Shadowing-Übung: Why do some artists become famous? | Albert-László Barabási - Englisch Sprechen Lernen mit Video
Übungsmodus wählen
Jeder Modus öffnet einen Übungsraum im Vollbild.
78 Sätze
Wenn Sätze zu kurz oder zu lang sind, klicke auf Edit, um sie anzupassen.
1
There are multiple measures of success in art.
2
Some artists work for the pleasure of producing and they really don't care about external recognition.
3
Some really want to make an impact in their immediate community.
4
However, the traditional measure of success is really external recognition.
5
What galleries show your work?
6
What museums show your work?
7
Is your work selling?
8
Is it entering the auction market?
9
The amount of money collectors are willing to pay for it.
10
What are the factors that really drive these measurable successes?
11
Before starting my studies in science, I wanted to be an artist.
12
And I studied to be an artist and I hang out with artists and collectors and so on.
13
Many of my friends as artists are convinced that they have only one job in front of them, to really express their talent,
14
to paint, to sculpt, to do whatever they do.
15
And it is not their job to be discovered.
16
That's a society's work.
17
One of the reasons I'm really interested in art beyond the intellectual interest towards art
18
is because art is very different from other measures of performance.
19
If you are a runner I can just have a chronometer
20
and measure how fast you run and
21
that will uniquely determine whether you're a good runner
22
or a bad runner and also will determine the rewards you get from running.
23
The problem in art is that we don't have a chronometer.
24
In contemporary art it's almost impossible to look at the work in isolation and decide what is its value, how important it is.
25
In the contemporary art context, the value of an artwork is determined by very complex networks.
26
Who is the artist?
27
Where that artist has exhibited before?
28
Where was that work exhibited before?
29
Who owns it and who owned it before?
30
And how these multiple links connect to the canon and to art history in general. So
31
if we want to understand how really value emerges in the art world
32
we need to really map out these dependencies and the multiple networks that drive the value of art.
33
A few years ago we did that.
34
Through this mapping process we ended up getting a worldwide map of institutions where it turned out the most central nodes,
35
the most connected nodes happened to be also the most prestigious museums.
36
MoMA, Tate, Gogossian Gallery, some of the biggest museums worldwide.
37
The most interesting aspect of this network was that it allowed us to predict artistic success.
38
That is, if you give me an artist and their first five exhibits, I put them on the map and we could fast forward their career.
39
Were they going to be 10, 20 years from now?
40
And the predictions were incredibly accurate.
41
You have to think from the perspective of the gatekeepers, And the gatekeepers are the institutions.
42
And the network of how the gatekeepers are connected
43
and who is paying attention to whom is really the one that determines your access to the art market as an artist.
44
Because the path towards the center is much faster if you are already next to it.
45
And it's very difficult for somebody to enter from the periphery.
46
But our research did show that it's possible.
47
We ended up finding about roughly 250 artists who really started from the bottom,
48
from the periphery, from unknown institutions and made it all the way to the top.
49
And what the data indicated is that they did not follow the traditional advice of how you succeed as an artist,
50
which is get a gallery and work with them.
51
That is, the gallery will guarantee your future.
52
rather these artists who managed to go from the periphery to the center
53
at the beginning of their career they worked with many many institutions
54
they practically exhibited everywhere they were willing to show their work
55
and through these many random acts of exhibitions they ended up hitting a couple of better connected notes
56
that offered a path for them towards the center it's really reconfirmed of how important networks are in art
57
and how important it is for an artist to really understand the networks in which their work is embedded in,
58
in order to guarantee that sooner or later the work will arrive where he or she dreams to arrive at.
59
Artistic success is driven by many factors.
60
Location is one of them.
61
Talent is another one.
62
Talent is what gives you access to the nodes
63
that you start the working talent is the one that gives you entry into the network.
64
And the more talented you are, more and higher level institutions are willing to work with them.
65
So the reason we can predict your future from the first five exhibits,
66
because by who was willing to work with you in your five exhibits is already a measure of your talent
67
and your future journey in the art world.
68
The problem is that as a young artist, you don't really understand which is the better institution and which is more connected.
69
Of course everybody knows the role of MoMA and the big big galleries
70
but what you don't know is that among the many small galleries
71
that you have access to who may have a path towards the center.
72
The question you need to ask are you there in the short run on the long run?
73
In the short run you can make a career to Instagram
74
and these many social networks but if you are in for the long run these noise making effects don't really matter.
75
The question is, can you bring an artistic practice that resonates with the time and has a unique visual characteristics?
76
In that sense, science and art are not different.
77
The influential artists and the influential scientists are those on whose work the next generation of artists or scientists can build on.
78
Thank you.
App herunterladen
Alles, was du zum fließenden Sprechen brauchst
KI-AussprachebewertungJeder Satz bewertet
IPA-TrainingJeden Laut meistern
WortschatzBaue deinen Wortschatz auf
VokabelspielSpielend lernen
Gleicher Kanal
C12
We can cure almost all human diseases. Here’s how. | Albert-László Barabási
Daily ConversationUniversity Students
C13
I study demonic possession dreams. Here’s what we’ve found. | Patrick McNamara
Daily ConversationUniversity Students
C16
We could make every human on Earth rich and happy—if we decided to | Agustín Fuentes
Daily ConversationUniversity StudentsWorking Adults
C14
Why sex, food, and shelter aren’t enough for Homo Sapiens | Agustín Fuentes
Daily ConversationUniversity Students
C11
Master your anxiety. Unleash your genius | Jesse Eisenberg for Big Think+
Daily ConversationUniversity StudentsWorking Adults
C13
A mind-blowing explanation of symmetry | Frank Wilczek for Big Think
Daily ConversationUniversity StudentsWorking Adults
B21
How evolution works, in 54 minutes | Sean B. Carroll: Full Interview
Daily ConversationUniversity StudentsWorking Adults
C11
The psychology of persuasion, as told by an Ivy League professor | Jonah Berger for Big Think+
Daily ConversationUniversity StudentsWorking Adults
C12
Why ‘turning the other cheek’ is fundamentally misunderstood | Bishop Robert Barron
Daily ConversationUniversity StudentsWorking Adults
C15
How many people are in hell? | Bishop Robert Barron
Daily ConversationUniversity Students
C14
What kind of atheist are you? | Clay Routledge
Daily ConversationUniversity StudentsWorking Adults
B23
How do elite performers automate their habits? | Wendy Wood
Daily ConversationUniversity StudentsWorking Adults
C12
Where is the evidence for God? | Bishop Robert Barron
Daily ConversationUniversity StudentsWorking Adults
C12
Why I’m against empathy | Paul Bloom
Daily ConversationUniversity StudentsWorking Adults
C11
The famous tree-falling thought experiment has a new answer | Lisa Feldman Barrett
Daily ConversationUniversity Students
C14
Become a great strategic thinker | Ian Bremmer
Daily ConversationUniversity StudentsWorking Adults
C12
The absurd power of shared belief | Lisa Feldman Barrett
Daily ConversationUniversity Students
C12
Would a society based on genetics be… good? | Kathryn Paige Harden
Daily ConversationUniversity Students
C12
The lost art of accomplishment without burnout | Cal Newport for Big Think +
Daily ConversationUniversity StudentsWorking Adults
C113
Supernatural thinking: Your brain’s anti-anxiety mode | Clay Routledge
Daily ConversationUniversity StudentsWorking Adults
FOR YOU
Empfohlenes Video
B22
23 Sätze
Why Study Art? | TateShots
Daily ConversationUniversity StudentsWorking Adults
C1331 Sätze
The New Generation of YouTube Influencers
Daily ConversationUniversity StudentsWorking Adults
C11
167 Sätze
Bestselling Author Adam Grant on Why We're More Disconnected Than Ever
Daily ConversationUniversity StudentsWorking Adults
B214
45 Sätze
What makes art so expensive? | CNBC Explains
Business EnglishDaily ConversationUniversity Students
C111
32 Sätze
Is This Really Art? The Banana on the Wall
American AccentBritish AccentDaily ConversationUniversity Students
C12
68 Sätze
Monet's Water Lilies: Great Art Explained
Daily ConversationUniversity StudentsWorking Adults
C11
288 Sätze
Art Direction Techniques You Can Use
Daily ConversationUniversity Students
C13
159 Sätze
Episode 1: "What is social ontology?" - Prof Brian Epstein
Daily ConversationUniversity Students
C17
175 Sätze
The Lost Art Of The Intellectual Life
Daily ConversationUniversity StudentsWorking Adults
C12
40 Sätze
The Airport Story That Reveals How Great Thinkers Solve Problems | Terence Tao | MasterClass
Daily ConversationUniversity Students
Wortschatz und Sprechhinweise zu dieser Lektion
Diese Sprechübung basiert auf dem Video „Why do some artists become famous?“. Diese Wörter kommen am häufigsten vor: artist, network, institution, talent, measure. Dieses Video enthält 55 Sätze und 971 Wörter zum Nachsprechen. Der gesprochene Teil dauert 6:07. Der Sprecher spricht in natürlichem Tempo, etwa 159 Wörter pro Minute, ähnlich wie im Alltagsgespräch. 89 % der Wörter gehören zu den 3.000 häufigsten im Englischen, der Wortschatz ist also leicht zu verfolgen. 12 der 55 Sätze sind Fragen – gut, um Frageintonation und kurze Antworten zu üben.
Wichtiger Wortschatz in diesem Video
15 lernenswerte Wörter aus dem Video, mit Aussprache und Bedeutung:
| Wort | Aussprache | Bedeutung |
|---|---|---|
| institution Substantiv | /ˌɪn.stɪˈtʃuː.ʃən/ | Institution |
| exhibit Verb | /ɪɡˈzɪbɪt/ | zeigen, zur Schau stellen |
| connect Verb | /kəˈnɛkt/ | verbinden |
| runner Substantiv | /ˈɹʌnɚ/ | Läufer, Läuferin |
| artistic Adjektiv | /ɑɹˈtɪs.tɪk/ | künstlerisch, gestalterisch |
| recognition Substantiv | /ˌɹɛkəɡˈnɪʃ(ə)n/ | Erkennen, Wiedererkennen |
| guarantee Substantiv | /ˌɡæɹ.ənˈtiː/ | Garantie |
| arrive Verb | /əˈɹaɪv/ | ankommen, einlangen |
| scientist Substantiv | /ˈsaɪəntəst/ | Wissenschaftler, Wissenschaftlerin |
| influential Adjektiv | /ɪnflʊˈɛnʃəl/ | einflussreich |
| predict Verb | /pɹɪˈdɪkt/ | prophezeien |
| collector Substantiv | /kəˈlɛk.tɚ/ | Sammler, Sammlerin |
| aspect Substantiv | /ˈæspɛkt/ | Aspekt |
| discover Verb | /dɪˈskʌvə/ | entdecken |
| incredibly Adverb | /ɪŋˈkɹɛdɪbli/ | unglaublich |
Phrasal Verbs, die du hören wirst
| Wort | Bedeutung |
|---|---|
| end up Verb | sich herausstellen, am Ende irgendwo / etwas sein |
| turn out Verb | sich herausstellen als/dass, sich erweisen als |
Sätze zum Wiederholen
Kurze, vollständige Sätze aus dem Video, die du im Alltag wiederverwenden kannst:
- What galleries showed your work?
- What museums show your work?
- Is your work selling?
Aussprache, auf die du achten solltest
Der Sprecher verwendet 10 Kurzformen und abgeschwächte Formen, zum Beispiel don't, you're, gonna. Sprich sie in der kurzen Form, so wie du sie hörst.
- Die Laute „sh“ und „zh“: institution /ˌɪn.stɪˈtʃuː.ʃən/, recognition /ˌɹɛkəɡˈnɪʃ(ə)n/, influential /ɪnflʊˈɛnʃəl/, exhibition /ɛksɪˈbɪʃən/, auction /ˈɔkʃən/
- Lange Wörter – auf die Betonung achten: institution /ˌɪn.stɪˈtʃuː.ʃən/, recognition /ˌɹɛkəɡˈnɪʃ(ə)n/, influential /ɪnflʊˈɛnʃəl/, incredibly /ɪŋˈkɹɛdɪbli/, exhibition /ɛksɪˈbɪʃən/
Laute, die Deutschsprachigen schwerfallen:
- /w/ — mit runden Lippen, nicht wie das deutsche „w“ (/v/): reward /ɹɪˈwɔɹd/, artwork /ˈɑɹtˌwɝk/
- Stimmhafter Auslaut — /b/, /d/, /g/, /z/, /v/ am Wortende nicht verhärten: node /noʊd/, arrive /əˈɹaɪv/, reward /ɹɪˈwɔɹd/, talented /ˈtæləntɪd/, succeed /səkˈsiːd/
- /æ/ — offener als „ä“: guarantee /ˌɡæɹ.ənˈtiː/, aspect /ˈæspɛkt/, talented /ˈtæləntɪd/, practically /ˈpɹæk.tɪ.k(ə.)li/, canon /ˈkæn.ən/
So übst du mit diesem Video
- Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
- Beginne mit 0,75-facher Geschwindigkeit, sprich Satz für Satz nach und wechsle zur normalen Geschwindigkeit, sobald es leichtfällt.
- Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie institution, exhibit, connect.
Was ist die Shadowing-Technik?
Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.