跟讀練習: Stromae - L’enfer (Live Performance) - 通過影片學習英語口語
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80 句
如果句子過短或過長,請點選 Edit 進行調整。
1
We are now going to talk about your album called Multitudes and you have put influence on the five continents.
2
You have used instruments, rhythm sud -american, asiatique, africain.
3
Is this a homage to the globe -trotter culture, transmitted by your mom?
4
We know that she has a lot of fun.
5
She has a lot of fun in a sack to do.
6
And of course, yes, we traveled to Mali, we traveled to Mexico, we traveled everywhere.
7
And she has always had this desire to go ailleurs.
8
And in the same way, for this album, I wanted to look for grooves.
9
In fact, something that I really like to do, it's really looking for grooves different.
10
We're going to take a violin chino called Les Rues.
11
A clavecin.
12
A clavecin, mixed with Dubai Les Funk Brazilian.
13
And I love to do that, it's really mixing things.
14
In fact, the idea was really to take inspiration everywhere,
15
but without being able to point out a country's ear because I didn't want to have a morceau bolivian, a morceau congolais, a morceau rwandais,
16
I really wanted to mix everything.
17
D 'où the title multitude, you are multiple.
18
Yes, I think we are all multiple, we are all different characters,
19
we have different personalities and we are not résumé to a carcan, to a case.
20
Justement, if your songs have such a success, it's because they are all about us.
21
You put in music our words, our contradictions, and I want to say that it's always without concessions, but not with you nor with us.
22
No, it's true.
23
It's like I see the music.
24
It's true that I often define my music as...
25
I often have a music rather joyeuse, with a bit more sombre, a bit more triste.
26
And I think that's a bit like I see the life.
27
It's not completely white, it's not completely black.
28
There are difficult moments, more joyous.
29
And it's always alternated.
30
There's no high, no low, no low, and it's life.
31
You have also, during seven years, fought against a certain mal -being.
32
You spoke of, of course, without detour.
33
In your songs, you spoke also a lot of solitude.
34
Is it that music has helped you to liberate?
35
I'm not alone to be alone.
36
It's not that much in my head.
37
And if I count how much on is?
38
Beaucoup, tout ce à quoi j 'ai déjà pensé Dire que plein d 'autres y ont déjà pensé Mais malgré tout, je me sens tout seul
39
Du coup J 'ai parfois eu des pensées suicidaires et j 'en suis peu fier
40
On croit parfois que c 'est la seule manière de les faire taire Ces pensées qui me font vivre un enfer
41
And these thoughts that make me live a hell
42
Is there only me who am the TV and the chain of culpability
43
But we must change the ideas
44
Not too much, otherwise it will be in the head
45
And it's too late for it to stop
46
It's there that I'd like to forget all of it
47
So Yes, sometimes I've had some thoughts
48
And I'm a little proud
49
We sometimes believe that it's the only way
50
To make them feel
51
These thoughts that make me live a hell
52
Yes, these thoughts that make me live a hell
53
Tu sais j 'ai mûrement réfléchi et je sais vraiment pas
54
quoi faire de toi Justement réfléchir c 'est bien le problème avec toi
55
Tu sais j 'ai mûrement réfléchi et je sais vraiment pas quoi faire de toi
56
Just to think about it, it's the problem with you.
57
La La La La La La La La La La
58
La La La La La La La La La La La
59
La La La La La La La La La La La
60
La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
64
La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
69
La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
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La La La La La La La La La La La
74
La La La La La La La La La La La
75
La La La La La La La La La La La
76
La La La La La La La La La La La La La La La Thank you, Stromae, for this such a beautiful gift.
77
This is called L 'Enfer, he is on your album.
78
You never have ever sung it in public.
79
Thank you for your sincerity.
80
Thank you for your support.
FOR YOU
推薦影片
本課的詞彙與口語要點
這節口語課以影片“Stromae - L’enfer”為素材。 影片中反覆出現的詞有:putting, considered, hell, issue, song。 這段影片共有 46 個句子、619 個單詞可供跟讀。 講話部分時長為 4:50。 說話人語速平穩,每分鐘約 128 個詞,很適合跟讀。 82% 的單詞屬於英語最常用的 3,000 詞,其餘的詞建議在練習前先學一下。
影片中的重點詞彙
影片中 15 個值得學習的單詞,附發音和釋義:
| 單詞 | 發音 | 釋義 |
|---|---|---|
| silence 名詞 | /ˈsaɪ̯ləns/ | 沉默 |
| hence 副詞 | /ˈhɛns/ | 從這裡 /從這裡, 從這兒 /從這兒 |
| spin 動詞 | /spɪn/ | 轉動 /轉動, 自轉 /自轉 |
| define 動詞 | /dɪˈfaɪn/ | 界定 |
| explore 動詞 | /ɪkˈsploɹ/ | 探索, 探險 /探險 |
| instrument 名詞 | /ˈɪnstɹəmənt/ | 儀器, 儀表 |
| tribute 名詞 | /ˈtɹɪbjuːt/ | 貢品 /貢品, 朝貢 /朝貢 |
| disappear 動詞 | /dɪsəˈpɪɹ/ | 消失 |
| continent 名詞 | /ˈkɑntɪnənt/ | 大陸 /大陸 |
| rhythm 名詞 | /ˈɹɪð.əm/ | 節奏 /節奏 |
| bail 名詞 | /beɪl/ | 保釋金 /保釋金 |
| undoubtedly 副詞 | /ʌnˈdaʊtɪdli/ | 毫無疑問 /毫無疑問 |
| backpack 名詞 | /ˈbæk.pæk/ | 背包, 背囊 |
| restriction 名詞 | /ɹɪˈstɹɪkʃən/ | 限制 |
| violin 名詞 | /ˌvaɪ.əˈlɪn/ | 小提琴, 梵啞鈴 /梵啞鈴 |
值得反覆跟讀的句子
影片中簡短而完整的句子,可以直接用在日常對話裡:
- Is it a tribute to the globetrotting culture, transmitted by your mother?
- That's what I love to do, mixing things.
- It's true, that's how I see my music.
- Did music help you to free yourself from it?
需要注意的發音
說話人用了 21 次縮略和弱讀形式,例如 I've, I'm, don't。請按聽到的簡短形式來說。
- “sh” 和 “zh” 音: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, restriction /ɹɪˈstɹɪkʃən/, concession /kənˈsɛʃən/, contradiction /ˌkɑːntɹəˈdɪkʃən/, shortcoming /ˈʃɔːtˌkʌmɪŋ/
- 長單詞——注意重音位置: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, undoubtedly /ʌnˈdaʊtɪdli/, contradiction /ˌkɑːntɹəˈdɪkʃən/, sincerity /sɪnˈsɛɹəti/
中文母語者容易讀錯的音:
- /v/ — 不要讀成 /w/,上齒輕觸下唇: groove /ɡɹuv/, violin /ˌvaɪ.əˈlɪn/
- 詞尾子音 — 要讀清楚,後面不要加母音: silence /ˈsaɪ̯ləns/, groove /ɡɹuv/, hence /ˈhɛns/, instrument /ˈɪnstɹəmənt/, tribute /ˈtɹɪbjuːt/
- /r/ 和 /l/ 的區別: elsewhere /ˈɛlsˌʍɛɹ/, explore /ɪkˈsploɹ/, precisely /pɹɪˈsaɪs.li/
如何用這段影片練習
- 先完整聽一遍影片,不要開口,記下不認識的單詞。
- 用正常速度逐句跟讀,每句重複到你的節奏與說話人一致為止。
- 錄下自己的聲音並與原聲對比,特別注意 silence, hence, spin 這類單詞。
什麼是跟讀法?
跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧,最初開發用於專業口譯員的培訓,並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大:您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同,跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性,語調,節奏,連讀,聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。







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