый" (о песне: "my most unhinged song" — "моя самая безумная песня").
- Euphoric — "евфорический", "восторженный" (ощущение от написания песни: "euphoric feeling" — "евфорическое ощущение").
- Twist — "заворачивание", "неожиданный поворот" (о клипе: "the whole twist of the video" — "всего этого неожиданного поворота в клипе").
Советы для практики
Видео имеет естественный, разговорный темп, поэтому подходит для shadowing английский. Сначала слушай фрагменты по 5-10 секунд, затем повторяй их сразу, копируя интонацию и скорость Тейт. Обратите внимание на её эмоциональную окраску — она часто использует повышенный тон при рассказе о радостных моментах. Для лучшего результата используй shadowing site или запиши себя, чтобы сравнить с оригиналом. Практикуйся ежедневно по 10-15 минут, и ты быстро заметишь прогресс в понимании и произношении. Помни: учить английский по видео — это эффективный способ освоить живую речь!
Что такое техника Shadowing?
Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.