Pratique du Shadowing: American English Connected Reading | A Painting - Apprendre l'anglais à l'oral avec la vidéo

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175 phrases
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1
Hey, what's up?
2
It's Alex.
3
Today I'd like to talk about the connected sounds in a sample answer to the prompt, describe a painting you've seen.
4
Let's take a look.
5
I remember I was in Boston a couple of years ago.
6
I remember.
7
When we speak quickly, at the beginning of sentences, sometimes those short, unstressed sounds tend to become even shorter.
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I remember.
9
I remember.
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I remember.
11
I I remember, I remember, I remember I was in Boston.
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I was in, I was in Boston.
13
We're gonna connect I was in into one little phrase and we're gonna reduce that uh in was.
14
I was in Boston.
15
I remember I was in Boston.
16
At the end of in, before the b in Boston, it actually turns into a m sound to connect with the b sound.
17
I was in Boston.
18
I remember I was in Boston.
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I was in Boston.
20
I remember I was in Boston a couple of years ago.
21
A couple, a couple of years ago.
22
Couple, so we take out the the in of.
23
A couple of years ago.
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And I went to, and I went to.
25
Almost every time you see and, you're gonna take out the D in connected speech.
26
And I, and I went to.
27
We're gonna connect the n, t, t here, went to.
28
You can see that the NTT turns into just NT.
29
Went to.
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Went to.
31
I remember I was in Boston a couple of years ago and I went to one of the art museums there.
32
One of the art museums.
33
So here, the.
34
We have the Y sound at the end of the in order to get ready for the AH in art.
35
Then we have art museums.
36
I'm not saying a T there at the end of the word art.
37
I'm saying a glottal stop.
38
Art.
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Art.
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museums.
41
It's cutting off in my throat instead of finishing the T sound.
42
Art museums.
43
One of the art museums there.
44
And don't forget to take the the out of the word of there.
45
One of the art museums there.
46
Huge place.
47
Tons of paintings.
48
We're going to take out the the in of.
49
Tons of paintings.
50
Tons of.
51
And remember we're going to connect these sounds as much as we can.
52
Ton zuh, zuh, zuh.
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I'm not adding anything between the z and uh sounds.
54
Huge place, tons of paintings, and one I remember in particular, and one and one, take out that d and and,
55
one nigh, nigh, we're going to connect one and I.
56
One I remember in particular, in particular, in very fast speech, just like in Boston, in particular,
57
that N turns into an M.
58
In particular, in particular.
59
One I remember in particular was a painting from the 1880s, was a painting from the 1880s.
60
From the 18, the 18, we have that sound connecting the 18,
61
the 1880s, of four young girls, of four.
62
So here we have the in of, but it's connected to in four, so of four, of four.
63
A painting from the 1880s of four young girls.
64
Connect that ng sound at the end of young with g in girls.
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Four young girls.
66
A painting from the 1880s of four young girls playing in a huge house.
67
In a huge house.
68
Connect in a into one little chunk.
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playing in a huge house.
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It's a little hard to describe.
71
It's a little hard to connect the d
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and the t there hard to
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and we're going to reduce the vowel in two hard to
74
hard to describe describe why describe why you can see
75
that at the end of describe gets weakened before a sound hard to describe why it.. why?
76
Why?
77
Hard to describe why it was so memorable.
78
It's kind of a funny sound when I slow down and say it in its connected form.
79
Describe why?
80
Why?
81
Describe why it was so memorable.
82
Why it was so.
83
Why it?
84
So here we have a glottal stop for the t in it.
85
Why it was?
86
So was, that vowel in the word was gets reduced, why it was so.
87
Then we're going to connect the s in so with the z in the word before it was.
88
Why it was so.
89
Hard to describe why it was so memorable.
90
The light was really impressive.
91
Again we have a glottal stop for the t in light.
92
The light was really impressive.
93
Like the foreground was naturally lit that nd in foreground, foreground ones, reduces and it's just kind of like foreground was.
94
foreground was naturally lit foreground was naturally lit and the background slowly faded
95
so here lit we have a glottal stop there in lit lit lit
96
and the background drop the D in and
97
and connect the end of the th lit
98
and the background slowly faded again we kind of drop
99
that D or weaken
100
that D at the end of background background slowly faded into darkness kind of showing how large the house was.
101
Kinda showing.
102
So here, kind of.
103
We could connect that to kinda.
104
You could also connect it even further to kinda.
105
Kinda showing, kinda showing how large the house was.
106
And the color was great too.
107
And the, and the color.
108
Drop the D, connect the end of the TH.
109
And the color was great too.
110
Great too.
111
Connect the two T sounds there, the end of great and the beginning of too.
112
and the color was great too.
113
It looked very realistic.
114
It looked.
115
We have a glottal stop there for the T.
116
It looked.
117
It looked very realistic.
118
Now if I say it looked a little faster, that L can kind of even delete the T entirely.
119
No glottal stop.
120
If I speak it at a regular pace, it looked.
121
That's fine.
122
But if I say it even faster, it looked.
123
It looked.
124
This goes to what I was talking about earlier with reducing the sounds at the beginning of sentences.
125
ELUKED.
126
ELUKED.
127
No T.
128
No glottal stop.
129
ELUKED.
130
Now we can't do that in regular speed speech.
131
It sounds a little weird if we don't have the glottal stops.
132
Don't have the glottal stops.
133
We need to have those sounds, but in very fast speech for certain very common phrases, you can take out that T especially at the beginning of sentences like this.
134
It looked, it looked very realistic, like a color photo even, color photo even.
135
We add a little wha sound to connect these two vowels, like a color photo even, color photo even.
136
I think the main thing, main thing, connect the N and TH, I think the main thing was its size, its size.
137
Connect these two S sounds here.
138
Its size.
139
I think the main thing was its size.
140
It was like seven feet tall.
141
Here, it was, is another example.
142
At the beginning of a sentence, we can take out that T and not even have a glottal stop.
143
It was, it was like seven feet tall, seven feet tall.
144
So here that N and F blend together, and it's almost more of an M sound.
145
Seven feet tall, seven feet tall.
146
We connect these two T sounds at the end too.
147
Feet tall.
148
It was like seven feet tall.
149
It was like seven feet tall.
150
It completely dominated the room.
151
It completely.
152
Glottal stop T before the K incompletely.
153
It completely dominated the room.
154
Connect the D and the TH here.
155
It completely dominated the.
156
Dominated the.
157
Dominated the room.
158
I wish I could remember its name.
159
I wish I could remember.
160
So that D before the R gets a little bit weaker.
161
Could remember, could remember.
162
You can say the full D there if you like too.
163
It's totally fine.
164
I wish I could remember, could remember, but you can also drop it.
165
I wish I could remember its name.
166
I remember I was in Boston a couple of years ago and I went to one of the art museums there.
167
Huge place, tons of paintings, and what I remember in particular was a painting from the 1880s of four young girls playing in a huge house.
168
It's a little hard to describe why it was so memorable.
169
The light was really impressive, like the foreground was naturally lit and the background slowly faded into darkness, kind of showing how large the house was.
170
And the color was great too.
171
It looked very realistic, like a color photo even.
172
I think the main thing was its size.
173
It was like 7 feet tall.
174
It completely dominated the room.
175
I wish I could remember its name.

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Vidéo recommandée

Vocabulaire et conseils d’expression pour cette leçon

Cette leçon d’expression orale de niveau B1 s’appuie sur la vidéo « American English Connected Reading ». Les mots qui reviennent le plus souvent : sound, connect, Boston, describe, glottal. Cette vidéo contient 175 phrases et 1443 mots à répéter en shadowing. La partie parlée dure 8:54. Le locuteur parle à un rythme naturel d’environ 162 mots par minute, proche d’une conversation courante. Seuls 80 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.

Vocabulaire clé de cette vidéo

Les 15 mots les plus avancés de la vidéo, avec leur prononciation et leur sens :

MotPrononciationSens
glottal adjectif/ˈɡlɑ.təl/glottique, glottal
foreground nom/ˈfɔː(ɹ)ˌɡɹaʊnd/premier plan, avant-plan
dominate verbe/ˈdɑ.məˌneɪt/dominer
ton nom/tʌn/tonne
fade verbe/feɪd/s'affadir, faner
memorable adjectif/ˈmɛm.(ə)ɹə.bl̩/mémorable
realistic adjectif/ˌɹɪəˈlɪs.tɪk/réaliste
vowel nom/ˈvaʊ.əl/voyelle
nigh adjectif/naɪ/proche, près
weaken verbe/ˈwikən/affaiblir
phrase nom/ˈfɹeɪ̯z/expression
darkness nom/ˈdɑɹk.nɪs/obscurité, ténèbres
incompletely adverbe/ˌɪn.kəmˈpliːt.li/incomplètement
unstressed adjectif/ʌnˈstɹɛst/non accentué, inaccentué
chunk nom/t͡ʃʌŋk/pièce, morceau

Les verbes à particule que vous entendrez

MotSens
take out verbesupprimer, sortir
slow down verberalentir, décélérer

La grammaire de cette vidéo

Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :

StructureDans la vidéo
Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le faitwas naturally lit
Futur avec « going to » be going to + verbe — un projet ou ce que l’on voit venirgonna connect · gonna take · We're going to take
Présent continu am/is/are + -ing — ce qui se passe en ce momentI'm not saying · I'm saying · I'm not adding

Prononciation à surveiller

Le locuteur utilise 27 contractions et formes réduites, comme we're, kinda, gonna. Prononcez-les sous leur forme courte, telles que vous les entendez.

Les sons difficiles pour les francophones :

  • /r/ anglais — langue recourbée, sans frotter la gorge: foreground /ˈfɔː(ɹ)ˌɡɹaʊnd/, memorable /ˈmɛm.(ə)ɹə.bl̩/, realistic /ˌɹɪəˈlɪs.tɪk/, phrase /ˈfɹeɪ̯z/, darkness /ˈdɑɹk.nɪs/

Comment s’entraîner avec cette vidéo

  1. Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
  2. Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
  3. Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme glottal, foreground, dominate.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

Technique du shadowing : lire le guide complet étape par étape →