跟讀練習: RE3 Unit 11B - 通過影片學習英語口語

選擇練習模式

每種模式都會開啟全屏練習室。

63 句

如果句子過短或過長，請點選 Edit 進行調整。

In recent years, the artistic achievements of two 20th century pioneers have been brought to a global audience.

The Picasso of Brazil.

In 2018, a major new exhibition opened at New York's Museum of Modern Art, MoMA.

The show brought together more than 100 works by a single Brazilian artist.

Tarsila do Amarão.

Although widely celebrated in her native country, the artist was relatively unknown outside Brazil.

So who was Tarsila?

Born in 1886 in a small town near Sao Paulo, Tarsila do Amarão is considered the mother of modern art in Brazil.

She first developed a love for art after her parents sent her to study in Spain.

She returned to Europe a few years later and settled in Paris.

Several artists there, including Picasso, were beginning to experiment with new forms, less realistic and more abstract.

The new approaches continued to influence Tarsila after she returned to Brazil.

Approaches to art in Brazil at the time were relatively conservative.

traditional European styles dominated, with works mainly featuring natural, religious or historical scenes in soft colours.

Tarsila decided to take a different direction.

I want to be the painter of my country, she wrote.

Her images began to reflect

Brazil's diverse identity, a mix of native, African and European peoples.

She used strong, vivid colours to paint real -life scenes of the nation's farmers, countryside and wildlife.

This had never been done before in Brazilian art.

One of Tarsila's most famous works is Abaporo, 1928.

The title combines two words from Tupi Guarani languages, meaning man who eats people.

The painting has a playful, surreal quality, but its look and feel are distinctly Brazilian.

The work and its title later inspired a Brazilian art movement called anthropophagia or cannibalism.

Brazilian artists began to take in or digest styles from other cultures and mix them with local influences.

The result was something uniquely Brazilian.

Tarsila do Amaral died in Sao Paulo in 1973, age 86, after a career spanning six decades.

But her artwork and legacy live on in her native Brazil.

For Brazilians, her recognition is kind of off the charts, says James Rondeau, director of the Art Institute of Chicago.

She is the Picasso of Brazil.

Now, with the MoMA exhibition and other international shows, Tarsila's art is being appreciated by a new audience of admirers around the world.

the secret photographer at first

they seemed like ordinary photographs a couple holding hands a child

standing by a dirty window a man daydreaming in a park

the images were hidden in boxes for years unseen except by the woman who took them vivian mayor but

when a collector bought some of the boxes at auction

he soon realized their contents were remarkable mayor's street scenes might seem ordinary, but they were actually very special.

Vivian Mayer was born in New York City in 1926, the daughter of French and Austrian immigrants.

For most of her early life, she moved between

New York and Europe.

In 1956, she moved to Chicago, where she worked as a nanny and caregiver.

In her free time, she walked the city streets, taking pictures and developing her photography skills.

It was a hobby she would continue for the rest of her life.

Mayer's black and white images mostly portray urban life, street scenes and regular people.

Residents carry out everyday tasks, shopping, riding on buses, walking in a park.

Often she took her pictures in secret.

People are caught acting naturally, unaware that they are being photographed.

Many of the photos reveal something personal and often deeply moving.

They show us the beauty, humor, pain and mystery of normal life.

In total, Mare took over 100 ,000 photographs, but she developed very few.

Instead, she kept most of the negatives and a few prints in boxes in a rented storage space in Chicago.

Toward the end of her life, she was unable to pay the rent to the storage company.

So the boxes, with her work inside, were sold at auction.

In 2007, John Maloof purchased the contents of one of the storage lockers.

Realising the quality of the images, he added a selection of Mare's photographs to an image -sharing website.

Thousands of people worldwide viewed the photos, and many went viral.

Mare's photos began to appear in books and exhibitions.

In 2015, a movie about her life, Finding Vivian Mare, was nominated for an Academy Award.

It is not known why

Mare kept her photo secret or how she might feel about her worldwide fame.

She died in April 2009 in a nursing home in the Chicago suburbs.

Much of Mare's life remains a mystery.

But her talent as a visual storyteller, for so long hidden in darkness, has finally seen the light of day.

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本課的詞彙與口語要點

這節口語課以影片“RE3 Unit 11B”為素材。影片中反覆出現的詞有：Brazilian, Brazil, Tarsila, image, boxes。這段影片共有 63 個句子、783 個單詞可供跟讀。講話部分時長為 5:44。說話人語速平穩，每分鐘約 137 個詞，很適合跟讀。只有 78% 的單詞屬於英語最常用的 3,000 詞，詞彙難度較高。

影片中的重點詞彙

影片中 15 個值得學習的單詞，附發音和釋義：

單詞	發音	釋義
photograph 名詞	/ˈfoʊ.təˌɡɹæf/	照片, 相片
exhibition 名詞	/ɛksɪˈbɪʃən/	展覽會 /展覽會, 展示會 /展示會
mystery 名詞	/ˈmɪs.t(ə.)ɹi/	謎 /謎, 謎團 /謎團
ordinary 形容詞	/ˈɔɹdɪnɛɹi/	普通, 平常
auction 名詞	/ˈɔkʃən/	拍賣 /拍賣, 競賣 /競賣
chart 名詞	/t͡ʃɑɹt/	圖表 /圖表
everyday 形容詞	/ˈɛvɹiˌdeɪ/	日常的
recognition 名詞	/ˌɹɛkəɡˈnɪʃ(ə)n/	認出 /認出
photography 名詞	/fəˈtɑ.ɡɹə.fi/	攝影 /攝影
deeply 副詞	/ˈdi(ː)pli/	深, 深深
reveal 動詞	/ɹɪˈviːl/	透露, 顯示 /顯示
skill 名詞	/skɪl/	技巧, 技能
nurse 名詞	/nɝs/	護士 /護士, 看護 /看護
reflect 動詞	/ɹɪˈflɛkt/	反映, 反射
experiment 名詞	/ɪkˈspɛɹ.ə.mənt/	實驗 /實驗

影片中出現的短語動詞

單詞	發音	釋義
carry out 動詞	/ˈkæ.ɹi aʊt/	進行 /進行
take over 動詞		接管, 接手

影片中的語法

說話人最常用的結構，並附上影片中的原話：

結構	影片中的用法
被動語態 be + 過去分詞 — 強調發生了什麼，而不是誰做的	have been brought · is considered · been done
現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事	have been brought · has finally seen
定語從句 who / which + 從句 — 補充說明人或事物	man who eats · woman who took

需要注意的發音

“sh” 和 “zh” 音: exhibition /ɛksɪˈbɪʃən/, auction /ˈɔkʃən/, recognition /ˌɹɛkəɡˈnɪʃ(ə)n/
長單詞——注意重音位置: exhibition /ɛksɪˈbɪʃən/, ordinary /ˈɔɹdɪnɛɹi/, naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, recognition /ˌɹɛkəɡˈnɪʃ(ə)n/, photography /fəˈtɑ.ɡɹə.fi/

中文母語者容易讀錯的音：

/v/ — 不要讀成 /w/，上齒輕觸下唇: everyday /ˈɛvɹiˌdeɪ/, reveal /ɹɪˈviːl/, achievement /əˈt͡ʃiːv.mənt/, diverse /daɪˈvɜːs/, viral /ˈvaɪɹəl/
詞尾子音 — 要讀清楚，後面不要加母音: photograph /ˈfoʊ.təˌɡɹæf/, chart /t͡ʃɑɹt/, nurse /nɝs/, reflect /ɹɪˈflɛkt/, experiment /ɪkˈspɛɹ.ə.mənt/
/r/ 和 /l/ 的區別: naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, reveal /ɹɪˈviːl/, reflect /ɹɪˈflɛkt/, remarkable /ɹɪˈmɑɹ.kə.bl̩/, realistic /ˌɹɪəˈlɪs.tɪk/

如何用這段影片練習

先完整聽一遍影片，不要開口，記下不認識的單詞。
用正常速度逐句跟讀，每句重複到你的節奏與說話人一致為止。
錄下自己的聲音並與原聲對比，特別注意 photograph, exhibition, mystery 這類單詞。

什麼是跟讀法？

跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。

影子跟讀法: 閱讀完整分步指南 →

跟讀練習: RE3 Unit 11B - 通過影片學習英語口語

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