تدريب Shadowing: Shadowing English with Tom Hiddleston | British Accent | Listen And Repeat - تعلم التحدث بالإنجليزية عبر الفيديو
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89 جمل
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I think my worst experiences are...
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I think my worst experiences are...
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I think my worst experiences are...
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are usually are usually quite solitary ones
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are usually are usually quite solitary ones are usually are usually quite solitary ones
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life of an actor especially at the beginning feels solitary and you're going up for auditions
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feels solitary and you're going up for auditions
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feels solitary and you're going up for auditions
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and going up for different parts and repeatedly are and going up for different parts and repeatedly are
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and going up for different parts and repeatedly are Politely declined, sometimes impolitely declined.
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Politely declined, sometimes impolitely declined.
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Politely declined, sometimes impolitely declined.
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and the door will be closed in your face and the door will be closed in your face
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and the door will be closed in your face and you won't know why
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and you won't know why and you won't know why and that moment is always a puzzling one
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and that moment is always a puzzling one and that moment is always a puzzling one
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because the natural instinct is to take it personally
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Because the natural instinct is to take it personally.
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Because the natural instinct is to take it personally.
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And often the decision isn't personal.
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And often the decision isn't personal.
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And often the decision isn't personal.
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But you feel as though I certainly felt as though I had failed.
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But you feel as though I certainly felt as though I had failed.
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But you feel as though I certainly felt as though I had failed.
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and you can get very despondent.
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And you can get very despondent.
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And you can get very despondent.
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The challenge is to find a way of negotiating that.
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The challenge is to find a way of negotiating that.
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The challenge is to find a way of negotiating that.
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That sense of rejection, that sense of failure.
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that sense of rejection, that sense of failure, that sense of rejection, that sense of failure,
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without it eroding your sense of self and your
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without it eroding your sense of self and your
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without it eroding your sense of self and your
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Your own specific talent and your own curiosity in the work.
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your own specific talent and your own curiosity in the work your own specific talent and your own curiosity in the work
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I think it doesn't matter at what stage you're at I think it doesn't matter at what stage you're at.
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I think it doesn't matter at what stage you're at.
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In your creative life or in your career.
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In your creative life or in your career.
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in your creative life or in your career.
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People will always have an idea of who they think you are.
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People will always have an idea of who they think you are.
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People will always have an idea of who they think you are.
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and often it's inaccurate or not wholly accurate and often it's inaccurate or not wholly accurate
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and often it's inaccurate or not wholly accurate
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And he mustn't let them change your own sense of who you are.
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And he mustn't let them change your own sense of who you are.
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And he mustn't let them change your own sense of who you are.
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You have to plow your own furrow.
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You have to plow your own furrow.
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You have to plow your own furrow. Because only you know. Because only you know. Because only you know.
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And only you know what you had to go through to deliver that performance in that audition or...
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And only you know what you had to go through to deliver that performance in that audition.
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And only you know what you had to go through to deliver that performance in that audition.
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or on that stage or in that short film or film or television series.
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On that stage or in that short film or film or television series.
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on that stage or in that short film or film or television series.
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And protect that with everything you have because pause and protect that with everything you have because
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and protect that with everything you have because all those people who think they know who you are
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All those people who think they know who you are All those people who think they know who you are
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didn't do the work and they don't know.
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Didn't do the work and they don't know.
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so have to have that faith in yourself so have to have that faith in yourself
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so have to have that faith in yourself
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What are your worst experiences?
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I think my worst experiences are usually quite solitary ones.
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The life of an actor, especially at the beginning, feels solitary.
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And you're going up for auditions and going up for different parts and repeatedly are politely declined,
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sometimes impolitely declined, often.
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And the door will be closed in your face and you won't know why.
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And that moment is always a puzzling one because the natural instinct is to take it personally.
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And often the decision isn't personal.
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But you feel as though, I certainly felt as though I had failed and you can get very despondent.
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The challenge is to find a way of negotiating that, that sense of rejection, that sense of failure,
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without it eroding your sense of self and your own specific talent and your own curiosity in the work.
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I think it doesn't matter what stage you're at in your creative life or in your career.
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But people will always have an idea of who they think you are.
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And often it's inaccurate or not wholly accurate.
82
And you mustn't let them change your own sense of who you are.
83
You have to plow your own furrow. Because only you know.
84
And only you know what you had to go through to deliver
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that performance in that audition or on that stage or in
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that short film or film or television series and protect
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that with everything you have
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because all those people who think they know who you are didn't do the work
89
and they don't know so have to have that faith in yourself
تنزيل التطبيق
كل ما تحتاجه للتحدث بطلاقة
تقييم النطق بالذكاء الاصطناعيتقييم كل جملة
تدريب IPAأتقن كل صوت
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المفردات وملاحظات التحدث لهذا الدرس
هذا الدرس في المحادثة مبني على الفيديو “Shadowing English with Tom Hiddleston”. أكثر الكلمات تكرارًا في الفيديو: sense, solitary, audition, declined, stage. يحتوي هذا الفيديو على 89 جملة و1035 كلمة للتدرب على الترديد. مدة الكلام 13:43. يتكلم المتحدث ببطء، بمعدل 75 كلمة في الدقيقة تقريبًا، فيكون لديك وقت لتقليد كل صوت. 88% من الكلمات ضمن أكثر 3,000 كلمة شيوعًا في الإنجليزية، فالمفردات سهلة المتابعة.
أهم المفردات في هذا الفيديو
10 كلمة من الفيديو تستحق التعلّم، مع النطق والمعنى:
| الكلمة | النطق | المعنى |
|---|---|---|
| audition اسم | /ɑˈdɪʃən/ | تَجْرِبة أَدَاء |
| negotiate فعل | /nəˈɡəʊ.ʃi.eɪt/ | تَفَاوَضَ |
| curiosity اسم | /ˌkjʊɹ.iˈɑ.sə.ti/ | فُضُول |
| puzzle اسم | /ˈpʌzəl/ | لُغْز, مُعْضِلَة |
| rejection اسم | /ɹɪˈd͡ʒɛkʃən/ | رَفْض, إِبَاء |
| instinct اسم | /ˈɪn.stɪŋkt/ | غَرِيزَة, سَلِيقَة |
| pause اسم | /pɔːz/ | تَوَقُّف, وَقْف |
| despondent صفة | /dɪˈspɒndənt/ | قَانِط, أَسْوَان |
| furrow اسم | /ˈfʌɹoʊ/ | ثَلْم |
| plough اسم | /plaʊ/ | مِحْرَاث |
القواعد في هذا الفيديو
أكثر التراكيب التي يستخدمها المتحدث، مع العبارات نفسها من الفيديو:
| التركيب | في الفيديو |
|---|---|
| المبني للمجهول be + اسم المفعول — التركيز على ما يحدث لا على من يفعله | are Politely declined · will be closed |
| جمل الوصل who / which + جملة — معلومة إضافية عن شخص أو شيء | people who think |
نطق يحتاج إلى انتباه
يستخدم المتحدث 30 من الصيغ المختصرة، مثل you're, doesn't, isn't. انطقها بصيغتها القصيرة كما تسمعها.
- أصوات “sh” و“zh”: audition /ɑˈdɪʃən/, negotiate /nəˈɡəʊ.ʃi.eɪt/, rejection /ɹɪˈd͡ʒɛkʃən/
- الكلمات الطويلة — انتبه لموضع النبر: solitary /ˈsɑlɪˌtɛɹi/, repeatedly /ɹɪˈpiːtɪdli/, negotiate /nəˈɡəʊ.ʃi.eɪt/, curiosity /ˌkjʊɹ.iˈɑ.sə.ti/, inaccurate /ɪnˈæk.jə.ɹɪt/
أصوات يجدها متحدثو العربية صعبة:
- /p/ — ليس /b/: انطقه مع نفخة هواء: repeatedly /ɹɪˈpiːtɪdli/, puzzle /ˈpʌzəl/, pause /pɔːz/, despondent /dɪˈspɒndənt/, impolitely /ˌɪmpəˈlaɪtli/
- تتابع الصوامت — لا تضف حركة بينها: curiosity /ˌkjʊɹ.iˈɑ.sə.ti/, instinct /ˈɪn.stɪŋkt/, despondent /dɪˈspɒndənt/, plough /plaʊ/
كيف تتدرب بهذا الفيديو
- استمع إلى الفيديو كاملًا مرة واحدة دون أن تتكلم، ودوّن الكلمات التي لا تعرفها.
- ردّد جملة جملة بالسرعة العادية، وكرّر كل جملة حتى يتطابق إيقاعك مع المتحدث.
- سجّل صوتك وقارنه بالأصل، مع الانتباه إلى كلمات مثل audition, negotiate, curiosity.
ما هي تقنية التظليل الصوتي؟
التظليل الصوتي (Shadowing) تقنية تعلم لغة مدعومة علمياً، طُورت أصلاً لتدريب المترجمين الفوريين المحترفين. الطريقة بسيطة لكنها قوية: تستمع لصوت إنجليزي أصلي وتكرره فوراً بصوت عالٍ — كظل يتبع المتحدث بتأخير 1-2 ثانية. تُظهر الأبحاث تحسناً كبيراً في دقة النطق والتنغيم والإيقاع وربط الأصوات والاستماع والطلاقة.