Shadowing-Übung: CAE TEST6 PART1 - Englisch Sprechen Lernen mit Video

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Now open your question paper and look at Part 1.
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You'll hear three different extracts.
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For questions 1 to 6, choose the answer, A, B or C, which fits best according to what you hear.
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There are two questions for each extract.
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Extract 1.
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You overhear part of a conversation between the secretary of a golf club and a visitor to the club.
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Now look at questions one and two.
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Sorry to be late.
9
This club's a bit off the beaten track, isn't it?
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Thought I'd never find it.
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You don't have an in -car satellite navigation system, then?
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A sat -nav?
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No, I don't though I suppose I should invest in one.
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I often have this sort of trouble.
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Getting to a town's a piece of cake, but after that, well, it's not so much the cost.
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My friends all have them and tell me the price is going down all the time.
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But electronic gadgets aren't my favourite things.
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Fine when they work, nightmare when they don't.
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A little black box could hardly have been less useful than my map today, though.
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I wouldn't be without mine now.
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I won't try and blind you with science, but I do know quite a bit about satellites.
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The technology is amazing.
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Position can be pinpointed to within a metre.
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Of course, accuracy is down to the mapping companies who do the updating work, but new models come out all the time.
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It's entirely up to you, of course, but imagine never having to ask for directions again.
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That'll be good.
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I'll certainly give it some thought.
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Now you'll hear the recording again.
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Sorry to be late.
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This club's a bit off the beaten track, isn't it?
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Thought I'd never find it.
32
You don't have an in -car satellite navigation system, then?
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A sat -nav?
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No, I don't.
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Though I suppose I should invest in one.
36
I often have this sort of trouble.
37
Getting to a town's a piece of cake, but after that...
38
Well, it's not so much the cost.
39
My friends all have them and tell me the price is going down all the time.
40
But electronic gadgets aren't my favourite things.
41
Fine when they work.
42
Nightmare when they don't.
43
A little black box could hardly have been less useful than my map today, though.
44
I wouldn't be without mine now.
45
I won't try and blind you with science, but I do know quite a bit about satellites.
46
The technology's amazing.
47
Position can be pinpointed to within a metre.
48
Of course, accuracy's down to the mapping companies who do the updating work, but new models come out all the time.
49
It's entirely up to you, of course, but imagine never having to ask for directions again.
50
That'll be good.
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I'll certainly give it some thought.
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Extract 2 You hear part of a discussion in
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which the anthropologist Paula Drew and the comedian Mike Morton are talking about their lives.
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Now look at questions 3 and 4.
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We both grew up in a fairly rough part of the city, Mike, so I'm assuming you used comedy to keep yourself safe and popular in the long run.
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Well, in school, as you know, if you could run fast or make people laugh, you had a very good chance of surviving and emerging unscathed.
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I wasn't a fast runner, so I exploited comedy to avoid unwelcome attention.
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It seemed to come easy and it worked.
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Your type of comedy is less spontaneous than reflective.
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You see things from your own point of view, don't you, and create a world for other people to see, whereas I explore the world that's already there, which most people don't see.
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Don't you think that the key to achieving what you want in life is the realisation
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that it's going to be tough and the sheer persistence that gets you there in the end?
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What you have to have is massive self -confidence.
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With that, you can do anything.
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And being specific about what it is you want to do.
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Oh well, that goes without saying.
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Now you'll hear the recording again.
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We both grew up in a fairly rough part of the city, Mike, so I'm assuming you use comedy to keep yourself safe and popular in the long run.
69
Well, in school, as you know, if you could run fast or make people laugh, you had a very good chance of surviving and emerging unscathed.
70
I wasn't a fast runner, so I exploited comedy to avoid unwelcome attention.
71
It seemed to come easy and it worked.
72
Your type of comedy is less spontaneous than reflective.
73
You see things from your own point of view, don't you, and create a world for other people to see, whereas I explore the world that's already there, which most people don't see.
74
Don't you think that the key to achieving what you want in life is the realisation
75
that it's going to be tough and the sheer persistence that gets you there in the end?
76
What you have to have is massive self -confidence.
77
With that, you can do anything.
78
And being specific about what it is you want to do.
79
Oh, well, that goes without saying.
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Extract 3 You hear part of a radio discussion about holiday reading.
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Now look at questions 5 and 6.
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If you're English, a nice, sad 19th century romance is very useful if you're on holiday and you get attacked by homesickness,
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because it conjures up dripping English autumn days perfectly.
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I always take something by this chap who's written a number of books about the criminal underworld of Boston,
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Massachusetts, which is hardly culturally or geographically a place that I know, but I find it fascinating.
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There's no doubt about it.
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If you compile, as I do, dictionaries of slang for a living, one is drawn inevitably not, alas, to the great classics,
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who are on the whole rather light on slang, but to someone like this fellow, who has this amazing ability,
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far beyond quoting, of writing 20 or 40 pages of dialogue in almost incomprehensible slang,
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which I have the most wonderful time going through.
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I find it very alluring.
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Now you'll hear the recording again.
93
If you're English, a nice, sad 19th century romance is very useful if you're on holiday and you get attacked by homesickness,
94
because it conjures up dripping English autumn days perfectly.
95
I always take something by this chap who's written a number of books about the criminal underworld of Boston,
96
Massachusetts which is hardly culturally or geographically a place that I know
97
but I find it fascinating There's no doubt about it If you compile,
98
as I do, dictionaries of slang for a living one is drawn inevitably,
99
not alas, to the great classics who are on the whole rather light on slang But to someone like this fellow, who has this amazing ability,
100
far beyond quoting, of writing 20 or 40 pages of dialogue in almost incomprehensible slang,
101
which I have the most wonderful time going through, I find it very alluring.

Wortschatz und Sprechhinweise zu dieser Lektion

Diese Sprechübung basiert auf dem Video „CAE TEST6 PART1“. Diese Wörter kommen am häufigsten vor: hear, slang, comedy, extract. Dieses Video enthält 101 Sätze und 1166 Wörter zum Nachsprechen. Der gesprochene Teil dauert 8:18. Der Sprecher spricht gleichmäßig mit etwa 140 Wörtern pro Minute – ein angenehmes Tempo fürs Shadowing. 83 % der Wörter gehören zu den 3.000 häufigsten im Englischen; den Rest solltest du dir vor dem Üben ansehen.

Wichtiger Wortschatz in diesem Video

15 lernenswerte Wörter aus dem Video, mit Aussprache und Bedeutung:

WortAusspracheBedeutung
extract Substantiv/ˈɛkstɹækt/Auszug
satellite Substantiv/ˈsætəlaɪ̯t/Trabant, Begleiter
whereas/(h)wɛɹˈæz/wohingegen, wogegen
invest Verb/ɪnˈvɛst/investieren
romance Substantiv/roʊˈmæn(t)s/Liebesgeschichte, Romanze
explore Verb/ɪkˈsploɹ/erforschen
dialogue Substantiv/ˈdaɪəˌlɑɡ/Dialog, Gespräch
autumn Substantiv/ˈɔtəm/Herbst, Herbstzeit
nightmare Substantiv/ˈnaɪt.mɛɚ/Albtraum, Alptraum
runner Substantiv/ˈɹʌnɚ/Läufer, Läuferin
navigation Substantiv/nævɪˈɡeɪʃən/Navigation
dictionary Substantiv/ˈdɪk.ʃəˌnɛ.ɹi/Wörterbuch, Wärterbüach
sheer Adjektiv/ʃɪɚ/hauchdünn, transparent
inevitably Adverb/ɪˈnɛvɪtəbli/zwangsläufig
emerge Verb/ɪˈmɝd͡ʒ/erscheinen, auftauchen

Phrasal Verbs, die du hören wirst

WortAusspracheBedeutung
come out Verb/ˌkʌm ˈaʊt/herauskommen
go down Verbabsteigen, hinabsteigen

Sätze zum Wiederholen

Kurze, vollständige Sätze aus dem Video, die du im Alltag wiederverwenden kannst:

  • You'll hear three different extracts.
  • Thought I'd never find it.
  • You don't have an in -car satellite navigation system, then?
  • I wouldn't be without mine now.
  • I'll certainly give it some thought.

Grammatik in diesem Video

Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:

StrukturIm Video
Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tutcan be pinpointed · is drawn
Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig isthave been
Relativsätze who / which + Satz – eine Zusatzinformation über eine Person oder SacheMassachusetts, which is · Massachusetts which is

Aussprache, auf die du achten solltest

Der Sprecher verwendet 38 Kurzformen und abgeschwächte Formen, zum Beispiel don't, you'll, you're. Sprich sie in der kurzen Form, so wie du sie hörst.

  • Die „th“-Laute: unscathed /ʌnˈskeɪðd/, anthropologist /ˌæn.θɹoʊˈpɑl.ə.d͡ʒɪst/
  • Die Laute „sh“ und „zh“: navigation /nævɪˈɡeɪʃən/, dictionary /ˈdɪk.ʃəˌnɛ.ɹi/, sheer /ʃɪɚ/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/
  • Lange Wörter – auf die Betonung achten: navigation /nævɪˈɡeɪʃən/, dictionary /ˈdɪk.ʃəˌnɛ.ɹi/, inevitably /ɪˈnɛvɪtəbli/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/, spontaneous /spɑnˈteɪ.ni.əs/

Laute, die Deutschsprachigen schwerfallen:

  • /w/ — mit runden Lippen, nicht wie das deutsche „w“ (/v/): whereas /(h)wɛɹˈæz/, underworld /ˈʌndɚˌwɚld/
  • Stimmhafter Auslaut — /b/, /d/, /g/, /z/, /v/ am Wortende nicht verhärten: whereas /(h)wɛɹˈæz/, dialogue /ˈdaɪəˌlɑɡ/, emerge /ɪˈmɝd͡ʒ/, reflective /ɹɪˈflɛktɪv/, underworld /ˈʌndɚˌwɚld/
  • /æ/ — offener als „ä“: extract /ˈɛkstɹækt/, satellite /ˈsætəlaɪ̯t/, whereas /(h)wɛɹˈæz/, romance /roʊˈmæn(t)s/, navigation /nævɪˈɡeɪʃən/

So übst du mit diesem Video

  1. Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
  2. Sprich Satz für Satz in normaler Geschwindigkeit nach und wiederhole jeden, bis dein Rhythmus zum Sprecher passt.
  3. Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie extract, satellite, whereas.

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →