Pratica di Shadowing: 『プラダを着た悪魔２』無料プレビュー - Impara a parlare inglese con i video

The End The End The End The End The End The End The End

Don't worry, I fixed it.

Be ready at 9.

Irv.

And you know who demanded we be Crosstown at 9 .15?

So how do we do both?

We don't have time for this.

What does he mean, I fixed it?

I have no idea.

Yeah.

Your 9am is here.

Hello?

Miranda?

Nigel?

Look what TJ Maxx dragged in.

Hello, Six.

Hello.

Thank you so much for this opportunity.

I gotta admit, I was really surprised when Irv called.

I mean, a lot of time has gone by, but I'm just...

I'm so happy for the chance to...

Sorry.

Who is this?

Do you know her?

Do I know her?

You might remember Andy.

She was one of the Emilys.

One of the what?

The Emily, from...

From Andy Sachs.

Uh, the smart fat girl.

I was one of your assistants eons ago.

Maybe Irv didn't fill you in.

And Irv sent you here to...

To.. run the features department.

Be the features editor.

He hired me last night.

He didn't tell you?

Um...

So, he said that, um.. that we need to, um, I mean, Runway needs to take control of the narrative of the Speedpash story and restore credibility,

and he thought someone with my expertise would be a good idea, but I thought that for sure you had approved,

and were excited, and that's why I came in here all like, awww!

Amari?

Yes?

Get Ashley on the phone, please.

Hi.

Good morning, Miranda.

Yes, Ashley.

Flag on the play.

We don't need you this morning, or ever.

So pack up your things, and HR will be in to see you shortly.

Uh...

Happy?

You just cost Cornell's summa cum laude her job.

First in her family to go to college, I believe.

Anyway, come along.

Come on.

You should get that looked at.

Hm?

The injury or condition or whatever that causes you to trudge.

So, um, I was thinking that when we get back to the offices, we could sit down and go through some of your priorities.

I could share some of my insights into the editorial direction of the magazine.

First, though, we need to appease an important advertiser.

Is that what we're going?

Yes.

They're furious about Speedfesh.

God knows what they're going to extract from me.

Free ad space, targeted editorial.

A cornea.

Luckily, though, I'm not worried.

Because I have you flown in from on high to help

redirect this century -old institution with the benefit of your infinite wisdom and...

What?

Oh!

Expertise.

Yeah.

Dior constitutes 16 % of our designers' spend.

And our leading sponsors of all our special events, Which ain't cheap.

Okay, so fix this.

We've got this.

Who do we have to talk to?

Am I having a hallucination?

Emily, hi.

Wow.

You also know her?

Well, we were at Runway at the same time, Miranda.

Really?

Where was I?

Right.

Um, shall we?

Miss Charlton, you're glowing.

It seems retail still suits you.

Huh, Nigel, you're hanging in there by your fingernails.

Remember when magazines were a thing?

All right, come on in, everybody.

Take a seat.

Lots to discuss.

Mm -hmm.

Um, where would you like to start?

100

Okay, so, um, I am the new features editor at Runway.

101

No, you're not. Are you serious?

102

Wow.

103

Wonders never cease.

104

No, I'm actually a journalist now.

105

I've been published in...

106

It doesn't matter.

107

Anyway, we are all well aware that running that story was a mistake and are taking immediate steps.

108

I cannot actually get over this.

109

It's really remarkable.

110

A senior editor at Runway.

111

You.

112

Yep.

113

We're all so thrilled.

114

Mm -hmm.

115

You know what's funny is you've changed.

116

You have.

117

You're much more confident.

118

Oh.

119

Kept those eyebrows though, didn't you?

120

Um, right, Miranda, oh, how are you?

121

I mean, what a shambles.

122

I've had to unruffle so many feathers.

123

Because as you know, our association with Runway and with you is predicated on your sterling reputation.

124

Momentary lapse.

125

And we're doing everything we can to make it right with you.

126

Good, because I was quite shocked reading it.

127

Though I'm sure, as you can appreciate, it's also important that we have editorial freedom.

128

We have to maintain our journalistic integrity.

129

Ooh, integrity, I see.

130

La -dee -da, Andy.

131

Very high -minded of you.

132

Well, please help yourself to standards galore, but if there are no advertisers, there's no runway.

133

No us, no you.

134

And we understand that completely.

135

Oh, good.

136

I think as a consequence of your lapse in judgment, there's just a few things we'd quite like just to smooth it all over.

137

We are thinking at least three pages of advertising credit and a feature on the opening of our new flagship.

138

Six pages.

139

Three.

140

No, five.

141

Four.

142

I'm sorry, are we at a fish market, Nigel?

143

It's five, with brand mentions in all captions.

144

Miranda?

145

Absolutely.

146

We'll get right on that immediately.

147

Great.

148

I'm confused.

149

You just let them tell you what to do?

150

Because if I'm here to restore your credibility...

151

Did you not hear her?

152

No them, no us.

153

We need our advertisers, Andrea.

154

The September issue's already so thin, you could floss with it.

155

Yeah, advertisers are important.

156

I know that I'm not brand new, but...

157

Let's be clear.

158

You did not earn this job.

159

I did not hire you.

160

You are a CEO's latest whim.

161

And all I need to do is to bide my time until you fail.

162

Then you will fail.

163

Why don't you take the train, dear?

164

You could miss, you could miss.

165

You did it.

166

They're just eyebrows.

167

Hi.

168

Hi.

169

We weren't properly introduced yesterday.

170

I'm Andy Sachs.

171

Charlie.

172

I'm the second assistant.

173

Hi, Charlie.

174

Hey.

175

Everybody just calls me Charlie with a chair, if you want, because Amari won't let me leave my desk.

176

Oh, no, it's okay.

177

A million girls would kill for this job.

178

Heard that. Is Miranda...

179

There you are.

180

There you are.

181

I am on time.

182

So, you're the kind of person who thinks on time is on time.

183

Okay, got it.

184

All right, come on.

185

I'll show you to your office.

186

Uh, Amari, I need to pee, please.

187

I had a venti.

188

Oh.

189

Was it worth it?

190

No. No. Actually, I should probably talk to Miranda first.

191

Oh!

192

I'll take you to your office.

193

Good luck, Charlie.

194

Thanks.

✨ Video consigliato

103 frasi

Vocabolario e note di pronuncia per questa lezione

Questo video contiene 194 frasi e 1072 parole da ripetere con lo shadowing. Il parlato dura 8:58. Chi parla mantiene un ritmo costante di circa 120 parole al minuto, comodo per lo shadowing. Solo il 79% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.

Vocaboli chiave di questo video

15 parole meno comuni del video, con pronuncia e significato:

runway /ˈɹʌnweɪ/ (sostantivo) — pista, sentiero. A defined, narrow section of land or an artificial structure used for access.
editorial /ˌɛdɪˈtɔːɹɪəl/ (sostantivo) — editoriale. An article in a publication giving the opinion of its editors on a given topic or current event.
hire /ˈhaɪɹ/ (verbo) — assoldare, noleggiare. To obtain the services of in return for fixed payment.
integrity /ɪnˈtɛɡɹəti/ (sostantivo) — integrità. Steadfast adherence to a strict moral or ethical code.
restore /ɹɪˈstoɹ/ (verbo) — ristabilire, restaurare. To reestablish, or bring back into existence.
expertise /ˌɛkspɜːˈtiːz/ (sostantivo) — competenza. Great skill or knowledge in a particular field or hobby.
credibility /kɹɛd.əˈbɪ.ɫɪ.ti/ (sostantivo) — credibilità. A reputation impacting one's ability to be believed.
earn /ɝn/ (verbo) — guadagnare. To gain (success, reward, recognition) through applied effort or work.
confused /kənˈfjuːzd/ (aggettivo) — confuso. unable to think clearly or understand
reputation /ˌɹɛpjʊˈteɪʃən/ (sostantivo) — reputazione, rumore. What somebody or something is known for.
shortly /ˈʃɔɹtli/ (avverbio) — subito. In a short or brief time or manner; quickly.
thin /ˈθɪn/ (aggettivo) — sottile, fine. Having little thickness or extent from one surface to its opposite.
shock /ʃɔk/ (sostantivo) — trauma, trauma emotivo. A sudden, heavy impact.
desk /dɛsk/ (sostantivo) — scrivania. A table, frame, or case, in past centuries usually with a sloping top but now usually with a flat top, for the use of writers and readers. It often has a…
designer /dɪˈzaɪnɚ/ (sostantivo) — designer, progettista. A person who designs something, or who designs things as a profession.

I phrasal verb che sentirai

come on /ˌkʌm ˈɒn/ — dai dai!. Come along with me; join me in going.
get over (verbo) — superare, vincere. To overcome.
go through (verbo) — attraversare. To travel from one end of something to the other.
look at (verbo) — guardare. To observe or watch.
sit down (verbo) — sedersi, accomodarsi. To assume a sitting position from a standing position.

Pronuncia a cui fare attenzione

Chi parla usa 42 contrazioni e forme ridotte, come I'm, you're, don't. Pronunciale nella forma breve, così come le senti.

I suoni “th”: thin /ˈθɪn/, smooth /smuːð/, thrill /θɹɪl/, feather /ˈfɛðə/
I suoni “sh” e “zh”: reputation /ˌɹɛpjʊˈteɪʃən/, shortly /ˈʃɔɹtli/, shock /ʃɔk/, institution /ˌɪn.stɪˈtʃuː.ʃən/, flagship /ˈflæɡʃɪp/
Parole lunghe — attenzione all’accento: editorial /ˌɛdɪˈtɔːɹɪəl/, integrity /ɪnˈtɛɡɹəti/, credibility /kɹɛd.əˈbɪ.ɫɪ.ti/, reputation /ˌɹɛpjʊˈteɪʃən/, institution /ˌɪn.stɪˈtʃuː.ʃən/

Come esercitarsi con questo video

Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
Fai shadowing frase per frase a velocità normale, ripetendo ognuna finché il tuo ritmo coincide con quello di chi parla.
Registrati e confronta con l’originale, facendo attenzione a parole come runway, editorial, hire.

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

Struttura	Nel video
Present perfect have/has + participio passato — un’azione passata che conta ancora adesso	has gone · I've been published · you've changed
Forma passiva be + participio passato — conta ciò che accade, non chi lo fa	I've been published · is predicated

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →

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