Pratique du Shadowing: Dexter Jaime Murray Interview - Apprendre l'anglais à l'oral avec la vidéo
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56 phrases
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Well, you know, I mean, Dexter is not really a sci -fi, obviously it's not a sci -fi show in the usual sense,
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but it is like what in the way I was speaking about, it's a genre show that kind of skews your way of looking at something.
3
For example, this is as antisocial, as bad a character that you can imagine.
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But if through the process of drama you can actually empathize with this person,
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you realize that you can empathize and have compassion for just about anyone.
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And you can't read a book by its cover.
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And that's what I love about drama.
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You know, sometimes I play these very bad characters.
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But for me to play them, I can't judge them as being bad.
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I have to be the best lawyer for those people as possible.
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And it just makes you realize that everybody is on a journey.
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Everybody has a story to tell.
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And, you know, it has this humanizing quality.
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I mean, that's not to say that, you know, we should all support mass murderers.
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It's just to say that he is a very strange person, but you end up kind of loving him.
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And that's an interesting experience as a viewer.
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Your character certainly had a complex relationship with Dexter.
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I guess fans will want to know what was it like working with the mercurial talents of Michael C.
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Hall?
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It was super fun, you know, because he's very socially awkward.
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Not Michael, Dexter.
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In the first season, he's really kind of finding his way.
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He's almost kind of childlike.
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His relationship with Rita is verging on kind of platonic.
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It's kind of...
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And then when Lila comes along, I'm able to bring out all these other elements in him and he's a little repressed and he's,
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you know, I had the joy of actually kind of bringing out these other elements.
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And I think for Michael it was quite exciting because however amazing the character was in the first season,
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he had a chance to express this other side and discover this other side for the first time.
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So that was super fun.
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Obviously you never shy away from playing difficult and challenging characters
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and I think your character in Dex is a magnificent example of that.
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As a performer, how liberating is it for you to play someone who's genuinely sociopathic and magnificently unhinged?
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Well, I mean, it's fun.
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I mean, it's fun to kind of go there
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and kind of be that person that you would hope that you would never be.
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And you've got this perfect excuse to kind of go there because it's your job to do it.
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But that being said, I must say that at the end of shooting, you know a day of being Lila
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I used to kind of have to go home kind of dim the lights drink some wine
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and eat some chocolate
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because I irritated myself you know in order to kind of be available for Lila
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I had to kind of who crossed people's boundaries
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and was always saying the inappropriate thing
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and in your face you know I was kind of like bouncing off the walls you know
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and I'd kind of need to kind of go home
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and kind of like you know throw it away a little bit but But no, it's a really interesting thing.
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You can make some really interesting choices when you're playing characters like that.
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I think that, listen, the reason that there are so many, you know, so many doctor shows and so many police shows,
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and they're quite kind of conservative shows nowadays, days.
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But the reason that they have always been successful is we like seeing other human beings in heightened situations.
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The reason Shakespeare was so big, and we talk about Shakespearean as these kind of big epic themes,
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is when is someone going to step up and be courageous
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and be a hero or fail miserably and be Machiavellian and awful?
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What are you going to do when push comes to shove?
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And I think that when it's heightened like that, it's a lot of fun.
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Well, for me as an actor, it's a lot of fun, but it's a lot of fun as a viewer.
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « Dexter Jaime Murray Interview ». Les mots qui reviennent le plus souvent : character, Lila, Dexter, interesting, Michael. Cette vidéo contient 56 phrases et 718 mots à répéter en shadowing. La partie parlée dure 4:38. Le locuteur parle à un rythme naturel d’environ 155 mots par minute, proche d’une conversation courante. 85 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| element nom | /ˈɛləmənt/ | élément |
| viewer nom | /ˈvju.ɚ/ | spectateur, spectatrice |
| awful adjectif | /ˈɔːfʊl/ | affreux, horrible |
| discover verbe | /dɪˈskʌvə/ | découvrir |
| epic nom | /ˈɛp.ɪk/ | épopée |
| awkward adjectif | /ˈɔk.wɚd/ | maladroit, gauche |
| genre nom | /ˈ(d)ʒɑnɹə/ | genre |
| boundary nom | /ˈbaʊndɹi/ | frontière, limite |
| nowadays adverbe | /ˈnaʊ.ə.deɪz/ | actuellement, de nos jours |
| genuinely adverbe | /ˈd͡ʒɛn.ju.ɪn.li/ | authentiquement, réellement |
| magnificent adjectif | /mæɡˈnɪfəsənt/ | magnifique |
| bounce verbe | /baʊns/ | rebondir |
| inappropriate adjectif | /ˌɪnəˈpɹoʊpɹi.ət/ | inapproprié, déplacé |
| socially adverbe | /ˈsoʊʃəli/ | socialement |
| compassion nom | /kəmˈpæʃ.ən/ | compassion |
Les verbes à particule que vous entendrez
| Mot | Sens |
|---|---|
| come along verbe | accompagner, venir |
| end up verbe | se terminer, se finir |
| step up verbe | accroître, augmenter |
Prononciation à surveiller
Le locuteur utilise 7 contractions et formes réduites, comme can't, I'd, I'm. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « sh » et « zh »: genre /ˈ(d)ʒɑnɹə/, socially /ˈsoʊʃəli/, compassion /kəmˈpæʃ.ən/, shave /ˈʃeɪ̯v/, antisocial /ˌæntiˈsəʊʃəl/
- Mots longs — placez bien l’accent: genuinely /ˈd͡ʒɛn.ju.ɪn.li/, magnificent /mæɡˈnɪfəsənt/, inappropriate /ˌɪnəˈpɹoʊpɹi.ət/, antisocial /ˌæntiˈsəʊʃəl/, magnificently /mæɡˈnɪfɪsəntli/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: heighten /ˈhaɪ̯.tən/, humanize /ˈhjuː.mə.naɪz/, unhinge /ʌnˈhɪnd͡ʒ/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: genuinely /ˈd͡ʒɛn.ju.ɪn.li/, verge /vɜːd͡ʒ/, courageous /kəˈɹeɪd͡ʒəs/, childlike /ˈt͡ʃaɪldlaɪk/, unhinge /ʌnˈhɪnd͡ʒ/
- /r/ anglais — langue recourbée, sans frotter la gorge: genre /ˈ(d)ʒɑnɹə/, boundary /ˈbaʊndɹi/, inappropriate /ˌɪnəˈpɹoʊpɹi.ət/, performer /pɚˈfɔɹmɚ/, courageous /kəˈɹeɪd͡ʒəs/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme element, viewer, awful.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.