Pratica di Shadowing: Dexter Jaime Murray Interview - Impara a parlare inglese con i video
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Well, you know, I mean, Dexter is not really a sci -fi, obviously it's not a sci -fi show in the usual sense,
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but it is like what in the way I was speaking about, it's a genre show that kind of skews your way of looking at something.
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For example, this is as antisocial, as bad a character that you can imagine.
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But if through the process of drama you can actually empathize with this person,
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you realize that you can empathize and have compassion for just about anyone.
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And you can't read a book by its cover.
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And that's what I love about drama.
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You know, sometimes I play these very bad characters.
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But for me to play them, I can't judge them as being bad.
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I have to be the best lawyer for those people as possible.
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And it just makes you realize that everybody is on a journey.
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Everybody has a story to tell.
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And, you know, it has this humanizing quality.
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I mean, that's not to say that, you know, we should all support mass murderers.
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It's just to say that he is a very strange person, but you end up kind of loving him.
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And that's an interesting experience as a viewer.
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Your character certainly had a complex relationship with Dexter.
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I guess fans will want to know what was it like working with the mercurial talents of Michael C.
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Hall?
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It was super fun, you know, because he's very socially awkward.
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Not Michael, Dexter.
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In the first season, he's really kind of finding his way.
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He's almost kind of childlike.
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His relationship with Rita is verging on kind of platonic.
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It's kind of...
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And then when Lila comes along, I'm able to bring out all these other elements in him and he's a little repressed and he's,
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you know, I had the joy of actually kind of bringing out these other elements.
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And I think for Michael it was quite exciting because however amazing the character was in the first season,
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he had a chance to express this other side and discover this other side for the first time.
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So that was super fun.
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Obviously you never shy away from playing difficult and challenging characters
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and I think your character in Dex is a magnificent example of that.
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As a performer, how liberating is it for you to play someone who's genuinely sociopathic and magnificently unhinged?
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Well, I mean, it's fun.
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I mean, it's fun to kind of go there
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and kind of be that person that you would hope that you would never be.
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And you've got this perfect excuse to kind of go there because it's your job to do it.
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But that being said, I must say that at the end of shooting, you know a day of being Lila
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I used to kind of have to go home kind of dim the lights drink some wine
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and eat some chocolate
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because I irritated myself you know in order to kind of be available for Lila
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I had to kind of who crossed people's boundaries
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and was always saying the inappropriate thing
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and in your face you know I was kind of like bouncing off the walls you know
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and I'd kind of need to kind of go home
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and kind of like you know throw it away a little bit but But no, it's a really interesting thing.
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You can make some really interesting choices when you're playing characters like that.
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I think that, listen, the reason that there are so many, you know, so many doctor shows and so many police shows,
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and they're quite kind of conservative shows nowadays, days.
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But the reason that they have always been successful is we like seeing other human beings in heightened situations.
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The reason Shakespeare was so big, and we talk about Shakespearean as these kind of big epic themes,
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is when is someone going to step up and be courageous
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and be a hero or fail miserably and be Machiavellian and awful?
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What are you going to do when push comes to shove?
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And I think that when it's heightened like that, it's a lot of fun.
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Well, for me as an actor, it's a lot of fun, but it's a lot of fun as a viewer.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione si basa sul video “Dexter Jaime Murray Interview”. Le parole che ritornano più spesso: character, Lila, Dexter, interesting, Michael. Questo video contiene 56 frasi e 718 parole da ripetere con lo shadowing. Il parlato dura 4:38. Chi parla ha un ritmo naturale di circa 155 parole al minuto, vicino a una conversazione quotidiana. Il 85% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
15 parole del video che vale la pena imparare, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| element sostantivo | /ˈɛləmənt/ | elemento |
| viewer sostantivo | /ˈvju.ɚ/ | spettatore, spettatrice |
| awful aggettivo | /ˈɔːfʊl/ | pessimo, terribile |
| discover verbo | /dɪˈskʌvə/ | scoprire, trovare |
| epic sostantivo | /ˈɛp.ɪk/ | epico |
| awkward aggettivo | /ˈɔk.wɚd/ | maldestro, impacciato |
| genre sostantivo | /ˈ(d)ʒɑnɹə/ | genere |
| boundary sostantivo | /ˈbaʊndɹi/ | confine, limite |
| nowadays avverbio | /ˈnaʊ.ə.deɪz/ | oggidì, oggigiorno |
| genuinely avverbio | /ˈd͡ʒɛn.ju.ɪn.li/ | veramente, genuinamente |
| magnificent aggettivo | /mæɡˈnɪfəsənt/ | magnifico |
| bounce verbo | /baʊns/ | rimbalzare |
| compassion sostantivo | /kəmˈpæʃ.ən/ | compassione |
| shave verbo | /ˈʃeɪ̯v/ | radere, rasare |
| murderer sostantivo | /ˈmɝdɚɚ/ | assassino, assassina |
I phrasal verb che sentirai
| Parola | Significato |
|---|---|
| end up verbo | andare a finire, finire |
Pronuncia a cui fare attenzione
Chi parla usa 7 contrazioni e forme ridotte, come can't, I'd, I'm. Pronunciale nella forma breve, così come le senti.
- I suoni “sh” e “zh”: genre /ˈ(d)ʒɑnɹə/, socially /ˈsoʊʃəli/, compassion /kəmˈpæʃ.ən/, shave /ˈʃeɪ̯v/, antisocial /ˌæntiˈsəʊʃəl/
- Parole lunghe — attenzione all’accento: genuinely /ˈd͡ʒɛn.ju.ɪn.li/, magnificent /mæɡˈnɪfəsənt/, inappropriate /ˌɪnəˈpɹoʊpɹi.ət/, antisocial /ˌæntiˈsəʊʃəl/, magnificently /mæɡˈnɪfɪsəntli/
I suoni difficili per chi parla italiano:
- /h/ — va soffiata, non è muta: heighten /ˈhaɪ̯.tən/, humanize /ˈhjuː.mə.naɪz/, unhinge /ʌnˈhɪnd͡ʒ/
- Consonante finale — senza aggiungere una vocale dopo: element /ˈɛləmənt/, epic /ˈɛp.ɪk/, awkward /ˈɔk.wɚd/, nowadays /ˈnaʊ.ə.deɪz/, magnificent /mæɡˈnɪfəsənt/
- /æ/ — più aperta della “e”: magnificent /mæɡˈnɪfəsənt/, compassion /kəmˈpæʃ.ən/, antisocial /ˌæntiˈsəʊʃəl/, magnificently /mæɡˈnɪfɪsəntli/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come element, viewer, awful.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.