Практика Shadowing: Characters: Internal vs. external features - Изучайте разговорный английский по видео
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Hi.
*глухой удар* Привет.
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I'm Christian Roman and I'm a story artist at Pixar.
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I'm your host for this second lesson on storytelling.
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which is on character development.
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and I have a few friends joining me.
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I'm Austin Madison.
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I am a story artist.
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My name is Afton Corbin, and I'm a storyboard artist.
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My name is Louise Smyth, and I am a storyboard artist.
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My name is Ronnie Del Carmen.
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I am a story person, director, designer, and all -around troublemaker around here at Pixar.
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The goal of this lesson is to explore our character development process.
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by which we go from simple character concepts, such as a robot or a fish or a girl, to complex characters people can actually care about.
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Take Wall -E.
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He's not just a robot.
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He's a lonely, curious robot who fears, thinks, and ultimately loves. or Nemo.
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He's not just a fish.
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He's a young fish who craves independence from his father.
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but endangers himself in trying to achieve it. or MERDA.
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She's a young princess who wishes to pursue her own hopes and dreams.
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rather than conform to her parents' expectations.
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We can call these characters fully developed.
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This means we've gotten to know them so well that we can imagine them in almost any situation.
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Creating a fully developed character isn't easy.
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You're basically creating a new life from scratch.
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but it's really special when you get there.
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So, How do we begin character development at Pixar?
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We can talk about characters in two ways.
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They have their external features, which is their design, their clothes, what they look like.
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And then much more interesting is the internal features.
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Are they insecure?
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Are they brave?
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Are they jealous?
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pretend like I'm having a conversation and getting to know a friend.
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and think, "Okay, well, what do they like to do?
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What are their beliefs?
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What do they enjoy?
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What do they not enjoy?" I think actually I work more externally first now that I think about it.
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You know what they're wearing, how they style their hair, and that kind of informs internally what's going on.
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You know one of my favorite Pixar characters is Syndrome.
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You look on the outside and he actually kind of looks like a superhero.
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He's got the superhero costume on, he's got a cape, he's got this dazzling hair, but inside he's totally a villain and he wants to actually do away with all the supers.
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So you kind of have that great little contrast there with that character that makes him feel really rich and really real.
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- Characters have to come from authentic human emotions and experiences.
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And that doesn't necessarily have to mean make every character you.
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It could also be draw from people you know, things from real life.
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Listen to that little voice saying, "Oh, that's just like what my mom used to do," or, "Oh, that's just like this friend I had in high school," or,
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"Oh, my little brother was like that when we were growing up." Because it's much easier to go from your
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family members or a friend when you're trying to search for a character.
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The specificity that
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people bring that you can't make up on your own is something that I
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look forward to and I enjoy when I'm trying to pinpoint down a character.
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I was working on Up, I was the story supervisor.
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Now, I'm a little invested in Carl's journey because back then my father was not well.
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He also had a full head of white hair.
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So when he gets to the Teppui, Carl actually has to be alone in his house.
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essentially looking back at the life that he had led. with Ellie.
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And he does this.
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silently.
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At that point, when I was storyboarding that sequence, my father was already in the hospital, and he was unable to speak.
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And when I actually talk to my father, he can only communicate to me through his eyes.
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and with smiles and facial movements.
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That actually helped me storyboard those moments when Carl silently thinks about his life with Ellie.
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And without dialogue, we understand the emotions that he's going through.
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And without my experience with my father, I wouldn't have been able to actually tackle that moment in the movie and storyboards credibly.
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And I told him that Dad, I'm drawing you. as Carl.
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Understanding a character, both inside and out, will help you figure out what the character really desires.
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which is what drives them through their journey.
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In this first exercise, you'll have a chance to think about the difference between internal and external character traits.
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Remember, The more you know about your character, the more real that character will feel.
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Почему стоит практиковать разговор на основе этого видео?
Развитие персонажей в storytelling — это важная тема, которая позволяет не просто учить английский с YouTube, но и понимать глубже, как создаются образы, с которыми мы можем эмоционально соединяться. Это видео, представленное командой Pixar, показывает, как внутренние и внешние характеристики персонажей влияют на их восприятие. Практикуя разговорную речь в контексте этого видео, вы сможете улучшить свои навыки общения, научитесь выражать свои мысли и чувства, а также развивать способность анализировать и обсуждать сложные темы.
Грамматика и выражения в контексте
В видео используются несколько ключевых структур, которые полезны для изучения:
- “He’s not just a robot” — эта фраза подчеркивает важность конкретизации и глубины при описании персонажа.
- “Are they insecure? Are they brave?” — использование вопросов помогает понять, как можно исследовать внутренние характеристики персонажа.
- “Creating a new life from scratch” — этот оборот демонстрирует процесс создания персонажа и может быть использован для описания различных творческих процессов.
- “Authentic human emotions” — изучение выражений, связанных с подлинными эмоциями, важно для улучшения вашего словарного запаса.
Используя эти структуры, вы сможете разнообразить свои высказывания и стать более уверенными в своих речевых навыках.
Распространенные ловушки произношения
В этом видео присутствуют несколько слов и выражений, которые могут стать настоящими вызовами для изучающих английский:
- “Villain” — это слово может вызывать трудности в произношении, так как ударение ставится на первый слог.
- “Independence” — обратите внимание на слога и их четкое произнесение, так как это слово является полным забавным испытанием для произношения.
- “Syndrome” — сочетание звуков и силы ударения может создать сложности, особенно если вы не привыкли к таким словам.
Кроме того, акценты, которые используют герои, могут помочь вам развить навык shadow speak, что является отличным упражнением для улучшения произношения и интонации.
Что такое техника Shadowing?
Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.