ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Cambridge 11 Listening test 1 Full clear Audio with answers | Full Screen HD | Comment your Score

กำลังสร้างบทเรียน...
1
You will hear a number of different recordings and you will have to answer questions on what you hear.
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There will be time for you to read the instructions and questions and you will have a chance to check your work.
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All the recordings will be played once only.
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The test is in four sections.
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At the end of the test, you will be given ten minutes to transfer your answers to an answer sheet.
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Now turn to section one.
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Section one.
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You will hear a telephone conversation between an official at a village hall
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and a woman who wants to hire a public room.
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First, you have some time to look at questions 1 to 6.
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You will see that there is an example that has been done for you.
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On this occasion only, the conversation relating to this will be played first.
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Hello.
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Oh, hello.
15
I wanted to inquire about hiring a room in the village
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hall for the evening of September the 1st. Let me just see.
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Yes, we have both rooms available that evening.
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There's our main hall that's got seating for 200 people.
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Or there's the Charlton room.
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The main hall seats 200, so 200 has been written in the space.
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Now we shall begin.
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You should answer the questions as you listen because you will not hear the recording a second time.
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Listen carefully and answer questions 1 to 6.
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Hello?
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Oh, hello.
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I wanted to enquire about hiring a room in the village
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hall for the evening of September the 1st. Let me just see...
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Yes, we have both rooms available that evening.
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There's our main hall that's got seating for two hundred people.
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Or there's the Charlton room.
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Sorry?
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The Charlton Room.
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C-H-A-R-L-T-O-N.
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That's got seating for up to one hundred.
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Well, we're organising a dinner to raise money for a charity, and we're hoping for at least a hundred and fifty people.
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So, I think we'll go for the main hall.
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How much would that cost?
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Let's see.. you wanted it for the evening of September the 1st?
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Yes, that's a Saturday.
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So, from 6pm to midnight, that'd be £115.
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That's the weekend price.
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It's £75 on weekdays.
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That's all right.
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And I have to tell you there's also a deposit of £250, which is returnable, of course, as long as there's no damage.
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But we do insist that this is paid in cash.
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We don't take cards for that.
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You can pay the actual rent of the room however you like, though.
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Cash, credit card, cheque.
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Oh, well, I suppose that's OK.
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So, does the charge include use of tables and chairs and so on?
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Oh, yes.
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And what about parking?
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Yeah, that's all included.
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The only thing that isn't included is, er, you said you were organising a dinner?
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Yeah.
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Well, you'll have to pay extra for the kitchen if you want to use that.
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It's £25.
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It's got very good facilities, good quality cookers and fridges and so on.
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OK.
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Well, I suppose that's all right.
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We can cover the cost in our entry charges.
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Right.
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So I'll make a note of that.
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Now, there are just one or two things you need to think about before the event.
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For example, you'll have to see about getting a licence if you're planning to have any music during the meal.
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Oh, really?
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It's quite straightforward.
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I'll give you the details later on.
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And about a week or ten days before your event, you'll need to contact the caretaker,
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that's Mr Evans, to make the arrangements for entry.
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He'll sort that out with you.
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And do I give him the payment as well?
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No, you do that directly with me.
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Before you hear the rest of the conversation, you have some time to look at questions 7 to 10.
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Now listen and answer questions seven to ten.
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Right.
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Now, is there anything I need to know about what happens during the event?
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Well, as you'll be aware, of course, the building is no smoking throughout. Of course.
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Now, are you having a band?
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Yes.
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Well, they'll have a lot of equipment, so rather than using the front door, they should park their van round the back and use the stage door there.
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You can open that from inside, but don't forget to lock it at the end.
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OK.
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And talking of bans, I'm sure I don't need to tell you this,
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but you must make sure that no one fiddles about with the black box by the fire door.
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That's a system that cuts in when the volume reaches a certain level.
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It's a legal requirement.
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Sure.
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Anyway, we want people to be able to talk to one another, so we don't want anything too loud.
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Oh, that reminds me.
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We'll be having speeches.
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Are there any microphones available?
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Yep.
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Just let the caretaker know.
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He'll get those for you.
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Right.
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Now, when the event is over, we do ask that the premises are left in good condition.
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So there's a locked cupboard and you'll be informed of the code you need to open that.
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It's got all the cleaning equipment, brushes and detergent and so on.
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Right.
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So what do we need to do after everyone's gone?
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Sweep the floors, I suppose?
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Well, actually they have to be washed, not just swept.
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Then you'll be provided with black plastic bags, so all the rubbish must be collected up and left outside the door. Of course.
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We'll make sure everything's left tidy.
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Oh, and I forgot to ask, I presume we can have decorations in the room?
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Yes, but you must take them down afterwards.
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Sure.
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And the chairs and tables should be stacked up neatly at the back of the room.
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I'll make sure I've got a few people to help me.
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That is the end of section one.
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You now have half a minute to check your answers.
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Now turn to section 2.
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Section 2.
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You will hear a guide talking to a group of visitors to a farm.
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First, you have some time to look at questions 11 to 14.
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Listen carefully and answer questions 11 to 14.
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Welcome to the Fidi Working Heritage Farm.
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This open-air museum gives you the experience of agriculture
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and rural life in the English countryside at the end of the 19th century.
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So you'll see a typical farm of that period, and like me, all the staff are dressed in clothes of that time.
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I must give you some advice and safety tips before we go any further.
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As it's a working farm, please don't frighten or injure the animals.
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We have a lot here, and many of them are breeds that are now quite rare.
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And do stay at a safe distance from the tools.
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Some of them have sharp points which can be pretty dangerous, so please don't touch them.
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We don't want any accidents, do we?
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The ground is very uneven, and you might slip if you're wearing sandals, so I'm glad to see you're all wearing shoes.
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We always advise people to do that.
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Now children of all ages are very welcome here, and usually even very young children love the ducks and lambs,
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so do bring them along next time you come.
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I don't think any of you have brought dogs with you, but in case you have, I'm afraid they'll have to stay in the car park unless they're guide dogs.
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I'm sure you'll understand that they could cause a lot of problems on a farm.
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Before you hear the rest of the talk, you have some time to look at questions 15 to 20.
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Now listen and answer questions 15 to 20.
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Now let me give you some idea of the layout of the farm.
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The building where you bought your tickets is the new barn immediately to your right, and we're now at the beginning of the main path to the farmland
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and of course the car park is on your left.
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The scarecrow you can see in the car park in the
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corner beside the main path is a traditional figure for keeping the birds away from crops
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but our scarecrow is a permanent sculpture.
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It's taller than a human being so you can see it from quite a distance.
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If you look ahead of you, you'll see a maze.
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It's opposite the new barn, beside the side path that branches off to the right, just over there.
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The maze is made out of hedges which are too tall for young children to see over them, but it's quite small so you can't get lost in it.
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Now, can you see the bridge crossing the fish pool further up the main path?
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If you want to go to the café, go towards the bridge and turn right just before it.
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Walk along the side path and the café's on the first bend you come to.
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The building was originally the schoolhouse and it's well over a hundred years old.
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As you may know, we run skills workshops here, where you can learn traditional crafts like woodwork and basket making.
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You can see examples of the work and talk to someone about the courses in the black barn.
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If you take the side path to the right, here, just by the new barn, you'll come to the black barn, just where the path first bends.
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Now, I mustn't forget to tell you about picnicking, as I can see some of you have brought your lunch with you.
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You can picnic in the field, though do clear up behind you, of course.
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Or if you'd prefer a covered picnic area, there's one near the farmyard, just after you cross the bridge.
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There's a covered picnic spot on the right.
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And the last thing to mention is Fiddy House itself.
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From here you can cross the bridge, then walk along the footpath through the field to the left of the farmyard.
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That goes to the house, and it'll give you a lovely view of it.
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It's certainly worth a few photographs, but as it's a private home, I'm afraid you can't go inside.
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Right, well, if you're all ready, we'll set off on our tour of the farm.
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That is the end of Section 2.
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You now have half a minute to check your answers.
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Thank you.
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Turn to section 3.
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Section 3.
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You will hear two psychology students called Lisa and Greg discussing a project they have to do.
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First, you have some time to look at questions 21 to 27.
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Thank you.
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OK, Greg.
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So, I finally managed to read the article you mentioned, the one about the study on gender in physics.
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Greg, about the study of college students done by Akira Miyake and his team.
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Yeah.
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I was interested that the researchers were actually a mix of psychologists and physicists.
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That's an unusual combination.
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Yeah.
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I got a little confused at first about which students the study was based on.
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They weren't actually majoring in physics.
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They were majoring in what's known as the STEM disciplines.
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That's science, technology, engineering and... And math.
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Yes, but they were all doing physics courses as part of their studies.
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That's correct.
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So, as I understood it, Miyake and co started from the fact that women are underrepresented in introductory physics courses at college,
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and also that, on average, the women who do enrol on these courses perform more poorly than the men.
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No one really knows why this is the case.
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Yeah, but what the researchers wanted to find out was basically what
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they could do about the relatively low level of the women's results, but in order to find a solution, they needed to find out more about the nature of the problem.
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Right.
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Now, let's see if I can remember.
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It was that in the physics class, the female students thought the male students all assumed that women weren't any good at physics.
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Was that it?
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And they thought that the men expected them to get poor results in their tests.
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That's what the women thought, and that made them nervous, so they did get poor results.
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But actually, they were wrong.
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No one was making any assumptions about the female students at all.
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Anyway, what Miyake's team did was quite simple, getting the students to do some writing before they went into the physics class.
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What did they call it?
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Values affirmation.
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They had to write an essay focusing on things that were significant to them, not particularly to do with the subject they were studying,
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but more general things like music or people who mattered to them.
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Right.
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So the idea of doing the writing is that this gets the students thinking in a positive way.
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And putting these thoughts into words can relax them and help them overcome the psychological factors that lead to poor performance.
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Yes, yeah.
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But what the researchers in the study hadn't expected was
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that this one activity raised the women's physics grades from the C to the B range.
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A huge change.
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Pity it wasn't to an A, but still.
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No, but it does suggest that the women were seriously underperforming beforehand in comparison with the men.
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Yes.
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Mind you, Miyake's article left out a lot of details, like did the students do the writing just once or several times,
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and had they been told why they were doing the writing, that might have affected the results.
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You mean, if they know the researchers thought it might help them to improve, then they just try to fulfil that expectation?
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Exactly.
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Before you hear the rest of the discussion, you have some time to look at questions 28 to 30.
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Now listen and answer questions 28 to 30.
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So anyway, I thought for our project we could do a similar study, but investigate whether it really was the writing activity that had that result.
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OK.
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So we could ask them to do a writing task about something completely different,
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something more factual, like a general knowledge topic.
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Maybe.
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Or we could have half the students doing a writing task and half doing something else, like an oral task.
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Or even half do the same writing task as in the original research and half do a factual writing task.
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Then we'd see if it really is the topic that made the difference or something else.
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That's it.
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Good.
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So, at our meeting with the supervisor on Monday, we can tell him we've decided on our project.
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We should have our aims ready by then.
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I suppose we need to read the original study.
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The article's just a summary.
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And there was another article I read by Smolinski.
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It was about her research on how women and men perform in mixed teams in class, compared with single-sex teams and on their own.
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Let me guess, the women were better at teamwork.
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That's what I expected.
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But actually, the men and the women got the same results whether they were working in teams or on their own.
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But I guess it's not that relevant to us.
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What worries me anyway is how we're going to get everything done in the time.
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We'll be OK now we know what we're doing.
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Though I'm not clear how we assess whether the students in our experiment actually make any progress or not.
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No, we may need some advice on that.
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The main thing's to make sure we have the right size sample, not too big or too small.
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That shouldn't be difficult.
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Right, what do we need to do next?
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We could have a look at the timetable for the science classes, or perhaps we should just make an appointment to see one of the science professors.
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That'd be better.
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Great.
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And we could even get to observe one of the classes.
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What for?
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Well, OK, maybe let's just go with your idea.
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Right, well, I think that's everything for now.
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That is the end of Section 3.
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You now have half a minute to check your answers.
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Now turn to section 4.
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Section 4.
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You will hear part of a student presentation about the variety of different species that live in the world's oceans.
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They've been surveying.
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First, you have some time to look at questions 31 to 40.
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Thank you.
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Now listen carefully and answer questions 31 to 40.
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I've been looking at ocean biodiversity, that's the diversity of species that live in the world's oceans.
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About 20 years ago, biologists developed the idea of what they called biodiversity hotspots.
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These are the areas which have the greatest mixture of species, so one example is Madagascar.
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These hotspots are significant because they allow us to locate key areas for focusing efforts at conservation.
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Biologists can identify hotspots on land fairly easily,
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but until recently very little was known about species distribution and diversity in the oceans,
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and no one even knew if hotspots existed there.
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Then a Canadian biologist called Boris Worm did some research in 2005 on data on ocean species
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that he got from the fishing industry.
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Worm located five hotspots for large ocean predators, like sharks, and looked at what they had in common.
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The main thing he'd expected to find was that they had very high concentrations of food,
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but to his surprise that was only true for four of the hotspots.
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The remaining hotspot was quite badly off in that regard,
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but what he did find was that in all cases the water at the surface of the ocean had relatively high temperatures,
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even when it was cool at greater depths.
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So this seemed to be a factor in supporting a diverse range of these large predators.
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However, this wasn't enough on its own, because he also found that the water needed to have enough oxygen in it.
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So these two factors seemed necessary to support the high metabolic rate of these large fish.
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A couple of years later, in 2007, a researcher called Lisa Balance, who was working in California,
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also started looking for ocean hotspots, but not for fish.
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What she was interested in was marine mammals, things like seals.
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And she found three places in the oceans which were hotspots,
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and what these had in common was that these hotspots were all located at boundaries between ocean currents,
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and this seems to be the sort of place that has lots of the plankton that some of these species feed on.
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So now people who want to protect the species that are endangered need to get as much information as possible.
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For example, there's an international project called the Census of Marine Life, oceans all over the world, including the Arctic.
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One thing they found there which stunned other researchers was that there were large numbers of species which live below the ice,
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sometimes under a layer up to 20 metres thick.
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Some of these species had never been seen before.
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They've even found species of octopus living in these conditions.
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And other scientists working on the same project
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but researching very different habitats on the ocean floor have found
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large numbers of species congregating around volcanoes attracted to them by the warmth and nutrients there.
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However, biologists still don't know how serious the threat to their survival is for each individual species.
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So, a body called the Global Marine Species Assessment is now creating a list of endangered species on land,
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so they consider things like the size of the population, how many members of one species there are in a particular place,
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and then they look at their distribution in geographical terms, although this is quite difficult when you're looking at fish because they're so mobile.
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and then thirdly they calculate the rate at which the decline of the species is happening.
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So far only 1,500 species have been assessed, but they want to increase this figure to 20,000.
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For each one they assess, they use the data they collect on that species to produce a map showing its distribution.
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Ultimately, they will be able to use these to figure out not only where most species are located, but also where they are most threatened.
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So finally, what can be done to retain the diversity of species in the world's oceans?
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Firstly, we need to set up more reserves in our oceans, places where marine species are protected.
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We have some, but not enough.
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In addition, to preserve species such as leatherback turtles, which live out in the high seas but have their nesting sites on the American coast,
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we need to create corridors for migration so they can get from one area to another safely.
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As well as this, action needs to be taken to lower the levels of fishing quotas to prevent overfishing of endangered species.
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And finally, there's the problem of bycatch.
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This refers to the catching of unwanted fish by fishing boats.
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They're returned to the sea, but they're often dead or dying.
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If these commercial fishing boats used equipment which was more selective so that only the fish wanted for consumption were caught,
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this problem could be overcome.
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OK, so does anyone have any questions about...
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That is the end of section 4.
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You now have half a minute to check your answers.

คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้

วิดีโอนี้มี 314 ประโยค และ 3522 คำ สำหรับฝึกพูดตาม ช่วงที่มีเสียงพูดยาว 31:42 ผู้พูดพูดด้วยความเร็วสม่ำเสมอ ประมาณ 111 คำต่อนาที เหมาะกับการฝึกพูดตาม 87% ของคำอยู่ใน 3,000 คำที่ใช้บ่อยที่สุดในภาษาอังกฤษ คำศัพท์จึงตามได้ง่าย

คำศัพท์สำคัญในวิดีโอนี้

คำที่ควรเรียนรู้ 15 คำจากวิดีโอ พร้อมคำอ่านและความหมาย:

คำศัพท์คำอ่านความหมาย
physics คำนาม/ˈfɪz.ɪks/ฟิสิกส์
researcher คำนาม/ˈɹiˌsɝ.t͡ʃɚ/นักวิจัย
barn คำนาม[ˈbɑɹn]ยุ้ง, โรงนา
hire คำกริยา/ˈhaɪɹ/จ้าง
diversity คำนาม/daɪˈvɜː(ɹ)sɪti/ความหลากหลาย
picnic คำนาม/ˈpɪknɪk/ปิกนิก
topic คำนาม/ˈtɑpɪk/หัวข้อ, กระทู้
overcome คำกริยา/ˌəʊ.vəˈkʌm/เอาชนะ
bend คำกริยา/bɛnd/งอ
sweep คำกริยา/swiːp/กวาด, ปัดถู
predator คำนาม/ˈpɹɛd.ə.tɚ/นักล่า, ผู้ล่า
maze คำนาม/ˈmeɪz/วงกต
meal คำนาม/ˈmiːl/อาหาร, มื้อ
sharp คำคุณศัพท์/ʃɑɹp/คม, แหลม
confused คำคุณศัพท์/kənˈfjuːzd/สับสน

ไวยากรณ์ในวิดีโอนี้

โครงสร้างที่ผู้พูดใช้บ่อยที่สุด พร้อมคำพูดจริงจากวิดีโอ:

โครงสร้างในวิดีโอ
Present perfect continuous have/has been + -ing — การกระทำที่เริ่มก่อนหน้านี้และยังดำเนินอยู่They've been surveying · I've been looking
ประโยคเงื่อนไข if + อนุประโยค, will/would + กริยา — เงื่อนไขและผลลัพธ์If you look ahead of you, you'll see · if you're all ready, we'll set
Passive voice be + กริยาช่อง 3 — เน้นสิ่งที่เกิดขึ้น ไม่ใช่ผู้กระทำwill be played · will be given · has been done
Relative clauses who / which + อนุประโยค — ข้อมูลเพิ่มเติมเกี่ยวกับคนหรือสิ่งของwoman who wants · points which can · hedges which are

การออกเสียงที่ควรระวัง

ผู้พูดใช้รูปย่อและรูปลดเสียง 72 ครั้ง เช่น you'll, don't, I'm ให้พูดแบบสั้นตามที่ได้ยิน

  • เสียง “th”: thick /θɪk/, mathematics /mæθ(.ə)ˈmæt.ɪks/, threaten /ˈθɹɛt.n̩/, warmth /wɔɹmθ/, footpath /ˈfʊtˌpæθ/
  • เสียง “sh” และ “zh”: sharp /ʃɑɹp/, wash /wɑʃ/, unusual /ʌnˈjuːʒ(u)əl/, sheet /ʃit/, occasion /əˈkeɪ̯ʒən/
  • คำยาว — ลงเสียงหนักให้ถูกพยางค์: diversity /daɪˈvɜː(ɹ)sɪti/, unusual /ʌnˈjuːʒ(u)əl/, experiment /ɪkˈspɛɹ.ə.mənt/, agriculture /ˈæɡ.ɹɪˌkʌl.t͡ʃɚ/, conservation /ˌkɑnsə(ɹ)ˈveɪʃən/

วิธีฝึกกับวิดีโอนี้

  1. ฟังวิดีโอให้จบหนึ่งรอบโดยยังไม่ต้องพูด แล้วจดคำที่ยังไม่รู้จัก
  2. พูดตามทีละประโยคด้วยความเร็วปกติ ทำซ้ำแต่ละประโยคจนจังหวะของคุณตรงกับผู้พูด
  3. อัดเสียงตัวเองแล้วเทียบกับต้นฉบับ โดยสังเกตคำอย่าง physics, researcher, barn เป็นพิเศษ

เทคนิค Shadowing คืออะไร?

Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ

เทคนิค shadowing: อ่านคู่มือฉบับเต็มทีละขั้นตอน →