Pratica di Shadowing: Michael Jackson - Thriller (Official 4K Video) - Impara a parlare inglese con i video

Creazione lezione...
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The End
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Honestly, we're out of gas.
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So, what are we gonna do now?
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I'm sorry I didn't believe you.
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Could I ask you something?
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What?
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You know I like you, don't you?
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Yes.
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And I hope you like me the way I like you.
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Yes.
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I was wondering if you would be my girl.
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Oh, Michael.
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It's beautiful.
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Now, it's official.
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I have something I want to tell you.
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Yes, Michael.
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I'm not like other guys.
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Of course not.
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That's why I love you.
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No, I mean I'm different.
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What are you talking about? Are you all right?
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Get away!
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Oh Oh
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I'm
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not a man.
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Sheriff!
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He's over here!
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God, look at that thing!
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Look out!
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Can we get out of here?
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No, I'm enjoying this.
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Blood has been seen on this one.
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Well, I can't watch.
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Excuse me.
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Stralden Blood.
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What's it say?
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See you next Wednesday.
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It's only a movie.
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It's not funny.
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You were scared, weren't you?
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I wasn't that scared.
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Yeah, you were scared.
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It's close to midnight.
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Something evil's lurking in the dark.
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Under the moonlight, you see a sight that almost stops your heart You try to scream,
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but terror takes the sound before you make it You start to freeze,
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and so it looks you right between the eyes You're very nice
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You hear the door slam And realize there's nowhere left to run
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You feel the cold And wonder if you'll ever see the sun
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You close your eyes And hope that this is just imagination You're ill,
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but all the while You hear a creature creeping out behind You're out of time
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They're about to get you As demons come slam on every side
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They will possess you Unless you change that number on your dime
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Now is the time For you and I to cuddle close together together
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All through the night I'll save you from the terror on the screen I'll make you see
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Darkness falls across the land The midnight hour is close at hand Creatures crawl in search of blood
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To terrorize your neighborhood And whosoever shall be found Without the soul for getting down
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Must stand and face the hounds of hell And rot inside a corpse's shell
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The foulest stenches in the air, the funk of 40,000 years,
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and grizzly goons from every are closing in to seal your doom.
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And though you fight to stay alive, your body starts to shiver.
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For no mere mortal can resist the evil of the Thriller.
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I'm going to go.
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I'm I'm
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going to
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go.
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Cause this is Deadline, Deadline Night And no one's gonna save you from a beast of outstrike You know it's Deadline,
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Deadline Night You're fighting for your life inside of killer,
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thriller Deadline, Deadline Night Cause I can deal you more than any ghost would ever tell Deadline,
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Deadline, Deadline Night So let me hold you tight and share up together I can't believe it tonight Cause this is David,
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David, the hot night Girl,
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I can feel you more than any good move after I try So let me hold you tight and share together,
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together, together
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Oh, man!
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Oh, man!
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What do you mean?
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I'm not
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going to die.
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What's the problem?
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Come on, I'll take you home.
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Cause this is Dylan, Dylan and I
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And no one's gonna save you from being in the box like you know it's Dylan Dylan,
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Dylan and I You're fighting for your life inside of the killer,
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thriller, thriller I can feel you more than any good move ever,
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that's right So let me hold you tight and share up together,
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together, together, together, together Cause this is a lot,
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I can feel you more than any good move ever,
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that's right So let me hold the tide and share our together together

Vocabolario e note di pronuncia per questa lezione

Questo video contiene 88 frasi e 640 parole da ripetere con lo shadowing. Il parlato dura 13:15. Chi parla lo fa lentamente, circa 48 parole al minuto, quindi c’è tempo per imitare ogni suono. Il 83% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.

Vocaboli chiave di questo video

15 parole meno comuni del video, con pronuncia e significato:

  • thriller /ˈθɹɪ.lə/ (sostantivo) — thriller. Something that thrills.
  • scare /skɛɚ/ (verbo) — spaventare, impaurire. To frighten, terrify, startle, especially in a minor way.
  • killer /ˈkɪlɚ/ (sostantivo) — assassino, assassina. One who or that which kills.
  • midnight /ˈmɪd(ˌ)naɪt/ (sostantivo) — mezzanotte. The middle of the night: the sixth temporal hour, equidistant between sunset and sunrise.
  • ghost /ɡoʊst/ (sostantivo) — fantasma, spettro. A disembodied soul; a soul or spirit of a deceased person; a spirit appearing after death.
  • nowhere /ˈnoʊ.(h)wɛɹ/ (avverbio) — da nessuna parte, in nessun posto. In no place.
  • shell /ʃɛl/ (sostantivo) — conchiglia. The calcareous or chitinous external covering of mollusks, crustaceans, and some other invertebrates.
  • darkness /ˈdɑɹk.nɪs/ (sostantivo) — buio, oscurità. The state of being dark; lack of light; the absolute or comparative absence of light.
  • seal /siːl/ (sostantivo) — timbro. A stamp used to impress a design on a soft substance such as wax.
  • beast /biːst/ (sostantivo) — bestia, belva. Any four-footed land mammal.
  • imagination /ɪˌmæd͡ʒəˈneɪʃən/ (sostantivo) — immaginazione. The image-making power of the mind; the act of mentally creating or reproducing an object not previously perceived; the ability to create such images.
  • resist /ɹɪˈzɪst/ (verbo) — resistere, trattenere. To attempt to counter the actions or effects of.
  • sheriff /ˈʃɛɹɪf/ (sostantivo) — sceriffo. (High Sheriff) An official of a shire or county office, responsible for carrying out court orders, law enforcement and other duties.
  • scream /skɹiːm/ (verbo) — gridare, sbraitare. To cry out with a shrill voice; to utter a sudden, sharp outcry, or shrill, loud cry, as in fright or extreme pain; to screech, to shriek.
  • freeze /ˈfɹiːz/ (verbo) — gelare, ghiacciare. Especially of a liquid, to become solid due to low temperature.

I phrasal verb che sentirai

  • come on /ˌkʌm ˈɒn/ — dai dai!. Come along with me; join me in going.
  • get away (verbo) — allontanarsi. To move away (from).
  • look at (verbo) — guardare. To observe or watch.
  • look out (verbo) — fare attenzione, stare attento. To be vigilant and aware often as an imperative to alert a person to danger.

Pronuncia a cui fare attenzione

Chi parla usa 29 contrazioni e forme ridotte, come I'm, you're, gonna. Pronunciale nella forma breve, così come le senti.

  • I suoni “sh” e “zh”: shell /ʃɛl/, imagination /ɪˌmæd͡ʒəˈneɪʃən/, sheriff /ˈʃɛɹɪf/, shiver /ˈʃɪvɚ/
  • Parole lunghe — attenzione all’accento: imagination /ɪˌmæd͡ʒəˈneɪʃən/, whosoever /huːsoʊˈɛvɚ/

Come esercitarsi con questo video

  1. Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
  2. Fai shadowing frase per frase a velocità normale, ripetendo ognuna finché il tuo ritmo coincide con quello di chi parla.
  3. Registrati e confronta con l’originale, facendo attenzione a parole come thriller, scare, killer.

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

StrutturaNel video
Forma passiva be + participio passato — conta ciò che accade, non chi lo fahas been seen · be found
Present continuous am/is/are + -ing — qualcosa che succede adesso o in questo periodoI'm enjoying · are closing · You're fighting
Futuro con “going to” be going to + verbo — un piano o qualcosa che si vede arrivaregonna do · I'm going to go · gonna save
Futuro con “will” will + verbo — una decisione, una promessa o una previsioneyou'll ever see · will possess · I'll save

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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