Shadowing Practice: Shadowing English with Tom Hiddleston | British Accent | Listen And Repeat - Learn English Speaking with Video

Bir pratik modu seçin

Her mod tam ekran bir pratik odası açar.

89 cümleler
Cümleler çok kısa veya çok uzun ise, ayarlamak için Düzenle'ye tıklayın.
1
I think my worst experiences are...
2
I think my worst experiences are...
3
I think my worst experiences are...
4
are usually are usually quite solitary ones
5
are usually are usually quite solitary ones are usually are usually quite solitary ones
6
life of an actor especially at the beginning feels solitary and you're going up for auditions
7
feels solitary and you're going up for auditions
8
feels solitary and you're going up for auditions
9
and going up for different parts and repeatedly are and going up for different parts and repeatedly are
10
and going up for different parts and repeatedly are Politely declined, sometimes impolitely declined.
11
Politely declined, sometimes impolitely declined.
12
Politely declined, sometimes impolitely declined.
13
and the door will be closed in your face and the door will be closed in your face
14
and the door will be closed in your face and you won't know why
15
and you won't know why and you won't know why and that moment is always a puzzling one
16
and that moment is always a puzzling one and that moment is always a puzzling one
17
because the natural instinct is to take it personally
18
Because the natural instinct is to take it personally.
19
Because the natural instinct is to take it personally.
20
And often the decision isn't personal.
21
And often the decision isn't personal.
22
And often the decision isn't personal.
23
But you feel as though I certainly felt as though I had failed.
24
But you feel as though I certainly felt as though I had failed.
25
But you feel as though I certainly felt as though I had failed.
26
and you can get very despondent.
27
And you can get very despondent.
28
And you can get very despondent.
29
The challenge is to find a way of negotiating that.
30
The challenge is to find a way of negotiating that.
31
The challenge is to find a way of negotiating that.
32
That sense of rejection, that sense of failure.
33
that sense of rejection, that sense of failure, that sense of rejection, that sense of failure,
34
without it eroding your sense of self and your
35
without it eroding your sense of self and your
36
without it eroding your sense of self and your
37
Your own specific talent and your own curiosity in the work.
38
your own specific talent and your own curiosity in the work your own specific talent and your own curiosity in the work
39
I think it doesn't matter at what stage you're at I think it doesn't matter at what stage you're at.
40
I think it doesn't matter at what stage you're at.
41
In your creative life or in your career.
42
In your creative life or in your career.
43
in your creative life or in your career.
44
People will always have an idea of who they think you are.
45
People will always have an idea of who they think you are.
46
People will always have an idea of who they think you are.
47
and often it's inaccurate or not wholly accurate and often it's inaccurate or not wholly accurate
48
and often it's inaccurate or not wholly accurate
49
And he mustn't let them change your own sense of who you are.
50
And he mustn't let them change your own sense of who you are.
51
And he mustn't let them change your own sense of who you are.
52
You have to plow your own furrow.
53
You have to plow your own furrow.
54
You have to plow your own furrow. Because only you know. Because only you know. Because only you know.
55
And only you know what you had to go through to deliver that performance in that audition or...
56
And only you know what you had to go through to deliver that performance in that audition.
57
And only you know what you had to go through to deliver that performance in that audition.
58
or on that stage or in that short film or film or television series.
59
On that stage or in that short film or film or television series.
60
on that stage or in that short film or film or television series.
61
And protect that with everything you have because pause and protect that with everything you have because
62
and protect that with everything you have because all those people who think they know who you are
63
All those people who think they know who you are All those people who think they know who you are
64
didn't do the work and they don't know.
65
Didn't do the work and they don't know.
66
so have to have that faith in yourself so have to have that faith in yourself
67
so have to have that faith in yourself
68
What are your worst experiences?
69
I think my worst experiences are usually quite solitary ones.
70
The life of an actor, especially at the beginning, feels solitary.
71
And you're going up for auditions and going up for different parts and repeatedly are politely declined,
72
sometimes impolitely declined, often.
73
And the door will be closed in your face and you won't know why.
74
And that moment is always a puzzling one because the natural instinct is to take it personally.
75
And often the decision isn't personal.
76
But you feel as though, I certainly felt as though I had failed and you can get very despondent.
77
The challenge is to find a way of negotiating that, that sense of rejection, that sense of failure,
78
without it eroding your sense of self and your own specific talent and your own curiosity in the work.
79
I think it doesn't matter what stage you're at in your creative life or in your career.
80
But people will always have an idea of who they think you are.
81
And often it's inaccurate or not wholly accurate.
82
And you mustn't let them change your own sense of who you are.
83
You have to plow your own furrow. Because only you know.
84
And only you know what you had to go through to deliver
85
that performance in that audition or on that stage or in
86
that short film or film or television series and protect
87
that with everything you have
88
because all those people who think they know who you are didn't do the work
89
and they don't know so have to have that faith in yourself

Uygulamayı İndir

Akıcı konuşmak için ihtiyacınız olan her şey

AI TelaffuzHer cümleyi puanla
IPA AlıştırmasıHer sesi ustalaştır
Kelime BilgisiKelime bankanızı oluşturun
Kelime OyunuOynarken öğrenin

Aynı Kanal

FOR YOU

Video Öner

Bu dersin kelimeleri ve konuşma notları

Bu konuşma dersi “Shadowing English with Tom Hiddleston” videosuna dayanıyor. En çok tekrarlanan kelimeler: sense, solitary, audition, declined, stage. Bu videoda gölgeleme çalışması için 89 cümle ve 1035 kelime var. Konuşma bölümü 13:43 sürüyor. Konuşmacı yavaş konuşuyor, dakikada yaklaşık 75 kelime; her sesi taklit etmek için zamanınız var. Kelimelerin %88’i İngilizcede en sık kullanılan 3.000 kelime arasında, bu yüzden kelime dağarcığını takip etmek kolay.

Bu videodaki önemli kelimeler

Videodan öğrenmeye değer 9 kelime, telaffuzu ve anlamıyla:

KelimeTelaffuzAnlam
solitary sıfat/ˈsɑlɪˌtɛɹi/kimsesiz, münzevi
negotiate fiil/nəˈɡəʊ.ʃi.eɪt/müzakere etmek
curiosity isim/ˌkjʊɹ.iˈɑ.sə.ti/merak, meraklılık
puzzle isim/ˈpʌzəl/bulmaca, muamma
instinct isim/ˈɪn.stɪŋkt/içgüdü, insiyak
pause isim/pɔːz/mola, teneffüs
furrow isim/ˈfʌɹoʊ/kırışık, kırışıklık
plough isim/plaʊ/saban
politely zarf/pəˈlaɪtli/kibarca

Bu videodaki dil bilgisi

Konuşmacının en çok kullandığı yapılar, videodaki sözcüklerin aynısıyla:

YapıVideoda
Edilgen yapı be + fiilin üçüncü hâli — kimin yaptığı değil, ne olduğu önemliwill be closed
İlgi cümlecikleri who / which + cümle — bir kişi ya da şey hakkında ek bilgipeople who think

Dikkat edilecek telaffuzlar

Konuşmacı you're, doesn't, isn't gibi kısaltılmış biçimleri 30 kez kullanıyor. Bunları duyduğunuz gibi kısa söyleyin.

  • “sh” ve “zh” sesleri: audition /ɑˈdɪʃən/, negotiate /nəˈɡəʊ.ʃi.eɪt/, rejection /ɹɪˈd͡ʒɛkʃən/
  • Uzun kelimeler — vurguyu doğru yere koyun: solitary /ˈsɑlɪˌtɛɹi/, repeatedly /ɹɪˈpiːtɪdli/, negotiate /nəˈɡəʊ.ʃi.eɪt/, curiosity /ˌkjʊɹ.iˈɑ.sə.ti/, inaccurate /ɪnˈæk.jə.ɹɪt/

Türkçe konuşanların zorlandığı sesler:

  • Kelime başındaki ünsüz kümesi — araya ünlü eklemeyin: curiosity /ˌkjʊɹ.iˈɑ.sə.ti/, plough /plaʊ/

Bu videoyla nasıl çalışılır

  1. Videonun tamamını konuşmadan bir kez dinleyin ve bilmediğiniz kelimeleri not edin.
  2. Normal hızda cümle cümle tekrar edin; ritminiz konuşmacıyla aynı olana kadar her cümleyi yineleyin.
  3. Kendinizi kaydedin ve orijinaliyle karşılaştırın; solitary, negotiate, curiosity gibi kelimelere özellikle dikkat edin.

Gölgeleme Tekniği Nedir?

Gölgeleme, başlangıçta profesyonel tercüman eğitimi için geliştirilen ve çok dilli Dr. Alexander Arguelles tarafından popüler hale getirilen, bilim destekli bir dil öğrenme tekniğidir. Yöntem basit ama güçlüdür: ana dili İngilizce olan bir sesi dinler ve hemen yüksek sesle tekrar edersiniz — konuşmacıyı 1-2 saniye gecikmeyle takip eden bir gölge gibi. Pasif dinleme veya dilbilgisi alıştırmalarının aksine, gölgeleme beyninizi ve ağız kaslarınızı gerçek konuşma kalıplarını eşzamanlı olarak işlemeye ve yeniden üretmeye zorlar. Araştırmalar, telaffuz doğruluğu, tonlama, ritim, bağlı konuşma, dinleme anlama ve konuşma akıcılığını önemli ölçüde geliştirdiğini göstermektedir — bu da onu IELTS Konuşma hazırlığı ve gerçek dünya İngilizce iletişimi için en etkili yöntemlerden biri yapar.

Shadowing tekniği: adım adım eksiksiz rehberi okuyun →