Практика Shadowing: Stop Start in Love - Изучайте разговорный английский по видео
Создание урока...
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Let's try to understand one of the oddest, most painful, most widespread phenomena in love.
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It's going on right this moment between a couple, let's say he a dentist, she a nutritionist in Rio de Janeiro.
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Two teenagers are at it in Canberra, there's a pair involved in the rigmarole in downtown Dakar, another in Svalbard, another still in Winnipeg.
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If every time it happened a light went on, most of the earth would be a glow from space.
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We can refer to the phenomenon as push-pull or stop-start or sometimes distance management.
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The structure is identical and fairly predictable.
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Growing intimacy, then retreat.
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Altitude, then a drop.
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Two good days, then a fight.
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Five warm messages, then silence.
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A weekend away, then a call for time alone.
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It can seem like a horrible, but ultimately mysterious curse.
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It is, in fact, an almost logical phenomenon with a singular purpose – to protect one
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or both of the parties from a generally unconscious but violent fear that love might work out, that happiness might become real,
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that a true partnership could build, that vulnerability might be created and then, when the shield was lowered, when one had grown to depend on someone completely,
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that everything might go catastrophically wrong.
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The other party could change their mind, they might abscond, they could die.
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To prevent such worries, the mind of the stop-start lover looks around for ingenious solutions
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and finds one in a committedly dispiriting game.
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Older than chess, more harmful than poker, this game would have been played in ancient Egypt.
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The Aztecs were at it.
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The rules state that love can happen, but that it must never pick up velocity.
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There can be intimacy, but always within bounds.
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The exits must remain forever open.
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can't be too much security that would paradoxically generate an untenable impression of danger.
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In practice, the game requires a vigilant monitoring of every exchange and repeated quiet injections of disappointment.
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If last night was beautiful, this morning has to be moody.
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Tuesday was good, Wednesday must be awful.
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If the dialogue is getting very cosy, there has to be some disappearance.
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What cannot be allowed to occur was what almost certainly once occurred a very long time ago.
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An unprocessed, unexplored letdown, in which cosiness was achieved and then torn away.
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Mummy was the best mummy in the world, before the doctor said she wasn't well.
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Daddy was the sweetest, then Jill came on the scene.
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The holidays were nice, except for when the drinking began.
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Let's believe that someone interested in stop-start love isn't doing it on purpose.
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The lover who keeps needing to pause isn't aware, as they put down the phone and decides not to answer a message for four hours,
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that they are interrupting the flow of affection in the name of self-protection and along the way, devastating a fellow human being.
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The most potent players of this stop-start game have no real insight into their tactics.
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They just register an overwhelming need not to type anything back, not to be free tonight
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and not to say I love you too at the end of a call or evening in bed.
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What can we, the victims of stop-start, do?
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For a start, feel extremely sorry for ourselves in our misery.
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We don't need to compound our pain by making light of it, or indeed hoping it can ever easily end.
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It would be hard to explain all this to a group of six-year-olds.
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When you're older, you're going to form something called relationships.
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You'll meet a nice person, a special friend.
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Some days your special friend will call you and on others they'll just vanish.
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One might not want to make it to adulthood after a class like that.
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The sole effective weapon we have against stop-start game playing is knowledge.
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To describe the phenomenon accurately the moment it appears, to provide a succinct explanation as to why it might be doing so,
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to give the other party a few chances at reform, and then to walk away, because we know what we're up against,
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and we recognise that lonely calm truly is better than continually agitated togetherness.
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Лексика и советы по произношению к этому уроку
Этот урок разговорной практики уровня C1 построен на видео «Stop Start in Love». В этом видео 52 предложений и 707 слов для шедоуинга. Речь длится 4:24. Говорящий говорит в естественном темпе, около 160 слов в минуту, близком к повседневной речи. Только 81% слов входят в 3000 самых частых слов английского языка, поэтому лексика сложная.
Ключевая лексика этого видео
Самые сложные слова из видео (15), с произношением и значением:
| Слово | Произношение | Значение |
|---|---|---|
| mummy существительное | /ˈmʌm.i/ | му́мия |
| intimacy существительное | /ˈɪn.tɪ.mə.si/ | бли́зость, инти́мность |
| abscond глагол | /əbˈskɑnd/ | скрыва́ть |
| catastrophically наречие | катастрофи́чески | |
| cosiness существительное | ую́т, комфо́рт | |
| devastate глагол | /ˈdɛv.ə.steɪt/ | опустоша́ть, опустоши́ть |
| ingenious прилагательное | /ɪnˈd͡ʒiːnjəs/ | изобрета́тельный, нахо́дчивый |
| nutritionist существительное | /njuːˈtɹɪʃ.ənɪst/ | дието́лог, диетвра́ч |
| overwhelm глагол | /ˌoʊ.vɚˈwɛlm/ | поглоща́ть, зава́ливать |
| paradoxically наречие | /ˌpɛɹəˈdɑksɪkli/ | парадокса́льно |
| rigmarole существительное | /ˈɹɪɡməɹoʊl/ | каните́ль, волоки́та |
| unprocessed прилагательное | необрабо́танный | |
| untenable прилагательное | несостоя́тельный | |
| vanish глагол | /ˈvænɪʃ/ | исчеза́ть |
| vigilant прилагательное | /ˈvɪd͡ʒɪlənt/ | бди́тельный |
Фразовые глаголы, которые вы услышите
| Слово | Произношение | Значение |
|---|---|---|
| pick up глагол | подбира́ть, подобра́ть | |
| put down глагол | ста́вить, поста́вить | |
| tear away глагол | отрыва́ться, оторва́ться | |
| work out глагол | /ˌwɝk ˈaʊt/ | рассчи́тывать, рассчита́ть |
Произношение, на которое стоит обратить внимание
Говорящий использует 10 сокращённых и редуцированных форм, например isn't, you're, can't. Произносите их коротко, так, как слышите.
- Звуки «sh» и «zh»: nutritionist /njuːˈtɹɪʃ.ənɪst/, vanish /ˈvænɪʃ/, affection /əˈfɛk.ʃən/, unconscious /ˌʌnˈkɑnʃəs/, injection /ɪnˈd͡ʒɛk.ʃən/
- Длинные слова — следите за ударением: intimacy /ˈɪn.tɪ.mə.si/, nutritionist /njuːˈtɹɪʃ.ənɪst/, paradoxically /ˌpɛɹəˈdɑksɪkli/, vulnerability /ˌvʌln(ə)ɹəˈbɪlɪti/, disappearance /dɪsəˈpɪəɹəns/
Звуки, трудные для русскоязычных:
- Звонкие согласные в конце слова — не оглушайте их: abscond /əbˈskɑnd/, altitude /ˈælt.ɪˌtjuːd/, pause /pɔːz/
Как заниматься с этим видео
- Прослушайте всё видео один раз молча и выпишите незнакомые слова.
- Начните со скорости 0,75×, повторяйте предложение за предложением и вернитесь к обычной скорости, когда станет легко.
- Запишите себя и сравните с оригиналом, обращая внимание на такие слова, как mummy, intimacy, abscond.
Что такое техника Shadowing?
Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.