Pratique du Shadowing: Story Structure: Act 1 - Apprendre l'anglais à l'oral avec la vidéo
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In the last two videos, we talked about our theme and how to break your story into beats using the story spine.
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The next step is to divide your story spine into larger sections, which we call acts.
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Throughout history, storytellers have experimented with everything from one act to eight acts or more.
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But the most common structure for film is the three -act structure.
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Act 1 consists of the first three steps of our story spine.
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once upon a time, This is where we meet our main character, known as the protagonist.
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And we find out when and where the story takes place.
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For example, in Finding Nemo, we're introduced to Marlin and Nemo who live in the safety of the reef
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And we learn why Marlin worries about the dangers lurking in the open ocean.
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The first act also tells the audience what type of movie they're about to see.
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Is it a science fiction, a romantic comedy, a historical drama, or something else?
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Every day.
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This is where we learn more about how the world works.
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For example, in Finding Nemo, we learn about the other creatures who inhabit the reef and what life is like there every day.
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Until one day.
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This is often called the inciting incident.
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It's an event which leads to a key obstacle your protagonist faces and sets the rest of the story in motion.
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In Finding Nemo, Nemo ignores his father's instructions, swims out to touch the boat, and is captured by a scuba diver.
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In order to save him, Marlin is forced to face his biggest fear, the open ocean.
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The first act can also introduce something called the antagonist.
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You probably know this as a character we sometimes call the villain, but it can take many forms.
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Generally, the antagonist is a force that gets in the way of your character's wants and needs.
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Marlin's antagonist is something, something that stands in his way.
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The ocean? and his fear of it.
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Getting this first act figured out is critical, so let's ask our storytellers for some more information.
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In Act One, we want to introduce our characters, introduce the story, and get a landscape of where the story is trying to go.
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What's essential in the first act is that you meet the main character in her or his world.
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and you understand their place in the world, and you understand their problem in the world.
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you learn enough about this character that you like this character and you want to go on this journey
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with the filmmaker and the character.
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It's very important to two.
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hook your audience in Act One.
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For our movies, I think, um, WALL -E has one of the strongest first acts.
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The world is set up, it's a tra-- I mean, it's a trash planet.
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And it's an abandoned dystopia.
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And yet, you have an idealist.
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You have Wally who believes as a robot that love is possible, in an environment where he's meant to clean up the remnants of the opposite world view.
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And it's beautiful that he doesn't, he has almost no evidence other than a little green leaf, that what he believes and feels is real.
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And then Eve comes in and confirms to him his idealistic tendencies, that we can rise above our programming, and that we can be more than we're told,
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and we can be more than what's around us.
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Sometimes the inciting incident will introduce a conflict
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that will launch the main character into a journey that will take place throughout the film.
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In most cases I can think of, the inciting incident comes toward the end of the first act.
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You've spent the first act setting up who the characters are, what's important, what the status quo is in the world,
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and the inciting incident that's going to pull the rug out from under that status quo
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is gonna launch you into act two.
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In Wall -E, the inciting incident is when Eve is taken off of Earth into the Axiom, and Wall -E follows her up to the Axiom on the rocket.
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He now has a goal, which is to get Eve back.
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even though he's a robot and he could not be further from me,
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I completely empathize with him and I want for him connection and love and the things that he aspires to.
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To me it's an elegant beautiful heartbreaking first act.
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And I think a successful first act gets you to invest in your character, care about your character, care about what they care about.
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So when the thing they care about is threatened or the rug is pulled out from under them in some way,
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you're rooting for them to launch into the second act and solve that problem.
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Ultimately, the first act is the setup for the story.
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It's where we learn everything we need to know about our main characters and the world, and we find something out which gets us invested in the journey which follows.
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In the next exercise, you'll have a chance to identify the first act in your favorite films, as well as start developing a first act for the story you want to create.
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À propos de cette leçon
Vous vous entraînez en anglais avec "Story Structure: Act 1" en utilisant la technique du Shadowing.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.