Shadowing Practice: "Once again." ๐Ÿ˜ฌ Pep Guardiola's awkward post-match interview following Spurs draw - Learn English Speaking with Video

ื‘ื—ืจ ืžืฆื‘ ืชืจื’ื•ืœ

ื›ืœ ืžืฆื‘ ืคื•ืชื— ื—ื“ืจ ืชืจื’ื•ืœ ื‘ืžืกืš ืžืœื.

74 ืžืฉืคื˜ื™ื
ืื ื”ืžืฉืคื˜ื™ื ืงืฆืจื™ื ืื• ืืจื•ื›ื™ื ืžื“ื™, ืœื—ืฅ ืขืœ ืขืจื•ืš ื›ื“ื™ ืœื”ืชืื™ื ืื•ืชื.
1
a result that was...
2
just impossible to see at half time.
3
Across the 90 minutes, what did you make of it?
4
Yeah, it was a good game after the goal.
5
they concede We have a struggle, 10, 15, 20 minutes, and then we come back again.
6
Yeah, in general it was a really good performance.
7
Unfortunately we're going to win.
8
You obviously, or I guess you'd be particularly satisfied first off.
9
Can you just talk about
10
the game plan maybe
11
that gave you control looked like a big part of it was to get Semenyo
12
and Cherky isolating their wide centre backs and cause them problems?
13
No, the game plan is...
14
Try to play with the ball and try to score goals and concede.
15
That is the game plan and the players make the difference. So OK.
16
What changed, second half?
17
But before in the bye they put more direct balls, they won, they found the goal.
18
Okay.
19
And after that, the momentum that always happened in the Premier League happened.
20
But yeah, some transitions, the control that we didn't have, we didn't have it.
21
It wasn't a...
22
Not a big issue just just the momentum of the score goals.
23
There was a sense a couple weeks ago with a Manchester United game I think you said afterwards.
24
I remember the Bernardo saying afterwards that it became a their type of game, a transition game.
25
Was that the case against second half today?
26
It became their type of game and you weren't able to switch the momentum back?
27
Yeah, more actions than the first half, you're right.
28
They pushed more, but they pushed as always.
29
But Bernardo and Rodri and the other ones, Nico and everyone behind was really good.
30
And the second half was a little bit more, especially after...
31
Is that why you made some of the changes you did?
32
Reinders, one of those that came on, Nico Gonzalez.
33
Is that about trying to kind of stabilise the team?
34
No. To try to get energy, to try to score a goal.
35
That's why we make a substitution.
36
And Rodri, I'm guessing you were worried that he was pretty close to a red card?
37
Oh, yeah.
38
Good.
39
No, no, that was not the reason.
40
OK, what was the reason?
41
It is just to put another player with another energy to
42
fill Foden in the final third to try to hit style and score goals.
43
What did you make of their first goal?
44
We had a look, obviously.
45
I'm one second.
46
Once again, what?
47
Have you seen it?
48
I've seen it.
49
Ben?
50
I mean it doesn't matter what I think does it?
51
No, what do you think?
52
You tell us.
53
Not nothing.
54
Nothing.
55
That's all.
56
You don't want to get drawn into it?
57
Of course not.
58
Come on.
59
It's happened once again.
60
We're going to see.
61
Marc has the ball, he's been kicking from behind and it's a goal.
62
What can I say?
63
Nothing, one more.
64
OK.
65
Just tell us, How big a blow do you think this is?
66
It's one win in five now.
67
The blow is the performance in United, for example, the rest has been good.
68
We are playing at a high level.
69
Of course, we didn't have the...
70
The consistency, the consistency, the...
71
to win the Games when no one was able to do it.
72
14 games, a lot of points, six points.
73
Next one.
74
Thank you.

ื”ื•ืจื“ ืืคืœื™ืงืฆื™ื”

ื›ืœ ืžื” ืฉืืชื” ืฆืจื™ืš ื›ื“ื™ ืœื“ื‘ืจ ื‘ืฉื˜ืฃ

ื”ื’ื™ื™ืช AIืฆื™ื•ืŸ ืœื›ืœ ืžืฉืคื˜
ืชืจื’ื•ืœ IPAืฉืœื•ื˜ ื‘ื›ืœ ืฆืœื™ืœ
ืื•ืฆืจ ืžื™ืœื™ืื‘ื ื” ืืช ืžืื’ืจ ื”ืžื™ืœื™ื ืฉืœืš
ืžืฉื—ืง ืื•ืฆืจ ืžื™ืœื™ืืœืžื“ ืชื•ืš ื›ื“ื™ ืžืฉื—ืง
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ืื•ืฆืจ ืžื™ืœื™ื ื•ื”ืขืจื•ืช ื”ื’ื™ื™ื” ืœืฉื™ืขื•ืจ ื”ื–ื”

ืฉื™ืขื•ืจ ื”ื“ื™ื‘ื•ืจ ื”ื–ื” ื‘ืจืžื” B2 ืžื‘ื•ืกืก ืขืœ ื”ืกืจื˜ื•ืŸ โ€œ"Once again." ๐Ÿ˜ฌ Pep Guardiola's awkward post-match interview following Spurs drawโ€. ื”ืžื™ืœื™ื ืฉื—ื•ื–ืจื•ืช ื”ื›ื™ ื”ืจื‘ื”: goal, score, momentum, ball, happened. ื‘ืกืจื˜ื•ืŸ ื”ื–ื” ื™ืฉ 74 ืžืฉืคื˜ื™ื ื•-566 ืžื™ืœื™ื ืœืชืจื’ื•ืœ Shadowing. ื”ื“ื™ื‘ื•ืจ ื ืžืฉืš 3:17. ื”ื“ื•ื‘ืจ ืžื“ื‘ืจ ื‘ืงืฆื‘ ื˜ื‘ืขื™ ืฉืœ ื›-173 ืžื™ืœื™ื ื‘ื“ืงื”, ืงืจื•ื‘ ืœืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช. 88% ืžื”ืžื™ืœื™ื ื ืžืฆืื•ืช ื‘ื™ืŸ 3,000 ื”ืžื™ืœื™ื ื”ื ืคื•ืฆื•ืช ื‘ื™ื•ืชืจ ื‘ืื ื’ืœื™ืช, ื›ืš ืฉืงืœ ืœืขืงื•ื‘ ืื—ืจื™ ืื•ืฆืจ ื”ืžื™ืœื™ื. 18 ืžืชื•ืš 74 ื”ืžืฉืคื˜ื™ื ืฉืœื• ื”ื ืฉืืœื•ืช, ื›ืš ืฉื–ื” ืชืจื’ื•ืœ ื˜ื•ื‘ ืœืื™ื ื˜ื•ื ืฆื™ื” ืฉืœ ืฉืืœื•ืช ื•ืœืชืฉื•ื‘ื•ืช ืงืฆืจื•ืช.

ืื•ืฆืจ ืžื™ืœื™ื ืžืจื›ื–ื™ ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

8 ื”ืžื™ืœื™ื ื”ืžืชืงื“ืžื•ืช ื‘ื™ื•ืชืจ ื‘ืกืจื˜ื•ืŸ, ืขื ื”ื”ื’ื™ื™ื” ื•ื”ืžืฉืžืขื•ืช ืฉืœื”ืŸ:

ืžื™ืœื”ื”ื’ื™ื™ื”ืžืฉืžืขื•ืช
momentum ืฉื ืขืฆื/หŒmษ™(สŠ)หˆmษ›ntษ™m/ืชึถึผื ึทืข
transition ืฉื ืขืฆื/tษนรฆnหˆzษชสƒ.ษ™n/ืžึทืขึฒื‘ึธืจ, ืชึฐึผืžื•ึผืจึธื”
afterwards ืชื•ืืจ ื”ืคื•ืขืœ/หˆรฆf.tษš.wษšdz/ืื—ืจึพื›ืš
concede ืคื•ืขืœ/kษ™nหˆsid/ืงื™ื‘ืœ \ ืงึดื‘ึตึผืœ, ื•ื™ืชืจ \ ื•ึดืชึตึผืจ
fill ืคื•ืขืœ/fษชl/ืžึดืœึธึผื, ื”ืชืžืœื
struggle ืฉื ืขืฆื/หˆstษนสŒษกษ™l/ืžึทืึฒื‘ึธืง
unfortunately ืชื•ืืจ ื”ืคื•ืขืœ/สŒnหˆfษ”ษน.tอกสƒษ™.nษชt.li/ืœึฐืžึทืจึฐื‘ึตึผื” ื”ึทืฆึทึผืขึทืจ ืœึฐืฆึทืขึฒืจึพ
switch ืฉื ืขืฆื/swษชtอกสƒ/ืžึถืชึถื’

Phrasal verbs ืฉืชืฉืžืขื•

ืžื™ืœื”ืžืฉืžืขื•ืช
come back ืคื•ืขืœืฉึธืื‘

ืžืฉืคื˜ื™ื ืฉื›ื“ืื™ ืœื—ื–ื•ืจ ืขืœื™ื”ื

ืžืฉืคื˜ื™ื ืงืฆืจื™ื ื•ืฉืœืžื™ื ืžื”ืกืจื˜ื•ืŸ ืฉืืคืฉืจ ืœื”ืฉืชืžืฉ ื‘ื”ื ื‘ืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช:

  • Unfortunately we're going to win.
  • What did you make of their first goal?
  • I mean it doesn't matter what I think does it?
  • No, what do you think?
  • You don't want to get drawn into it?

ื”ื’ื™ื™ื” ืฉืฉื•ื•ื” ืœืฉื™ื ืœื‘ ืืœื™ื”

ื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘-14 ืงื™ืฆื•ืจื™ื ื•ืฆื•ืจื•ืช ืžืงื•ืฆืจื•ืช, ื›ืžื• didn't, I'm, we're. ืืžืจื• ืื•ืชื ื‘ืฆื•ืจื” ื”ืงืฆืจื”, ื›ืคื™ ืฉืืชื ืฉื•ืžืขื™ื ืื•ืชื.

  • ื”ืฆืœื™ืœื™ื ืฉืœ โ€œshโ€ ื•-โ€œzhโ€: transition /tษนรฆnหˆzษชสƒ.ษ™n/, substitution /หŒsสŒb.stษชหˆtสƒuห.สƒษ™n/
  • ืžื™ืœื™ื ืืจื•ื›ื•ืช โ€” ืฉื™ืžื• ืœื‘ ืœื”ื˜ืขืžื”: momentum /หŒmษ™(สŠ)หˆmษ›ntษ™m/, consistency /kษ™nหˆsษชs.tษ™n.si/, substitution /หŒsสŒb.stษชหˆtสƒuห.สƒษ™n/, unfortunately /สŒnหˆfษ”ษน.tอกสƒษ™.nษชt.li/

ืฆืœื™ืœื™ื ืฉื“ื•ื‘ืจื™ ืขื‘ืจื™ืช ืžืชืงืฉื™ื ื‘ื”ื:

  • /w/ โ€” ืฉืคืชื™ื™ื ืžืขื•ื’ืœื•ืช, ืœื /v/: afterwards /หˆรฆf.tษš.wษšdz/, switch /swษชtอกสƒ/
  • /รฆ/ โ€” ืคืชื•ื— ื™ื•ืชืจ ืžื”-โ€œืึถโ€ ื”ืขื‘ืจื™ืช, ืœื ื›ืžื• โ€œaโ€ ื‘-โ€œcupโ€: transition /tษนรฆnหˆzษชสƒ.ษ™n/, afterwards /หˆรฆf.tษš.wษšdz/, satisfy /หˆsรฆtษชsfaษช/
  • /r/ โ€” ื”ืœืฉื•ืŸ ืœื ื ื•ื’ืขืช ื‘ืฉื•ื ืžืงื•ื, ืœื ื”-โ€œืจโ€ ื”ื’ืจื•ื ื™ืช: transition /tษนรฆnหˆzษชสƒ.ษ™n/, struggle /หˆstษนสŒษกษ™l/, unfortunately /สŒnหˆfษ”ษน.tอกสƒษ™.nษชt.li/

ืื™ืš ืœืชืจื’ืœ ืขื ื”ืกืจื˜ื•ืŸ ื”ื–ื”

  1. ื”ืงืฉื™ื‘ื• ืœื›ืœ ื”ืกืจื˜ื•ืŸ ืคืขื ืื—ืช ื‘ืœื™ ืœื“ื‘ืจ, ื•ืจืฉืžื• ืืช ื”ืžื™ืœื™ื ืฉืืชื ืœื ืžื›ื™ืจื™ื.
  2. ื”ืชื—ื™ืœื• ื‘ืžื”ื™ืจื•ืช 0.75ร—, ืชืจื’ืœื• Shadowing ืžืฉืคื˜ ืื—ืจ ืžืฉืคื˜, ื•ื—ื–ืจื• ืœืžื”ื™ืจื•ืช ืจื’ื™ืœื” ื›ืฉื–ื” ืžืจื’ื™ืฉ ืงืœ.
  3. ื”ืงืœื™ื˜ื• ืืช ืขืฆืžื›ื ื•ื”ืฉื•ื• ืœืžืงื•ืจ, ืชื•ืš ืชืฉื•ืžืช ืœื‘ ืœืžื™ืœื™ื ื›ืžื• momentum, transition, afterwards.

ืžื”ื™ ื˜ื›ื ื™ืงืช ื”ืฉืื“ื•ืื™ื ื’?

ืฉืื“ื•ืื™ื ื’ ื”ื™ื ื˜ื›ื ื™ืงืช ืœืžื™ื“ืช ืฉืคื” ืžื‘ื•ืกืกืช ืžื“ืข ืฉืคื•ืชื—ื” ื‘ืžืงื•ืจ ืœื”ื›ืฉืจืช ืžืชื•ืจื’ืžื ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืคื•ืคื•ืœืจื™ืช ืขืœ ื™ื“ื™ ื”ืคื•ืœื™ื’ืœื•ื˜ ื“"ืจ ืืœื›ืกื ื“ืจ ืืจื’ื•ืืœืก. ื”ืฉื™ื˜ื” ืคืฉื•ื˜ื” ืืš ืขื•ืฆืžืชื™ืช: ืืชื” ืžืงืฉื™ื‘ ืœืื•ื“ื™ื• ื‘ืื ื’ืœื™ืช ื™ืœื™ื“ื™ืช ื•ื—ื•ื–ืจ ืขืœื™ื• ื‘ืงื•ืœ ืจื ืžื™ื“ โ€” ื›ืžื• ืฆืœ ื”ืขื•ืงื‘ ืื—ืจื™ ื”ื“ื•ื‘ืจ ืขื ืขื™ื›ื•ื‘ ืฉืœ 1โ€“2 ืฉื ื™ื•ืช ื‘ืœื‘ื“. ื‘ื ื™ื’ื•ื“ ืœื”ืื–ื ื” ืคืกื™ื‘ื™ืช ืื• ืชืจื’ื™ืœื™ ื“ืงื“ื•ืง, ืฉืื“ื•ืื™ื ื’ ืžื›ืจื™ื— ืืช ื”ืžื•ื— ื•ื”ืฉืจื™ืจื™ื ื‘ืคื” ืœืขื‘ื“ ื•ืœืฉื—ื–ืจ ื“ืคื•ืกื™ ื“ื™ื‘ื•ืจ ืืžื™ืชื™ื™ื ื‘ื• ื–ืžื ื™ืช. ืžื—ืงืจื™ื ืžืจืื™ื ืฉื–ื” ืžืฉืคืจ ืžืฉืžืขื•ืชื™ืช ืืช ื“ื™ื•ืง ื”ื”ื’ื™ื™ื”, ื”ืื™ื ื˜ื•ื ืฆื™ื”, ื”ืงืฆื‘, ื”ื“ื™ื‘ื•ืจ ื”ืžื—ื•ื‘ืจ, ื”ื‘ื ืช ื”ืฉืžื™ืขื” ื•ืฉื˜ืฃ ื”ื“ื™ื‘ื•ืจ โ€” ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ืช ื”ืฉื™ื˜ื•ืช ื”ื™ืขื™ืœื•ืช ื‘ื™ื•ืชืจ ืœื”ื›ื ื” ืœIELTS Speaking ื•ืœืชืงืฉื•ืจืช ื‘ืื ื’ืœื™ืช ื‘ืขื•ืœื ื”ืืžื™ืชื™.

ื˜ื›ื ื™ืงืช Shadowing: ืงืจื ืืช ื”ืžื“ืจื™ืš ื”ืžืœื ืฉืœื‘ ืื—ืจ ืฉืœื‘ โ†’