跟读练习: Cambridge 13 Test 1 Section 4 Listening - 通过视频学习英语口语

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Section 4.
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You will hear part of a lecture about noise in cities.
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First, you have some time to look at questions 31 to 40.
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Thank you.
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Now listen carefully and answer questions 31 to 40.
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This lecture will be about the science of acoustics, the study of sound, in relation to urban environments such as cities.
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As an acoustic engineer myself, I think this is an area where we're likely to see great changes.
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In the past, researching urban soundscapes was simple.
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We measured levels of sound in decibels.
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So I used to take my sound meter and I measured the noise somewhere.
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And then I might ask a sample of people to say at what level the sound became annoying.
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With data like this, acoustic engineers have been able to build up what we call noise maps, maps of the sound environment.
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But actually, these aren't a lot of use.
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What they do show is that the highest noise levels are generally on roads.
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Well, that's not really very surprising.
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But there's quite a lot going on that these maps don't show, because they can't capture the complex way that sound varies over time.
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So they ignore important issues such as the noise someone might hear from the open windows or gardens of their neighbours.
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And this sort of noise can be quite significant in summer.
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We don't have any databases on this sort of information.
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As well as that, these records of sound levels take no account of the fact
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that people vary in their perceptions of noise.
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So someone like me with years of working in acoustics might be very different from you in that regard.
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But anyway, even though these noise maps are fairly crude, they've been useful in providing information and raising awareness that noise matters.
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We need to deal with it, and so it's a political matter.
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And that's important.
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We need rules and regulations because noise can cause all sorts of problems.
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Those of you who are city dwellers know that things go on 24 hours a day, so city dwellers often suffer from interrupted sleep.
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It's also known
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that noise can lead to a rise in levels of stress
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due to physical changes in the body affecting the composition of the blood.
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And there are other problems as well.
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For instance, if schoolchildren don't have a quiet place to study, their work will suffer.
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Now one problem with decibel measurement is that it doesn't differentiate between different types of noise.
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Some types of sounds that most people would probably think of as nice
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and relaxing might well score quite highly in decibel levels.
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Think of the sound made by a fountain in a town square, for example.
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That's not necessarily something that we'd want to control or reduce.
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So maybe researchers should consider these sorts of sounds in urban design.
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This is going to be tricky, because just measuring decibel levels isn't going to help us here.
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Instead, many researchers are using social science techniques, studying people's emotional response to sound by using questionnaires and so on.
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So what exactly do people want to hear in an urban environment?
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Some recent interdisciplinary research has come out with results that at first sight seem contradictory.
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A city needs to have a sense of activity, so it needs to be lively,
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with sounds like the clack of high heels on a pavement or the hiss of a coffee machine.
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But these mustn't be too intrusive because at the same time we need to be able to relax.
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One of the major problems in achieving this will be getting architects and town planners to use the research.
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Apart from studying the basics of acoustics, these people receive very little training in this area.
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But in fact, they should be regarding sound as an opportunity to add to the experience of urban living,
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whereas at present they tend to see it as something to be avoided or reduced as far as possible,
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or something that's just a job for engineers, like the street drainage system.
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What's needed is for noise in cities to be regarded as an aesthetic quality, as something that has the qualities of an art form.
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If we acknowledge this, then we urgently need to know what governs it and how designers can work with it.
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We need to develop a complex understanding of many factors.
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What is the relationship between sound and culture?
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What can we learn from disciplines such as psychology about the way that sound interacts with human development and social relationships,
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and the way that sound affects our thoughts and feelings?
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Can we learn anything from physics about the nature of sound itself?
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Today's powerful technologies can also help us.
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To show us their ideas and help us to imagine the effect their buildings will have, architects and town planners already use virtual reality.
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But these programmes are silent.
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In the future, such programmes could use realistic sounds, meaning that soundscapes could be explored before being built.
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So hopefully, using the best technology we can lay our hands on,
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The city of the future will be a pleasure to the ears as well as the eyes.
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That is the end of the listening test.
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In the IELTS test, you would now have 10 minutes to transfer your answers to the answer sheet.
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Thank you.

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本课的词汇与口语要点

这节口语课以视频“Cambridge 13 Test 1 Section 4 Listening”为素材。 视频中反复出现的词有:sound, noise, acoustic, urban, decibel。 这段视频共有 66 个句子、889 个单词可供跟读。 讲话部分时长为 7:54。 说话人语速平稳,每分钟约 113 个词,很适合跟读。 86% 的单词属于英语最常用的 3,000 词,其余的词建议在练习前先学一下。

视频中的重点词汇

视频中 15 个值得学习的单词,附发音和释义:

单词发音释义
suffer 动词/ˈsʌfɚ/受苦, 遭受
relax 动词/ɹɪˈlæks/鬆開 /松开, 放鬆 /放松
lecture 名词/ˈlɛk.t͡ʃə/演講 /演讲
architect 名词/ˈɑɹ.kɪˌtɛkt/締造者 /缔造者, 創造者 /创造者
researcher 名词/ˈɹiˌsɝ.t͡ʃɚ/研究員 /研究员, 研究者
ignore 动词/ɪɡˈnɔː/無視 /无视, 忽略
necessarily 副词/ˌnɛs.əˈsɛɹ.ə.li/必然地, 必定地
technique 名词/tɛkˈniːk/技術 /技术, 技巧
carefully 副词/ˈkɛɹf(ə)li/小心地
silent 形容词/ˈsaɪ̯lənt/安靜 /安静, 恬靜 /恬静
awareness 名词/əˈwɛɹ.nəs/意識 /意识, 覺悟 /觉悟
ear 名词/ˈɪə̯/耳朵, 耳
capture 动词/ˈkæp.(t)ʃɚ/捕獲 /捕获, 佔領 /占领
designer 名词/dɪˈzaɪnɚ/設計師 /设计师, 設計家 /设计家
whereas/(h)wɛɹˈæz/然而

视频中的语法

说话人最常用的结构,并附上视频中的原话:

结构视频中的用法
现在完成时 have/has + 过去分词 — 过去发生但与现在仍有关联的事have been · they've been · has come
被动语态 be + 过去分词 — 强调发生了什么,而不是谁做的be avoided · be regarded · could be explored

需要注意的发音

说话人用了 11 次缩略和弱读形式,例如 don't, aren't, can't。请按听到的简短形式来说。

  • “sh” 和 “zh” 音: capture /ˈkæp.(t)ʃɚ/, sheet /ʃit/, regulation /ˌɹɛɡjʊˈleɪʃən/, composition /ˌkɑm.pəˈzɪʃ.ən/, relation /ɹɪˈleɪʃ(ə)n/
  • 长单词——注意重音位置: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, regulation /ˌɹɛɡjʊˈleɪʃən/, composition /ˌkɑm.pəˈzɪʃ.ən/, psychology /saɪˈkɑ.lə.d͡ʒi/, differentiate /dɪf.əˈɹɛn.ʃi.eɪt/

中文母语者容易读错的音:

  • /v/ — 不要读成 /w/,上齿轻触下唇: vary /ˈvɛəɹi/, virtual /ˈvɜɹt͡ʃuəl/, lively /ˈlaɪv.li/, govern /ˈɡʌv.ən/, pavement /ˈpeɪvm(ə)nt/
  • 词尾辅音 — 要读清楚,后面不要加元音: acoustic /əˈkuː.stɪk/, regard /ɹɪˈɡɑːd/, relax /ɹɪˈlæks/, architect /ˈɑɹ.kɪˌtɛkt/, technique /tɛkˈniːk/
  • /r/ 和 /l/ 的区别: relax /ɹɪˈlæks/, necessarily /ˌnɛs.əˈsɛɹ.ə.li/, carefully /ˈkɛɹf(ə)li/, regulation /ˌɹɛɡjʊˈleɪʃən/, virtual /ˈvɜɹt͡ʃuəl/

如何用这段视频练习

  1. 先完整听一遍视频,不要开口,记下不认识的单词。
  2. 用正常速度逐句跟读,每句重复到你的节奏与说话人一致为止。
  3. 录下自己的声音并与原声对比,特别注意 suffer, relax, lecture 这类单词。

什么是跟读法?

跟读法 (Shadowing) 是一种有科学依据的语言学习技巧,最初开发用于专业口译员的培训,并由多语言者Alexander Arguelles博士普及。这个方法简单而强大:您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同,跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性,语调,节奏,连读,听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。

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