Prática de Shadowing: My future is so bright Jim - The Office US - Aprenda a falar inglês com vídeo
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1
Thank you.
2
Thank you.
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- I'm sorry.
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My future is so bright, Jim.
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Jim, do you know how bright my future is?
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It's so bright that...
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What?
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Do you know?
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Is there something I gotta wear?
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Thank you.
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Huh?
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- - Cagels.
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Dwight was the top salesman of the year at our company.
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He wins a little prize money and gets honored at some convention.
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That's what she said.
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Ha!
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I don't get it.
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Grapes?
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Seductive?
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So, you ready for the big speech this afternoon?
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Well, that's not really a big speech.
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You're still coming, right?
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Oh, abso -fruitly.
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Fruit, grapes, nailed the joke, matter of time.
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And yes, it is a big speech, biggest of your life.
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Speaker at the sales convention, been there, done that.
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Went there again, did it again.
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Two years in a row.
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consecutive I can't do this.
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That's because you're incapable of doing it, because you don't know how because you have no skills.
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Dwight goes to Michael for pep talks. To Michael.
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And what a lot of people don't understand about sales is that it has so much to do with organization.
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I have a system in place for keeping track of who I speak to when I speak to them, and what we have discussed.
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Et cetera.
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That's it.
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You're going to end with et cetera?
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Okay, what's this big organizational system?
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Well, do you think I should describe our filing system?
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Duh, that would be suicide.
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Never talk specifics.
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Not in a speech.
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But the fact that you have no idea what to say is, believe it or not, the least of our worries.
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- It is?
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- It's your delivery.
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- What is?
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- Our biggest worry.
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- I don't follow.
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- My God, Dwight, the best way to learn is by watching.
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That's why porn is a multi -trillion dollar industry.
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Listen, okay.
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Sit down, let me wow you.
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- Ahem.
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- Ah!
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- Oh, God.
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See?
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Have your attention now, don't I?
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You're scared, but now you're ready to learn.
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But seriously, what's the difference between a salesman and a saleswoman?
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A saleswoman has a vagina.
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It's a joke, Dwight.
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It's not a sex -ed class.
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But I'm right.
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Yeah, you're right about the difference between a man and a woman, but not about the punchline to the joke.
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right?
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The difference between a salesman and a saleswoman is boobs.
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Hey, do you remember the speeches that you gave?
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I do, both of them.
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Could I have a copy of one of them?
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No, no, they would remember.
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Look, it doesn't matter what you say.
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It just matters that you're saying something that people care about.
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Attention, please.
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I have some very great news from corporate.
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We had a wonderful quarter, and as a result, All of you are getting bonuses for $1 ,000.
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Yeah!
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Congratulations.
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You see that?
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You see how they responded to me?
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That moment, I had them.
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That is so great about the bonus!
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No, no, it's not true.
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I was just...
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talking.
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So just go out there and say anything.
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Delete it up.
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Great audience.
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Go ahead, get the wallpaper.
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Wallpaper to the ceiling if you want.
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Excuse me?
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May I have your attention, please?
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There has been an accident on 84 West.
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Cars have skidded off the road into the safety railing.
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Several cars have flipped.
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There is broken glass everywhere.
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Several people are injured.
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Do we know anyone who was in the accident?
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Brad Pitt.
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Also, there will be no bonuses.
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Why would this affect our bonuses?
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They're unrelated.
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Is Brad okay?
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He will never act again.
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Also, this branch is closing.
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What the hell's going on here?
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- Are we out of jobs?
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- Yes.
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- This is karma because of what he did to Jennifer Aniston.
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- He was kidding.
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Dwight was kidding.
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And I don't know why, because it wasn't funny, and it was just horrible.
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- Michael.
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- Yeah.
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- You said we were getting bonuses.
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- That was just a funny joke.
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Remember, you applauded.
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So nobody's hurt?
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I don't know about that.
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People are injured in car accidents every 4 .5 seconds.
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Shut.
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It.
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Come on.
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All right, listen up, please.
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Dwight has a joke.
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Thank you.
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Thank you.
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Stop it.
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Two sailors walk into a bar.
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Please don't tell a sailor joke.
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Oh, why not?
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Her nephew's in Iraq.
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Iraq is sand.
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Sailors are on water.
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Yes, but...
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They're both in danger.
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-Yeah, well, you know what?
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We need to...
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All right.
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Corporate purchase, um, airtime in local markets to spread the word about Dunder Mifflin Infinity, and they are even sending up a professional ad company to help us make it later.
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Michael Scott, regional manager.
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Hi Michael, nice to meet you.
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Excited to talk ideas.
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I want this to be cutting edge.
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I want it to be fast.
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Quick cuts.
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I would like you to meet Andrew Bernard, the nard dog.
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Ooh, let the Nord Dog out.
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- He gives the best back rubs in the office you know, youthful.
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Now this gentleman right here is the key to our urban vibe.
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Urban.
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Phyllis.
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It's like our Mrs. Butterworth.
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kind of a less urban Aunt Jemima.
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MTV on crack kind of thing.
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- That sounds great.
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- All right.
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That's what Nashua came up with? That sucks.
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Wow.
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That's what we came up with.
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-Well, we can do better than that.
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-Well, the main part of the ad has to stay the same, actually.
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-Yeah, it's the last five seconds where we have some leeway.
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You could call from Eddie Murphy.
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there.
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Thank you.
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Hello?
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Shrek!
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Shrek, I'm a donkey!
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I'm a dog, you shrek!
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It's me!
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Hello, Ry!
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- What?
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- Here is the deal.
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The ad guys that you sent are locking me in a creative box and sort of ignoring my ideas.
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That's good.
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They're creative.
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You're not.
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I'm delegating creativity to creative professionals.
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It's a different skill set.
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Hey, guys.
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Um, you know what?
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We cannot shoot this ad today.
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-Okay, when should we come back?
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-How about never 100 hours, sir?
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- Wait, we were sent here to help-- - No, I'm not gonna argue with this guy.
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Let's go.
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Good luck, dude.
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-Hey, thanks.
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-Thank you.
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Michael, David Wallace, what is this about dismissing the ad people?
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Yeah, I'm glad you called.
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Ryan is being a little bitch again.
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Come on, Michael.
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What's up, my brother?
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I would like to do this ad in -house.
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I want to use only the creativity that we have right here in the office
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and I will send it to you tomorrow morning.
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We have three scenes to film, big scenes.
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We have a song to write, so let's get cracking.
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Kelly, I want you to do makeup, Oscar, I would like you to do costume design, obviously.
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Call Michael and Stanley, Jim Dwight Cree, call Anthony and Kelly, for your business paper needs.
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Dunder Mifflin, the people press is made for people.
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Dunder Mifflin, the people press is made for people.
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Time out, time out, time out.
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I was under the impression that this was going to be a wrap.
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Let's wrap.
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Okay, Darryl, wow.
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You need to learn a lot about your own culture.
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I'll make you a mix.
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Wow, wow, this looks, uh, terrible.
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This is a pivotal scene in the ad.
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And if we don't get this, if we don't nail it, we're gonna lose the whole triumph of the moment.
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Well, It's been tough.
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The geniuses at corporate rejected my commercial.
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And tonight they are airing the Braindead version.
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Can you do me a favor?
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Could you put that in the DMD player?
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Hey everybody, just want to welcome you all to the premiere of The Real.
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Dunder Mifflin commercial.
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Michael Scott director's cut.
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It all starts with an idea,
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but you can never tell where an idea will end up. Because ideas spread.
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They change, grow.
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They connect us with the world.
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you Thank you.
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and in a fast -moving world where good news moves at the speed of time.
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- you And bad news...
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isn't always what it seems.
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- - Thank you.
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- you .
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you Because when push comes to shove, .
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you you We all deserve a second chance.
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Thank you. to score.
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Bye.
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Yeah.
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Bye.
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Dunder Mifflin Limitless paper.
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in a paperless world.
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Oh!
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Let's go, Fallout, let's go.
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Move, move, move, move, move.
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- Okay.
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I got a shotgun!
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DAMMIT.
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Oh.
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Slow down.
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We're not going to get there any faster if we're dead.
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Thanks, I know how to drive.
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Thank you.
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I'm going to go.
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Oh yeah, you really shouldn't litter.
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My car, my rules.
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I don't think she's gonna make it.
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I don't think she's gonna make it.
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Ah!
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- It's a little too tight.
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I'm gonna find another spot.
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- All right.
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Hope nobody's are there.
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Welcome.
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Welcome.
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Okay.
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Thank you.
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Oh, okay. So...
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Let's dish.
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What do you want a dish about?
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Anything you guys want, this is your time.
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What is a pap smear?
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Or is it schmear?
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cream cheese.
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Okay.
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New topic, Kelly.
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How are things with Brian?
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Awesome.
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Um, awful, I mean.
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But sometimes awesome.
276
What, um...
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What do you think of roleplay?
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It can be fun.
279
Yeah?
280
Well, Jan has this schoolgirl fantasy.
281
It's a pretty common one.
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I feel uncomfortable wearing the dress.
283
Okay.
284
I'm going to be at the doll store.
285
Michael, you shouldn't do anything that you're uncomfortable with.
286
Chance has anything that doesn't scare us It's not worth it.
287
I don't know, maybe we're different people.
288
I like cuddling and spooning and she likes videotaping us during sex.
289
Oh my god.
290
Ohhhh.
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And then watching it back right afterward to improve my form.
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That is not healthy behavior.
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No, it's not that bad.
294
The worst part is, that she shows you to her therapist and they discuss it.
295
Michael, you need to get out of this.
296
Nah.
297
She's fooling around.
298
It's a woman thing.
299
Now, normal women don't do stuff like that.
300
bad.
301
- Oh.
302
It's all right, I'm OK.
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I'm OK.
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- Oh.
305
You guys...
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What am I gonna do about Jan?
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- - I cannot believe this yogurt has no calorie.
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No one said it has no calories.
309
Oh, hey.
310
Guys?
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I want to do something nice for you because you did something so nice for me earlier.
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I want you to go in there I want you to buy one item on me as a thank you.
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Come on.
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Get in here.
315
Look at that!
316
Come on!
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Free underwear.
318
It is totally inappropriate.
319
But on the other hand, Let's face it most guys are from the dark ages they're cavemen
320
and they like a woman to be showing a her cleavage and to be wearing eight -inch heels,
321
and to be wearing see -through Underpants. But...
322
For me, A woman looks best.
323
when she is just absolutely naked.
324
- The first time we have been in the Mmm.
325
You don't want anything?
326
My treat.
327
- Some panties or?
328
Like a thong or...
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G -string?
330
T -back.
331
Get a nice bra.
332
padded bra.
333
See -through, push -up.
334
Lace?
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thigh high, bustier, anything.
336
You know what, I would love to buy you a fresh set of underwear.
337
Ellis.
338
What do you think, too much?
339
Jim's gonna love it.
340
Thank you.
341
Thank you.
342
I'm kind of in between boyfriends right now, so...
343
I don't need anything sexy.
344
but I do need some new hand towels.
345
I figure I can cut up this robe.
346
slower.
347
It's lower.
348
- Meriden, slow it up.
349
- What are you doing with my lunch?
350
- I'm delivering it from the fridge.
351
It's like a porno.
352
"Hey, did anybody order a pizza?" It's not pizza.
353
Yeah, and we're not about to make love.
354
I just thought maybe you'd want to eat lunch at your desk today
355
so that during lunch we could go down to the warehouse and bang out a few tunes.
356
I like the sound of that.
357
Is Kevin here?
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Uh, you tell me.
359
Frankly, I could use a little fun.
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All day long, it's just.. delegate, delegate, delegate.
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Let someone else do that for a while.
362
*Skibbadoo ba ba ba dee
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Skibbadoo ba ba ba dee Skibbadoo ba ba ba
364
dee Skibbadoo ba ba ba ba dee Skibbadoo ba
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ba ba ba dee Skibbadoo ba ba ba ba ba
366
dee Skibbadoo ba ba ba ba ba ba dee *
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*Skibbadoo ba ba ba ba ba ba ba ba ba ba
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ba ba ba ba ba ba ba ba ba ba ba ba ba ba ba Nice scatting, man.
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Thank you.
370
I think I said "dupe" instead of "boop" at one point.
371
Not bad, fellas.
372
- You're better than you look.
373
- Hey, screw you!
374
Mm -hmm.
375
Hey, Robert.
376
Are we meeting early?
377
Just taking a stroll.
378
What exactly have I stumbled upon here?
379
Well, we're all musicians and we play together sometimes.
380
you're a bad.
381
Thank you.
382
We're called Kevin and the Zits.
383
That was never agreed upon.
384
I miss being in a band.
385
Miss No More, what do you play?
386
Join us.
387
I have a tambourine.
388
Tambourine.
389
You know I'm the CEO, right?
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CEOs don't play tambourines.
391
Tambourines are for girlfriends.
392
I play harmonica.
393
I think I have one in the car.
394
Great!
395
Nice!
396
Robert is gonna be a zit.
397
Again, never agreed upon.
398
I had totally given up on hanging out with Robert California, and now he wants to be in our band.
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And when you're in a rock and roll band with somebody, you're bonded for life.
400
Usually their life is short
401
and tragic You guys sound great man Daryl Andy Kevin This is Curtis DeRoe local musician
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and the officiant at my wedding local musician and Local legend.
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I used to come here.
404
You play every week at the deer head.
405
Dude, you're on TV.
406
You're the sportscaster on Channel 7.
407
Go Eagles!
408
You do that on TV.
409
You guys mind if they join us?
410
-Oh, yeah, sure.
411
-Yeah, sure.
412
Guys, I've got some instruments right here.
413
Hey.
414
Why don't you and me play those?
415
Yeah?
416
Okay, this is awesome.
417
What should we play?
418
Maybe we should warm up with some scales.
419
Did I ramble?
420
Midnight what?
421
I feel like you and the newsman had a groove going.
422
Did you know that Lisa toured with Chaka Khan?
423
Are you serious?
424
From Star Trek?
425
Hey.
426
You call some of that?
427
I caught it.
428
What, do you like the blues?
429
I might enjoy seeing you guys play the blues.
430
Well, we are playing.
431
We're all playing together.
432
These are our jam buddies.
433
It's a jam session.
434
We go where the music takes us.
435
I think the music left without you.
436
We had to leave because of creative.
437
differences.
438
Yeah, they...
439
kind of had a specific sound that didn't really fit in with our thing.
440
Guys.
441
This means...
442
They're Kevin and the Zith now.
443
No man We are.
444
Oh.
445
Thank you.
446
I'm going to go to the kitchen.
447
Thank you.
448
Thank you.
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Sobre Esta Lição
Nesta lição, você irá praticar a fala em inglês através da técnica de shadow speak, também conhecida como shadowspeak. Através de trechos do vídeo da série "The Office", você irá melhorar a pronúncia em inglês e desenvolver sua fluência. A forma como os personagens se comunicam oferece uma ótima oportunidade para você entender o tom e a entrega das falas, permitindo que você adote essas nuances na sua própria fala.
Vocabulário e Frases-Chave
- My future is so bright - Meu futuro é tão brilhante
- Do you know? - Você sabe?
- Big speech - Grande discurso
- Incapable of doing it - Incapaz de fazer isso
- Organizational system - Sistema organizacional
- Delivery - Entrega
- Never talk specifics - Nunca fale sobre detalhes
- The best way to learn - A melhor maneira de aprender
Dicas de Prática
Para maximizar seu aprendizado e melhorar a pronúncia em inglês, siga estas dicas ao praticar a técnica de shadow speech com este vídeo:
- Escute atentamente: Preste atenção na velocidade e no tom de voz dos personagens. A forma como eles se expressam é fundamental para entender nuances da comunicação.
- Repita em voz alta: Faça a prática de shadowing, repetindo o que você ouve imediatamente depois de escutar. Isso ajuda na sua entonação e ritmo.
- Grave sua prática: Escute-se novamente para identificar áreas em que você pode melhorar. O feedback é essencial para o seu progresso.
- Foque na entrega: Note como as emoções e ênfases são colocadas nas frases. A entrega é tão importante quanto o conteúdo em uma apresentação!
- Pratique com frequência: A prática regular é um componente essencial da técnica de shadowspeak. Quanto mais você praticar, mais natural se tornará sua fala.
Ao seguir estas diretrizes, você não apenas aprimorará sua compreensão do inglês, mas também se tornará um comunicador mais eficaz. Lembre-se, a prática leva à perfeição!
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | have discussed · has been · have skidded |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | are injured · were sent · is made |
| Conselho com “should” should + verbo — dizer o que é uma boa ideia | should describe · should we come · shouldn't litter |
| Superlativos the -est / the most … — o maior ou o menor de um grupo | Our biggest · the best · The worst |
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.