Pratica di Shadowing: Chapter 9 - Impara a parlare inglese con i video
Creazione lezione...
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Chapter 9 The house on the lake.
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When the lights came on, Raul ran.
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He ran downstairs and along passages.
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through the opera house to the back of the stage.
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In the passage outside Christine's dressing room, A hand took his arm.
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What's the matter, my young friend?
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Where are you running to so quickly?
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Raoul turned.
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and saw the long face of the Persian.
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under his black hat.
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Christine.
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Raoul said quickly.
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"'Erik's got her.' Where is she?
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Help me.
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How do I get to his house on the lake?
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Come with me.
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said the Persian.
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They went quickly into Christine's dressing room.
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The Persian closed the door.
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and went to the big mirror on one wall.
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There's only one door into this room.
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Raoul began.
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Wait.
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the Persian said.
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he put his hands on the big mirror, First here.
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then there.
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For a minute, nothing happened.
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then, The mirror began to move and turn.
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and a big dark hole opened in it, Raoul stared.
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Quick.
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Come with me.
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But be careful.
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The Persian said.
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I know, Eric.
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I understand his secrets.
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Put your right hand up near your head, like this.
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and keep it there all the time. But why?
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Raul asked.
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Remember Joseph Bouquet?
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and the rope around his neck.
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Eric is a clever man with ropes in the dark.
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They went down.
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down Down under the Opera House.
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"'They went through secret doors in the floors.' Then along passages, and down dark stairs.
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The Persian listened carefully all the time for strange noises.
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When do we get to the lake?
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Raoul whispered.
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We're not going by the lake.
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Eric watches it all the time.
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No. We go round the lake.
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and get into Eric's house from the back.
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I know some secret doors.
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soon.
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They were there. in the dark.
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The Persian felt the wall carefully with his hands.
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Ah.
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Here it is.
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He whispered.
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The wall moved under his hands.
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and a small door opened.
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very quietly.
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They went through.
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And then the door closed behind them.
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they could not get out.
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Inside the room it was very dark.
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They waited and listened.
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The Persian put his hands on the wall.
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Oh no!
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He whispered.
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It was the wrong door.
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This is Eric's torture room.
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"'The room of mirrors.' We are dead men, we come to Shani.
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Dead men!
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At first, Raoul did not understand. But he soon learnt.
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The lights came on.
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And they heard a man's laugh.
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Eric knew they were there.
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The room was all mirrors.
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Walls.
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Floor.
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Ceiling.
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There were pictures in the mirrors of trees and flowers and rivers.
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The pictures moved and danced in front of their eyes.
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and the room was hot.
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It got hotter, and hotter. and hotter.
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Raul was thirsty.
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hot and thirsty.
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and the rivers in the pictures danced and laughed at him.
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He closed his eyes.
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But the rivers still danced.
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"Water." He needed water.
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But the mirrors laughed at him.
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soon.
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He could not move or speak.
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or open his eyes.
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He was not thirsty now.
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Just tired. So tired.
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"Oh, Christine, I'm sorry." He thought.
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I wanted to help you.
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And now I'm dying.
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threw a mirror in the wall.
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"'Christine watched her lover in the torture room.' Behind her Eric stood.
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with his hands on her arms.
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He's dying, Christine.
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dying.
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Watch him carefully.
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No. Don't close your eyes.
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Watch him.
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Christine could not speak.
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She wanted to scream.
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But no words came.
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Then...
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She found her voice again.
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How can you do this, Eric?
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Why don't you kill me?
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Because I love you, Christine.
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"Marry me." Be my wife and love me.
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Then Raoul and the Persian can live.
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Slowly.
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Christine turned.
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She looked into Eric's terrible, ugly face.
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and spoke again.
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very quietly.
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Yes, Eric. From this minute...
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I am your wife.
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She put her arms around Eric's neck.
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and kissed him.
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kissed him slowly and lovingly, on his ugly mouth.
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Then, She took her arms away and said slowly, Poor Unhappy Eric...
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Eric stared at her.
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You kissed me?
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he whispered.
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I didn't ask you, but you kissed me.
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Really?
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Oh, Christine.
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My angel.
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That was my first kiss from a woman.
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Even my mother never kissed me.
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She gave me my first mask when I was two years old.
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She turned her face away from me every time I came near her.
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Eric put his ugly face in his hands. and cried.
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Then he went down on the floor at Christine's feet.
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You are free, Christine.
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Free.
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go away and marry your Raoul and be happy. But remember Eric sometimes.
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Go now.
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Quickly.
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Take Raoul and the Persian and go.
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Vocabolario e note di pronuncia per questa lezione
Questo video contiene 148 frasi e 782 parole da ripetere con lo shadowing. Il parlato dura 7:39. Chi parla lo fa lentamente, circa 102 parole al minuto, quindi c’è tempo per imitare ogni suono. Il 83% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
15 parole meno comuni del video, con pronuncia e significato:
- mirror /ˈmiɹɚ/ (sostantivo) — specchio. A smooth surface, usually made of glass with reflective material painted on the underside, that reflects light so as to give an image of what is in front of it.
- carefully /ˈkɛɹf(ə)li/ (avverbio) — minuziosamente, accuratamente. With care; attentively, circumspectly.
- ugly /ˈʌɡli/ (aggettivo) — brutto, laido. Displeasing to the eye; aesthetically unpleasing.
- passage /ˈpæsɪd͡ʒ/ (sostantivo) — passo. A paragraph or section of text or music with particular meaning.
- thirsty /ˈθɝs.ti/ (aggettivo) — assetato, avere sete. Needing to drink water or any liquid that can supply water.
- marry /ˈmæɹi/ (verbo) — sposare. To enter into the conjugal or connubial state; to take a husband or a wife.
- opera /ˈɒp.ə.ɹə/ (sostantivo) — opera lirica, opera. A theatrical work, combining drama, music, song and sometimes dance.
- rope /ɹoʊp/ (sostantivo) — corda, cavo. Thick strings, yarn, monofilaments, metal wires, or strands of other cordage that are twisted together to form a stronger line.
- stare /stɛɚ/ (verbo) — fissare. To look fixedly (at something).
- angel /ˈeɪ̯n.d͡ʒəl/ (sostantivo) — angelo. An incorporeal and holy or semidivine messenger from a deity or other divine entity, traditionally depicted as a youthful, winged figure in flowing robes.
- flower /ˈfloʊɚ/ (sostantivo) — fiore. A colorful, conspicuous structure associated with angiosperms, frequently scented and attracting various insects, and which may or may not be used for sexual…
- mask /mæsk/ (sostantivo) — maschera, mascherina. A cover, or partial cover, for the face, used for disguise or protection.
- lover /ˈlʌvɚ/ (sostantivo) — amante. One who loves and cares for another person in a romantic way; a sweetheart, love, soulmate, boyfriend, girlfriend, or spouse.
- ceiling /ˈsilɪŋ/ (sostantivo) — soffitto. The overhead closure of a room.
- scream /skɹiːm/ (verbo) — gridare, sbraitare. To cry out with a shrill voice; to utter a sudden, sharp outcry, or shrill, loud cry, as in fright or extreme pain; to screech, to shriek.
I phrasal verb che sentirai
- come on /ˌkʌm ˈɒn/ — dai dai!. Come along with me; join me in going.
- go through (verbo) — attraversare. To travel from one end of something to the other.
- go away (verbo) — partire, andarsene. To depart or leave a place.
- look into (verbo) — analizzare, guardare dentro. To investigate, explore, or consider.
Pronuncia a cui fare attenzione
Chi parla usa 6 contrazioni e forme ridotte, come don't, I'm, didn't. Pronunciale nella forma breve, così come le senti.
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Fai shadowing frase per frase a velocità normale, ripetendo ognuna finché il tuo ritmo coincide con quello di chi parla.
- Registrati e confronta con l’originale, facendo attenzione a parole come mirror, carefully, ugly.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.