Pratique du Shadowing: Your brain doesn’t detect reality. It creates it. | Lisa Feldman Barrett - Apprendre l'anglais à l'oral avec la vidéo

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Sometimes people want to say, no, we definitely don't experience reality the way that it actually is.
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And some people want to say, yes, we do.
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Philosophers have been arguing about this for like as long as philosophy has existed.
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The question of does your experience match reality or are you really experiencing reality in its stark objective truth?
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And the answer is simply, not exactly.
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Reality for us is what we can sense with our sensory surfaces
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and what we can make sense of with the signals in our brain.
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The signals in our brain are as necessary for our experience of reality as the sensory signals that come from the world.
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So I'm going to use a metaphor to describe how the brain works.
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It goes something like this.
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Your brain, my brain, everybody's brain, is trapped in its own dark, silent box called your skull.
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and the brain has no knowledge of what is going on around it in the world or in the body, right?
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Because it's in this skull and it's receiving sensory signals from the sensory surfaces of your body.
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These signals are the outcomes of some changes in the world or in the body.
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But the brain doesn't know what the changes are.
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It's receiving the outcomes.
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And that is what philosophers and scientists call the reverse inference problem.
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You start with an outcome and you have to guess at the cause.
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For example, if you hear a loud bang, It could be a car backfiring, a door slamming.
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It could be a gunshot.
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Your brain doesn't know what the causes are.
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It only knows the effect.
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And so it has to guess.
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And the guess is important, right, because you would do different things if it's a gunshot versus if it's a windy day that slammed a door.
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And luckily, it has one other source of information, and that is your past experience.
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The really cool thing about this, if that wasn't cool enough, is that it's actually doing it predictively.
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Sometimes scientists talk about this as the brain running a model of the world.
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But the brain is not running a model of the world.
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The brain is running a model of its body.
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And it's doing it in this really interesting way.
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In psychology, a group of instances which are similar is called a category.
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In essence, what your brain is doing, when it's making a prediction, it's creating a category of instances from the past
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which are similar in some way to the present in order to predict what's going to happen next, what the brain has to do next and what your experience will be next.
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And so when a human brain is creating a category,
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you have to ask, what features of similarity is it using?
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Is it these sensory and motor features?
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An apple is round, an apple is hard and crunchy, or is it these abstract features,
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abstract multimodal summaries of patterns of features.
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I could take a bunch of apples and I could say, well, these are good for baking and these are not good for baking.
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And these patterns, this summary, only exists in your brain.
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Because our brains are structured to construct categories
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based on the function of things rather than what they look like or taste like or smell like,
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humans can create something called social reality
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which is where we collectively impose a function on objects that the objects don't have by virtue of their physical nature.
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So a really good example of this is money, little pieces of paper.
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We all agree that these little pieces of paper have a function of value.
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And it turns out that many things that we think of as being part of reality are actually like this.
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We can draw lines in the sand and create the borders of countries, which creates categories of people called immigrants and citizens.
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We can create governments, because we all agree that certain actions, like making little tick marks,
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has a meaning to elect someone into a position that has certain powers.
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It's a form of social reality.
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In our lab, we work on the hypothesis that many psychological categories are forms of social reality.
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We impose a meaning on a scowling face that it did not evolve to have.
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But because we all agree that it has that meaning or that function in a particular culture, then it does.
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To say that your brain resides in a dark, silent box doesn't mean that you are trapped in that box.
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Your brain has this wonderful capacity to take bits
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and pieces of past experience and create something completely new that you've never experienced before.
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We call it imagination.
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That's a double-edged sword, right?
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Because our brains are so good at imagining and creating predictions that are not yoked to our immediate surroundings,
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sometimes we have a lot of trouble staying in the present.
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You have to practice your ability to control how much you want to be constrained
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by what's going on outside that box and how much you want to be free of it.

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Prononciation IAChaque phrase notée
Phonétique (IPA)Maîtrisez chaque son
VocabulaireEnrichissez votre lexique
Jeu de vocabulaireApprenez en jouant

Vocabulaire et conseils d’expression pour cette leçon

Cette leçon d’expression orale de niveau C1 s’appuie sur la vidéo « Your brain doesn’t detect reality. It creates it ». Les mots qui reviennent le plus souvent : brain, reality, experience, sensory, signals. Cette vidéo contient 63 phrases et 859 mots à répéter en shadowing. La partie parlée dure 6:17. Le locuteur parle à un rythme régulier d’environ 137 mots par minute, confortable pour le shadowing. 85 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.

Vocabulaire clé de cette vidéo

Les 15 mots les plus avancés de la vidéo, avec leur prononciation et leur sens :

MotPrononciationSens
sensory adjectif/ˈsɛn.sə.ɹi/sensoriel
gunshot nom/ˈɡʌn.ʃɑt/coup de feu
philosopher nom/fəˈlɑsəfɚ/philosophe
bake verbe/beɪk/cuire
prediction nom/pɹɪˈdɪkʃən/prédiction
slam verbe/ˈslæm/claquer
backfire verbe/bækˈfaɪə(ɹ)/se retourner contre, avoir l'effet inverse
constrain verbe/kənˈstɹeɪn/astreindre, contraindre
crunchy adjectif/ˈkɹʌnt͡ʃi/croquant
inference nom/ˈɪn.fə.ɹəns/inférence, déduction
windy adjectif/ˈwɪn.di/venteux
similarity nom/ˌsɪm.ɪˈlæɹ.ɪ.ti/similarité, similitude
reside verbe/ɹɪˈzaɪd/habiter, résider
metaphor nom/ˈmɛt.ə.fɚ/métaphore
surroundings nom/səˈɹaʊndɪŋz/environnement, voisinage

Les verbes à particule que vous entendrez

MotSens
turn out verbese finir, se terminer

La grammaire de cette vidéo

Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :

StructureDans la vidéo
Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le faitis trapped · is called · are structured
Present perfect have/has + participe passé — une action passée qui compte encore maintenanthas existed · you've never experienced

Prononciation à surveiller

Le locuteur utilise 8 contractions et formes réduites, comme doesn't, don't, I'm. Prononcez-les sous leur forme courte, telles que vous les entendez.

  • Les sons « sh » et « zh »: gunshot /ˈɡʌn.ʃɑt/, prediction /pɹɪˈdɪkʃən/
  • Mots longs — placez bien l’accent: philosopher /fəˈlɑsəfɚ/, similarity /ˌsɪm.ɪˈlæɹ.ɪ.ti/, hypothesis /haɪˈpɒθɪsɪs/

Les sons difficiles pour les francophones :

  • /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: crunchy /ˈkɹʌnt͡ʃi/, virtue /ˈvɝt͡ʃu/
  • /r/ anglais — langue recourbée, sans frotter la gorge: sensory /ˈsɛn.sə.ɹi/, prediction /pɹɪˈdɪkʃən/, backfire /bækˈfaɪə(ɹ)/, constrain /kənˈstɹeɪn/, crunchy /ˈkɹʌnt͡ʃi/

Comment s’entraîner avec cette vidéo

  1. Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
  2. Répétez phrase par phrase à vitesse normale, en reprenant chacune jusqu’à ce que votre rythme corresponde à celui du locuteur.
  3. Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme sensory, gunshot, philosopher.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

Technique du shadowing : lire le guide complet étape par étape →